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We made it to Season 6 of Glee on the Rocks! But at what cost? Our sanity? An official Glee-boot? Apparently Rachel Berry’s Broadway career, Klaine’s engagement, several successful futures, and the entire state of New York. In 6x01 “Loser Like Me,” Glee kicks off its final season by dragging everyone back to Lima and hitting the reset button with both hands. Rachel’s TV career spectacularly implodes, Sue has purged McKinley of the arts, Blaine is back where nature intended him—with the Warblers—and Kurt is about to discover that breaking up with the love of your life has consequences. Especially when said love of your life starts dating Dave Karofsky. This episode, we’re talking: Rachel Berry hitting rock bottom at roughly age 20The triumphant return of Dalton, the Warblers, and one extremely beloved blazerThe Klaine breakup, some genuinely excellent heartbreak, and Kurt realizing he may have made a terrible mistake (no duh) Karofsky. Just… Karofsky. We have thoughts. Many of them.Glee’s attempt to return to its Season 1 roots by erasing approximately two seasons of character developmentThere are flashes here of the Glee we loved: familiar sets, old dynamics, musical nostalgia, and characters finding their way back to the place that once gave them somewhere to belong. There’s also a lot of yelling “BUT WHY?” at the television. The final season has officially begun. God help us. Let’s overthink television together. xoxo, Fandom on the Rocks

Alison is headed back into the wild world of fan conventions, so naturally she called in a professional. Mandy walks us through 17 years of Dragon Con, the difference between fan-run and corporate conventions, why Dragon Con is apparently 36 conventions in a trench coat, and what happens when several thousand cosplayers try to take one group photo. (Spoiler: it's chaos.) This episode, we’re talking: - Mandy’s very first convention experience — San Diego Comic-Con, Lost, Lord of the Rings RPF, and flying across the country with someone she met in fanfic comments (like you do). - Why the best part of conventions usually isn’t the celebrity encounters — it’s finding your people. - Going to a con alone, making friends in line, and the terrifying art of talking to strangers. - Good fan behavior, bad fan behavior, and why your panel question does not need a three-minute autobiography. - The etiquette of photo ops, autographs, and remembering that celebrities are, weirdly enough, actual human beings. - The perfect convention backpack: chargers, snacks, layers, blister supplies, an emotional-support water bottle, and possibly your own chair. - The deeply specific magic of staying up way too late in a hotel room talking about your favorite thing with other people who love it just as much. - Alison preparing for Code Red and the increasingly inevitable second summer of 9-1-1 convention chaos. Because at the end of the day, conventions are really just fandom escaping the internet for a weekend — louder, more crowded, significantly more expensive, and occasionally involving 3,000 people dressed as the same fictional characters. And honestly? That’s kind of beautiful. What are your favorite fandom convention experiences? xoxo, FotR

We made it to the Season 1 finale of 9-1-1! This week on 9-1-1 on the Rocks, we’re talking 1x10, “A Whole New You,” an episode where everyone is asking some version of the same question: who are you when the life you built suddenly changes? Abby has spent years disappearing into caring for her mother. Buck has spent ten episodes trying to become someone worth trusting. Bobby is finally beginning to imagine a future he actually wants to be alive for. And Athena Grant is about to walk into a restaurant looking so good that Bobby Nash never stood a chance. Naturally, 9-1-1 explores all of this the only way 9-1-1 knows how to. This episode, we’re talking: 🧠 A stroke that apparently comes with complimentary British slang, a psychic whose dead client is extremely inconveniently still alive, and Season 1 reminding us one last time that subtlety is for other television shows. 🐟 Buck discovering someone has been using his face to catfish women and realizing that changing yourself doesn’t automatically mean the people around you will stop seeing the person you used to be. ✈️ Abby grieving Patricia, recognizing how completely she lost herself in caregiving, and buying a one-way ticket to Dublin while Buck stands outside those airport doors after believing he finally found somewhere he belongs. Cool! Great! We’re fine! 🏍️ One of the bleakest calls of the season, Bobby finally cracking under the weight of the job, and Athena doing exactly what Bobby told Buck to do last week: stepping into the mess with him. And somehow, that’s Season 1: ten episodes of grief, bad decisions, questionable emergency medicine, deeply weird rescues, and a group of people slowly becoming a family before any of them quite realize it. We made it through the grungy, messy, horny little first season. Now bring on Season 2. We're ready to meet some important new faces. xoxo,Fandom on the Rocks

Everyone is trapped this week on 9-1-1: metaphorically, emotionally, and occasionally in a flooded elevator. Bobby gives Buck the advice that might quietly change the trajectory of his life: you can’t always pull someone out of the mess, sometimes you have to step inside with them. And Athena Grant is handcuffed to a bed, because Season 1 understood that television should be equal parts sad and horny. This week we’re talking 1x09, “Trapped”: 🗑️ A garbage compactor, a flooded elevator, and a hoarder house that has apparently been designed by Jigsaw. 🔗 Athena’s extremely private 9-1-1 call, Hen proving herself the truest of besties, and one photograph that absolutely should have resurfaced at every birthday for the next nine years. 🎈 Buck planning the most aggressively romantic hot-air-balloon date imaginable, Abby being pulled back home by Patricia, and Buck learning that no amount of champagne and truffles can out-romance real life. 💔 Hen confronting Eva, the fallout from the full moon continuing to spread, and the painful reality that loving someone doesn’t necessarily mean you can break the cycle with them. 🌙 And Abby, Patricia, and an ending that turns the episode’s entire idea of being “trapped” on its head—because sometimes the thing holding you in place is also the thing that feels like home. For all the literal traps this episode throws at us, the ones that matter most are the ones that nobody can rescue you from with a ladder or a Halligan: grief, guilt, family, love, and the lives we build around the people we just can’t quite let go of. xoxo,Fandom on the Rocks

Karma comes for everyone this week, and apparently she has access to bullets, tanning beds, dump trucks, and one extremely motivated tiger. On 9-1-1, 1x08 "Karma's a Bitch," the universe is balancing its books — sometimes with satisfying absurdity, and sometimes with emotional devastation. This episode we break down: 🌳 A bullet lodged in a tree, some deeply questionable DIY arborism, and perhaps the most elaborate “f**k around and find out” senario in Season 1. 🐅 A terrible dentist, a very good tiger, and the rare emergency where absolutely everyone is rooting for the large carnivore. Good kitty. 🩸 Chimney’s blood drive accidentally uncovering Bobby’s Super Magic Blood and, much more importantly, the horrifying reality of the bargain Bobby has made with himself. 🫣 And Hen discovering that when you sleep with your ex and spend an entire episode avoiding telling your wife, sometimes karma doesn’t bother with symbolism. Sometimes it just serves you custody papers. Yikes. This episode is gleefully ridiculous on the surface, quietly devastating underneath, and maybe the first episode that really feels like the simultaneously completely unhinged and emotionally devastating 9-1-1 we've been watching for 9 seasons now. xoxo,Fandom on the Rocks

Season Five ends the only way Glee knows how: with everyone making enormous life decisions, several timelines that absolutely do not add up, and Rachel Berry apparently deciding that the Broadway dream she has spent five seasons screaming about was actually just a side quest. This is 5x20, "The Untitled Rachel Berry Project." This episode, we break down: 📺 Rachel’s sudden pivot from Funny Girl to television, the fastest pilot development process in Hollywood history, and the growing suspicion that we’re no longer watching Rachel Berry so much as a story about Lea Michele. 🚌 Sam achieving his specific, measurable, achievable dream of being mostly naked on the side of a bus — while the episode also drops him into a genuinely ugly modeling-industry power dynamic and then barely gives us time to process it. Because it's Glee. 💔 Sam and Mercedes somehow becoming the most emotionally mature people on Glee, loving each other enough to admit that love doesn’t always make two lives compatible right now. 🐦 Blaine lies to Kurt, Kurt chooses to trust him anyway, and two horny pigeons give us one of the most inexplicable pieces of Klaine lore ever committed to television. Plus: Mercedes takes America’s malls by storm, Mary Halloran writes approximately twelve television pilots in a week, and “Pompeii” plays us out as everyone scatters toward Season Six. Thirteen episodes left. We can do this. xoxo,FotR

The full moon is out over Los Angeles, which apparently means everyone is legally permitted to lose their goddamn minds because what is happening here. 1x07 “Full Moon (Creepy AF)” gives us synchronized yoga labor, a face-eating maybe-zombie, a deeply enthusiastic tapeworm extraction, and Henrietta Wilson making a choice so bad we would personally like to revoke her full moon privileges. This episode we break down: 🌕 Buck Buckley, noted scientist, explaining that the full moon makes gravity heavier because he read it on the internet and being absolutely delighted when the night keeps proving him right (kinda). 👶 Prenatal yoga descends into complete chaos as babies start arriving like somebody hit the emergency childbirth button, while Bobby unsuccessfully attempts to maintain control of literally anything. ☎️ Abby listens helplessly as a woman is murdered, refuses to accept the easy answer, and proceeds to out-detect an actual homicide detective. 🪱 Buck pulls a tapeworm out of a man’s ass with the delighted concentration of a child opening a Christmas present, giving us one of the clearest examples of why you simply cannot skip Season 1. This episode is gross, horny, creepy, genuinely upsetting at times, and extremely funny. So, basically, 9-1-1 discovering exactly what kind of show it wants to be. The moon may not actually make people crazy, but it sure gives them something to blame on this show. xoxo,Fandom on the Rocks

Love is in the air in Los Angeles, which naturally means fake plane crashes, emergency tracheotomies, a man superglued back together (yeah, we know), and possibly the most cursed welcome-back cake in workplace history. 1x06 “Heartbreaker” is where 9-1-1 really starts feeling like 9-1-1: wildly sincere, deeply ridiculous, and absolutely determined to turn every possible expression of love into somebody’s emergency. This episode we break down: ✈️ A proposal so catastrophically ill-conceived it literally gives someone broken heart syndrome. Friends, if your beloved fakes an aviation emergency before proposing, run. 🎂 Chimney returns to the 118, receives a horrifyingly accurate rebar-through-the-head cake, and gets called the heart of the firehouse even though we’ve barely gotten to know him yet. We’ll allow it. We know where this is going. 💘 Buck and Abby finally go on a real date, Buck is immediately defeated by complimentary bread and Abby performs an emergency tracheotomy. Could be...worse? 🔪 Athena spends Valentine’s Day working because going home means confronting what’s happening in her own marriage and somehow ends up tied to a chair while someone plans to harvest her heart for a DIY boyfriend upgrade. Yikes. Plus: our ongoing campaign for 9-1-1 to make a bottle episode and why holiday episodes are an endangered television art form worth protecting. Happy Valentine’s Day. Eat the bread carefully, y'all. xoxo, Fandom on the Rocks

This week, 9-1-1 asks whether we ever truly know the people closest to us and then immediately reveals enough secrets, lies, and catastrophic personal history to make everyone reconsider the question. 1x05 “Point of Origin” finally opens Bobby Nash’s ominous little black book, introduces us to the magnificent Karen Wilson, and sends Buck and Abby on a first date involving a missing mother, an electrified swimming pool, and an impressive amount of unresolved sexual tension. This episode, we break down: 🏗️ An arranged marriage, a structurally unsound building, and the episode repeatedly asking whether anyone truly knows the person beside them. 📓 Bobby’s devastating origin story, his addiction and guilt, and the extremely complicated question of whether the 118 can trust him with their lives without knowing what happened to his first family. 🪐 The arrival of Karen Wilson: astrophysicist, devoted wife, and already the smartest person in every room. 🚩 Hen visiting Eva behind Karen’s back and beginning an impressive run of decisions everyone—including Hen—knows are terrible. It’s an episode about shame, trust, secrecy, and whether the family you build can hold the worst thing you’ve ever done. Season 1 of 9-1-1 is a trip. xoxo,Fandom on the Rocks

Four episodes in, 9-1-1 crashes a passenger plane into the Pacific, sets the water on fire, traps people inside a sinking fuselage, and casually establishes the blueprint for every enormous disaster the show will throw at us later. But beneath all the spectacle, 1x04 "Worst Day Ever" really is an episode about the people who keep running into emergencies because not doing it just isn't an option. And it's about the moment three coworkers finally start becoming something that looks a lot like family. This episode, we break down: 📓 Bobby’s deeply ominous little black book and Buck’s terminal inability to mind his own business 🚔 Athena fighting teenage bullies and airline capitalism through a series of choices that are emotionally satisfying and legally questionable ☎️ Abby’s gentlest day at dispatch and an NPC love story we will apparently be grieving forever 🛋️ Hen and Buck finding Bobby at rock bottom and the tiny, broken “Help” that transforms three coworkers into a family This episode is grimy, emotionally brutal, and completely load-bearing for everything the 118 (and the show as a whole) will become. Also: where were the life jackets? xoxo,Fandom on the Rocks

Content note: This episode includes discussion of suicide and attempted suicide. In 1x03 “Next of Kin,” 9-1-1 takes its first big swing at found family and uses a piece of rebar through Chimney’s skull to get there. Meanwhile, Athena and Michael face the terrifying aftermath of May’s suicide attempt, Abby is forced to confront what caring for her mother can realistically look like, and a bouncy castle finally proves that children’s birthday parties are inherently hostile environments. This episode, we’re talking: 🎈 A bouncy castle on the edge of a cliff, the Santa Ana winds, and several adults making choices their insurance company would not approve of 🔥 Athena reminding May that she is “special and bright and filled with holy fire” while the Grant family tries to survive an unimaginable crisis 🧠 Chimney lying about dinner, proposing to a woman who does not appear to like him, fighting with Bobby, and immediately meeting the narrative at highway speed 🏠 Abby’s complicated mix of love, duty, guilt, and martyrdom as her family considers memory care for her mother This episode is emotionally ambitious, structurally uneven, and trying very hard to be load-bearing. But somewhere between Bobby declaring that Chimney’s family is “right here” after knowing these people for approximately three episodes and Buck offering the world’s least reassuring bedside pep talk, the 118 begins transforming into the deeply codependent little trauma family we came here to love. xoxo,Fandom on the Rocks

9-1-1 on the Rocks has survived its first shift, and unfortunately, Buck has already acquired significant workplace trauma. This week on 9-1-1 on the Rocks, we’re covering 1x02, “Let Go,” an episode about all the ways people try to hold on when everything around them is falling apart. Buck learns that wanting to save someone doesn’t mean he can, Abby welcomes the relentlessly competent Carla Price into her home and immediately recruits her as a best friend and romantic adviser, and Athena tries to keep her family functioning while Michael’s revelation continues to crack it open. Also on this episode: Buck’s first devastating loss on the job and why “I will not let you go” tells us almost everything we need to know about him. Season one’s startlingly dark discussions of suicide, grief, isolation, and the limits of what first responders can protect people from. Angela Bassett delivering a performance so raw it changes the temperature of the entire show. It’s heavy. It’s messy. Carla is already running the place, and Buck Buckley has officially begun collecting trauma like it’s part of his LAFD benefits package. xoxo, Fandom on the Rocks

9-1-1 on the Rocks has officially entered the firehouse. Welcome to the inaugural episode of the newest Fandom on the Rocks podcast. We’re kicking off our brand-new recap series of 9-1-1 with 1x01, “Pilot,” the episode that introduced us to our beloved 118. We dive in on Abby Clark, who is very clearly being positioned as the emotional entry point of the show, Athena Grant’s immediate Angela Bassett-ness, Bobby Nash’s ominous little black book, and Buck Buckley’s straight hair, terrible judgment, and desperate need to be loved by literally anyone with a pulse. This is the beginning of our re-rewatch journey through the emergencies, trauma, found family, baffling narrative choices, questionable timelines, emotional devastation, and extremely pretty first responders that make 9-1-1 so dangerously rewatchable. In our first episode, we’re talking: Abby as the original emotional center of the show Buck stealing a firetruck for sex reasons Bobby Nash being deeply, obviously, alarmingly Not Okay Athena Grant arriving fully formed and already done with everyone Babies in walls, snakes in apartments, suburban break-ins, and 9-1-1’s early commitment to chaos Retcons, Ryan Murphy-isms, and our commitment to judging canon because we love it It’s messy. It’s intense. It’s weirdly good. And unfortunately, we’re in it now. Welcome to 9-1-1 on the Rocks. Let’s overthink television together. xoxo,Fandom on the Rocks

What happens when three people with strong opinions, an alarming number of notes, and absolutely no ability to watch television casually go back to the beginning of 9-1-1? Welcome to 9-1-1 on the Rocks, a new podcast from Fandom on the Rocks. We’re here for the big feelings, the baffling choices, the slow burns, the plot holes, and whatever other insane thing network television has decided to throw at us this week. This time, that means fires, floods, earthquakes, cruise ship disasters, improbable medical emergencies, complicated family dynamics, and one Los Angeles firehouse that has somehow become our entire personality. We’re starting with Season 1 and recapping 9-1-1 episode by episode, going all the way back to the beginning — with full knowledge of where the show goes, what gets retconned, what gets better, what gets weirder, and what will eventually make us yell at our screens. For anyone new to the wee-woo show, 9-1-1 follows the firefighters, paramedics, dispatchers, and one extremely badass sergeant responding to some of the strangest and most spectacular emergencies Los Angeles can produce. But beneath the collapsing buildings, occasional fires, runaway vehicles, and people getting stuck in places no human being should ever be stuck, this is a show about trauma, recovery, love, identity, caregiving, second chances, and the families people build for themselves. It is also a show about incredibly attractive people who are catastrophically bad at boundaries. Because this is a Fandom on the Rocks podcast, we won’t just be recapping what happens. We’ll be asking the important questions. What does Season 1 look like when you already know which details will become foundational, which will quietly disappear, and which will be retconned nine years later? When does the 118 stop being a group of coworkers and become a family — and did the show realize it was happening at the time? Which character dynamics were carefully planned, which were created by accidental chemistry, and which exist because fandom looked at the text and understood the assignment? How many devastating things can happen to Chimney before someone lets that man have a peaceful afternoon? Why do the actual emergencies sometimes feel less alarming than the emotional subtext? And how many times can the 118 run directly into fire, flood, earthquake, cruise ship disaster, or whatever else the show has planned for its next season-opening arc before someone makes them all sit down and have an honest conversation? Our hosts also bring very different relationships with the show to the rewatch. Emily and Alison know what is coming, remember what gets forgotten, and have years of character analysis, fandom history, and ship feelings ready to go. Mandy watched Season 1 when it originally aired, left when Abby did, and has spent the years since absorbing the rest of the show through Tumblr, fandom osmosis, and whatever Emily and Alison have yelled about in her general direction. Which means there will be predictions, forgotten plotlines, hindsight, spoilers, retcons, and at least one moment per episode where someone says, “Wait, is that actually what happened?” If you know Fandom on the Rocks, you know the vibe: smart fandom chaos, character analysis, ship dynamics, television criticism, production choices, emotional damage, and the occasional realization that we care far too much about fictional people. If you’re new here, welcome. We’re skeptics first, critics second, and fans always. There will be jokes. There will be feelings. There will be an alarming number of notes. So grab your coffee, your group chat, and your trauma waiver. Let’s go back to the 118. xoxo, Fandom on the Rocks

This week on Glee on the Rocks, we cover 5x19, “Old Dog, New Tricks,” the Chris Colfer-written detour that somehow works because it’s old people, puppies, and just enough Rachel to keep the season’s chaos limping forward. Rachel tries to rebrand her image after Broadway gossip exposes her Funny Girl mess by hiring Santana as a ruthless publicist and inventing an animal-rescue charity event called Broadway Bitches, complete with a disastrous pap walk that ends with her getting dragged down the street by dogs. Correct, honestly. Meanwhile, Kurt, feeling left behind while everyone else gets careers, scandals, showcases, and/or strange rich lady mentorships, finds purpose at the Lexington Home for Retired Performers. He auditions for Peter Pan, gets pulled into Maggie’s story, and makes one very questionable attempt to reconcile her with her estranged daughter. Sounds about Kurt. And then there’s Sam, Mercedes, and McConaughey the dog, which gives us one of the rarest Glee miracles of all: someone remembering Sam’s actual backstory. Also happening in this episode: ⭐️ Rachel Berry attempting public image rehab while continuing to be Rachel Berry👠 Santana Lopez as unpaid publicist, crisis manager, and professional hater with a cause🎭 Kurt joining a retirement home production of Peter Pan and accidentally pitching us a spin-off we would absolutely watch🐶 Sam adopting McConaughey without asking Mercedes, and the surprisingly adult conversation that follows Did we love every song? Absolutely not. Did every plot point make sense? Please, this is still Glee. But did we enjoy watching this one more than expected? Somehow, yes. xoxo,FotR