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Our I Love the 90s series lands on 1999, the year Regis wanted your final answer, Brandi Chastain's penalty kick won the World Cup, and everyone was trying to catch 'em all. Don and Dude split the TRL countdown between pop and nu-metal, pairing five Orlando harmonizers with a red-capped Jacksonville crew mixing turntables and seven-string riffs. The Albums Backstreet Boys – Millennium (1999) Nick Carter, Howie Dorough, AJ McLean and cousins Brian Littrell and Kevin Richardson got together in Orlando in 1993. Lou Pearlman had put out an ad looking for a group with a New Kids on the Block look and a Boyz II Men sound. The album came after a hard stretch: Brian had heart surgery, the band lost family members, producer Denniz Pop died, and the group sued Pearlman. Max Martin wrote or co-wrote seven of the twelve songs, recording mostly in Stockholm with Kristian Lundin and Rami Yacoub. Mutt Lange, Stephen Lipson and Eric Foster White shaped much of the second half, and Brian and Kevin did more of the writing this time. Limp Bizkit – Significant Other (1999) Fred Durst, Sam Rivers and John Otto started the band in Jacksonville in 1994, and Wes Borland and DJ Lethal completed the lineup. Durst met Korn's Fieldy while working as a tattoo artist, and that connection helped get them noticed. Terry Date, known for his work with Pantera, Soundgarden and Deftones, produced the album with the band in New York and Los Angeles. They kept the debut's rap-metal formula and added funk, melody, turntables and skits. Guests included Method Man, Jonathan Davis, Scott Weiland and Aaron Lewis. Diggin' Albums Ian Noe – Canyon Falls Trailer Band (2026) The Eastern Kentucky singer-songwriter finishes his trilogy with a 16-song double concept album about a made-up hometown band traveling to Nashville to try for a record deal. Red Hot Chili Peppers – Californication (1999) John Frusciante's return and Rick Rubin's production steered the band toward a more melodic, vulnerable sound on what became their best-selling album. Blossoms – Songs From the Wedding Cake (2026) The Stockport indie pop band's sixth album is named after the local nickname for the town hall where Tom Ogden got married, and it was recorded on analog tape with more 80s funk, disco and dance influence. Johnny Marr – The Age of Everything (2026) On his fifth solo album, co-written and co-produced with James Doviak, the former Smiths guitarist deals with feeling overwhelmed by technology and modern life while still sensing possibility. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, email your own favorites to [email protected], and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "Fear is the path to the dark side. Fear leads to anger. Anger leads to hate. Hate leads to suffering." - Yoda (Frank Oz), Star Wars Episode I: The Phantom Menace (1999)

Our I Love the 90s series lands on 1998, the year Seinfeld signed off, McGwire and Sosa chased the home run record, and every kid wanted a Furby. Don and Dude take on country and post-grunge, pairing a Texas trio bringing banjo and fiddle back to country radio with a Boston band mixing heavy riffs, witchcraft and movie samples. The Albums The Chicks – Wide Open Spaces (1998) Sisters Martie and Emily Erwin started the group in Dallas in 1989 as the Dixie Chicks. After Laura Lynch left in 1995, Lubbock steel guitarist Lloyd Maines recommended his daughter Natalie as their new singer. Paul Worley and Blake Chancey produced the album, mostly at Nashville's Westwood Studio. It was Natalie's first record with the band, and it put Martie's fiddle and mandolin, Emily's banjo and dobro, and their three-part harmonies up front. The songs came from writers like Susan Gibson, Radney Foster and Bonnie Raitt. Godsmack – Godsmack (1998) The band formed around Boston in 1995, when former drummer Sully Erna moved to lead vocals alongside Robbie Merrill, Tony Rombola and Tommy Stewart. They first recorded the album as All Wound Up... at Mudrock's New Alliance Studios for roughly $2,600 and put it out themselves in 1997. After Republic/Universal signed them, it was remixed and reissued. The sound draws on Alice in Chains and Metallica, adding movie dialogue, tribal percussion and songs about Wiccan ritual. Diggin' Albums HOL1D4Y – TOPOLOGY (2026) Rival Sons guitarist Scott Holiday sings lead for the first time on a psychedelic solo debut of fuzz guitars and vintage synths, shaped by his recovery from a severe bike accident. Pearl Jam – Yield (1998) The band's fifth album, produced with Brendan O'Brien, went back to more direct rock after No Code, with all five members bringing songs to the sessions. Beck – Ride Lonesome (2026) Beck's first album in seven years is a slow, mostly acoustic record shaped by his divorce and getting older, often called the last part of a heartbreak trilogy with Sea Change and Morning Phase. Matt Berninger – Type It Up (2026) The National's frontman offers a surprise five-song EP that pairs three songs he worked out on stage during the Get Sunk tour with covers of New Order and The Velvet Underground. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, email your own favorites to [email protected], and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "Oh man! How'd you get the beans above the frank?" - Charlie (Keith David), There's Something About Mary (1998)

Our I Love the 90s series lands on 1997, the year Titanic and As Good as It Gets arrived in theaters and Tiger Woods won his first Masters. Don and Dude take on "the rest" and rock, pairing a gathering of Cuban musical veterans celebrating their country's traditions with a metal heavyweight chasing bluesy riffs and unexpected sounds. The Albums Buena Vista Social Club – Buena Vista Social Club (1997) Assembled for these sessions rather than a standing band, the group came together through Juan de Marcos González, with Compay Segundo guiding the repertoire, Ibrahim Ferrer pulled back from shining shoes, pianist Rubén González out of retirement, Eliades Ochoa bringing eastern Cuba's country music, and Omara Portuondo on the only female lead vocal. After visa problems kept the originally planned Malian players away, Ry Cooder and World Circuit's Nick Gold changed course, cutting about a week of dance songs, boleros and instrumentals at Havana's EGREM studios in 1996, mostly live in the room. Metallica – Reload (1997) Sixteen years after Lars Ulrich and James Hetfield met through a newspaper ad, the lineup with Kirk Hammett and Jason Newsted had moved from thrash through the Black Album into the blues and alternative rock of Load. Reload came from those same Bob Rock sessions in Sausalito, built from songs left unfinished and reworked in 1997 with heavier grooves, contrasting guitars, a Marianne Faithfull guest vocal, and stray hurdy-gurdy and violin. Diggin' Albums Stanley Simmons – Dancing While the World Is Ending (2026) Evan Stanley and Nick Simmons, sons of KISS members Paul Stanley and Gene Simmons, skip arena metal for a Rob Cavallo produced debut steeped in '70s folk, Americana and roots rock. Creed – My Own Prison (1997) The Tallahassee band's roughly $6,000 debut, self-released before Wind-up remixed it, turned Scott Stapp's songs about faith, guilt and redemption into one of late-'90s post-grunge's defining records. Bloc Party – Anatomy of a Brief Romance (2026) The British indie rock band's seventh album, produced by Trevor Horn, wraps Kele Okereke's account of a new romance after a long separation in synth-heavy arrangements. The Proclaimers – You May Offend (2026) Scottish brothers Craig and Charlie Reid return with their thirteenth studio album and first since 2022's Dentures Out, taking on contemporary Britain and freedom of speech. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, email your own favorites to [email protected], and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "You'll have bad times, but it'll always wake you up to the good stuff you weren't paying attention to." - Sean Maguire (Robin Williams), Good Will Hunting (1997)

Continuing our I Love the 90s series, we move on to 1996, the year the Atlanta Olympics captivated the country and Bill Clinton edged out Bob Dole to win a second term in the White House. Don and Dude drop the needle on one studio album from festival rock royalty and one alt hip hop record that became a crossover phenomenon, connecting both records to a world of holiday shoppers fighting over Tickle Me Elmo, scientists cloning a sheep named Dolly, and dance floors everywhere catching the Macarena. The Albums Phish – Billy Breathes (1996) Formed in Burlington, Vermont in 1983 around guitarist Trey Anastasio, bassist Mike Gordon, drummer Jon Fishman and keyboardist Page McConnell, Phish built a devoted touring and tape trading fan base well before recording its sixth studio album at Bearsville Studios in the Catskills between February and June 1996. Producer Steve Lillywhite, brought in partway through on Dave Matthews' recommendation despite never having heard the band, helped steer Phish toward shorter, more direct and emotionally exposed songwriting, a marked shift from their denser earlier records. Fugees – The Score (1996) Formed by Wyclef Jean, Lauryn Hill and Pras Michel out of New Jersey's hip hop scene in the early 1990s, the Fugees followed their inconsistent 1994 debut Blunted on Reality with a major creative reset, taking greater control of their sound and recording much of the follow up in Wyclef's cousin's New Jersey basement. Released February 13, 1996, The Score fused hard edged East Coast rap with reggae, soul, R&B and live instrumentation, with Lauryn Hill's ability to move between rapping and singing becoming central to the group's identity. Diggin Albums Mastodon – Marrow Deep (2026) Atlanta metal band Mastodon's first album without founding guitarist Brent Hinds, who died in 2025, leans on Greek mythology to explore life, death and destiny, with guests including Josh Homme, Geezer Butler and Randy Blythe. Stone Temple Pilots – Tiny Music...Songs from the Vatican Gift Shop (1996) San Diego's Stone Temple Pilots traded the grunge weight of Core and Purple for brighter guitars, psychedelic textures and glam swagger on this Brendan O'Brien produced left turn, spinning off Mainstream Rock No. 1s in "Big Bang Baby," "Trippin' on a Hole in a Paper Heart" and "Lady Picture Show." Dexys Midnight Runners – Love (2026) The English band fronted by Kevin Rowland, best known for "Come On Eileen," release their first album under the full Dexys Midnight Runners name since 1985, a David Holmes produced record built around stories from Rowland's own life. Dinosaur Jr. – There Near (2026) The Amherst, Massachusetts trio's thirteenth studio album was made in short bursts over about a year, with J Mascis reportedly reaching for the same vintage amp from their mid 1980s debut to chase a rawer, more fuzzed out guitar sound. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, email your own favorites to [email protected], and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "There's more to life than a little money, you know. Don'tcha know that? And here ya are, and it's a beautiful day. Well, I just don't understand it." - Marge Gunderson (Frances McDormand), Fargo (1996).

Continuing our I Love the 90s series, we move on to 1995, the year the O.J. Simpson trial ended with a verdict that split the country in two and Beanie Babies turned into an overnight playground obsession. Don and Dude drop the needle on one arena ready rock record still riding grunge's fading wave and one horn driven pop album born out of a breakup happening inside the band itself, connecting both records to a world of Microsoft rolling out Windows 95, Pixar's Toy Story becoming the first fully computer animated feature film, and Cal Ripken Jr. breaking a fifty six year old baseball record with his 2,131st straight game. The Albums Collective Soul – Collective Soul (1995) Ed Roland, a preacher's son from Stockbridge, Georgia, wrote around 35 songs for this self titled follow up to the surprise hit Hints, Allegations and Things Left Unsaid (1993), trimming them to 12 and recording with brother Dean Roland, Ross Childress, Will Turpin and Shane Evans in about five weeks with producer Matt Serletic. Known as the Blue Album, it built melodic hard rock and grunge era guitars around strings and gospel style backing vocals on singles like "December," "The World I Know" and "Where the River Flows," going triple platinum and spending 76 weeks on the Billboard 200. No Doubt – Tragic Kingdom (1995) Formed in Anaheim out of Southern California's ska scene, No Doubt had already survived the death of co-founder John Spence and a commercially disappointing debut before Gwen Stefani, Tony Kanal, Tom Dumont and Adrian Young made Tragic Kingdom, produced by Matthew Wilder across eleven Los Angeles studios over roughly two and a half years. Stefani's songwriting turned unusually personal after her real life breakup with bassist Kanal, and the album folded ska, new wave, punk, reggae and funk into massive pop hooks on singles like "Just a Girl," "Spiderwebs" and "Don't Speak," eventually spending nine weeks at number one and closing out 1997 as the second best selling album of the year. Diggin Albums Collective Soul – Touch and Go (2026) Collective Soul's 13th studio album finds Ed Roland trading the band's usual melodic hard rock for a Cars inspired, new wave leaning sound across ten songs including "Rainbow," "Eye On You," "Uh Oh" and "Love Your Way." Matthew Sweet – 100% Fun (1995) The Nebraska born power pop songwriter's fifth album, produced by Brendan O'Brien after Sweet asked for something stronger and simpler than the murkier Altered Beast, paired grinding guitars and powerful drums with his usual chiming melodies and dark relationship lyrics. Graham Hunt – American Pyramid (2026) The Wisconsin based indie rock musician's sixth full length, and his first made in a proper studio, moves away from years of home recording as he brings an eight piece band to Pachyderm Studio in Minnesota. Cage the Elephant – "Beaches in Tennessee" (2026) single The Bowling Green, Kentucky band's first new music since 2024's Neon Pill and first release for Big Loud Rock turns a difficult personal experience into a lighter, fictionalized single produced by Justin and Jeremiah Raisen, known together as SADPONY. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, email your own favorites to [email protected], and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "I feel like such a heifer. I had two bowls of Special K, three pieces of turkey bacon, a handful of popcorn, five peanut butter M&M's, and like three pieces of licorice." - Cher Horowitz (Alicia Silverstone), Clueless (1995).

Don and Dude step away from the I Love the 90s series for a guest appearance on The Retro Nostalgia Podcast with Chad and Cristina. They all pick teams of classic one hit wonders spanning three decades, working from VH1's ranked list of the genre's biggest names. The Draft Selections on the table range from A-ha's "Take On Me" and Sinéad O'Connor's "Nothing Compares 2 U" to Dexys Midnight Runners' "Come On Eileen," Blind Melon's "No Rain," Faith No More's "Epic" and Tommy Tutone's "867-5309/Jenny." The four hosts spar over which tracks earned their staying power and which acts got unfairly stuck with a single hit, trading stories about record shopping and watching music videos growing up. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. Check out the Retro Nostalgia Podcast https://linktr.ee/RetroNostalgiaPodcast "The one-hit Wonders. A very common tale." - Mr. White (Tom Hanks), That Thing You Do! (1996).

Continuing our I Love the 90s series, we move on to 1994, the year a white Bronco led police across Los Angeles and Tonya Harding's camp clubbed Nancy Kerrigan's leg ahead of the Lillehammer Olympics. Don and Dude drop the needle on one stripped down country comeback and one guitar heavy alternative rock debut, connecting both records to a world of the World Cup landing on American soil, Friends premiering on NBC, and Woodstock '94 turning to mud in upstate New York. The Albums Johnny Cash – American Recordings (1994) After Columbia dropped him and his career went cold, Rick Rubin promised Cash total creative freedom and recorded him alone with just his acoustic guitar, moving from the murder ballad "Delia's Gone" through Nick Lowe's "The Beast in Me" and Glenn Danzig's "Thirteen" to Loudon Wainwright III's "The Man Who Couldn't Cry." The stark, one guitar sound won a Grammy for Best Contemporary Folk Album and launched a series of Rubin produced records that carried through the rest of Cash's life. Bush – Sixteen Stone (1994) Formed in London by Gavin Rossdale and Nigel Pulsford, Bush built their debut at Westside Studios with producers Clive Langer and Alan Winstanley, filtering American grunge through Rossdale's love of the Pixies and David Bowie across singles like "Everything Zen," "Comedown," "Machinehead" and "Glycerine." Released in the U.S. in November 1994 and quickly compared to Nirvana, it became one of the best selling rock debuts of the decade. Diggin Albums Neurosis – An Undying Love for a Burning World (2026): The Oakland post metal band's first album in a decade, released as a surprise in March, adds Isis's Aaron Turner to the lineup and turns personal upheaval, isolation and climate despair into crushing, cathartic music across eight songs. Pearl Jam – Vitalogy (1994): Pearl Jam's third album trades the polished accessibility of Ten and Vs. for a more abrasive, experimental sound that balances hooks like "Corduroy" and "Better Man" against the band's growing discomfort with fame. Black Marble – Life in Small Spaces (2026): Chris Stewart's fifth Black Marble album, and his first full length since 2021's Fast Idol, is another entirely self written, performed and recorded entry in his long running synth and cold wave project. Neo Dimes – Alone (2026): Denver musician Stephen Edmunds's debut full length as Neo Dimes blends darkwave, industrial rock and synthpop textures born from becoming a father and losing his job at the same time, feeding an album focused on isolation, technology and grief. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "I don't know if we each have a destiny, or if we're all just floating around accidental-like on a breeze, but I think maybe it's both." - Forrest Gump (Tom Hanks), Forrest Gump (1994).

Continuing our I Love the 90s series, we move on to 1993, when the World Wide Web quietly slipped into the public domain and Michael Jordan stunned the sports world by walking away from the Chicago Bulls at the height of his powers. Don and Dude drop the needle on one lush adult contemporary album and one shape shifting electronic rock release that show how differently each genre chased the decade's changing mood, The Albums Sting – Ten Summoner's Tales (1993) After the heaviness of his father haunted The Soul Cages (1991), Sting settled into a new manor house in the English countryside and set up a portable mixing console in his own dining room, recording live with his touring trio of guitarist Dominic Miller, drummer Vinnie Colaiuta and keyboardist David Sancious. The album opens with the meditative "Prologue (If I Ever Lose My Faith in You)," moves through the pastoral "Fields of Gold" and the card playing ballad "Shape of My Heart" co-written with Miller, before closing on the tongue in cheek "Epilogue (Nothing 'Bout Me)." Produced by Sting and longtime collaborator Hugh Padgham, and titled as a play on his birth name Sumner, Ten Summoner's Tales became one of his most commercially successful solo records, proving sophisticated adult contemporary songwriting could thrive alongside the era's grunge and hip hop dominance. Depeche Mode – Songs of Faith and Devotion (1993) Following the massive success of Violator (1990), Depeche Mode regrouped in a rented Madrid villa before finishing sessions in Hamburg and London with producer Flood, pushing their sound toward heavier live instrumentation, guitars and gospel textures without abandoning their electronic core. The album opens with the distorted, feedback driven single "I Feel You," moves through the gospel infused "Condemnation" and the melodic "Walking in My Shoes," before closing on the atmospheric "Higher Love." Recorded during a period of serious personal strain within the band, Songs of Faith and Devotion became Depeche Mode's first album to top both the UK and US charts, cementing their shift from synth pop pioneers toward something closer to arena rock. Diggin Albums DOMi & JD Beck – WHO ASKED? (2026): The French-American jazz duo's second album, released on Anderson .Paak's APESHIT label in partnership with Blue Note Records, pulls back from the guest heavy approach of their Grammy nominated debut to expand into orchestral players, vocals and shifting time signatures for a dense yet playful record. Nirvana – In Utero (1993): The Seattle trio's third and final studio album, produced by Steve Albini at Pachyderm Studio in Minnesota, trades the polished sound of Nevermind for something rawer and more abrasive on tracks like "Heart-Shaped Box," "Rape Me" and "All Apologies." The Spongetones – "Lifetimelines" (2026): The long running Charlotte, North Carolina power pop band's new single, produced by bandmate Jamie Hoover, is a personal song from bassist Steve Stoeckel written in the months after he survived a heart attack in April 2025. Whalebone – "Possibilities" (2026): The British acoustic guitar duo's new single, from the prolific Shropshire pair known for nature and folklore inspired instrumental music, came together the way much of their catalog does, with the pair following the mood of a melody wherever it led. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "Tell 'em the law's coming. You tell 'em I'm coming, and hell's coming with me, you hear? Hell's coming with me!" - Wyatt Earp (Kurt Russell), Tombstone (1993).

Continuing our I Love the 90s series, we move on to 1992, when Batman Returns and Wayne's World ruled the multiplex and Bill Clinton got saxy on The Arsenio Hall Show. Don and Dude drop the needle on one gritty, G funk hip hop album and one crushing heavy metal release that show the evolution of both genres, connecting both records to a world of the Dream Team dominating the Olympics, Mortal Kombat draining quarters at the arcade and Johnny Carson signing off from The Tonight Show. The Albums Dr. Dre – The Chronic (1992) After leaving Ruthless Records and co-founding Death Row Records with Suge Knight, Dr. Dre used his solo debut to introduce G-funk, building slow, heavy grooves from Parliament-Funkadelic samples, live keyboards and Moog synthesizer lines. The album opens with the mission-statement intro "The Chronic," moves through the diss track "F**k wit Dre Day," the cruising anthem "Nuthin' but a 'G' Thang" that introduced Snoop Doggy Dogg, and the Grammy winning "Let Me Ride," before closing on the hidden bonus cut "Bitches Ain't Shit." Shaped by the tension of the 1992 Los Angeles riots and Dre's split from Ruthless, The Chronic plays as a genre defining record that launched Snoop's stardom and set the template for West Coast hip hop. Megadeth – Countdown to Extinction (1992) Formed by Dave Mustaine after leaving Metallica, Megadeth used its fifth album, produced by Max Norman and released July 14, 1992 on Capitol Records, to trade pure thrash speed for tighter song structures and broader themes of war, addiction and environmental destruction. The record opens with the aggressive "Skin o' My Teeth," moves through the signature single "Symphony of Destruction," the internally conflicted "Sweating Bullets," and the farm crisis ballad "Foreclosure of a Dream," before closing on the ambitious, thrash leaning "Ashes in Your Mouth." Recorded in Los Angeles the same week as the Rodney King riots, Countdown to Extinction hit No. 2 on the Billboard 200 and became Megadeth's commercial breakthrough, proving technical metal could thrive alongside grunge. Diggin Albums Finn Wolfhard – Fire From The Hip (2026): The Stranger Things actor's second solo album, co-written and co-produced with Clay Frankel, Cadien Lake James and Colin Croom, pairs bright, hook filled indie rock guitars with introspective songwriting about growing up and changing relationships. Jeffrey Gaines – Jeffrey Gaines (1992): The Harrisburg singer songwriter's self-titled debut, produced by David Kershenbaum, introduced his soulful blend of acoustic driven rock, heartfelt ballads and expressive vocals on standout tracks like "Hero in Me" and "Headmasters of Mine." Echo & the Bunnymen – Apples for Isaac (2026): The Liverpool post punk band's first collection of new songs since 2014's Meteorites, produced by Ian McCulloch, features drumming from Blondie's Clem Burke on ten of its eleven tracks, recorded before his death in 2025. Billy Strings – So Much for Goodbyes (2026): The flatpicking bluegrass guitarist's new album, produced alongside T Bone Burnett in their first collaboration together, is dedicated to his late mother Debra Apostol, whose own artwork appears on the cover. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "Are you crying? Are you crying? ARE YOU CRYING? There's no crying! THERE'S NO CRYING IN BASEBALL!" - Jimmy Dugan (Tom Hanks), A League of Their Own (1992).

Continuing our I Love the 90s series, we move on to 1991, when kids lined up for Sonic the Hedgehog on Sega Genesis while nightly newscasts tracked the crumbling Soviet Union. Don and Dude drop the needle on one polished R&B and soul album and one heavy, alternative release that helped define the decade's sound, connecting both records to a world of Terminator 2 topping the box office, dial up bulletin boards and flannel becoming a fashion statement. The Albums Michael Jackson – Dangerous (1991) Michael Jackson's eighth studio album marked his first major release not built around the Quincy Jones partnership, moving deeper into Teddy Riley's New Jack Swing while still keeping rock, gospel and widescreen pop in the mix. Opening with the hard, compressed groove of "Jam" featuring Heavy D, the record moves through the confessional soul of "Remember the Time," the Slash powered rock detour "Give Into Me," and message songs like "Black or White" and "Heal the World" before closing on the theatrical title track. At nearly 80 minutes across fourteen songs, Dangerous plays as a restless, ambitious time capsule of early 1990s R&B, pop and social commentary. Soundgarden – Badmotorfinger (1991) Seattle sound architects Soundgarden built their third album around unusual time signatures, drop tunings and Chris Cornell's four octave vocal range, with new bassist Ben Shepherd pushing the classic lineup into more collaborative songwriting. Produced by Terry Date and released in October 1991 alongside Nevermind, Ten and Blood Sugar Sex Magik, the record opens with the shape shifting "Rusty Cage" and moves through the radio breakthrough "Outshined," the controversial "Jesus Christ Pose" and the horn laced "Room a Thousand Years Wide" before ending on the slow, unsettling "New Damage." Heavier and stranger than its Seattle peers, Badmotorfinger became the blueprint for everything Soundgarden built afterward. Diggin Albums Dead Pioneers – Wagon Burner (2026): The Denver punk band fronted by Gregg Deal pushes past its hardcore roots into heavier riffs and wider atmosphere while keeping its Indigenous rooted, confrontational social commentary intact. Andy Shauf – The Neon Skyline (2020): The Canadian singer songwriter's largely self performed concept album follows a single bar room night confronting an old flame through warm chamber pop arrangements built on memory, regret and missed opportunities. Charli xcx – Music, Fashion, Film (2026): Coming off brat and her Wuthering Heights scoring work, the British pop artist reteams with A. G. Cook and composer Finn Keane on a seventh album that crosses her music, style and cinema worlds behind cover art pairing John Cale, Marc Jacobs and Martin Scorsese. Robyn Hitchcock – Stranded in the Future (2026): The British singer songwriter's second memoir, written and illustrated by Hitchcock himself, traces his teenage and early adult years from 1968 to 1978 as he discovers music and forms the Soft Boys. Follow & Support Follow the show on Instagram, Facebook, Threads and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "Hasta la vista, baby." - The Terminator (Arnold Schwarzenegger), Terminator 2: Judgment Day (1991).

Kicking off our I Love the 90s series, we rewind to 1990, when kids played GameBoy while parents watched Twin Peaks. Don and Dude drop the needle on one groundbreaking electronic album and one guitar driven rock release that set the tone for the decade to come, connecting both records to a world of slap bracelets, Pretty Woman at the box office and cassette mixtapes traded on school buses. The Albums Enigma – MCMXC a.D. (1990) Romanian German producer Michael Cretu built this project in Ibiza as an anonymous, continuous listening experience, weaving Gregorian chant samples, hip hop drum programming, whispered French vocals and ambient synth textures into one sensual, spiritual song cycle with Sandra Cretu and Frank Peterson. Anchored by the global hit "Sadeness," the album moved from a spoken, meditative opening through guilt, confession and a soulful, Ganges inspired close, proving electronic music could work as a full album statement rather than a string of club singles. Extreme – Extreme II: Pornograffitti (1990) Boston band Extreme, led by guitarist Nuno Bettencourt and singer Gary Cherone, opened their second album with the nearly seven minute funk metal statement "Decadence Dance" before moving through horn driven grooves like "Get the Funk Out" and socially pointed rockers into two stripped down acoustic songs, "More Than Words" and "Hole Hearted," that became the record's biggest hits. Produced by Michael Wagener, Pornograffitti (subtitled A Funked Up Fairy Tale) fused glam era hooks with funk, blues and progressive touches, turning themes of excess, money and empty relationships into a genre jumping 1990 snapshot of rock just before the grunge shift. Diggin Albums Anthrax – Cursum Perficio (2026): Thrash pioneers Anthrax return with their first album since 2016's For All Kings, pairing classic crushing riffs and sharp rhythms with career spanning, socially aware songwriting. Alice in Chains – Facelift (1990): Alice in Chains' debut introduced the Seattle band's heavier, more metallic strain of grunge through Jerry Cantrell's crushing riffs and his eerie vocal interplay with Layne Staley. Jacqui Hunt – Desiderium (2026): Single Gun Theory and Delerium veteran Jacqui Hunt blends electronic textures, piano and voice with husband Brian Conolly into a reflective meditation on grief and distance. The New Pornographers – The Former Site Of (2026): The Canadian indie rock collective's tenth album, led by A.C. Newman alongside Neko Case and Kathryn Calder, tells short story style songs about people pushed to emotional and societal extremes. Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. "I'm funny how, I mean funny like I'm a clown, I amuse you?" - Tommy DeVito (Joe Pesci), Goodfellas (1990)

Our final stop on our Summer in the Cities tour is Chicago, where lakefront winds, crowded L tracks and glowing dive bars color the music echoing from basements, rehearsal halls and neighborhood clubs. Don and Dude drop the needle on two Chicago born records that traced how the city’s grit, pride and restless motion pressed into soul and horn heavy rock, turning street level stories and late night jams into full album statements. The Albums Curtis Mayfield – Super Fly (1972) Curtis Mayfield used his Chicago roots and Curtom studio band to craft a tight, cinematic soul and funk set about poverty, drugs and survival, following dealers, hustlers and their victims with smooth grooves, sharp bass lines, orchestral strings and clear eyed lyrics that challenged the blaxploitation film it accompanied. Across love songs, instrumentals and story tracks, he stitched together one flowing portrait of inner city life that felt as much like social commentary as soundtrack. Chicago – Chicago Transit Authority (1969) Chicago’s double length debut captured a seven piece Chicago band fusing blues, jazz and rock with a full horn section, letting Terry Kath’s guitar, Robert Lamm’s songs and James Pankow’s arrangements drive long jams, protest audio and hooky tunes that showed how a loud city rock group with brass could sound before the ballads and soft rock era. The record played like a full tour of late 60s Chicago energy, from club tested covers to politically charged suites tied to the 1968 convention. Diggin Albums Jack White – Frozen Charlotte (2026) Jack White leans into raw, distorted blues rock riffs and theatrical energy on Frozen Charlotte, pushing his solo sound toward louder, more aggressive guitar workouts. Urge Overkill – Rock and Roll Submarine (2011) Urge Overkill returned with crunchy guitars, swagger and melodic hooks on Rock and Roll Submarine, reconnecting their Chicago alt rock grit with a more reflective comeback tone. When in Rome – Illuminations (2026) When in Rome updates their classic 80s synth pop textures on Illuminations, adding more adult, reflective lyrics over glossy keys and programmed beats. Madonna – Confessions II (2026) Madonna revisits continuous club style mixes on Confessions II, teaming with Stuart Price and guests like Sabrina Carpenter and Feid to blend nostalgic dance sounds with stories from her early New York days and present life. Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loved hearing whole albums front to back. “I’m impressed with the people from Chicago. Hollywood is hype. New York is talk. Chicago is work.” – Michael Douglas

Our latest stop on our Summer in the Cities tour is Los Angeles, where sun faded billboards, winding canyons and late night freeways quietly shape the sounds coming out of bedrooms, warehouses and old studios. Don and Dude drop the needle on two Los Angeles born records that trace how the citys haze, tension and restless energy seep into confessional pop and psychedelic rock, turning private struggles and midnight wanderings into full album statements. The Albums Billie Eilish – Hit Me Hard and Soft (2024) Billie Eilish and Finneas turn a Los Feliz home studio into an intimate pop laboratory, stitching close micd vocals, detailed dynamics and slow building arrangements into a tight 10 song journey about queerness, self image, fame and tangled relationships. Quiet folk tinged openings bloom into cinematic swells so naturally that the record plays like one late night emotional arc rather than a stack of singles. The Doors – Strange Days (1967) The Doors deepen their Sunset Strip mythology on Strange Days, draping Jim Morrisons surreal poetry over Ray Manzareks carnival organ, Robby Kriegers fluid guitar and John Densmores jazz steeped drums. Tape effects, early synthesizer experiments and club tested songs about alienation, odd crowds and end of the world tension turn this short, eerie set into one of Los Angeles late 60s cornerstone psychedelic rock albums. Diggin Albums Mary in the Junkyard – Role Model Hermit (2026) London trio Mary in the Junkyard blend indie rock, folk, post punk and art rock into dark fables and richly layered arrangements on their debut Role Model Hermit, marking them as one of Britains most imaginative emerging bands. Red Hot Chili Peppers – Mothers Milk (1989) With John Frusciante and Chad Smith on board, Mothers Milk pairs the Chili Peppers funk energy with heavier guitar and stronger melodies, using songs like Higher Ground and Knock Me Down to launch their shift from cult favorites to mainstream rock forces. Michigander – Over Before You Know It (2026) Jason Singers second full length as Michigander stretches big guitar driven indie rock over reflective lyrics about growing up, doubt and savoring fleeting moments, pushing his once DIY project into full band, arena ready territory. Phoebe Bridgers – Lost Weekend (2026) Los Angeles born Phoebe Bridgers continues her quietly devastating storytelling on third solo album Lost Weekend, folding detailed, intimate songs into a subtly expanded sound that keeps her indie roots while nudging closer to widescreen singer songwriter status. Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. “I love Los Angeles, and I love Hollywood. Theyre beautiful. Everybodys plastic, but I love plastic. I want to be plastic.” – Andy Warhol

Our Summer in the Cities tour follows the highway south to Nashville, where neon honky tonks, studio doors and back porches blur the line between everyday life and song. Don and Dude drop the needle on two Nashville born records that carry the city’s twang, storytelling swagger and late night barroom heart in every riff and chorus. The Albums Dolly Parton – Coat of Many Colors (1971) Dolly Parton turns early 70s Nashville country into a warm, story driven set about childhood, family, faith and finding dignity when money is scarce. Live band arrangements, clear melodies and her unmistakable voice keep the focus on intimate narratives, from the patchwork pride of the title track to gentle hymns to nature and community that show how a Smoky Mountain girl became one of Nashville’s defining storytellers. Kings of Leon – Youth and Young Manhood (2003) Kings of Leon crash the early 2000s garage rock revival with a scruffy Southern slant, bashing out raw guitar tunes steeped in bar band grit and Pentecostal raised intensity. Close mic’d guitars, crowded room sonics and loose, unpolished performances make Youth and Young Manhood feel like a small club set, the sound of a Nashville family band kicking the doors open on the wider rock conversation. Diggin Albums The Pretty Reckless – Dear God (2026) Taylor Momsen and company lean into heavy, grunge tinged hard rock on Dear God, pairing towering choruses and dark, faith questioning lyrics with modern arena ready production for a cathartic, emotionally charged listen. Jeff the Brotherhood – We Are The Champions (2011) Nashville duo Jeff the Brotherhood sharpen their fuzzed out garage attack into hooky, punk driven rock, mixing crunchy riffs, DIY spirit and oddball humor on a set that helped cement their cult favorite status. Muse – The Wow! Signal (2026) English trio Muse return to cosmic, sci fi soaked rock on The Wow! Signal, blending big riffs, industrial textures and sleek electronics while folding in outside voices like Ellie Goulding without losing their maximalist identity. Pixies – Complete B Sides: 1988–97 (remastered 2026) Pixies’ remastered collection of non album cuts and single flips brings their loud quiet dynamics and surreal storytelling back into focus, with fresh vinyl sound and extra live material underscoring how deep their alt rock influence runs. Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing and sharing it with another music obsessive who still loves hearing whole albums front to back. “I belonged to Nashville before I belonged to anyone.” – Brandi Carlile

Our Summer in the Cities tour crosses the Atlantic and rolls into Manchester, where rain‑slick streets, brick mills and crowded terraces shape the sound as much as guitars and drum machines. Don and Dude drop the needle on two albums that channel the city’s gray skies, sharp wit and restless youth into vivid musical cityscapes. The Albums Joy Division – Closer (1980) Joy Division turn late‑70s Manchester’s post‑punk tension into a stark, spacious set about isolation, collapse, and trying to find language for feelings that barely fit inside a song. Martin Hannett’s cold, echoing production, Ian Curtis’s weary baritone, and the band’s tight, minimal playing make Closer feel like a haunted, human swan song where every drum hit and bass line sounds both distant and painfully close. The Smiths – Strangeways, Here We Come (1987) The Smiths close out their run with a more layered, studio‑shaped take on Manchester indie rock, folding piano, keyboards, strings, and bigger guitar sounds into their usual mix of wit and melancholy. Morrissey and Johnny Marr push past jangle pop into richer, stranger territory, delivering a final album that feels ambitious and forward‑looking even as the band quietly splinters behind the scenes. Diggin’ Albums The Lemon Twigs – Look for Your Mind! (2026) New York brothers Brian and Michael D’Addario serve up bright, tape‑warm power pop and psychedelic rock, full‑band performances and intricate harmonies turning their 60s and 70s obsessions into lively, modern heartbreak and anxiety tunes. Billy Idol – Billy Idol (1982) Sneering vocals, Steve Stevens guitar fireworks, and early‑MTV hooks power this debut, where post‑punk attitude and hard rock riffs collide on tracks like White Wedding to turn a former punk frontman into a mainstream rock fixture. Haircut 100 – Boxing the Compass (2026) Sunny British pop outfit reunite with Nick Heyward and core bandmates for a groove‑centered comeback, bright guitar, bass, and percussion lines reviving their new wave and Brit‑funk feel on fresh, good‑natured tunes built for summer playlists. Midge Ure – A Man of Two Worlds (2026) Ultravox frontman and synth‑pop veteran returns with a double album splitting instrumental soundscapes and vocal songs, weaving his classic electronic sensibility into modern, atmospheric arrangements that show both sides of his writing. Follow & Support Follow the show on Instagram, Facebook, Threads, and Bluesky @albumnerds, and support the podcast by subscribing, rating, reviewing, and sharing it with another music obsessive who still loves hearing whole albums front to back. “Manchester’s got everything except a beach.” – Ian Brown