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The cast of The Audacity, including Billy Magnuson, Jonathan Glatzer, Paul Adelstein, Simon Helberg, Rob Corddry, Meaghan Rath, Everett Blunck, Thailey Roberge, and Ava Marie Telek, all sit down with Kyle Meredith to unpack a Silicon Valley satire that feels a little too close to reality, from ego-driven CEOs and “wild god” founder worship to the quieter damage done behind the scenes. Across the conversations, they dig into characters who think they’re doing good while chasing power and influence, the irony of building technology meant to connect people while becoming more isolated, and how money and ambition tend to expose rather than create corruption. Adelstein talks about playing emotional disconnection, Helberg leans into the contradiction of a man obsessed with connection who can’t achieve it, and Corddry admits to borrowing from great performances like Succession, while Rath points out that even the most well-meaning players are still playing the same game. Meanwhile, the younger cast frames the show’s real question: whether the next generation can break the cycle or is doomed to repeat it, offering a bit of hope in a world where the adults are mostly lost, all wrapped in a series that balances unsettling truths with absurd moments like karaoke curveballs and perfectly aimed truffles. Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Barbie Ferreira, Devon Bostick, and Chandler Levack all sit down with Kyle Meredith to unpack Mile End Kicks, starting with Ferreira on playing a version of Levack and how stepping into a character rooted in real life meant leaning into the awkward, chaotic reality of your early 20s while also producing the film and bringing her own mix of influences from One Direction to Alanis Morissette; Bostick follows, talking about learning guitar from scratch to play a convincing indie band member, finding himself in the character, and helping capture that specific moment where nobody has it together but everyone’s pretending they might; and Levack ties it all together, explaining how her time as a SPIN critic during the blog rock era turned into a decade-long process of shaping the story, making the lead character more flawed and active, pulling inspiration from Almost Famous and Jagged Little Pill, and recreating a now-vanished music journalism world with the right mix of real songs and original tracks. Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Jason Mewes sits down with Kyle Meredith to talk about building a career that’s lasted more than three decades, from his start in Kevin Smith’s Clerks to the ever-expanding Jay And Silent Bob universe, and now into new territory with his YouTube series Five Things. The show, set inside a convenience store, uses everyday items as a jumping-off point for conversations that go way off the usual press-tour script, pulling out stories even longtime collaborators haven’t heard before. Mewes also gets into the evolution of his stand-up "Diary Of A Manchild," how sobriety still shapes the way he approaches the stage, and why he’s shifted away from the heavier material toward something looser and more personal. Along the way, he talks about directing Madness In The Method, revisiting earlier films like Drawing Flies, launching a Murdoch Mysteries podcast, and the reality that staying in the business often means creating your own opportunities. It’s a conversation about longevity, luck, and figuring out how to keep doing what you love, all while still finding time to circle back for another run in the View Askewniverse. Listen to Jason Mewes chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Joe Bonamassa and George Benson join Kyle Meredith to talk about the massive tribute album B.B. King Blues Summit 100, a 40-artist, 32-song celebration of B.B. King that pulls in everyone from Eric Clapton to Sheryl Crow, Marcus King, and more. The two guitar greats trade stories about their personal history with B.B., from Benson being called his favorite guitarist to Bonamassa touring with him at just 12 years old, while digging into what made B.B.’s playing, songwriting, and stage presence so singular. Along the way, they get into the overlap between blues and jazz, Benson’s breakthrough with “This Masquerade,” and the challenge of honoring a legend without trying to outdo him. And as they start joking and interviewing each other mid-conversation, it turns into exactly the kind of moment you hope for when two icons sit down. Listen to Joe Bnamassa and George Benson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Keeley Karsten joins Kyle Meredith to talk about stepping into the long-awaited Malcolm in the Middle revival, Life’s Still Unfair, playing Leah, Malcolm’s sharp, impulsive daughter who mirrors him without trying. Karsten admits she hadn’t even seen the original series before landing the role, leading to a crash-course binge ahead of filming, which helped her understand the family dynamics she was about to walk into. The Fablemans actress gets into the pressure of joining a cast that already has decades of chemistry, how quickly Bryan Cranston, Frankie Muniz, and the rest made her feel like part of the family, and the challenge of mastering the show’s signature fourth-wall breaks. She also highlights how the reboot balances absurd comedy with heavier ideas like generational baggage, all while keeping things fast and funny across just four episodes that leave the door open for more. And if there’s talk of a Leah-focused future, she’s not confirming anything, but she’s definitely not saying no either. Listen to Keeley Karsten chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Jon Hamm, Amanda Peet, Olivia Munn, James Marsden, and creator Jonathan Tropper all join Kyle Meredith to unpack Season 2 of Your Friends And Neighbors, which shifts away from the first season’s heist-of-the-week setup into something darker and more character-driven, with Tropper calling it the show’s The Empire Strikes Back moment as the story pivots toward consequences and the bigger question of why Andrew Cooper keeps doing this at all; Hamm talks about slipping back into Coop’s rhythm and trusting that long-term arc, Peet gets into Mel’s storyline and how the show folds in menopause, identity, and midlife upheaval, while Munn returns as Sam to face the fallout of her choices and Marsden arrives as Owen Ash, a magnetic disruptor who feels somewhere between James Bond and Jay Gatsby, and across the board they dig into the push and pull of characters who are constantly working against themselves, the balance of humor and tension, and the details like Coop’s movie tastes. Show your support for Kyle Meredith With by making sure to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Derek Trucks joins Kyle Meredith to talk about the Tedeschi Trucks Band’s new album Future Soul, a record he says captures the group feeling “present and current” while also hitting a new creative stride. He gets into working with producer Mike Elizondo to shape a more aggressive, forward-leaning sound, how songs like “Hero” tap into the band’s punk and grunge instincts, and why the title track demanded a guitar tone that felt like it might fall apart mid-take. Trucks also talks about writing after years back on the road post-pandemic, trimming down from a potential double album, and learning to serve the song even within a 12-piece lineup. Along the way, he reflects on rediscovering the joy of recording, surprising himself in the studio, and the full-circle moment of opening for the Eagles decades after first crossing paths with Joe Walsh. Listen to Derek Trucks chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Gaten Matarazzo, Sean Giambrone, and Lulu Wilson sit down with Kyle Meredith to talk about the absolutely unhinged ride that is Pizza Movie, a Hulu comedy that turns a simple late-night food run into a full-blown, multi-level hallucination adventure. The trio get into how the script first landed, why they skipped any “method research” when it came to the drug-fueled premise, and how the film plays like a video game with different phases—including body swaps, puppet worlds, and even a butterfly POV. They also break down the “Switcheroo” sequence and how they avoided tired body-swap tropes in favor of something sharper and more character-driven, plus the reality of shooting most of the movie inside a transformed middle school that somehow feels like a dozen different locations. It’s a fast, funny conversation about a movie that’s aiming straight for cult classic status. Listen to Gaten Matarazzo, Sean Giambrone, and Lulu Wilson chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Steve Zahn and Audrey Zahn sit down with Kyle Meredith to talk about turning their real-life father-daughter dynamic—and years spent in the competitive dance world—into the heartfelt indie film She Dances. Drawing from Audrey’s upbringing in dance competitions and layering in a quiet but powerful story of grief, the two discuss how the film became a deeply personal family affair, even featuring cameos from their own relatives. They get into the chaos and camaraderie of dance culture, the decision to avoid broad comedy in favor of something more honest, and how their new production company is helping champion this kind of storytelling. It’s also a look at indie filmmaking finding its footing again, with Kentucky as the backdrop, and how sometimes the most intimate stories hit the hardest. Listen to Steve Zahn and Audrey Zahn chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Marisa Tomei, Sherry Cola, Ciara Bravo, and Marco Pigossi all sit down with Kyle Meredith to talk about You’re Dating A Narcissist, a rom-com that keeps twisting the knife as it asks who’s actually the problem in modern relationships. Tomei gets into playing a psychology professor obsessed with spotting narcissists—while maybe missing her own tendencies—while Cola talks about the rare chance to play in a story where every woman gets a full arc and no one’s entirely right. Bravo brings the emotional center, caught between her mother and fiancé, while Pigossi leans into the ambiguity of a character who might be charming… or something else entirely. Along the way, they talk about reuniting after High Tide, the film’s three-year journey to release, Cola’s turn in Shrinking with Jessica Williams, and how this story plays like a mystery where your instincts keep flipping right up to the end. Listen to Marisa Tomei, Sherry Cola, Ciara Bravo and Marco Pigossi chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Felicia Day sits down with Kyle Meredith to talk about her new graphic novel, The Daughter Of Sparta, a feminist reimagining of Greek mythology inspired by a nearly forgotten figure with just one line in ancient texts. She traces the project back to pandemic-era insomnia, deep dives into mythology, and a desire to tell a story that Hollywood wouldn’t necessarily greenlight—leading her to embrace independence in a big way. Along the way, she opens up about identity, creative control, and the dangers of chasing approval over authenticity, themes that echo from her early work like The Guild to her Audible series Third Eye. Day also teases a Kickstarter-backed The Guild reunion movie for its 20th anniversary, plus new creative habits—from oil painting to learning Polish—that are shaping her next chapter. Listen to Felicia Day chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

The cast and creators of Outlander come together to talk with Kyle Meredith about Season 8 as the long-running series heads toward what might be its final chapter, with Sophie Skelton and Richard Rankin reflecting on Brianna and Roger’s evolution—her finally coming into her own, him still searching for purpose—while admitting every new script came with that familiar “what are they going to do to us now?” feeling. Meanwhile, John Bell and Izzy Meikle Small discuss Young Ian stepping into fatherhood and Rachel becoming fully part of the Fraser’s Ridge family, along with the emotional weight of filming a season everyone knew could be the end. On the creative side, Matthew B Roberts and Maril Davis break down how to close out a decade-plus story without turning it into a “very special episode,” keeping things true to the show’s roots while still delivering payoff—and even upping the ante with Annie Lennox on the theme. And while there’s talk of closure, time travel rules still apply, meaning in the world of Outlander, the story might never really be finished. Listen to Tim Roth, Steven Knight and Tom Harper chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Ed O’Brien catches up with Kyle Meredith to talk about his second solo album, Blue Morpho, a record born out of the isolation and emotional weight of the pandemic. Reflecting on how a “dark night of the soul” led to a daily practice of playing guitar without expectation, O’Brien explains how those raw moments became the foundation of the album’s songs, shaped further through collaboration with producer Paul Epworth. He also discusses the record’s deep connection to nature, the influence of writers like Wendell Berry, and how embracing rather than avoiding darkness led to something unexpectedly beautiful. Along the way, O’Brien looks back at Radiohead’s recent reunion tour, shares a story about the band’s very first gig in 1985, and considers how his solo work now sits alongside the “mothership” of the band, with both worlds continuing to evolve side by side. Listen to Ed O'Brien chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Kyle Meredith sits down with Tim Roth, creator Steven Knight, and director Tom Harper to talk about Peaky Blinders: The Immortal Man, the film that brings Tommy Shelby’s story to its long-planned conclusion. Knight reveals that the idea of ending Peaky Blinders with a movie set during World War II was part of the plan from the very beginning, while Harper discusses translating the series into a more focused cinematic finale—complete with intense practical sequences like the brutal mud fight between Cillian Murphy and Barry Keoghan and a collapsing tunnel scene filmed largely for real. Roth also talks about joining the universe after a personal invitation from Murphy, reshaping his character into a deceptively calm Nazi sympathizer, and how his own family’s World War II history gave the role emotional weight. Along the way, the conversation touches on real historical inspirations—from the bombing of Birmingham’s BSA factory to wartime spiritualists claiming to speak with the dead—as well as Roth’s friendships with icons like David Bowie and Patti Smith, all while reflecting on the legacy and final chapter of one of television’s most beloved crime stories. Listen to Tim Roth, Steven Knight and Tom Harper chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy

Lamb Of God frontman Randy Blythe talks with Kyle Meredith about the band’s 10th album Into Oblivion, tracing its origins back to election night 2024 and a solitary drive listening to The Cure, which sparked the first lyrics to the song “Sepsis.” Blythe discusses how the record became a reflection on modern collapse—technology’s false promise of connection, the breakdown of social contracts, and the role protest has historically played in shaping change—while also pointing to influences ranging from Nick Cave to writers like Douglas Rushkoff. Along the way, he and Kyle get into the Cold War anxieties that shaped Blythe’s worldview, the challenge of keeping a ferocious vocal style intact after decades in metal, and how songs from Into Oblivion might translate to the stage as Lamb of God pressure-tests them live. Listen to Randy Blythe chat about all this and more or watch it on YouTube. Please take the time to like, review, and subscribe to KMW wherever you get your podcasts, and keep up to date with all our series by following the Consequence Podcast Network. Advertising Inquiries: https://redcircle.com/brands Privacy & Opt-Out: https://redcircle.com/privacy