Advertise on podcast: Arts Interview with Nancy Kranzberg

Rebekah Scallet, Artistic Director for the New Jewish Theatre in St. Louis, stopped by to talk with Nancy about the theatre, her career and the upcoming season which starts near the end of March 2024. Rebekah Scallet is a stage director, educator, and arts leader. She is currently the Artistic Director for the New Jewish Theatre in St. Louis, and is the past Producing Artistic Director for the Arkansas Shakespeare Theatre.  She believes in a theatre that is imaginative, interactive, and accessible for all, and one that can and should play a role in bringing communities together and making them stronger.

Larry Morris is the Director of Artists in Residency for the Kranzberg Arts Foundation. He is also the Vocalist/MC for St. Louis music legends, Illphonics. He stopped by to speak with Nancy about the program. ———   The Kranzberg Arts Foundation has long been a major patron of the arts in St. Louis and is committed to aligning their resources to aid in and advance the flourishing renaissance of the arts in the St. Louis area. Growth in the local arts community is now more vigorous than ever, however, the shortage of affordable artists’ work and presentation spaces has been a clear obstacle in the path of our artists. In consideration of this problem and in support and recognition of St. Louis area artists, the Foundation  is redefining and expanding our short and long-term residency programs. ———    The Foundation hosts partnerships with over 150 arts organizations and presenters in the St. Louis region and provides an intersection of arts  venues and work environments that serve a full range of artistic processes.  ———   Most of their venues are located in the heart of the Grand Center Arts District in Midtown St. Louis and  are surrounded by some of  St. Louis’ most distinguished cultural assets,  including the Fox Theater, St. Louis Symphony, Contemporary Arts Museum,  The Pulitzer Arts Foundation, Jazz St. Louis,  the home of Public Media and so much more. ——— •

Stephanie Weissberg, a curator at the Pulitzer Arts Foundation, stopped by to speak with Nancy about the Pulitzer and the current exhibition, Urban Archaeology: Lost Buildings of St. Louis. About Urban Archaeology: Drawn from the rich collection of the National Building Arts Center (NBAC), Urban Archaeology brings together salvaged architectural elements from landmark buildings, residential homes, and neighborhood institutions built in St. Louis between 1840 and 1950. The artifacts on display represent important histories of material innovation, labor, and the everyday lives of the people who inhabit the city. The exhibition sheds light on the city’s history, revealing complicated legacies of power, wealth, and neglect that shape our experience of the built environment and daily life. By studying St. Louis’s architectural past, Urban Archeology encourages us to imagine new ways of building, keeping, knowing, and inhabiting places. Located in Sauget, Illinois, the National Building Arts Center emerged in response to the rapid economic decline and widespread demolition the city experienced beginning in the 1950s. NBAC has worked over four decades to salvage and preserve significant parts of condemned buildings that would otherwise be completely lost, amassing the largest and most diversified collection of building artifacts in the United States. Urban Archaeology is the most extensive public presentation of NBAC’s collection to date.      

Judith W. Mann, the senior curator of European art to 1800. Since joining the museum in 1988, she has reinstalled the collections of Medieval, Renaissance, Baroque, and 18th-century European painting and sculpture three times, and organized two major international exhibitions. In 2022, the museum will organize a major, international exhibition curated by Mann that examines the art of painting on stone, a practice that flourished in Europe—particularly Italy—in the 16th and 17th centuries. In 2015, the Association of Art Museum Curators and the American Academy in Rome awarded Mann the Samuel H. Kress Foundation AAMC Affiliated Fellowship in order to allow her to continue her research into painting on stone in Rome.——- Mann curated “Orazio and Artemisia Gentileschi: Father and Daughter Painters in Baroque Italy,” which opened at Rome’s Palazzo Venezia and later was seen at the Metropolitan Museum of Art and the Saint Louis Art Museum, as well as the 2012 exhibition “Federico Barocci: Renaissance Master,” which was presented at the Saint Louis Art Museum and the National Gallery, London. In recognition for her scholarship relating to the Barocci exhibition and catalogue, Mann received the Association of Art Museum Curators’ Outstanding Monographic Exhibition Award. She holds a graduate degree and doctorate from Washington University.

Danny Williams became The Rep’s Managing Director in January 2022.  An experienced arts administrator, Danny has expertise in nonprofit accounting, senior management, and organizational development.  Prior to joining The Rep, Danny worked at The Public Theater in New York, where he served in various roles since 2006. Most recently, as Senior Director, Finance and Administration, he managed the daily and strategic financial operations of the $50 million nonprofit organization, successfully launched an organization-wide intranet, partnered with the development team to achieve fundraising goals, and collaborated on long-term financial planning and analysis, including cash investment strategies, budget analysis, and project management.  Noteworthy and favorite productions include Broadway productions of Fun Home, Eclipsed, Hamilton, and Hair along with Off-Broadway productions of Here Lies Love, Into the Woods, Twelfth Night, As You Like It, White Noise, and Rock Bottom.  

Independent artist, Melody Evans, stopped by to speak with Nancy about her life, art, and works.  Melody Evans studied for four years at the San Antonio School of Art and Craft and started her career as a potter but soon moved into making sculpture, large scale installations and drawings with collage and digital manipulations. This change coincided with her pursuit of a Master’s degree in the influential area of Northern California.  Evans studied with nationally acclaimed artists Robert Brady and Stephen Kaltenbach, and has received numerous awards in her career; including first place in the National Visions in Clay

Will Henton stopped by to speak with Nancy about his life, works and about the arts scene in St. Louis. Will is a Senior engineer / Thermal Lead for both F-15 and AV-8B programs specializing in avionics cooling distribution analysis, avionics thermal qualification testing, and overall aircraft thermal environments.

Pianist Adam Maness stopped by to speak with Nancy about the goings on in his life and his work.  Open Studio is an online collection of online lessons on jazz performance and theory.  As Open Studio's Creative Director, Adam Maness develops the curriculum of all of the courses, in addition to teaching his own popular course like Magic Voicing System, Piano Fingering Independence and more. Adam is a versatile pianist, arranger, composer, and producer whose performances, original compositions, and arrangements have been featured on numerous recordings and on national and international radio and television broadcasts. Adam co-hosts the Open Studio podcast "You'll Hear It" with Peter Martin. Adam leads his new dynamic modern string orchestra Pop! Pop! Pop! Pop! Pop! Pop! aims to celebrate the beauty and diversity of the popular song. This joyful collection of musicians never stops seeking out new ways of exploring the timeless songs that make up our shared musical identity.

Bree Maniscalco, Executive Director of Cinema St. Louis, stopped by to speak with Nancy about the organization's happenings including the St. Louis International Film Festival, which runs Nov 9-19th this year. The festival kicks off on Thursday, November 9th, celebrating 50 Years of Hip-Hop with a tribute to the Hi-Pointe Cafe's pivotal role in shaping hip-hop's history, showcasing the city's significant influence in its evolution. Attendees will be treated to a cocktail reception, engaging conversations, and a special screening of the 1990 film, "House Party," directed by East St. Louis’ own, Reginald Hudlin.  CSL’s Executive Director, Bree Maniscalco, shared, "As we celebrate our first festival at the Hi-Pointe Theatre, we wanted to pay tribute to the Hi-Pointe neighborhood and honor those who made Hip-Hop what it is today. Mondays at the Hi-Pointe Cafe holds a special place in many people’s hearts, and we’re looking to bring it back to kick things off in style for this year’s Fest.” This year's festival promises a variety of exclusive events, screenings, enlightening post-film Q&A sessions, and illuminating masterclasses dedicated to addressing industry-relevant topics. SLIFF received an impressive 2,419 submissions, marking the festival's 32nd anniversary with record-breaking enthusiasm. SLIFF's dedicated team of programmers, hailing from diverse backgrounds, meticulously curated a selection of 278 films that underscore the transformative power of cinema.    

An American poet and artist, Sally Van Doren is the author of four poetry collections, Sibilance, (LSU Press 2023) Promise, (2017) Possessive, (2012) and Sex at Noon Taxes (2008) which received the Walt Whitman Award from the Academy of American Poets. Her poems have been featured by NPR, PBS, The Poetry Foundation, American Life in Poetry, and Poetry Daily, and nominated for a Pushcart Prize. Her poetry has appeared widely in national and international publications such as American Letters and Commentary, American Poet, Barrow Street, Boulevard, Cincinnati Review, Colorado Review, Crazyhorse, december, Lumina, The Moth, The New Republic, Poetry Ireland Review, Poetry London, Southern Review, Southwest Review, Verse Daily and Western Humanities Review. Her ongoing poetic memoir, The Sense Series, served as the text for a multi-media installation at the Contemporary Art Museum St. Louis. ------ As a practicing visual artist, Van Doren formalized her training at Hunter College and The School of Visual Arts in New York. She has had solo exhibitions at Furnace Art on Paper Archive and other venues and participates in group shows regularly. Her work is held in distinguished private and corporate collections, including a print commission for each guest room for the Hotel Downstreet in North Adams, MA.  Her art appears on the cover of The Difference is Spreading: Fifty Contemporary Poets on Fifty Poems (UPenn Press 2022) and in literary magazines such as The Nashville Review and 2River. ------ A graduate of Princeton University (BA) and University of Missouri-St. Louis (MFA), Van Doren has taught poetry workshops for a variety of educational institutions, among them the 92nd Street Y, the St. Louis Public Schools, Washington University in St. Louis, the St. Louis County Juvenile Detention Center and Scoville Memorial Library. She curated the Sunday Poetry Workshops for the St. Louis Poetry Center and serves on the board of the Five Points Center for the Visual Arts in Torrington, CT. A native St. Louisan, she works from her studio in West Cornwall, CT. -------

Established in 1846 by civic leaders and philanthropists, the Mercantile exists today as a vibrant community and cultural asset. It is the oldest library west of the Mississippi and the grandparent of St. Louis cultural institutions. ------ The task of the Mercantile Library as a research library is to make its collections, which have come to concentrate on Western Expansion and the history, development, and growth of the St. Louis region and of the American rail and river transportation experiences, available to the widest number of local and national users. -----

Franki Cambeletta/Co-Founder-Owner of the Haunted Garage podcast stopped by to speak with Nancy about the podcast and the related Horror Film Festival at the Hi-Point on Oct 5-7.  Haunted Garage is a paranormal podcast dedicated to transportation. Focusing on haunted cars, trains, busses, motorcycles and beyond. ------