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This episode covers a packed week of cinema and streaming, with the team comparing three theatrical releases against three TV picks and one standout DC series. Tosin hosts as Shaun, Sharon Bollen, and Holly each bring different viewing picks and perspectives. It is a mix of film reactions, spoiler-light breakdowns, and a strong closing verdict on which side won the week. Timestamps 00:00 - Opening the week: cinema versus sofa01:04 - Shaun’s cinema week: Dracula, Whalefall, Street Fighter, Clayface01:33 - Sharon catches up with Uprising03:03 - Holly’s cinema tally: nothing03:44 - Holly’s TV picks: Below and Last Scene04:08 - Sharon’s TV picks: Below and Irina’s Vow04:22 - Shaun’s YouTube documentary rabbit hole05:24 - Setting up the week’s lineup06:00 - Clayface: DC horror with a tragic actor at the center08:28 - Mike Flanagan’s script and whether Clayface works09:02 - Why Clayface succeeds as a dark, bloody DC effort09:48 - Body horror, gore, and the 18 certificate11:45 - Below: no shark, but plenty of underwater menace12:18 - Newfoundland relocation, the moving house, and the first tragedy13:16 - Bad ice, missing people, and the mystery under the sea14:52 - Below shifts genre and takes an unexpected turn15:25 - Why Holly loved the Newfoundland detail and atmosphere17:58 - Why Below earns a four-star rating19:41 - Street Fighter: a game adaptation with deep-cut fan service20:55 - Shaun on the strong opening and animated intro22:03 - Why the film works for Street Fighter fans23:12 - The first game, the second game, and the anime-style setup24:00 - Why the movie keeps stopping to start new stories25:34 - The ending and why it feels like sequel bait26:50 - Final Street Fighter ratings27:51 - Last Scene: an Australian missing-child drama28:18 - The child’s body, the father, and the reopened case29:47 - The father’s phone call and the emotional core of the story31:27 - Why Holly found Last Scene compelling and tragic32:46 - Why it may be too harrowing for some viewers33:34 - Whalefall: Josh Brolin, a whale, and an hour of oxygen34:37 - The estranged father-son setup and the diving accident35:32 - Flashbacks, paternal pressure, and survival guidance36:27 - Josh Brolin’s performance as the domineering father37:37 - The film’s stretched-out survival logic and impossible moments38:42 - Monstro, Jonah, and the whale escape fantasy39:10 - Whalefall rating and final thoughts40:38 - Lanterns: DC’s best TV work so far41:47 - Why Lanterns works as a true detective style superhero series42:17 - Hal Jordan, Jon Stewart, and the Green Lantern mythology43:06 - Rushville, Nebraska, and the multi-time-period structure43:58 - Jon Stewart, race, fear, and the show’s emotional intelligence45:04 - Why Aaron Pierre and Kyle Chandler are such a strong pairing45:35 - The aftermath of superhero spectacle done right46:02 - Who won the week: streaming or cinema46:37 - Signing off and what everyone is watching next

A weekly film discussion where Tosin Ajayi, Shaun Harris, Sharon Bollen, and Holly Nessling compare what they have seen in cinemas versus at home. This episode covers two main reviews, a long-running rant about Cineworld Isle of Wight screening issues, and a quick round-up of listener feedback.The main conversation is a panel discussion with four distinct voices, though Sharon and Holly each only contribute substantively to one review and the cinema complaints. The core topics are historical drama, streaming thriller, and local cinema scheduling frustrations. Key topics In this episode: Shaun reviews The Uprising, a Paul Greengrass historical drama about the Peasants’ Revolt of 1381, led by Andrew Garfield as a fictionalized ploughman figure.Shaun praises the period detail, the authentic costumes, and Cosmo Jarvis as Wat Tyler, but thinks the film’s ending compresses history too much.The biggest knock against The Uprising for Shaun is the shaky-cam style and one “silly” moment he says drags the score down.Holly shares Animals, a Netflix thriller directed by and starring Ben Affleck alongside Kerry Washington.Holly describes Animals as a tightly constructed, twisty domestic thriller with strong pacing, solid performances, and a very 1990s thriller feel.The panel notes that Animals is the kind of home-streaming film that works well on Netflix but does not really need a cinema release.The group spends a long stretch on Cineworld Isle of Wight, where Shaun and Sharon both had screenings cancelled or badly timed.Shaun says Cineworld cancelled his booking for The Social Reckoning, while Sharon says The Uprising showed at awkward times that clashed with work and caring responsibilities.They complain that smaller sites get fewer new releases, fewer showings, and that advertised films often disappear after trailers have already been shown.Listener feedback includes praise for the Hacks joke-workshopping scenes and a kind message from a US listener discovering the show through a Small Profits review.“Cinema or sofa? Big scream or big stream.”“It is so damn good.”“Cineworld sucks.” Timestamps 00:00 - Cinema or sofa? The show’s premise and host introductions01:31 - Shaun’s cinema plans disrupted by cancelled screenings03:34 - Holly swaps cinema for theatre and Who’s Afraid of Virginia Woolf?05:55 - Cinema round-up and the group’s limited theatrical options this week09:09 - Shaun’s home viewing pick: The Bed Sitting Room10:13 - The Uprising begins with the Peasants’ Revolt and poll tax corruption12:51 - Wat Tyler, John Ball, and the revolt gathering momentum15:25 - Historical compression, shaky cam, and the film’s biggest flaw17:13 - Cosmo Jarvis as Wat Tyler and the film’s period authenticity19:04 - Shaun’s score for The Uprising and why it misses a perfect mark20:53 - Holly reviews Animals and its thriller setup24:14 - Why Animals works as a streaming thriller rather than a cinema film27:47 - Comparing ratings and deciding this week’s winner28:47 - Shaun explains why Cineworld “sucks” on the Isle of Wight30:05 - Sharon describes the poor showtime scheduling for The Uprising32:23 - The broader problem with limited screenings and disappearing releases34:41 - Reading Cineworld’s cancellation email and the lack of compensation35:55 - Cineworld’s explanation for limited screenings and licensing constraints38:00 - Listener feedback on Hacks and Small Profits40:52 - Where to find the show and the call for listener interaction41:43 - Closing banter, upcoming releases, and sign-offNotable quotes

Cinema vs streaming turns into a surprisingly tight fight this week, with one horror classic, one zombie train ride, one AI comedy-drama, and two very different thrillers all landing in the same middle-of-the-road sweet spot. If you want to know where your money is best spent right now, this is the episode that breaks down the best bets and the hidden surprises. Tosin, Shaun, Sharon Bollen, and Holly Nessling compare what works on the big screen and what works at home, from a 1980s Hannibal Lecter prequel to a Korean zombie classic returning to cinemas for its 10-year anniversary. Along the way, they dig into a Tom Cruise disaster movie that keeps twisting when you think you have it figured out, and a Reacher spin-off that may actually improve on its parent show.You'll discover: Why Digger caught Shaun off guard and ended up landing much higher than expectedHow Train to Busan still delivers pace, emotion, and claustrophobic zombie chaos years after releaseWhy Neely works as a Reacher spin-off even if you've never seen the original showWhether Verity is deliciously trashy or just plain predictableHow The Blame uses a police procedural setup to tap into much darker, more uncomfortable real-world anxietiesWhat Manhunter still gets right, and why Shaun bounced off its very 1980s styleShaun gives his verdict on Digger after expecting a total write-off, while Sharon brings the case for Train to Busan as a genuinely engrossing cinema watch. Holly weighs in on The Blame and Neely, and Tosin pulls the threads together by comparing the TV versions, movie versions, and the marketing spin around each title.Tosin hosts the show, joined by Shaun Harris, Sharon Bollen, and Holly Nessling. Shaun brings the film-first, instinctive verdicts and the surprise winner of the week. Sharon adds sharp, thoughtful reactions to both cinema and streaming, especially on character work and structure. Holly keeps the TV side grounded with a clear-eye take on what makes a watchable crime drama.Perfect for listeners who want honest recommendations, spoiler-light reactions, and a no-nonsense answer to the question that matters most: cinema seat or sofa?

Big-screen monsters, Victorian murder myths, and one brutally effective documentary double bill - this week’s episode is packed with films that make you choose where your money is best spent.Tosin, Shaun, and Sharon compare the cinema and streaming releases you actually need to know about, from the South Korean monster thriller Hope to the new Sense and Sensibility adaptation, plus a deep look at Netflix’s Monster: The Lizzie Borden Story and the true-crime shock of Devil in the Family and Evil Influencer.You’ll discover: why Hope is a monster movie that keeps going long after you think it should endwhat works - and what doesn’t - in the latest Sense and Sensibilityhow Ryan Murphy’s Monster turns Lizzie Borden into a lurid, myth-heavy case studywhy the Ruby Franke and Jodi Hildebrandt documentaries are devastating as a paired watchwhich releases are worth cinema money and which are better left for streamingAlong the way, the hosts get into the details that matter most: the performances, the logic gaps, the visual style, the violence, the historical liberties, and the moments that made them laugh, wince, or argue back at the screen.If you like sharp, opinionated film and TV chat with real recommendations, this is essential listening. Perfect for anyone deciding what to watch next, what to skip, and where your hard-earned money will be best spent this week.

One film is dog propaganda, one is gloriously unhinged, and one may be the kind of TV finale that leaves you shouting at the screen. If you’re wondering what’s worth your time this week, Tosin and the panel have plenty to say. Tosin, Shauny, Sharon Bollen, and Holly compare this week’s cinema releases with the latest streaming picks. They take on Heart of the Beast, Fall Two, and Bad Apples, then get into Little House on the Prairie, Sterling Point, Silo season three, Resident Evil, and The Better Sister. Hear why Heart of the Beast didn’t work for Shauny, why Bad Apples is the film Tosin wants everyone to watch and discuss, and how the panel lands on its weekly winner. There are strong opinions, unexpected turns, and very different takes on what makes a film or series worth your time.Should you head to the cinema or stay in for a stream? Listen in for the verdict. Timestamps 00:00 — Setting up the Netflix versus cinema format and this week’s lineup01:30 — Cinema picks: Heart of the Beast, Fall Two, Bad Apples, and Resident Evil02:50 — Heart of the Beast: the ex-military man, PTSD, and the dog05:32 — Why Heart of the Beast didn’t work for Shauny08:45 — David Ayer, Brad Pitt, and the film’s biggest problems10:22 — Fall Two and the Thailand mountain trek setup11:44 — The collapsing walkway and the survival gimmick13:19 — Why Fall Two didn’t land—and an accidental cinema moment15:00 — Home-viewing roundup: Little House on the Prairie, Silo, Sterling Point, and The Better Sister16:34 — The Little House on the Prairie adaptation and Laura Ingalls Wilder’s memoirs18:52 — The Ingalls family and their move west21:17 — The reboot’s layered characters and updated tone23:07 — Why Sharon enjoyed Little House on the Prairie24:15 — Sterling Point: twins, inheritance, and an island in Canada27:53 — Why Sterling Point works as a pleasant YA mystery30:32 — Bad Apples and why Tosin wants everyone to watch it33:08 — The disruptive child, the basement, and the film’s central premise36:10 — Why Bad Apples becomes unpredictable37:16 — Silo season three and its split timeline38:10 — How the silo project began40:18 — Why Silo season three works despite its complexity41:43 — Resident Evil review42:19 — The courier, organ delivery, and arctic setting44:01 — The film’s video-game-style escalation and creature mayhem46:23 — Why Shauny enjoyed Resident Evil more than expected48:22 — Final thoughts on Austin Abrams and the film’s score50:17 — The Better Sister: murder, siblings, and a son in danger53:24 — The custody and murder-mystery setup55:10 — Why Tosin thinks The Better Sister falls short57:54 — The rushed ending and unresolved questions59:05 — The weekly verdict: streaming wins by a tiny margin60:18 — Sign-off and a plea to watch Bad Apples Notable quotes “This is the worst Brad Pitt acting I have seen in a movie.”

In this episode: Shauny’s packed cinema week included Pressure, Fall 2, Practical Magic 2, and a revisit to Raiders of the Lost Ark. Bookish gets the strongest streaming praise of the week, with Holly describing it as a beautifully made, humane, and comforting mystery series led by Polly Walker and Mark Gatiss.Shauny’s Pressure review highlights its focus on the D-Day weather forecast, with strong performances and impressive historical detail, though he felt one church scene was a bit overplayed.DTF St. Louis is described as an emotionally smart, award-winning ensemble series about loneliness, connection, and human need, with standout turns from David Harbour, Linda Cardellini, Jason Bateman, Richard Jenkins, Joy Sunday, and Peter Sarsgaard.Runner is framed as a slick, old-school action movie about moving a rare liver across Australia under a time limit, with Alan Ritchson and Owen Wilson pairing surprisingly well.In the Grey is the week’s weakest cinema pick, with Shauny calling it Guy Ritchie’s worst film and describing it as messy, lazy, and badly acted.Timestamps 00:00 - Welcome, the podcast premise, and the week’s cinema versus streaming setup 01:34 - Shauny’s big cinema week, including Pressure, Fall 2, Practical Magic 2, and Raiders of the Lost Ark 04:38 - Holly’s week off cinema and the internet outage that kept her at home 06:00 - Shauny’s streaming watches, including In the Grey and the long-delayed DTF St. Louis discussion 08:22 - Why Practical Magic 2 exists and how cult fandom drove the sequel 09:43 - The original curse, Sandra Bullock’s daughters, and the sequel’s core plot 11:09 - Why the sequel feels boring, lazy, and far too long 12:26 - Holly on the books, the lore, and why the adaptation still has a logic behind it 13:46 - Lee Pace, Nicole Kidman, and the dialogue that doesn’t work 16:40 - Why the film’s plot logic keeps collapsing and the bad guy is obvious early 17:34 - Holly on the original film’s appeal, social conditioning, and women’s experience 22:56 - Sandra Bullock and Nicole Kidman still looking remarkably unchanged after 30 years 24:31 - Holly on Bookish, set after World War II with a bookseller-detective and a lavender marriage 26:43 - Why Polly Walker and Mark Gatiss make Bookish such a joy to watch 28:37 - The Mark Gatiss connection to Sherlock and The League of Gentlemen 30:17 - Holly’s five-star enthusiasm for Bookish and why it feels kind and humane 31:18 - Pressure and the D-Day weather forecast, with Churchill’s recommendation and Eisenhower’s dilemma 34:24 - Authentic military detail, the strong cast, and Damian Lewis as Montgomery 35:54 - The overplayed Sunday service weather scene and why it felt unnecessary 37:17 - Shauny’s final rating for Pressure at 4.5 stars 39:19 - DTF St. Louis and how David Harbour’s real-life image complicated the show’s publicity 40:12 - The murder mystery structure, the app, and the shifting identity of the victim 42:15 - Peter Sarsgaard’s brief but brilliant role and the show’s deeper theme of loneliness 44:06 - Why the ensemble performances and writing make the series Emmy-worthy 45:47 - Moving on to Runner and the confusion with another film called The Runner 46:50 - Alan Ritchson, Owen Wilson, and a high-stakes Australian courier chase 49:10 - The rare liver, the ticking clock, and the black SUV pursuit 51:34 - Why Runner works better than it should, including a clever rotating tire fight scene 52:34 - Alan Ritchson’s Jack Reacher energy and why the role fits him 54:00 - Shauny on In the Grey: a Guy Ritchie film that feels like pure motion without spark 55:56 - Why the film feels like the worst version of a Guy Ritchie template 56:52 - Final scores and the week’s winner, with streaming edging cinema 3.8 to 3.4 58:50 - Listener feedback, Ricky Gervais debate, and the lively comments section 64:52 - Coming next week, including Fall 2 and the Brad Pitt film, plus a preview of Resident Evil

Tosin is joined by Shaun Harris and Holly Nessling for a very internet-tested episode of Netflix vs. Cinema, weighing what is worth your money at the movies versus at home. In this episode, Tosin, Shaun Harris, and Holly Nessling discuss The Death of Robin Hood, a grim, muddy, blood-soaked take on the Robin Hood legend starring Hugh Jackman.Shaun explains that The Death of Robin Hood was one of his cinema watches and says it was much better seen on the big screen, even though it is slow in places.Tosin highlights how the film strips away the myth, showing Robin Hood as an older, violent man haunted by the consequences of his past.Holly says the film was not what she expected from the trailers, but she appreciated its use of light, color, and its realism about the violence behind the legend.The panel agrees The Death of Robin Hood is not for everyone, but all three rate it highly, with Holly and Tosin on 4 stars and Shaun on 3.5 stars.In this episode, the group also discusses House of the Dragon season 3, focusing on queenship, power, bad decisions, and the brutal consequences of ruling in Westeros.Holly notes that House of the Dragon is a strong adaptation of Fire and Blood, while Shaun and Holly both point out that almost nobody in the show is actually likable.Shaun then reviews Booze, Bitterness and Butlins, a documentary about The Sweet and frontman Brian Connolly, covering the band’s glam rock success, Connolly’s decline after a violent attack, and the later Butlins gigs.Holly briefly covers the latest Insidious film, describing it as a standard entry in the series: jump scares up front, then a more familiar supernatural chase through the further.The episode closes with the weekly verdict: streaming edges out cinema by a tiny margin, with the hosts noting that this was one of their most internet-afflicted recordings yet.“The peasants are revolted.”“If you can handle somebody’s jaw being ripped off by somebody else, then you’ll be fine.”“The muddiest film since the first Predator.”Timestamps00:00 - Welcome to Netflix vs. Cinema and the week’s mission 00:22 - Introducing Tosin, Shaun, Holly, and the missing Sharon 03:13 - Shaun’s cinema watch: The Death of Robin Hood 06:35 - Shaun’s home viewing roundup and Piranha 3DD 07:45 - Holly’s cinema watches and Bookish at home 08:52 - Setting up The Death of Robin Hood 09:21 - Hugh Jackman’s older, darker Robin Hood 10:47 - A Robin Hood haunted by revenge and consequence 11:56 - Little John, Bill Skarsgård, and the film’s vague setting 13:24 - Why the action is brutal instead of heroic 15:01 - First reactions: why the movie works on the big screen 16:59 - Slow pacing, bleak tone, and the final rating debate 18:15 - Holly’s take on the film’s realism and gore 20:06 - Final scores for The Death of Robin Hood 21:07 - House of the Dragon season 3 begins 22:41 - Power, bad decisions, and the cost of ruling 23:31 - The cast and the standout performance of Egon 24:52 - Nobody in the show is especially redeeming 25:18 - Holly on Fire and Blood and the adaptation 26:30 - Final scores for House of the Dragon 27:15 - Holly’s summary of the latest Insidious film 28:13 - Jump scares, the further, and the film’s two halves 29:09 - Why Insidious is perfectly adequate but forgettable 30:10 - Final score for Insidious 32:27 - Shaun’s documentary pick: Booze, Bitterness and Butlins 33:10 - The Sweet, glam rock, and their early hits 34:26 - Brian Connolly’s assault and its aftermath 35:42 - The Butlins gigs and the band name confusion 36:49 - Why the documentary mattered to Shaun personally 40:06 - Final score for Booze, Bitterness and Butlins 41:26 - Cinema vs. streaming: the weekly verdict 43:33 - Streaming wins by a narrow margin 44:13 - Final recommendation on The Death of Robin Hood 45:25 - Muddiest films ever and a brief tangent 46:02 - Listener prompts and closing shoutouts 46:20 - Goodbye, plus one last internet delay jokeNotable quotes

This episode covers a mixed week of cinema and streaming, with the hosts weighing a post apocalyptic film, a psychological horror series, a female led comedy, and a documentary about Hammer Films. The conversation is playful, but the reviews are clear, with the strongest praise going to the streaming pick and the Hammer documentary.Key topics In this episode, Tosin hosts from Bromsgrove with Shaun Harris, Sharon Bollen, and London correspondent Holly Nessling joining in.The group opens with what they have been watching in cinemas and at home, including The Dog Stars, The Terror, Spa Weekend, and Hammer Legends, Heroes and Monsters.Sharon explains The Dog Stars as a post pandemic survival story set in the Colorado mountains, following Higg, played by Jacob Elordi, his life on an aerodrome, and encounters with isolated communities and hostile raiders.Shaun and Sharon both feel The Dog Stars is well made but familiar, leaning on post apocalyptic tropes from The Walking Dead, 28 Days Later, and similar stories.Holly’s home viewing focus is The Terror, starting with season 3, Devil in Silver, then working backward through seasons 2 and 1.Devil in Silver is described as a psychological horror story about being wrongly trapped in a psychiatric institution, with Dan Stevens praised for being compelling and convincing as an American lead.Season 2 of The Terror is set during Japanese internment in the United States in World War II, where the supernatural horror is overshadowed by the real world brutality of the camps.Shaun reviews Spa Weekend as an exactly as advertised ensemble comedy built around four women on a spa trip, with each playing a familiar archetype and the film clearly aiming at a middle aged female audience.Shaun’s streaming pick, Hammer Legends, Heroes and Monsters, is praised as a nostalgic documentary tracing Hammer Films from Quatermass through Dracula, Peter Cushing, Christopher Lee, and the studio’s shift through changing British cinema trends.The episode closes with a broader discussion about film distribution, sparked by a correction on Coyote vs. Acme and the role of Ketchup Entertainment in buying and releasing it.The Dog Stars - 3.25 averageThe Terror season 3, Devil in Silver - 4Spa Weekend - 3Hammer Legends, Heroes and Monsters - 4Timestamps(00:00) Opening the week and introducing the panel(01:49) Cinema round up begins with The Dog Stars(06:25) Holly’s home watch list and The Terror season 3(07:23) Shaun’s week of Hammer Legends and assorted trashy films(09:37) Sharon explains the post apocalyptic world of The Dog Stars(13:16) Why The Dog Stars feels familiar despite strong craft(17:46) Sharon’s final take on The Dog Stars(20:56) Holly breaks down The Terror season 3, Devil in Silver(25:31) Season 2 of The Terror and the horror of Japanese internment(30:09) Spa Weekend and the “female Hangover” template(35:39) Ad libbing, editing, and the film’s target audience(40:11) Hammer Legends, Heroes and Monsters and Hammer’s history(43:23) Peter Cushing, Christopher Lee, and Hammer’s serious approach(47:15) Final verdict on Hammer Legends and the Hammer House of Horror reference(48:31) Which won the week, cinema or streaming?(48:37) Update on Coyote vs. Acme and its release situation(51:17) Wrap up and sign offNotable quotesCopy“It’s a film set in contemporary Britain, but a temporary America, but after a devastating global pandemic.”Copy“The stuff of nightmares anyway, that scenario without any supernatural or any sort of other elements to it.”Copy“The film is there to give them a break in the cinema where they can go away and go, Yeah, yeah, that’s my life.”VerdictsWinner of the weekStreaming wins this week, driven by the strength of The Terror season 3 and Hammer Legends, Heroes and Monsters.

A banned Looney Tunes movie turns out to be the best thing in the cinema this week, a Jason Statham action machine does exactly what it says on the tin, and Ricky Gervais surprises everyone with an animated cat show that actually lands. If you want to know where your money is best spent this week, this episode makes the case fast.Shaun, Tosin, Holly Nessling, and Sharon Bollen compare the week’s cinema and streaming picks, but the real story is the range: from the long-delayed, tax-write-off-dodging delight of Coyote vs Acme to the enclosed-home paranoia of The Last House, the ridiculous-but-entertaining mayhem of Mutiny, the darkly comic relationship carnage of Over Your Dead Body, and the oddball romance premise of One Night Only.You’ll discover:why Coyote vs Acme feels like the best animation-live action hybrid since Who Framed Roger Rabbithow Mutiny doubles down on every Jason Statham trope and still workswhy The Last House turns a family home into a survival bunkerwhat makes Over Your Dead Body spiral from a killer premise into glorious chaoshow One Night Only turns a wildly absurd alternate America into a rom-com with consequenceswhy Alley Cats may be Ricky Gervais’ most watchable project yetShaun and Sharon bring the cinema perspective, Holly brings the streaming chaos and an increasingly legendary shark-movie obsession, and Tosin keeps trying to balance the whole thing while making the weekly “money well spent” verdict. Along the way there are proper laughs, a few disagreements, and at least one pitch for an entire podcast devoted to terrible shark films.This is the episode for anyone deciding what to watch next, anyone who misses big-screen fun, and anyone who enjoys a film chat that can go from serious to utterly unhinged in seconds. If you’ve got one cinema trip or one streaming slot to spend this week, start here.Timestamps00:00 - Countdown chaos and name-spelling complaints02:03 - What everyone saw in cinemas this week06:29 - Home viewing roundup and the “bag” for unfinished series08:11 - Why Coyote vs. Acme was almost hidden away12:40 - Wiley Coyote sues Acme for decades of injuries15:37 - The voice casting and Looney Tunes callbacks18:10 - The Last House: trapped indoors by the rain21:27 - Comparing The Last House to The End of Oak Street23:41 - Survival mode, family dynamics, and rating The Last House25:29 - Mutiny: Jason Statham does what Jason Statham does29:20 - Why the Statham formula still works31:38 - Over Your Dead Body begins with murder plans34:50 - The film keeps escalating into total chaos37:49 - Samara Weaving, Juliette Lewis, and the cast’s energy39:21 - One Night Only and the alternate-world sex law44:18 - What the film is really saying about dating and intimacy49:30 - Alley Cats: Ricky Gervais’s animated cat hangout show55:33 - Why Alley Cats works better than expected58:48 - Weekly scores and the tightest result of the episode60:36 - Holly explains Noah’s Shark in full glory64:31 - Listener challenge: send in worse shark movies67:28 - Plans for future spoiler rants, shark podcasts, and sign-off VerdictStreaming edges it this week, but the real money pick is Coyote vs. Acme. The team is united: if you can see that one in a cinema, do it.

Tosin and Holly Nessling compare a family cinema trip with a home-streamed shark thriller in this week’s value-for-money showdown. The episode is mostly about whether a tired parent is better off spending money on a kids’ movie or a horror-adjacent shark film, but it also turns into a very funny discussion of terrible genre movies, franchise sprawl, and why some films are so bad they become a challenge.We discuss Paw Patrol the Dino Movie, Chum, and a few other recent watches, with Holly giving the sharper critical takedown and Tosin explaining the realities of summer holidays, children, and cinema survival. Key topics In this episode, Tosin explains why Paw Patrol the Dino Movie was the inevitable cinema choice during the first summer holidays as a parent, with his wife on nights and two children to entertain.Holly shares Chum, a Prime Video shark film paid for with Amex points, and the conversation quickly becomes a postmortem on a wildly implausible plot.The hosts compare theatrical Paw Patrol releases with the many TV-style spin-offs, noting how the franchise keeps expanding by adding new pups and new themes.Tosin describes Paw Patrol as a simple rescue-action formula for kids, with Ryder and the pups responding to emergencies in their vehicles, while the Dino Movie adds dinosaurs, an island, and a villain scheme involving diamonds and a volcano.Holly’s review of Chum focuses on the film’s absurd logic, including a grieving husband who uses homeless people as bait, a shark cage with no oxygen, and a revenge plan that makes little sense even by shark-movie standards.The episode contrasts good bad movies with merely bad ones, with the hosts noting that some low-budget shark films are entertaining because they embrace their absurdity, while Chum mostly just confuses.Tosin raises the point that Paw Patrol is clearly made for children, but still compares it unfavorably to Toy Story 5 as a film with more for adults and kids alike.The conversation includes a brief side discussion of Dangerous Animals, Birdpocalypse, Monster Nado, and other benchmark bad-shark or bad-CGI films.Holly notes that Chum at least uses some real great white shark footage, even if the human-shark interactions are clumsy and the script is baffling.Tosin closes by recommending Android on BBC iPlayer as a better next watch for Holly, before the pair wrap up with listener feedback and a quick mention of another movie, Over Your Dead Body.Timestamps00:00 - Cinema or sofa: the week’s big value-for-money question01:25 - How the show compares cinema trips with streaming watches04:42 - Tosin’s cinema pick: Paw Patrol the Dino Movie05:23 - Holly’s home pick: Chum on Prime Video08:05 - What Paw Patrol actually is and why the kids love it10:12 - Snoop Dogg and Paris Hilton voice a yacht rescue setup11:09 - The island, the dinosaurs, and Maya Humdinger’s diamond scheme12:38 - Why every Paw Patrol movie seems to add another pup14:11 - Why Paw Patrol works for exhausted parents but not as a great film17:28 - Holly starts explaining Chum’s Malta shark premise19:38 - The wedding boat trip that goes very wrong21:11 - A grieving husband turns into the real villain22:46 - Why Chum makes almost no sense at all23:14 - Homeless people as bait and the shark cage plan24:42 - Holly’s one-star review and the global warming line that annoys her27:23 - The shark effects: real footage, some CGI, and not much else29:13 - Why bad shark films can be fun, but this one mostly isn’t30:54 - Listener feedback on The Boys season five32:21 - Sign-off, plus a recommendation for Android on BBC iPlayer33:42 - Bonus chat: Over Your Dead Body on Prime Video36:37 - ChatGPT’s surprisingly accurate summary of Chum’s plot38:09 - Why short movies have at least one virtue: they get on with it

– Introduction & Eclipse Banter: Tosin introduces the panel (Shaun, Sharon, and Holly) on the day of the solar eclipse before diving into this week's lineup. – What We’ve Been Watching: Shaun recaps his marathon cinema trip (The Odyssey, The End of Oak Street, Spider-Man, and secret screening Tony), while Holly and Tosin share their home streaming picks. – Cinema Review: The End of Oak Street Shaun’s Rating: $3 / 5$ Details: A suburban neighbourhood gets transported into a pre-historic time zone filled with dinosaurs. Featuring Ewan McGregor doing a noticeably "hammy" American accent, this B-movie creature feature stays silly, convenient, and doesn't take itself too seriously. – Streaming Review: The Devil’s Mouth Holly’s Rating: $1.5 / 5$ Details: Starring Kathryn Newton. A group of friends on holiday in Thailand go cave diving in "The Devil's Mouth" freshwater caves when things go wrong. Too mediocre to be a fun "bad" shark movie, it delivers a predictable, middle-of-the-road experience. – Cinema Review: Tony Shaun’s Rating: $3 / 5$ Sharon’s Rating: $3.25 / 5$ Details: A secret screening capturing a formative summer in 1975 for a young Anthony Bourdain (played by Dominic Sessa). Directed by the director of La Varna: The Band, The Show, The Movie, and co-starring Antonio Banderas as a restaurateur. While a bit detached for UK audiences unfamiliar with Bourdain's legacy, it captures an authentic mid-70s vibe. – Streaming Review: Possession Holly’s Rating: $4.5 / 5$ Details: A 5-part Sky series starring Gugu Mbatha-Raw as a UK lawyer investigating a £50M estate in Jamaica left to a mysterious recipient named Kojo East. Beautifully shot, it delves into themes of Caribbean spiritualism, history, and the complex layers of "possession." – The Scorecard & Winner Selection: Tosin tallies up the ratings to crown this week's champion. – Feedback Corner & Catch-Up: The crew discusses The Boys Season 5, The Odyssey, Spider-Man, and responds to listener comments from YouTube. (Thanks to Sharon upgrading her score for Tony to $3.25$, Cinema narrowly edged out Streaming by just $0.0625$ points!) The Boys (Season 5): Tosin gives his take on Season 5, feeling the show dragged out plotlines and reached around for reasons to keep going when it could have wrapped up a season earlier. The Odyssey & Spider-Man (Brand New Day): Shaun notes The Odyssey felt drawn out toward the end, whereas Spider-Man felt like a well-executed reboot. Shoutouts & Listener Comments: A special mention to Ute and her daughter Elizabeth (who worked on set for Spider-Man!). Shoutouts to YouTube commenters JG, Yohan Beatrice, Matthew Phelan, and LMS Land for their essays, movie hot-takes, and for declaring Tosin the podcast's resident "health nut."

Join Tosin and London correspondent Holly Nessling as they discuss the sparse yet competitive cinematic landscape featuring "The Odyssey" and "Spider-Man: New Day". They dive into audience attendance trends, cinematic experiences, and the complexities behind Marvel's storytelling multiverse.In this episode: The current state of UK cinemas with only two big films in circulationHow cinemas are strategically sharing large screens between "The Odyssey" and "Spider-Man: New Day"Holly’s experience booking tickets and the importance of planning ahead in the streaming ageInitial impressions and ranking of "The Odyssey" as a modern take on Greek heroism and storytelling choicesA comprehensive review of "Spider-Man: New Day," highlighting Tom Holland's performance, action sequences, and Marvel's multiverse challengesThe significance of Marvel's cinematic universe and the impact of the upcoming "Doomsday" filmHow the streaming age is influencing sitcom storytelling, exemplified by "Mid-Century Modern" and its stereotypesDeep discussion on film adaptations, classical Greek retellings, and Emily Wilson’s critical take on "The Odyssey"The evolution of LGBTQ+ representation in sitcoms and the balance of stereotypes versus progressTimestamps:00:00 - Introduction and cinema attendance trends in the UK02:15 - Sharing screens between "The Odyssey" and "Spider-Man: New Day"04:34 - Challenges of last-minute cinema bookings and returning to pre-pandemic habits07:17 - Holly’s review of "The Odyssey" as a modern hero tale with historical touches11:01 - Analyzing "Spider-Man: New Day," its place in the MCU, and plot intricacies16:44 - Tom Holland’s portrayal of Peter Parker and themes of loneliness and heroism22:08 - Audience reactions and the film’s reception, including star ratings27:40 - The exploration of multiverse complexity in Marvel films and upcoming "Doomsday"33:14 - A critique of "Mid-Century Modern" sitcom, stereotypes, and representation36:52 - Broader discussion on diversity in media and the portrayal of gay characters43:38 - The adaptation of classical epics like "The Odyssey" and the role of modern translations47:31 - Emily Wilson’s perspective on her translation and critical views of classical adaptations48:54 - The enduring appeal of "The Odyssey" and its performance performances50:09 - Closing thoughts, upcoming films, and the importance of quick cinema visits to avoid spoilersSummary:This episode offers a detailed look at how current cinematic releases and streaming content are reshaping entertainment choices. From blockbuster attractions to nuanced sitcoms, Tosin and Holly unpack the storytelling, production, and cultural shifts defining modern watch habits. A must-listen for film buffs, streaming fans, and those interested in the evolving portrayal of diversity in media.

In this episode, we explore the quirkiest shark movies and recent cinema outings. From the disastrous CGI in low-budget shark flicks to Olivia Wilde’s theatrical drama, we provide a humorous review of what's worth your time—whether in theaters or streaming at home.In this episode: The debate between streaming versus cinema for small films like "The Invite"How "The Odyssey" continues to dominate the box officeHolly and Sharon’s love for "bad shark movies" like "Jurassic Shark" and "Deep Water"The hilariously poor CGI sharks and ridiculous plots of these B-moviesComparing the quality of sharks in "Jurassic Shark," "Deep Water," and other shark flicksInsights into prime video’s treasure trove of terrible shark filmsWhy calling a movie "Deep Water" might doom it to mediocrity or worseThe Invite (check your local cinemas or streaming platforms)Olivia Wilde - Director & ActressPrime Video - For terrible shark moviesJurassic Shark on AmazonDeep Water (2022) starring Ben AffleckNeil Green's Bad Shark FilmsTosin - LinkedIn | TwitterSharon Bollen - LinkedIn | TwitterHolly Nessling - TwitterTimestamps:00:00 - Cinema or sofa: where should you spend your money?00:21 - Recent cinema visits and the box office dominance of "The Odyssey"00:56 - Tips to survive the UK heat wave and the importance of trees01:58 - Holly’s current focus on "The Odyssey" and what films to see next02:43 - Holly and Sharon’s love for bad shark movies like "Jurassic Shark" and "Deep Water"03:28 - Insight into "The Invite," Olivia Wilde’s latest film, and its theatrical setting04:25 - Discussing the plot and character dynamics in "The Invite"07:20 - Holly's and Sharon’s ongoing fascination with terrible shark movies and the AI-created poster confusion09:16 - Holly’s analysis and quick review of "Deep Water" on Prime Video10:14 - The unconvincing CGI sharks, poor plots, and the film’s overall mediocrity16:46 - The depth of bad films on streaming platforms like Prime Video, with a special focus on shark movies17:20 - "Jurassic Shark" plot summary and its nonsensical island setting20:14 - Comparing sharks in "Jurassic Shark" and "Deep Water" and their laughable CGI24:17 - The clichés and predictable tropes of disastrous plane movies mixed with shark mayhem26:38 - The quality of sharks in "Jurassic Shark" versus other low-budget films and the absurdity of "backward swimming sharks"29:22 - Final star ratings for "Deep Water" and reflection on its lack of recognition for good CGI or storytelling32:14 - Holly’s satirical synopsis of "Jurassic Shark," highlighting its bizarre narrative—sharks in forests, stolen paintings, and bad acting34:40 - Extra bad shark flicks like "Sharktopus," "Mega Shark vs Giant Octopus," and "Waterpark Sharks"—a quick look at streaming trash35:54 - The love for "bad shark movies" and plans for watching "Jurassic Shark 2" this weekend36:16 - The ongoing obsession with "The Odyssey" and Holly’s enjoyment of blockbuster hits39:00 - Recap on other silly yet entertaining films, including "Ready or Not, Here I Come" and the importance of joy in trash cinema41:16 - A humorous look at posters that look more like Sean Bean than the actual cast in low-budget films42:50 - The upcoming "Noah’s Shock"—a biblical-shark mashup, possibly the worst yet?44:23 - Streaming suggestions and the prevalence of terrible yet hilarious shark movies on Amazon Prime45:05 - Wrap-up and tease for next week's dive into more cinematic and streaming nonsenseResources & Links:Connect with the hosts:

Discover whether the latest epic film "The Odyssey" truly justifies its grandeur and nearly three-hour runtime, and explore other TV series that offer cozy, character-driven storytelling. We compare cinematic spectacle against binge-worthy TV, analyzing how casting choices, storytelling techniques, and technical elements shape our viewing experiences. Key Topics: An in-depth discussion of Christopher Nolan’s film "The Odyssey" — themes, cast, visual effects, and its approach to mythThe narrative structure of "The Odyssey" film, including storytelling techniques like multiple narratorsHow epic storytelling is reflected through casting, with stars like Matt Damon and Tom HollandTechnological aspects, including Nolan’s signature soundscape and visual effectsThe parallels between "The Odyssey" and scenes from Oppenheimer, especially thematic linksA review of the TV show "Rooster" — workplace comedy with an ensemble cast, created by Bill LawrenceThe appeal of half-hour episodes versus longer formats in contemporary TVThe Odyssey - Homer's epicChristopher Nolan's Official WebsiteRooster on Sky/Now TVBill Lawrence's Shows (Scrubs, Shrinking)Oppenheimer (film)Netflix vs. Cinema PodcastTosin - TwitterSharon Bollen - LinkedIn Timestamps: 00:00 - Intro: Stream vs. Screen – what are we watching this week?01:15 - Watching "The Odyssey" in cinemas — ticket scarcity and experience03:48 - Discussions about screenings and rating restrictions for "The Odyssey"04:18 - The backlog of series and choosing between Netflix and cinema05:14 - Have you read Homer's Odyssey? A brief about its epic nature06:00 - Setting the scene for "The Odyssey" — Trojan War and Odysseus's cunning07:23 - Odysseus’s journey home — mythic obstacles and divine wrath08:40 - Penelope and Telemachus — stories on Ithaca’s shore10:04 - Impression of the film’s grand cast and visual effects15:54 - The thematic influences from "Oppenheimer" and myth16:11 - The film’s depiction of gods and divine influence, with supernatural elements17:10 - The horrors and perils faced by Odysseus — body horror and monsters18:22 - The minimalist portrayal of gods — human-centric storytelling19:23 - Narrative techniques: multiple narrators and storytelling layers20:42 - Viewer engagement and pacing of "The Odyssey"25:21 - Overall rating: 4.25 stars — immersive experience with stellar performances26:22 - Cast performances and character depth—Matt Damon’s standout in this role28:20 - Film’s box office success and Nolan’s future projects29:25 - Transition to "Rooster" — a workplace comedy set in a college30:05 - Plot overview: a writer forced into teaching at a college due to scandal32:00 - The ensemble cast and found family theme — character-driven storytelling34:00 - The show's pacing, episodes, and appeal in cozy, adult drama35:59 - Personal favorites: episodes length, binge potential, and pacing36:39 - Final thoughts: Odyssey’s victory and Nolan’s ongoing success37:20 - Upcoming films and series to look out for, including "The Invite"Resources & Links:Connect with the Hosts:

Film Frenzy: Minions to Evil Dead Burn — A Cinematic Wild RideIn this episode, we dive into the colorful chaos of animated antics, psychological thrillers, and gory horrors. With passionate commentary on cinema choices and streaming gems, this is your one-stop audio shop for film lovers who crave insight, humor, and a little cinematic chaos. Join us as we explore everything from family dog hunts to zombie Nazis, all with plenty of laughs and passionate film critique.Key Topics: The wild, nostalgic, and in-joke-filled world of Minions as a Standalone — how the film blends silent film homage with modern animationWhy Evil Dead Burn is a gore-heavy, heart-pounding horror, and the pitfalls of film logic in the genreThe intriguing Australian mystery Riptide — family secrets, kidnapping, and plot twists on Channel 5The film Christy — a hard-hitting biopic about Christy Martin, with praise for acting performances, especially Ben FosterThe Scottish, Nazi-zombie satire Dick Dynamite 1944 — a hilarious, over-the-top historical parody(00:00) - Cinema or Sofa? Choosing your entertainment battleground(01:55) - Review of Minions: The Rise of Gru: nostalgia, silent film nods, and Hollywood satire(11:08) - Riptide: Aussie family mystery with twists and turns(14:37) - Channel 5’s quality evolution and classic programming discussion(16:38) - Evil Dead Burn: gore, horror logic, and over-the-top horror antics(22:45) - The absurd, fun-filled Nazi zombie comedy Dick Dynamite 1944(23:53) - Christy: a gripping biopic about the legendary boxer Christy Martin, with standout performances(31:58) - The contrasting tone of Untold: Dance with the Devil documentary on Christy Martin’s story(34:08) - Wrapping up with personal favorites and audience picksUntold: Dance with the Devil Netflix Documentary – for an authentic background on Christy Martin’s storyMinions: The Rise of Gru Official Site – catch the animated chaos in cinemas or stream laterEvil Dead Franchise – explore the gory horror seriesDick Dynamite 1944 – a hilarious Scottish Nazi zombie parodyChristy (Film) – for insights into the film and performancesTosin - TwitterShaun - LinkedInSharon - InstagramHolly - TwitterTimestamps:Resources & Links:Connect with Us:Get ready for a wild ride through the best, worst, and most bizarre in film this week. Whether you’re a cinephile, horror junkie, or just in for some laughs, we’ve got it all covered!