Advertise on podcast: Back To One

John Magaro has been delivering consistently stellar performances in films like “Not Fade Away,” “The Big Short,” “Carol,” “First Cow,” and “Showing Up,” to name a few. This past year he played Arthur, husband of Greta Lee’s character Nora, in “Past Lives.” On this episode he talks, spoiler-free, about the last scene of that film, and why it makes people emotional. He explains how receiving books, music, photos from directors helps in his preparation. He makes the case for experience over academia, takes us back to a big breakthrough that came to him from the legendary acting teacher Howard Guskin, and talks about how newfound freedom in the work has changed everything. Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Leah McKendrick wrote, directed, and stars in the hilarious, super smart, and intensely personal new film “Scrambled.” It’s about a perpetual bridesmaid who, realizing she isn’t quite willing or able to settle down, decides to freeze her eggs. McKendrick doesn’t shy away from depicting her character’s sex life, the frustrations involving family and friends, and the true loneliness that enveloped her when she decided to do the same procedure in real life. It’s that rare film that will have you belly laughing one minute and crying hard the next. On this episode, we find out what elements were at play to make this little miracle of a movie come to life. She talks about how hitting rock bottom when her studio screenwriting work just evaporated into thin air one day, after years of commitment, led to a desire to get back to making her own films; why it’s always advisable to hire your talented actor friends, even for the tiniest roles; what it took to finally stop worrying if her performance was coming across on the screen; the extent to which she had to fight to stay true to her own vision, and much more! This is a truly inspirational episode for anyone who seeks to make, and act in, their own films. "Scrambled" is in theaters now. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Mia McKenna-Bruce is an English actress. Her performance in the film “How To Have Sex” is, rightfully, being spoken about with many superlatives. Subtle, controlled, thoroughly alive, deeply impacting, it is a star-making turn. There’s a scene where her character, Tara, is simply walking down the street, and it’s something of a revelation. It won her the BIFA for Best Lead Performance. On this episode, she breaks down the ingredients that helped her deliver this work—an extensive audition process to find her co-stars that allowed her time to play; complete trust in the director, Molly Manning Walker, and everyone on the crew; a feeling of total ownership of the character;  a “360 set” that allowed for full emersion into Tara’s world, a sense of obligation to “get this right” for everyone it will impact, and much more. “How To Have Sex” is out in limited release. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Sallieu Sesay is a Sierra Leonean-American actor who has had recurring roles on CBS’ “Seal Team” and HBO’s “Barry,” and, in his latest, delivers an incredible supporting performance in John Trengove's nihilistic thriller “Manodrome,” alongside Jesse Eisenberg. On this episode he talks about doing tons of research before taking on that part, having so little in common with the character, and facing the pressure of being at the center of a movie’s most pivotal scene. He gives us a glimpse at his dedication to this craft, his continuous training with some of the best acting teachers around such as Ivana Chubbuck, how substitution plays a part in his preparation, the significance of journaling, why empathy and curiosity are two important words for the actor, what “it’s all about trusting the work” really means, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Jack Huston has worked with Scorsese, Ridley Scott, David O’ Russell, The Coens, had meaty roles on series like “Mayfair Witches,” “Fargo,” and, maybe most notably, “Boardwalk Empire,” where he played Richard Harrow. His latest project is Lulu Wang’s Amazon series “Expats.” On this episode he talks about gaining 30 pounds for that part (which wasn’t as much fun as it sounds), why it all starts with the voice for him, writing and directing his passion project “The Day of The Fight” for Michael Pitt and Joe Pesci, and he reveals a common trait of all great directors he’s known. Plus we discuss the current state of Independent Film, what we think should change, and much more. “Expats” streams on Amazon Prime starting January 25th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

You know Spenser Granese from memorable roles on “Better Call Saul,” “Fear of the Walking Dead,” “Pam & Tommy,” and, perhaps most memorably, the character of Bevel in the final season of “Barry.” On this episode, he talks about landing that role after trying hard to get on the show for 3 seasons, and the incredible working environment he found on set. He opens up about his unique approach to the craft having no formal training, why he keeps the lines barely memorized, avoids expectations, operates on his instinct, and much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Discovering Michelle Monaghan in “Kiss Kiss Bang Bang” was like finding evidence that the old school Hollywood comedy actress gene, long thought extinct, was alive and well. She did more than hold her own opposite Robert Downey Jr. and Val Kilmer, she stole the movie. I’ve been rooting for her ever since. A few “Mission Impossibles,” “Gone Baby Gone,” “True Detective” followed, as well as some significant work in small indies like “Trucker,” “Fort Bliss,” and “Nanny.” She returns to comedy with her latest, “The Family Plan,” which is streaming now on Apple TV+. On this episode, she talks about how her deep desire to be a journalist is actually still playing out in her career, why a good vocabulary is the best trait for a director, what precipitates the necessity to protect the arc of her character and how she does it, plus much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Melora Hardin is best known for playing Jan on the American version of “The Office.” She was nominated for an Emmy for her work on the series “Transparent.” Recently she stepped back into the role of Trudy Monk for “Mr. Monk’s Last Case: A Monk Movie,” which is streaming now on Peacock. On this episode, she talks about bringing the character Mabel Montgomery-Mayflower to life in the new independent film “Golden Vanity,” and how the perfect combination of director’s vision and true collaboration helped her deliver that tour-de-force performance. She takes us back to her early days as a child actor, lessons learned while getting 10,000 hours of experience before her 18th birthday, tells an incredible story about Stella Adler, and a touching one about Gene Hackman, plus much much more. “Golden Vanity” is playing at the Cinelounge Sunset in Los Angeles through December 17th. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

You might know Robbie Tann from “Preacher,” “The Deuce,” or when he played Billy on “Mare of Easttown,” or Whitty in the “Mazey Day” episode of the latest season of “Black Mirror.” Currently he plays Shipley in this year’s most exciting and original sci-fi film, “The Creator.” On this episode, he tells how the run-and-gun style of shooting on that production, combined with the cast and crew’s infectious passion for the project, helped with all aspects of his work. He explains why he now bypasses a straightforward “roadmap” of preparation, focusing instead on letting the role seep into his unconscious. And he talks about what a director can do to get the best of out him while still respecting the ideas he brings to the set. Plus much more! Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram  

You know Olli Haaskivi from his work in series such as “Winning Time”, “Manifest”, and “The Sinner,” and films like “Motherless Brooklyn”, “Nancy” and of course, this Summer’s blockbuster “Oppenheimer,” where he played scientist Edward Condon. On this episode he shares his experience of working with Christopher Nolan on that film (which he says seemed less sprawling than some student films he’s worked on!), why he felt the freedom to bring his ideas and “all of himself” (spoiler: Nolan is not afraid of actors!), and how all this affected the work in the moment. Plus he talks about his “this IS the job” approach to auditioning, something post-strike that he’d like to see implemented about the work, why you can’t get to the great stuff “without risking that it might all go off the rails,” and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

Brit Marling is an inspiration. The talented multi-hypenate became an indie darling in 2011 with “Another Earth” and “Sound of My Voice”—collaborations with Mike Cahill and Zal Batmanglij respectively. She avoided various vapid roles and unfulfilling career paths and instead went on to star in (and co-create with Batmanglii) the hit Netflix series “The OA,” which was bafflingly cancelled after two seasons, despite a rabid and large fan base. The two are back with another series, “A Murder At The End of The World”—a cool Zoomer detective whodunit set in a remote super-hotel in Iceland. On this episode, she talks about how knowing she will have to play a character affects the writing process, the “shared loneliness” of collaboration, using AI as a story element before the world even knew it existed, why she has to hold on to her character during the editing process, the cosmic concoction she uses to make her ideas grow, and much more. Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram

The SAG strike is over and Back To One returns in the most fitting way—with The Sixth Annual Kevin Corrigan Episode. The living patron saint of the indie actor fills us in on what’s been going on in his world over the past year, talks about playing off of Tim Blake Nelson in his latest film “Bang Bang,” takes us way back to his first time on a film set as an extra in 1987, describes a recent rewarding experience of performing his own ultra personal material, and ponders his strange case of involuntary lens spiking. Plus stories about “manhandling” Christopher Walken, a horrific "Sopranos" audition,  sitting down with Pacino at a diner, and much much more. Past Kevin Corrigan Episodes: Ep. 1, Ep. 67, Ep. 133, Ep.185 Ep. 234 Back To One is the in-depth, no-nonsense, actors-on-acting podcast from  Filmmaker Magazine. In each episode, host Peter Rinaldi invites one working actor to do a deep dive into their unique process, psychology, and approach to the craft.  Follow Back To One on Instagram