Advertise on podcast: Manhattan Edit Workshop

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. In Episode 38 of "Talking MEWShop," with Avid Artist Relations and Content Creator Michael Krulik, we explore the evolution of Avid Media Composer. In this talk, learn how AI is being integrated as a "co-pilot" to enhance creative workflows, automate tedious tasks, and streamline editing processes. Michael also talks about advanced features like AI transcription, audio ducking, and customizable interfaces, all while maintaining the crucial human element of emotional storytelling. For over 25 years, Michael has worked with the Film, Television and Broadcast industries and has devoted most of his career to working with manufacturers of cutting-edge technology and evangelizing their tools. He works with the American Cinema Editors and has moderated several panels with top TV and Film editors at ACE's EditFestLA as well as presenting technologies at NAB, IBC, SuperMeet, SMPTE, DCS, LACPUG, HPA and other trade shows, seminars and industry events. And he not only works with editors, but he has even played one on TV; as the editor of the late Sydney Pollack in an episode of the TV show, Entourage Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 #ManhattanEditWorkshop #MEWShop #Mewtube #AvidMediaComposer #VideoEditing #AIinEditing #PostProduction #CreativeWorkflow #michaelkrulik #joshapter #jasonbanke #talkingmewshop #filmediting #filmeditor #avid #AIinAvid

Go behind the edit as top film and TV editors reveal how suspense, pacing, and storytelling shape unforgettable crime dramas. What does it take to create the perfect crime story on screen? Join an accomplished panel of editors as they discuss the creative choices behind some of today’s most compelling crime dramas and thrillers. Moderated by Chad Anderson, this conversation features Byron Smith, ACE, Tyler L. Cook, Greg O’Bryant, and Stephanie Filo, ACE. Together, they’ll explore how editing shapes suspense, pacing, performance, and storytelling. The editors will share insights into their craft and creative process, from deciding what audiences should see—and what they shouldn’t—to building tension scene by scene. From first cut to final frame, this panel offers a behind-the-scenes look at the editorial decisions that shape compelling crime stories and keep audiences on the edge of their seats. Panelists: Byron Smith, ACE (House of Cards, True Detective, 1923), Tyler L. Cook (Sword of Trust, Do Not Watch), Greg O’Bryant (Mr. & Mrs. Smith, The Report, Brand New Cherry Flavor), and Stephanie Filo, ACE (A Black Lady Sketch Show, Dahmer – Monster: The Jeffrey Dahmer Story) Moderator: Chad Anderson (Manhattan Edit Workshop, Brookdale Community College)

Step inside the visually stunning world of Prime Video's Fallout in this exclusive Sight, Sound & Story conversation featuring cinematographers John Conroy, ASC, ISC, and David Franco. Moderated by Chad Anderson, this in-depth discussion explores how one of the most beloved video game franchises was transformed into a cinematic television event through innovative cinematography, visual storytelling, and world-building. Drawing from their extensive experience in film and television, Conroy and Franco break down the creative process behind developing Fallout's distinctive visual language. From lighting and composition to camera movement, lens selection, and production design collaboration, the cinematographers reveal how they crafted a world that feels both grounded in reality and uniquely stylized. The conversation explores the challenges of adapting an iconic video game universe for television while preserving the atmosphere, scale, and tone that fans expect. Learn how the team balanced realism with dystopian aesthetics, created memorable environments across the Wasteland, and used cinematography to enhance storytelling, character development, and immersion. Featuring scene breakdowns and behind-the-scenes insights, this episode provides a rare look at the technical and artistic decisions that helped make Fallout one of the most acclaimed television adaptations of a video game franchise. Whether you're a cinematographer, filmmaker, film student, content creator, or fan of Fallout, this episode offers valuable insights into the craft of visual storytelling and modern television production. Moderator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College) Panelists: John Conroy, ASC, ISC (Fallout, Luther, Penny Dreadful) David Franco (Fallout, Star Wars: Episode III – Revenge of the Sith, Resident Evil: Afterlife) Topics Covered The cinematography of Fallout Adapting a video game for television Visual storytelling and world-building Lighting techniques for dystopian environments Camera movement and composition Creating the look of the Wasteland Collaboration between cinematography and production design Television cinematography workflows Scene breakdowns and creative decision-making Behind-the-scenes of Prime Video's Fallout

Go behind the scenes of Prime Video's Bait in this exclusive Sight, Sound & Story conversation featuring the award-winning sound team responsible for creating the series' immersive sonic landscape. Moderated by filmmaker, editor, and Manhattan Edit Workshop instructor Amy Leyland, this episode explores how sound design, dialogue editing, and re-recording mixing work together to shape one of television's most compelling new dramas. Joining the discussion are Re-recording Mixer Richard Davey (Veep, The Sound of 007), Supervising Sound Editor Jack Gillies (Fleabag, The Last Kingdom: Seven Kings Must Die), and Supervising Dialogue Editor Steve Berezai (Beyond Paradise, The Last Kingdom: Seven Kings Must Die). Together, they break down the creative and technical process behind building the distinctive soundscape of Bait, starring Riz Ahmed. From early dialogue shaping and editorial decisions to sound effects, ambience creation, ADR, and the final mix, the panel reveals how every sonic element was carefully crafted to support storytelling, heighten suspense, and immerse audiences in the world of the series. The conversation also explores collaboration between sound departments, editors, directors, and producers, offering a rare look into the critical role sound plays in modern television production. Whether you're a sound designer, editor, mixer, filmmaker, post-production professional, or fan of television storytelling, this episode delivers valuable insights into the art and craft of cinematic sound. Moderator: Amy Leyland (Filmmaker, Editor & Manhattan Edit Workshop) Panelists: Richard Davey – Re-recording Mixer (Veep, The Sound of 007) Jack Gillies – Supervising Sound Editor (Fleabag, The Last Kingdom: Seven Kings Must Die) Steve Berezai – Supervising Dialogue Editor (Beyond Paradise, The Last Kingdom: Seven Kings Must Die) Topics Covered Sound design for television Building the soundscape of Bait Dialogue editing and ADR workflows Re-recording mixing techniques Creating tension and atmosphere through sound Sound editorial for scripted television Collaboration between editors and sound teams Post-production audio workflows Storytelling through sound design Behind-the-scenes of Prime Video's Bait

Go inside the cutting room of Pluribus, the highly anticipated series from Vince Gilligan, creator of Breaking Bad and Better Call Saul. In this exclusive Sight, Sound & Story conversation, moderator Josh Apter sits down with editors Skip Macdonald, ACE, Chris McCaleb, ACE, and Joey Liew to explore the creative editorial process behind one of television's most intriguing new dramas. Set in a world transformed by a mysterious event that links nearly all of humanity into a shared consciousness, Pluribus blends thriller, mystery, science fiction, and dark humor into a unique storytelling experience. The editorial team discusses how they crafted the show's distinctive tone, balanced suspense with humor, and shaped the emotional journeys that drive the series. Drawing on years of collaboration with Vince Gilligan, the editors reveal how their creative partnership influences story structure, pacing, character development, and visual storytelling. Through exclusive scene breakdowns and behind-the-scenes insights, they discuss the challenges of editing complex narrative sequences, maintaining tension, and delivering the cinematic style audiences have come to expect from Gilligan's productions. Whether you're a film editor, filmmaker, television professional, student, or fan of Breaking Bad, Better Call Saul, and Pluribus, this episode offers a rare look at the art and craft of editing prestige television. Moderator: Josh Apter (Founder & Owner, Manhattan Edit Workshop) Panelists: Skip Macdonald, ACE (Breaking Bad, Better Call Saul) Chris McCaleb, ACE (Breaking Bad, Better Call Saul) Joey Liew (Better Call Saul, Rabbit Hole) Topics Covered Editing Vince Gilligan's Pluribus Television editing techniques Story structure and pacing Balancing thriller, mystery, and dark comedy Character-driven storytelling Collaboration between editors and showrunners Scene breakdowns and editorial workflows Visual storytelling and narrative tension Post-production for prestige television Behind-the-scenes insights from Pluribus

Go inside the editing room of HBO's Euphoria with the acclaimed editorial team behind the groundbreaking series. In this episode of Sight, Sound & Story, moderator Josh Apter sits down with editors Julio C. Perez IV, ACE, Aaron I. Butler, ACE, Aleshka Ferrero, and Nikola Boyanov for an in-depth discussion about the creative editing process that helped define one of the most visually innovative and emotionally powerful television dramas of the modern era. From intimate character-driven scenes to dreamlike visual sequences, the editors reveal how editorial decisions shape the show's unique style, pacing, and emotional impact. The conversation explores collaboration with creator Sam Levinson, working with music, performance, cinematography, and visual storytelling techniques that bring Euphoria's unforgettable moments to life. Learn how the editorial team balances experimentation with narrative clarity, crafts emotional character arcs, and develops the rhythm and tone that have made Euphoria one of the most talked-about series in television. The panel also discusses scene construction, performance shaping, music integration, and the collaborative process between editors, directors, cinematographers, and producers. Whether you're an aspiring editor, filmmaker, film student, television professional, or fan of Euphoria, this episode provides a rare behind-the-scenes look at the art and craft of television editing. Moderator: Josh Apter (Founder & Owner, Manhattan Edit Workshop) Panelists: Julio C. Perez IV, ACE (Euphoria, American Made, It Follows) Aaron I. Butler, ACE (Euphoria, Cries From Syria) Aleshka Ferrero (The Morning Show, The Idol) Nikola Boyanov (Euphoria, Under the Silver Lake) Topics Covered Editing HBO's Euphoria Television editing techniques Building emotional storytelling through editing Working with music and performance Scene structure and pacing Collaboration with directors and cinematographers Visual storytelling and experimental editing Character-driven editing workflows Post-production process for prestige television Behind-the-scenes insights from Euphoria

Go behind the scenes of Prime Video's hit superhero series The Boys in this exclusive Sight, Sound & Story conversation featuring Cinematographer Dylan MacLeod, CSC, and Editor David Kaldor. Moderated by Chad Anderson, this in-depth discussion explores the creative collaboration between cinematography and editing that helps make The Boys one of television's most visually dynamic and narratively ambitious series. As The Boys heads into its highly anticipated final season, MacLeod and Kaldor break down the artistic and technical decisions behind the show's distinctive visual style, from designing cinematic imagery and shooting large-scale action sequences to crafting suspense, pacing, and emotional impact in the edit. The conversation offers a unique look at how camera work and editorial choices work together to shape the tone, energy, and storytelling that have made the series a global phenomenon. The panel also explores the challenges of bringing the final season to life, balancing spectacle with character-driven storytelling, and delivering a satisfying conclusion to one of television's most acclaimed and unpredictable series. Through behind-the-scenes insights, scene breakdowns, and production stories, attendees gain a deeper understanding of the filmmaking process behind The Boys. Whether you're a filmmaker, editor, cinematographer, film student, or fan of the series, this episode offers valuable insights into the art and craft of modern television production. Moderator: Chad Anderson (Manhattan Edit Workshop & Brookdale Community College) Panelists: Dylan MacLeod, CSC (The Boys, From, Locke & Key) David Kaldor (The Boys, Suits, Lost in Space) Topics Covered The cinematography of The Boys Editing action and visual effects sequences Collaboration between cinematography and editing Visual storytelling in television Creating tone, tension, and pacing Shooting large-scale action scenes Behind-the-scenes of the final season Post-production workflows for television Character-driven storytelling and spectacle The creative process behind The Boys

Go behind the lens of HBO Max's The Pitt with cinematographer Johanna Coelho in this exclusive episode from Sight, Sound & Story. Moderated by Manhattan Edit Workshop founder Josh Apter, this in-depth conversation explores how Coelho's innovative cinematography is redefining visual storytelling for contemporary television. As the sole cinematographer on The Pitt, Coelho developed an unobtrusive, documentary-inspired camera style that immerses viewers in the emotional intensity and urgency of a real-time emergency room. She discusses designing long, choreographed camera moves, working inside fully immersive 360-degree sets, and maintaining visual continuity across an entire season while preserving the authenticity and tension that define the series. Johanna also shares insights into memorable scenes from Season Two, breaking down the creative decisions behind their execution and discussing collaboration with directors, actors, and the production team. From lens choices and lighting techniques to camera movement and storytelling philosophy, this episode provides a rare look inside one of television's most visually distinctive productions. Presented as part of the Sight, Sound & Story series, this conversation is essential listening for cinematographers, filmmakers, editors, directors, film students, and fans of The Pitt interested in the art and craft behind modern television production. Host: Josh Apter (Founder, Manhattan Edit Workshop) Guest: Johanna Coelho (The Pitt, The Rookie) Topics Covered The cinematography of The Pitt Creating an "invisible" camera style Shooting inside 360-degree sets Long takes and choreographed camera movement Visual continuity across an entire television season Collaboration between cinematography, directing, and editing Favorite scenes from Season Two Modern television cinematography techniques Storytelling through camera movement and composition Behind the scenes of The Pitt

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. Explore the editing and cinematography behind "The American Revolution" documentary series with editor Maya Muma, ACE, and cinematographer Buddy Squires, ASC. They discuss the collaborative process, the importance of risk-taking, and the dedication required to bring historical narratives to life. Discover insights into "radio edits," visual storytelling, and the challenges of recreating authentic historical moments. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 Follow, like and share Sight, Sound & Story on Social Media https://www.facebook.com/SightSndStory/ https://twitter.com/SightSndStory https://www.sightsoundandstory.com/ #ManhattanEditWorkshop #MEWShop #sightsoundandstory #sightsoundandstorylive #ssslive #Mewtube #AmericanRevolution #DocumentaryFilmmaking #Editing #Cinematography #HistoricalDocumentary #mayamumma #buddysquires #americancinemaeditors #americansocietyofcinematographers #filmediting #kenburns #doucmentary #cinematographer

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. In Episode 37 of "Talking MEWShop," Cinematographer Adolfo Veloso, ABC, AIP, shares insights into his craft, discussing his work on "Train Dreams" and "Queen at Sea." He elaborates on the challenges and creative decisions behind using natural light, particularly fire, for a film's nocturnal scenes. Veloso also touches upon the collaborative process with directors and the artistic choices made to visually translate abstract concepts like memory and dreams into cinematic language. Brazilian-born cinematographer Adolpho Veloso, ABC, AIP, lensed the widely acclaimed and beloved film "Train Dreams" (2025), directed and written by Clint Bentley and released by Netflix. Following "Train Dreams," Veloso served as cinematographer on M. Night Shyamalan’s "Remain" (scheduled for release in 2026) and on Lance Hammer’s "Queen at Sea" (2026), which premiered in competition at the 76th Berlin International Film Festival and helped earn the film the Silver Bear Jury Prize and acting honors for Tom Courtenay and Anna Calder-Marshall. Veloso previously earned widespread recognition for his cinematography on "Jockey" (2021), also directed by Clint Bentley and starring Clifton Collins Jr., which received a Spotlight Award nomination from the American Society of Cinematographers (ASC). He is a member of the Brazilian Cinematography Association (ABC) and the Portuguese Society of Cinematography (AIP). He is represented by CAA in the United States, Lux in Europe, and Aura in Latin America. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 #ManhattanEditWorkshop #MEWShop #Mewtube #ClintBentley #Cinematography #TrainDreams #FilmMaking #LightingDesign #AdolfoVeloso #jockey #queenatsea #juliettebinoche #talkingmewshop #joeledgerton #cinematographer #BrazilianCinematographyAssociation #AssociationofPortugueseImage

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. Moderator: Sean Weiner (Film producer, Non-profit arts leader & Artist community builder) Panelists: Kelley Dixon, ACE, ("Black Panther: Wakanda Forever'', "The Falcon and the Winter Soldier", "Breaking Bad"), Shannon Baker Davis, ACE, ("Kindred", "American Crime Story", "Queen Sugar"), and Bradinn French, ACE ("A Black Lady Sketch Show", "American Horror Story" "Ferguson Rises"). Inside Episode XXX: Step into the world of episodic television editing with our panel of distinguished editors, Kelley Dixon, ACE, Shannon Baker Davis, ACE, and Bradinn French, ACE. "Editing TV Series" offers an exclusive glimpse into the creative process that shapes the narrative and visual rhythm of your favorite TV shows. Through anecdotes and behind-the-scenes insights, the panelists will offer an overview of their collaborations with directors, writers, and fellow crew members. Explore how the editing landscape evolves alongside streaming platforms, binge-watching culture, and the demand for unparalleled content. Expertly moderated by Sean Weiner will explore with the panelists the ever-changing dynamics of editing the TV Series. When: Wednesday, November 15, 2023 Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic, and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process, and the only "silly" question is the one that isn't asked. #ManhattanEditWorkshop #MEWShop #sightsoundandstory #sightsoundandstorylive #ssslive #aja #Mewtube #editingtvseries #filmmakeru #kelleydixon #amerciancinemaeditors #ace #filmediting #videoediting #shannonbakerdavis #BradinnFrench #blackladysketchshow #breakingbad #americancrimestory

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. In Episode 35 of "Talking MEWShop," Editor Barry Alexander Brown, ACE, discusses his experiences in filmmaking alongside Director Spike Lee, focusing on the industry's evolution and the importance of African American stories. He covers collaboration, personal growth, and the creative process, including character development and improvisation. Barry also talks about his recent project, "Highest to Lowest," and the editing process behind it. Spike Lee and Barry Alexander Brown have had friendship and working relationship that goes back to the early eighties. Barry worked on Spike’s first feature, "She’s Gotta Have It," as the editor of a single scene as well as sound editing the movie. He was the editor of Spike’s next film, "School Daze" and then the following, "Do The Right Thing." He was the editor and the 2nd Unit Director on "Malcom X." Over the last thirty years, Barry has been Spike’s editor on "Crooklyn," "He Got Game," "Summer of Sam," ""25th Hour," "Inside Man," "Bad 25," "Miracle at St. Anna," "Blackkklansman" and now, "Highest 2 Lowest." Barry has also worked with renowned Indian director, Mira Nair. For Mira, he edited "Salaam Bombay," "The Laughing Club of India" and "Queen of Katwe. Barry" is also a writer and director. As a director, he was nominated for his first feature length documentary, "The War At Home." In 2020, he wrote and directed the feature length movie, "Son of the South." As a writer, his first novel, "Wind," has just been reeased in France to critical acclaim. It will be published this summer in America. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 #ManhattanEditWorkshop #MEWShop #Mewtube #DenzelWashington #ASAPRocky #Filmmaking #Storytelling #AfricanAmericanCinema #barryalexanderbrown #talkingmewshop #highestttolowest #acting #joshapter #postproduction #wind #americancinemaeditors #spikelee

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. In episode 36 of "Talking MEWShop," we are joined by Rob Murray, the Director of Business Development at Slipstream Music. Rob discusses how innovation and evolution drive the industry forward, requiring continuous adaptation to AI and copyright challenges. Rob also talks about the history of Jingle Punks and its acquisition by Slipstream Music, alongside the importance of copyright education and music rights management. He touches on the process of music licensing and clarifies copyright claims. You can find out more about Slipstream Music here: https://slipstreammusic.com Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 #ManhattanEditWorkshop #MEWShop #Mewtube #slipstreammusic #robmurray #royaltyfreemusic #musicinvideo #musiconyoutubevideos #Innovation #Copyright #MusicRights #Licensing #Education #jinglepunks #AIinmusic #AIroyaltyfreemusic #talkingmewshop #jasonbanke

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. Cinematographer Nicole Hirsch Whitaker, ASC, shares insights into her work on the visually striking film "Dust Bunny." She details the creative process, from realizing the director's unique vision to employing inventive, practical, and CGI techniques for seamless scene transitions. Whitaker also discusses the challenges of budget constraints and how they fostered innovative solutions, particularly in lighting and set design. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 Follow, like and share Sight, Sound & Story on Social Media https://www.facebook.com/SightSndStory/ https://twitter.com/SightSndStory https://www.sightsoundandstory.com/ #ManhattanEditWorkshop #MEWShop #sightsoundandstory #sightsoundandstorylive #ssslive #Mewtube #Cinematography# FilmMaking #DustBunny #VisualStorytelling #NicoleHirschWhitaker #cinematographer #lighitnginmovies

https://www.mewshop.com/ Contact: [email protected] for information and inquiries on classes and events. This episode of 'Sight, Sound, and Story' delves into the evolving landscape of producing and directing documentaries. Featuring insights from acclaimed filmmakers Jeremy Workman, Jill Campbell, and Nicholas Bruckman, the discussion highlights the challenges of securing funding, the importance of access and trust, and the necessity of a strong marketing presence. Viewers can learn how to navigate the competitive streaming market and discover non-traditional funding avenues to bring their impactful stories to life. Manhattan Edit Workshop is a New York Film Editing School offering a full range of basic to advanced training courses, from the Avid, Autodesk, Assimilate, Blackmagic and Apple products to the complete suite of Adobe applications. Manhattan Edit Workshop's mission is to provide the highest quality education for filmmakers and editors. Focusing on both the art and technology inherent to our craft. We foster a "learn by doing" approach in an atmosphere where mistakes are encouraged as part of the process and the only "silly" question is the one that isn't asked. Follow, like and share Manhattan Edit Workshop on Social Media https://youtube.com/@mewshop https://www.linkedin.com/school/manhattan-edit-workshop/ https://www.facebook.com/ManhattanEditWorkshop/ https://www.instagram.com/mewshop/ https://twitter.com/MEWShop https://vimeo.com/mewshop https://www.youtube.com/channel/UCFTpOOSGrCfKShrx15YojdQ https://open.spotify.com/show/1mruSxiCyvrBjddTZgxEQE?si=4fe2a051e0f044f8 https://podcasts.apple.com/us/podcast/manhattan-edit-workshop/id1455528822 Follow, like and share Sight, Sound & Story on Social Media https://www.facebook.com/SightSndStory/ https://twitter.com/SightSndStory https://www.sightsoundandstory.com/ #ManhattanEditWorkshop #MEWShop #sightsoundandstory #sightsoundandstorylive #ssslive #Mewtube #DocumentaryFilmmaking #FilmFunding #FilmmakerTips #IndependentFilm #Storytelling #jeremyworkman #nicholasbruckman #jillcampbell