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Before X and Pearl, Ti West brought us this 70's horror callback. Synopsis Twelve years before the success of movies X and Pearl, Ti West’s first breakout feature film The House of the Devil was released. This film follows Samantha, played by Jocelin Donahoe, a broke college student trying to find a new apartment to get away from her annoying roommate. She finds a job posting that just says “Baby$itter wanted” and decides to give it a shot. After she gets into contact with a robotic creepy disembodied voice on the phone about the job, she decides to take it and have her friend, director of Barbie, take her to the house. Once she arrives to babysit, she realizes that this is not a typical babysitting job, and everyone who lives in this house is off their rocker. But, they’re paying her four times more than she asks for, so she decides it’s worth it. A scary old house in the middle of nowhere while caring for a supposed elderly woman that likes to keep to herself, where her only contact with the outside world is the pizza man, on the night of a lunar eclipse, what could go wrong? So much more than Samantha could have ever thought. Review of The House of the Devil After loving X and Pearl, I decided to give Ti West’s first movie a shot, and I was not disappointed. Like X and Pearl, Ti West’s editing and direction of the film is something to be revered, with his jump cuts and long shots and bone chilling zooms and set dressing, this makes for a good horror movie. It has everything a horror fan would want: pretty girls, lots of blood, a good setup for scares, a creepy attic, a weird old lady, satanic rituals, a friend who doubts the validity of the situation, and a final girl. It is shot on 16mm which gives the film a vintage horror feel, the way it was filmed and the story that was set up kind of reminded me of the original Black Christmas. Even the main characters looked alike. It is a bit slower to get into the action, but you know once you’re in it you’re in for a treat. All in all, this film is good, it is scary, it is artful, and I love seeing how directors started and how they have grown since their first films. I loved every second of it. I was scared, even upon the second watch. Score 9/10

Critics are split on this new movie from Zelda Williams and Diablo Cody, but We're nearly unanimous, Lisa Frankenstein is a good time and you should go see it in theaters. Synopsis Set in the late 80’s, Lisa is the weird new girl in school dealing with the grief of her mothers death and life in a new family with a wicked stepmother and kind of nice yet condescending stepsister. She spends her free hours talking to herself and pining for love in a Bachelor’s cemetery, which is totally a thing. She has the hots for the editor of the school newspaper, and while chatting with him at a party, she drinks a spiked drink and goes into a psychedelic trip during a thunderstorm. Using 80’s logic, the lightning resurrects Lisa’s favorite grave resident unbeknownst to her. From there, it’s that age old tale of the goth girl that keeps a reanimated corpse in the friendzone while they murder people for parts.  Review of Lisa Frankenstein Lisa Frankenstein is a mess, but it’s a fun mess. As of recording, it sits at a solid 50% critics score on Rotten Tomatoes, and I’m honestly not surprised. I predict this one will be divisive, but could ultimately become a cult classic from it’s bizarre campy charm. The premise feels straight from the early filmography of Tim Burton, but unlike Burton, the freshman director Zelda Williams struggles with keeping a consistent style and tone throughout the film. Her background is in music videos, and it really shows in some of the narrative style of the movie, which relies heavily on visual shorthand more than hard earned character development and cause and effect. The script written by Diablo Cody of Juno and Jennifer’s Body fame is the highlight of the film. It taps into a level of snarky and campy humor rarely seen outside of 80’s teen romcoms. Like her other scripts, this one features sharp dialogue and amusing non-sequiters from supporting characters that makes the world fun to watch. The acting is great. Kathrine Newton who plays Lisa shifts from weird nerd to self assured goth murderess with aplomb. Cole Sprouse does great with comedic timing as the mute creature. Liza Soberano walks the line between condescension and likability really well as the step sister. Carla Gugino was the best at bringing the appropriate amount of camp to the stepmother. The main flaws in the movie are the disjointed tone and the arbitrariness of the plot. It would have been nicer to have more effort put into the setups for the major plot shifts and character changes. Without properly establishing cause and effect, the movie can feel confusing. But here’s the thing. With all the nitpicks I could pick at, I was smiling and chuckling throughout the whole movie. I thought it was a blast, and I give it a lot of points for originality.  Score 8/10

Synopsis Four petty criminals who film their violent crimes are strapped for cash, so they find a job to break into a creepy old house to steal a mysterious VHS tape. Once they’re inside, they slowly realize that this excursion might not be worth the money, as there is a dead man waiting for them in front of a wall of TVs and about a hundred tapes to go through. As they watch them, we see the tapes from their point of view and get to see what scares are in store every step of the way. Review of VHS VHS is a 2012 film with nine directors, with the most notable being Ti West (of X and Pearl), David Bruckner (The Ritual, The Night House), Adam Wingard (You’re Next), Matt Bettinelli-Olpin and Tyler Gillet (Ready or Not and Scream 2022). This gaggle of directors comes together to launch their careers through five different tapes plus the main backdrop storyline to create a classic anthology film that sparked a franchise. This movie is included in the mumble-gore movement of the late aughts and early 10s, and perhaps is the most famous to come out of the genre. I have seen this film no less than six times, and while I rewatched it for this episode I realized that I knew it so well that I probably didn’t have to watch it again to recount it beat by beat and give it a score. To me, this is a modern horror classic. I really enjoy this movie, how it switches from a slowburn creep out to a ghost story to a slasher and so on. I think it is a great movie to get you into horror, it is a great movie to revisit, it is a great movie period. I am thoroughly entertained through every part of it, and even though not every tape is my favorite, I think all of it is very effective as a scary movie and I love the ambiguous ending. To quote my boyfriend when I told him what movie we were reviewing, “Oh so it’s a true syd classic.” It might be nostalgia, it might be the genotype, but whatever it is, I really love this movie.   Score 9/10

Synopsis Suspiria (1977) (not to be confused with Suspiria 2018) is a movie about a young American woman named Suzie who relocates to Germany to join a prestigious dance academy. As Suzie begins to adjust to her new life, she stumbles into a world of conspiracy that seems to surround her school and the dance instructors. People start to go missing while Suzie and her friend Sara attempt to put the pieces together. When the school's staff start to show their true colors, Suzie must investigate the history of the academy before whoever is murdering the dancers makes her the next target. In the end, they all get more Suspiria than they bargained for.  Review of Suspiria (1977) Suspiria is directed by Dario Argento and stars Jessica Harper as Suzie. The movie, now considered a horror classic, uses unconventional lighting and color, which gives the movie a unique feeling and adds to the suspenseful atmosphere. The dialogue is kind of goofy at times, but to me, that is part of the charm. My problem with Suspiria is that with a run time of only an hour and 40 minutes, it somehow feels like a 2 hour + movie. The scenes drag on, probably to linger on the beautifully designed shots, and the plot is minimal compared to the 2018 remake, which expands on and adds ideas to the original. However, I say all of that just for the sake of being critical. I actually really enjoy this movie.  Score 8/10

What is this Horror Movie Talk+? This is a Patron pick, and we were more than happy to cover this Martin Scorsese thriller. Synopsis Shutter Island is directed by Martin Scorsese and stars Leonardo DiCaprio as Teddy Daniels, a rough-and-tumble U.S. marshal who doesn't play by the rules. His partner, Chuck, played by Mark Ruffalo, also doesn't play by the rules, but he is a little less rough and tumble about it. The two of them are assigned to investigate a missing person at a prison for the criminally insane located on a remote island. As the Duo look further into the mystery, they reveal more questions than answers, and it seems like no one is telling the truth.  Review of Shutter Island A lot happens in Shutter Island, and every scene feels like it is packed with symbolism and clues. Although I am not usually a fan of movies over two hours long, Shutter Island kept me engaged the whole way through, other than a few dream sequences, which I felt went on a little too long. The characters have deep and disturbing histories and it is fun to watch the whole mystery come unraveled. For a smart person who pays attention, the twist may seem obvious the whole way through, but that was not my experience at all. I was so confused the whole movie, and every attempt at filling me into what was really going on went right over my head until the pieces finally clicked together in the end and I felt like a big idiot for not seeing it sooner. It's enjoyable, its weird, it's dark, it's thought-provoking, and the performances are great.  Score 9/10

Listen to us talk about possibly the greatest monster franchise ever, and how it just keeps getting better. Synopsis Directed by Takashi Yamazaki, Godzilla Minus One follows the story of Koichi (played by Kamiki Ryunosuke), a kamikaze pilot at the end of WWII who didn’t wanna go full kamikaze so he says that his plane is faulty and lands on Odo Island for repairs. Once there, a baby Godzilla arrives and decimates everyone, except for Koichi and Tachibana, the head repairman. Koichi eventually makes it back to his home in Tokyo to find that his parents are dead and Tokyo has been almost flattened by the war. Koichi encounters a girl named Noriko (played by Minami Hamabe) and she latches onto him for support for her and the baby she is carrying, and they become a happy family. A couple years later, Godzilla comes back, bigger and better than ever. Will Koichi defeat the monster? You’ll have to wait and see! Review of Godzilla Minus One This movie has it all. It had me laughing, crying, shocked, upset, and enthralled. To bounce from hard hitting emotional scenes to incredibly jarring and crazy action scenes and have it effortlessly flow is extremely difficult, yet director Yamazaki did it seamlessly. It was a wonderful movie that depicts Japan’s ruin and rebuilding after WWII, and how the war never left anyone’s minds even for a second. Oh, and Godzilla was absolutely killer. I have never seen another Godzilla movie in full before, but I can tell that they went back to the basics and kept what worked from the original and newer films. From the score, to the visual effects, to the character building, it was absolutely flawless. The Japanese invented Godzilla, it’s only right that they are the best at making films about it. Score 10/10

Synopsis When Kurt Russell's son is forced into retirement from the MLB, he and his family move to a new house with a pool. The pool ends up being a death trap for his family and the neighborhood. But not in the normal way, this pool is extra scary because… that’s right there’s no gate! But actually it gets worse, the pool is also haunted or something. Review of Night Swim Night Swim is produced by Jason Blumhouse, and like most of his horror movies, this one stays in the shallow end of the pool. The main features of Night Swim are recycled tropes from much better horror movies. You’ll recognise borderline theft of the IT sewer scene, and the father descending into madness ala The Shining and Amityville Horror. It is an interesting concept to set a horror movie around a haunted pool. It taps into some latent fears about pools and deep water in general, but this movie definitely doesn’t crack the code and come up with a convincing premise. The ideas all seem half baked and made up as they went along. Is it a ghost? Are there many ghosts haunting the pool? Is the water an entity in itself? Is it a monkey's paw? Sure yeah, whatever. So really the main thing that the film suffers from is a lack of commitment. There are many interesting ways you could go with it. Personally, I would have made the pool be haunted by the ghost of Marco Polo, and gone full horror comedy. The dialogue is also pretty on the nose at times, and feels like a paint by numbers script. There aren’t really any standout performances, but Kerry Condon as the mother is probably the most compelling and believable out of the cast. It’s not a terrible movie, but is very predictable and as MAx and Sydney would call it, “mid”. Score 5/10

It's a new year and a new set of hosts! Listen up as Bryce announces the new permanent cohost(s?) of Horror Movie Talk, then we get right into reviewing When Evil Lurks. Synopsis When Evil Lurks is directed by Demian Rugna who also directed a film you may recall Terrified or Atterados. In this film, two brothers living on a farm find a man infected with a demonic disease. In order to save the town and themselves they do what they can to get rid of the man, but things quickly get out of hand. Our main character Pedro played by Ezequiel Rodrígue is rough, stern and a natural-born leader to his brother Jimi played by  Demián Salomón who kind of just does whatever his brother says. The film gives a nuanced take on possession and while I think Terrified was scarier, this has a better story.  Review of When Evil Lurks When Evil Lurks is heavy and doesn't pull any punches. The violence is brutal and shocking and the makeup on the possessed people makes them look truly disgusting. The characters seem like real people and often dont make the greatest decisions, but are just doing the best they know how to do. The movie feels fresh and puts its own spin on demonic possession, but to say that this movie should be lumped into the same category as a movie like the exorcist believer is laughable. Though it uses the words demonic possession, it really ends up being something very unique. It feels like we as the viewers get to peer into the minds and culture of a deeply superstitious town in argentina which is an impressive thing to do. One of the best parts about this movie to me is that it introduces so much lore that people from this town all seem to just kind of know and understand as the truth, yet I never felt like I was struggling to catch up or understand where they were coming from. It is unsettling, and every scene feels like something new.  Score 9/10

Merry Christmas and a Happy Saw Year! Synopsis Let me go into a little synopsis of saw x for you. In saw x we see the return of john kramer and he is searching for a cure to his terminal brain cancer. As he goes through the grieving process of his own mortality, he runs into a friend that may hold the key to a cure. An experimental surgery that is groundbreaking and exactly what john needs.  We get to follow John through his Journey to health but he finds out it's not all what it appears, with hope fading John is ready to play a game with All new Traps but the same gore that we have come to expect out of the Franchise.  Review  Overall I did enjoy this movie, it had me squirming  in my seat and kept me engaged for most of the film. Do I think this is a groundbreaking masterpiece? no , in my opinion it is the best saw movie since the first one. It's what you would expect from a saw movie, traps and blood. I'm happy that we get to follow john and see another side of him and get more character development. There is definitely  parts of the movie that don't make sense for me but you pretty much know what you are going in for.

Will robo-santa win you over? Only if you believe. Synopsis CBC pits off-brand lead character Tori (Riley Dandy) against a malfunctioning, homicidal robot-Santa manufactured by Uncle Sam. Tori runs a shop next door to a toy store with one of the killer Kriss Kringles and … mayhem ensues.  Review of Christmas Bloody Christmas Review: This flick takes the concept of intelligent tech (a concept popularized by 80s slashics like Maximum Overdrive, Deadly Friend, Chopping Mall, RoboCop, and Terminator) and Frankensteins it onto another favorite 80s concept: the killer Santa. Of course, the gold standard for killer Santas was set by Charles Sellier’s ‘Silent Night Deadly Night’ in 1984, but that doesn’t stop modern directors from trying to put their own special spin on the ax-wielding punisher of naughty boys and girls. Last year alone, we got three new entries in the category: Violent Night, The Mean One, and Joe Begos’s Xmas Bloody Xmas. I can easily say that Begos’s option is my favorite. Not because it’s a perfect film. The top half is talk-heavy. The lead character is somewhat annoying. And with Begos aiming for a Rob Zombie aesthetic - lots of neon light and oversaturated primary colors - much of the action is muddy and hard to discern, which is a bummer since some of the gore looks really good. Heads get stomped and split down the middle; eyes get poked with the ass-end of Santa’s ax, multiple cops gets shotgunned in the facial. This grindhouse gruesomeness isn’t helped by the cinematography, but I still appreciate that Begos shot the movie in 16mm and included plenty of gore for his core audience. There’s also lots of references to iconic horror properties; and, I like the cast. Riley Dandy delivers an effective final girl with Tori - the smart-mouthed and strong-minded record store owner caught in the middle of robo-SantApocalypse with a bunch of dimwitted men who refuse to listen to her advice. The exception is Robbie (played by Sam Delich), her equally saucy and opinionated employee whose Xmas wish (tho unstated) is to get into Tori’s pants. He gets his wish, and lasts longer than any of the other dudes because he actually listens to Tor. And that’s largely what this flick is about. But also, it’s a mindless blood-and-guts movie about a killer Santa that slices and dices without rhyme or reason. If taken with a big heaping boulder of salt, it can be plenty of fun.  Score 6/10

This fun exorcism romp is more fun than riding a Vespa across Europe. Listen to Bryce and Sydney break it down. Synopsis The Pope’s Exorcist is a 2023 film that follows Father Gabriele Amorth, the real life Chief Exorcist of the Vatican from 1986-2016, as he goes around to possibly possessed adults and children and cures them of their affliction, through unconventional and sometimes frowned upon means. The movie follows Amorth, played by the award winning actor Russell Crowe, as he tries to get rid of a very powerful demon that has attached itself to a little American boy named Henry, who has just moved into an inherited Spanish castle with his mother and sister. This movie is based on true events and documents from the Vatican, as well as being based on two books Father Amorth wrote before his death in 2016. There are some true elements to the story but a lot of it has been fictionalized to make this slightly scary, sometimes funny exorcism movie.  Review of The Pope's Exorcist In reviewing this movie, we have to take into account how many movies try to be The Exorcist, and ultimately fall flat because no one could ever top the 1973 horror classic. This movie definitely takes cues from its predecessor, with the possessed boy shouting obscenities at his mother and the priests, body contortion, some suspenseful and mysterious scenes, and an origin story for the demon that honestly was refreshing to all the other long played out demon stories. This movie got better the longer it ran, but it is in no way a slow paced movie. Every minute has you wanting to keep watching. It starts off a bit basic for long time horror movie lovers like me, but it got more interesting as it progressed. And with a 100 minute run time, it is the perfect length for a movie night.  The script is very basic and mimics many other exorcism movies, and at times the characters would probably be better off not speaking than saying their bare bones lines to get the plot moving. But whoever wrote this movie was obviously highlighting Russell Crowe. They gave him the best lines, the most backstory, in a way he was the most, if not only, interesting character in the entire film. He solves everyone’s problems, he makes the characters and the audience laugh, we can sympathize with him while also being very interested in what his next move should be. As a viewer, it seems as though he had the time of his life filming this movie, and that is what makes it watchable in my opinion. There were good gorey scenes, some of the lines from the possessed boy were so outrageous that it made me step back and say okay maybe this movie has more going for it than I had originally thought. Ultimately, it is very entertaining, but it would have been nothing without Russell Crowe. Score 8/10

Do you believe that this sequel is good? It's going to take some strong faith on your part. Synopsis The Exorcist: Believer is a direct sequel to the original 1973 The Exorcist. In this film, we get not one, but two, that’s right two possessions for the price of one. When two teenage girls go out into the woods to perform a séance, they disappear and reappear days later acting… strange. Their parents struggle to find out why the reason th... It’s possession, they are possessed. The father of one of the girls played by Leslie Odom Jr. must recruit an Oceans 11 type ragtag group of exorcists and Chris MacNeil reprised by Ellen Burstyn, who I can only assume had an important boat she wanted to buy. Review of Exorcist: Believer NBCUniversal shelled out 400 million on the rights to The Exorcist IP and entrusted David Gordon Green to work his soft reboot magic that he showed with the Halloween franchise. They’ve committed to producing two more of these exorcist films, and after watching this one… I’m not  a believer. Much like most of the previous sequel and prequels in the franchise, this film fails to recapture the humanity, darkness, and complexity of the original. You could point to the fact that they keep giving these movies to mediocre or hack directors, but even John Boorman fucked up The Exorcist 2, and he directed Deliverance. Also, since The Exorcist was released, it seems like there is rarely a year that goes by that there isn’t an exorcism themed horror movie in theaters. It’s a tired horror trope at this point. As a result, The Exorcist: Believer comes off as another generic possession movie going through the motions while skipping all the “boring” parts like relationships, character development, or mystery. A lot of eyes have rolled over some of the messaging in this movie about being woke. Ellen Burstyn's line about not being part of the damn patriarchy and being excluded from the original exorcism comes off as heavy handed and completely detached from the story of the original film. I think Chris MacNeil's character is the greatest casualty of this film. However, I think the root problem is that in trying to make Exorcism more inclusive and exploring the universality of evil, it comes off as wishy washy and noncommittal. Score 3/10 https://youtu.be/RAR4_7LCDIg