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CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER We’ve seen the movies, now it’s time to get the picks in before the awards! One of us is straight up guessing, the other is playing the odds, but which is which is a new wrinkle. And moreover, we can reflect on a unique set of films showcasing the smaller side of filmmaking this year. We’re getting out Oscar picks in today on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

It’s been a bit since we had an old-fashioned movie disagreement but this one was a bit polarizing. Likely because this was a real curveball from two of our faves, Scorsese and De Niro. The intensity and emotional weight is there, but it’s wrapped in a truly bizarre, sinister comedy that’s just as haunting as it is funny. This movie became much more important after its release, and it sticks with you over time, but you’ll have to see for yourself if you think it’s worth it or not. Just give us one shot on the air and then we’ll gladly go off to jail as we watch Paper Moon on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the song “The Finer Things,” written by Donald Fagen and performed by David Sanborn as part of the soundtrack to The King of Comedy. Copyright 1983 Warner Bros. Records Inc. Excerpt taken from the piece “Burlesque”, written and composed by Mike Figgis for his film Leaving Las Vegas. Copyright 1995 Initial Productions, S.A.

CONTENT WARNING: Discussion of child abuse. Something was in the air in 1973 where people wanted nostalgia and con artists in their films. But while George Roy Hill teamed up with Redford and Newman for the utter perfection of the genre, Peter Bogdanovich followed up one classic film with another underrated gem. Nothing about this movie is particularly remarkable, save the outstanding performance by 9-year-old Tatum O’Neal. Instead, it’s just an aggregate of everyone telling a really good story. I’ll give you this 5 dollar bill rather than the dollar change but you can get a 20 instead as we watch Paper Moon on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the song “Paper Moon”, written and composed by Harold Arlen, Yip Harburg and Billy Rose and performed by Paul Whiteman and his Orchestra with Peggy Healy as vocalist. Excerpt taken from the song “The Finer Things,” written by Donald Fagen and performed by David Sanborn as part of the soundtrack to The King of Comedy. Copyright 1983 Warner Bros. Records Inc.

In a decade of darker, boundary-crossing films, this week’s film is just under the rader for having some of the darkest undertones of all. And that’s beyond the fact that it might be one of the best portrayals of sex workers on screen, refusing to judge its subject on anything but her actual character. I mean, yes she is being stalked by a violent powerful man to get murdered, but it has nothing to do with her means of income. the problem is that this movie is just plain weird, and not for any real reason. But it’s worth the price of admission for Jane Fonda giving an absolutely stunning performance. Sit back and relax and fall lin love with Bree as we watch Klute on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film Klute, composed and conducted by Michael Small. Copyright 1971 Warner Bros. All Rights Reserved. Excerpt taken from the song “Paper Moon”, written and composed by Harold Arlen, Yip Harburg and Billy Rose and performed by Paul Whiteman and his Orchestra with Peggy Healy as vocalist.

Communism! A menace to all god-fearing Americans in the 1960s, a real travesty against society. At least that was the background that this novel and film dropped into to make a much larger point about the horrors of war and trauma. But even more than a knotty, complicated conspiracy thriller, this is a really unique film from an underrated director and shockingly talented cast…for the most part. Frank Sinatra is pulling quadruple duty here with producing, acting, cajoling studio heads, and really, really acting and it pays off in a major way, even if this was a little too weird for the Oscars. Watch out for the Queen of Diamonds this week as we watch The Manchurian Candidate on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film The Manchurian Candidate, written and composed by David Amram. © 1962 Frank Sinatra Trust Number 10. All Rights Reserved. Excerpt taken from the main title to the film Klute, composed and conducted by Michael Small. Copyright 1971 Warner Bros. All Rights Reserved.

It's that time of year - to debate Oscar nominations! Except we haven't seen most of these movies so we have gut reactions to a bunch of things we have little to no business reacting to! Yet! We're talking Oscar nominations this week on Macintosh & Maud Haven’t Seen What?! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive.

1957 came hard for us with the ever-menacing presence of…Andy Griffith? This one is a real underrated gem, a heady brew of media stardom, political power and ego that makes an aimless narcissistic drifter into a king drunk on his sway. Everyone is fantastic in this movie and it has absolutely zero hardware to show for it - a fact that would be utterly shocking if not for the notes we get into with the trivia. Get yourself hyped up with a couple of Vitajex as we discuss A Face in the Crowd on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main title to the film A Face in the Crowd, composed and conducted by Tom Glazer & Budd Schulberg and performed by the Warner Bros. Studio Orchestra. Copyright 1957 Warner Bros. Entertainment Inc. All Rights Reserved. Excerpt taken from the main title to the film The Manchurian Candidate, written and composed by David Amram. © 1962 Frank Sinatra Trust Number 10. All Rights Reserved.

We're coming in this week like a flying saucer into Earth's atmosphere with a movie that's both way ahead of its time and also incredibly dated. Flying saucer movies could be a dime a dozen in the atomic age, but only a few managed to capture the public's imagination like this week's movie. This is the template for a lot of sci-fi to come, even though it suffers from some haphazard execution and some frankly terrible acting. Make sure you're on Gort's good side and don't get vaporized as we discuss The Day the Earth Stood Still on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken "Prelude and Outer Space" from the film The Day The Earth Stood Still, written and composed by Bernard Herrmann and conducted by Joel McNeely. © 1951 Twentieth Century Fox Film Corporation, 2003 Varese Sarabande Records, Inc. Excerpt taken from the main title to the film A Face in the Crowd, composed and conducted by Tom Glazer & Budd Schulberg and performed by the Warner Bros. Studio Orchestra. Copyright 1957 Warner Bros. Entertainment Inc. All Rights Reserved.

Next up in the Oscar Snubs is the paragon of fast-talking screwball comedies. Except that this movie might be too fast. That's right, when you tell five jokes in 30 seconds, and they're all dated back to the late 30's, at some point you're no longer funny, you're exhausting. It's impeccably executed, but utterly meaningless, and by the end you're just happy to turn the movie off. Lock up your rollaway desks as we discuss His Girl Friday on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the main titles to the film His Girl Friday, written and composed by Sidney Cutner and Felix Mills. Excerpt taken "Prelude and Outer Space" from the film The Day The Earth Stood Still, written and composed by Bernard Herrmann and conducted by Joel McNeely. © 1951 Twentieth Century Fox Film Corporation, 2003 Varese Sarabande Records, Inc.

We've got a new series to talk through movies that were snubbed for or didn't win major Oscars as we lead into awards season! We start off with a living Looney Tunes cartoon, which makes sense given that Looney Tunes based itself off these movies. The Marx Brothers were already comedy legends when this film came along, but director Leo Carey brings a dash of satire that makes for an incredible film, all wrapped up in under 70 minutes of run time. This isn't just a comedy, it's a masterpiece, and we're catching up on it today. Hail, hail Freedonia as we watch Duck Soup on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from the title themes from the film Duck Soup, written and composed by Harry Ruby and John Leipold. © 1933 Paramount Productions, Inc. Renewed 1960 by EMKA Ltd. All Rights Reserved.

We close out our Westerns series with a review of dueling Wyatt Earps. On one side, we have an absolute shitshow of a production saved at the last moment by two powerhouse actors and some absolute perfect melodrama. On the other side, we have Kevin Costner giving the most soulless performance of his life. This is a real contrast, one destined for cable classic status and one that really could just be wiped from the face of the earth. Take the long walk to the OK Corral with us as we watch Tombstone and Wyatt Earp on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Main Theme" from the film Tombstone, written and composed by Bruce Broughton. © 1993 Hollywood Pictures. Excerpt taken from "Main Theme" from the film Wyatt Earp, written and composed by James Newton Howard. © 1994 Warner Bros. Entertainment Inc. All Rights Reserved.

It's rare to have two 80s movies back to back that encapsulate the entirety of the 80s, but boy does this get there. Take the best of the Brat Pack, throw them in a shockingly historically accurate western, sprinkle with some truly wild accents, and you get a rootin' tootin' good time. They're not good movies, but they are enjoyable to watch. Round up, Regulators, as we watch Young Guns and Young Guns II on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Main Title" from the film Young Guns, written and composed by Anthony Marinelli and Brian Banks. © 1988 Morgan Creek Productions, Inc. All Rights Reserved. Excerpts taken from "Blaze of Glory" from the film Young Guns II, written and performed by Jon Bon Jovi. © 1990 Bon Jovi Publishing/PRI Music, Inc. (ASCAP). ℗ © 1990 PolyGram Records, Inc. Excerpt taken from "Claudia's Theme" from the film Unforgiven, written and composed by Clint Eastwood. © 1992 Unforgiven Warner Bros.

A movie with this reputation and this level of talent should be expected to at least be a competent film. But somehow Clint Eastwood chose the most tepid, non-committal way to tell a story that has more in common with great existential novels than Westerns. And that might be interesting, if it weren’t for the fact that this movie is also convinced it’s a western. Gene Hackman is acting his ass off and being just about the meanest son of a bitch you’ve ever met. But everything else in this movie just feels totally and completely missed, and that’s a problem we can’t solve because it happens to be one of the most lauded films of all time. Time to grab your guns one last time as we watch Unforgiven on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Claudia's Theme" from the film Unforgiven, written and composed by Clint Eastwood. © 1992 Unforgiven Warner Bros. Excerpt of “Mr. Lucky” written and composed by Karl Jenkins. Copyright 1980 Music De Wolfe, De Wolfe Ltd. Excerpt taken from "Main Theme" from the film Tombstone, written and composed by Bruce Broughton. © 1993 Hollywood Pictures.

CONTENT WARNING: Discussion of racism, . Mel Brooks’ now-classic Western spoof is as controversial as it is well-regarded. Mel pulled absolutely no punches making this movie, and assembled a writer’s room that was willing to push the envelope. The only problem is that Mel is too focused on landing the joke and less attentive to the story. It’s funny, because that same year he’d release what may have been his masterpiece, a focused, fantastic parody of classic horror. It’s hard to know what to cut here, but he definitely needed to figure out what story to tell. Grab your Gucci saddlebacks as we watch Blazing Saddles on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved. Excerpts taken from "Blaze of Glory" from the film Young Guns II, written and performed by Jon Bon Jovi. © 1990 Bon Jovi Publishing/PRI Music, Inc. (ASCAP). ℗ © 1990 PolyGram Records, Inc.

We’ve been on a run of serious films, so it was time to mix in a Western comedy. At least, that’s what this movie is supposed to be, but this is a comedy without a whole lot of jokes. We have some diverging opinions on this one, mostly coming down to the script, because this should be a much better movie than it is. But you can bet we both agree that James Garner is one of the most charming cutie-pies ever. Make sure to order the bars for the jail while we watch Support Your Local Sheriff! on Have a Good Movie! You can email us with feedback at [email protected], or you can connect with us on BlueSky! If you like the podcast, please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpts taken from the main theme to the film Support Your Local Sheriff!, written and composed by Jeff Alexander. Copyright 1969 Metro-Goldwyn-Mayer Studios Inc. All Rights Reserved. Excerpt taken from "Signature / Main Title (Instrumental)" from the film Blazing Saddles, written and composed by John Morris, Max Steiner and Mel Brooks. Copyright 1974 Warner Bros. All Rights Reserved.