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HERE'S EVERYTHING YOU MISSED IN THE LAST 25 YEARS!!   The gang is back together and we're talking about our top 5 (sometimes 10) underrated films released between the years 2000 and 2025 (don't give me that whole "2001 is the first year of the 21st century" spiel, alright, let it go). Join Gabe and Patrick Ripoll, along with call ins from previous Genre Grinder guests Jim Laczkowski, Luana Saitta, Chloe Waryan, Tyler Foster, Kristine Fisher, and 96 Greers co-host Barry Linn.   So get your watchlists ready and get in the comments or email me to tell me your top 5 underrated films of the first quarter of the 21st century (again, keep your opinions about what year was the first of the 21st century to yourself, just let me have this).   00:00 – Intro and Gabe & Patrick's first two 16:57 – Jim's list 25:17 – Gabe & Patrick's next two 36:15 – Luana's list 44:19 – Chloe's list 50:35 – Gabe & Patrick's next two 58:23 – Tyler's list (featuring Gabe) 1:30:35 – Gabe & Patrick's next two 1:43:03 – Barry's list 1:46:51 – Kristine's list 1:54:36 – Gabe & Patrick's last two and outro   You can find more of Patrick and Barry on the 96 Greers podcast! You can find more from Jim at his Linktree! You can find Luana's story writing at the following links: Love's Red Blossom The Dream Quest of Well-known Kawtar Hedging Your Bets (part of Wyngraf Romance Special 2025) New Edge Sword & Sorcery 2025 (pre-order) You can find more Chloe at the Chloe's Not Scared Substack! You can find more or Tyler right here on the Genre Grinder Website! You can join Kristine's Music League here!    I used a lot of music on this episode so here's a track list, though that might spoil some of the picks for some of you, so proceed with caution:   "Land of the Dead" by The Misfits "Galaxies" by Laura Veirs "Makin' Some Noise" by Tom Petty "Schweden Schweden" by Ebba Grön "Lagaan... Once Upon a Time in India" by A.R. Rahman & Anuradha Sriram "Night Club Fight" by Fajar Yuskemal & Aria Prayogi "Fish Story" by Kazuyoshi Saito "Horizon Of Computation" by Morgan Coy "Friends Come in All Sizes" by David Newman (feat. Robin Williams) "Digital Versicolor" by Glass Candy "Hail Halyx" performed by Shelly Regner, Roger Freeland, Jeff Hoeppner, Brendan McCreary, Selena Moshell, and Ryan Dean  

YOU DIDN'T CUT YOUR CARBON EMISSIONS AND NOW WE'RE UP TO OUR EYEBALLS IN SMOG MONSTERS, MUTANT ISOPODS, AND VENGEFUL NATURE SPIRITS!! We've already covered natural disasters and killer animals on Genre Grinder, but what about some specifically man-made environmental horrors? Well, that's where Gabe and returning guest Justin Clark come in. After last month's epic seven-movie podcast, we're dialing things back to a more manageable three films, all from different countries and different decades. First up is the Toho kaiju classic, Yoshimitsu Banno and Teruyoshi Nakano's Godzilla vs. Hedorah (aka: Godzilla vs. the Smog Monster, 1971), followed by Barry Levinson's eerie mockumentary The Bay (2012), and Lee Haven Jones' Welsh folkhorror film The Feast (Welsh: Gwleðð, 2021). 00:00 – Intro 4:09 – Godzilla vs. Hedorah 49:41 – The Bay 1:24:28 – The Feast 1:51:02 – Outro  

WRIGGLING WORMS, CRAWLING BUGS, SLITHERING SNAKES, WITCHCRAFT, RITUALS, AND BODILY FLUIDS OF EVERY COLOR IMAGINABLE!! Once upon a time, three brothers named Shaw started a film studio in Hong Kong. That studio grew into a Southeast Asian  powerhouse, building its reputation on wuxia, kung fu, period dramas, comedies, and, in the mid '70s, horror. The special Shaw brand of horror, defined by black magic rituals, wild visuals, and exploitation spectacle was, in part, spearheaded by two filmmakers – Ho Meng-Hua and Kuei Chih-Hung.   Join Gabe and special guest host Stefan Hammond, author of Sex & Zen and a Bullet in the Head (with Mike Wilkins, 1996), Hollywood East (2000), and More Sex, Better Zen, Faster Bullets (2020), as they explore the history of the studio and films of these two maverick directors. This is a particularly packed episode, covering Shaw's horror films in general, but focusing mostly on Ho's Black Magic (1975), Black Magic 2 (1976), and The Oily Maniac (1976), and Kuei's Killer Snakes (1974), Hex (1980), Bewitched (1981), and The Boxer's Omen (1983). 00:00 – Intro (a brief history of Shaw and Southeast Asian horror) 20:20 – Ho Meng-Hua, Black Magic, and Black Magic 2 53:52 – The Oily Maniac (and more Ho) 1:01:24 – Kuei Chih-Hung and The Killer Snakes 1:33:28 – Hex, Bewitched, and The Boxer's Omen (and more Kuei) 2:06:32 – Outro

HERE COMES THE BRIDE, ALL DRESSED IN …BLACK!?! RIDING A BROOM AND CLUTCHING A CAT?!? It's intractable imps, saucy sorceresses, and weird women on this episode of Genre Grinder, all falling in love and putting their spell on unsuspecting men. Join Gabe and returning guest Luana Saitta as they look at three entries in the surprisingly prevalent subgenre of movies where men accidentally marry witches or women, who, unbeknownst to their husbands, become witches. This month's titles include René Clair's I Married a Witch (1942), based on the novel The Passionate Witch by Thome Smit & Norman H. Matson (1941), Richard Quine's Bell, Book, and Candle (1958), based on the 1950 play by John Van Druten, and Sidney Hayers' Night of the Eagle (aka: Burn, Witch, Burn, 1962), based on the novel Conjure Wife by Fritz Leiber (1943/52). Outro song: "The Devil's Widow" by Blood Ceremony You can find Luana's storywriting at the following links: Love's Red Blossom: https://swordsandsorcerymagazine.com/loves-red-blossom/ The Dream Quest of Well-known Kawtar: https://swordsandsorcerymagazine.com/the-dream-quest-of-well-known-kawtar/ Hedging Your Bets (part of Wyngraf Romance Special 2025): https://wyngraf.itch.io/wyngraf-romance-special-2025 New Edge Sword & Sorcery 2025 (pre-order): https://www.backerkit.com/c/projects/brackenbooks/new-edge-sword-sorcery-2025  

ADULTERY, MANIPULATION, AND MURDER, RIPPED FROM THE HEADLINES AND SLATHERED ACROSS YOUR TELEVISION SCREEN!!   In the early days of mainstream cable, on the cusp of the Menendez Brothers and O.J. Simpson trials, the big three American networks struck gold with sensationalistic docudramas – several of which were based on the true crimes of notorious women. Join Gabe and returning guest Kristine Fisher as they take a look at three famous crimes and five made-for-TV movies based on them.   The films we're covering this month include Joyce Chopra's Murder in New Hampshire: The Pamela Wojas Smart Story (1991), Dick Lowry's A Woman Scorned: The Betty Broderick Story (1992) and its sequel, Her Final Fury: Betty Broderick, the Last Chapter (1992), and two Amy Fisher movies, John Herzfeld's Casualties of Love: The Long Island Lolita Story (1993) and Andy Tennant's The Amy Fisher Story (1993).   I apologize that Kristine's mic picked up everything from her typing her notes, to the traffic outside, and even my own voice, creating a reverb effect. I didn't notice while we were recording and have tried to minimize the issue in editing.   00:00 – Intro  05:11 – Murder in New Hampshire: The Pamela Wojas Smart Story 25:08 – A Woman Scorned: The Betty Broderick Story and Her Final Fury: Betty Broderick, the Last Chapter  54:47 – Casualties of Love: The Long Island Lolita Story  1:13:06 – The Amy Fisher Story 1:33:19 – Outro Outro song: "Dangerous" by Wildfire, feat. Emiliano Obregón: https://soundcloud.com/afterdreams/dangerous-roxette-cover

ALRIGHT, YA HOSERS, GRAB YOUR PLAID TRAPPER HAT, YOUR MOOSEHEAD, AND YOUR BIGGEST BOWL OF POUTINE – WE'RE CHECKING OUT SOME CANADIAN HORROR MOVIES!   You can't talk about the greatest horror and exploitation films of the '70s and '80s without including our neighbors to the North. Canadian horror – or canuxploitation – is a broad subject that covers several subgenres, so Gabe and returning guest Jim Laczkowski have limited their scope to four favorites that don't include David Cronenberg or Bob Clark: Alan Ormsb & Jeff Gillen's Deranged (1974), Peter Carter's Rituals (aka: The Creeper, 1977), Murray Markowitz's I Miss You, Hugs and Kisses (1978), and Sandor Stern's Pin (1988).   00:00 – Intro (What is canuxploitation?)  09:52 – Deranged 28:45 – Rituals  55:22 – I Miss You, Hugs and Kisses 1:12:32 – Pin 1:34:56 – Outro and recommendations  

IT ALL COMES DOWN TO THIS. A WINDSWEPT FIELD. TWO SUN-BEATEN MEN IN WIDE-BRIMMED HATS. ITCHY TRIGGER FINGERS. THE MUSIC CRESCENDOS. THE FINAL SHOWDOWN.    After a short break and some technical difficulties, Gabe and Patrick are back to finish what they started, looking back at 15 spaghetti westerns released in the year 1968. We saved some the greatest movies and the hottest takes for last – Sergio Corbucci's The Mercenary (Italian: Il mercenario), Enzo G. Castellari's Kill Them All and Come Back Alone (Italian: Ammazzali tutti e torna solo), Corbucci's The Great Silence (Italian: Il grande silenzio), and Sergio Leone's Once Upon a Time in the West (Italian: C'era una volta il West).   Check out Part 1 and Part 2 first.   Check out the complete list of films here: https://letterboxd.com/gabepowers/list/the-spaghetti-westerns-of-1968/   00:00 – Intro (What have we already covered?)  04:11 – The Mercenary 36:52 – Kill Them All and Come Back Alone  55:54 – The Great Silence 1:29:36 – Once Upon a Time in the West 2:06:31 – Outro (What have we learned?)  

WHAT'S BETTER THAN A SCARY STORY? SEVERAL SCARY STORIES COLLATED INTO A SINGLE MOVIE WITH A SPOOKY WRAPAROUND SEGMENT!   Gather 'round the campfire, boils, ghouls, and non-binary creatures of all ages while we take a look at those little groupings of shorts known as Anthology or Portmanteau Horror. Join Gabe and first time special guest Chloe Warayan (https://chloesnotscared.com/) as they take a look at a cavalcade of titles from across the decades – Alberto Cavalcanti, Charles Crichton, Basil Dearden, and Robert Hamer's Dead of Night (1945), Freddie Francis' Dr. Terror's House of Horrors (1965), Jeff Burr's From a Whisper to a Scream (aka: The Offspring, 1987), and Jovanka Vuckovic, Annie Clark (aka: St. Vincent), Roxanne Benjamin, and Karyn Kusama's XX (2017).   00:00 – Intro (a brief history of Anthology Horror)  06:09 – Dead of Night 42:33 – Dr. Terror's House of Horrors 1:09:39 – From a Whisper to a Scream 1:37:19 – XX 1:55:25 – Outro   If you are in a position to make the world a better place, please consider the following fundraisers: Gender/Justice HRT – Harm Reduction Toolkit (Omprakash HRT supply fundraiser) Black LGBTQIA Migrant Project (BLMP) Tigerrs: Minnesota Trans Intersex Gender-Expansive Revolutionary Resources & Services And please check out our merch on Genre Grinder Cares. All profits are going to charity!

  HOP ALONG, CASSIDY – OR WHATEVER YOUR NAME IS – AND TUCK IN FOR A SECOND HELPING OF PASTA & MEATBALLS WITH A SIDE OF BULLETS & GRIT!   Welcome back for part two of Gabe and Patrick's three-part look back at the Spaghetti Westerns of 1968. This is going to be the longest of the three episodes, because we're rappin' about six films – Ferdinando Baldi's Hate Thy Neighbor (Italian: Odia il prossimo tuo), Gianfranco Baldanello's Black Jack, Giulio Petroni's A Sky Full of Stars for a Roof (Italian: ...e per tetto un cielo di stelle), Gianfranco Parolini's If You Meet Sartana Pray for Your Death (Italian: Se incontri Sartana prega per la tua morte), Sergio Sollima's Run, Man, Run (Italian: Corri uomo corri), and Giuseppe Colizzi's Ace High (Italian: I quattro dell'Ave Maria).   This episode was culled from two different recording sessions so please excuse any inconsistencies in sound quality. My nose was also very stuffy.   Check out the complete list of films here: https://letterboxd.com/gabepowers/list/the-spaghetti-westerns-of-1968/   00:00 – Intro (what have we already covered)  01:11 – Hate Thy Neighbor 20:49 – Black Jack  39:34 – A Sky Full of Stars for a Roof 1:11:49 – If You Meet Sartana Pray for Your Death 1:27:30 – Run, Man, Mun 1:51:30 – Ace High 2:11:57 – Outro  

PREPARE YOUR SIX-GUNS AND YOUR BOLOGNESE AS WE DIG INTO THE TWO-FISTED ITALIAN COWBOY TALES OF THE BIGGEST YEAR IN SPAGHETTI WESTERN HISTORY! Welcome to another multi-part exploration of a single year in genre filmmaking. Join Gabe and returning guest Patrick Ripoll as they follow up their series on the slasher films of 1981, the gialli of 1971, and the giant monster movies of 1957 with a look at the spaghetti westerns of 1968. Gabe, a superfan and massive nerd, narrowed down a list of seventy-seven (that's 77) films to the 15 he thinks best represent this jam-packed and particularly uneven year for the genre. In episode one of what will (probably) be three total episodes, we discuss Ferdinando Baldi's Django, Prepare a Coffin (Italian: Preparati la bara!), Giorgio Capitani's The Ruthless Four (Italian: Ognuno per sé), Lina Wertmüller & Piero Cristofani's The Belle Starr Story (Italian: Il mio corpo per un poker), Enzo G. Castellari's Johnny Hamlet (Italian: Quella sporca storia nel west), and Giorgio Stegani's Beyond the Law (Italian: Al di là della legge). Check out the complete list here: https://letterboxd.com/gabepowers/list/the-spaghetti-westerns-of-1968/ 00:00 – Intro: What is a spaghetti western? Why 1968?  14:13 – Django, Prepare a Coffin  35:37 – The Ruthless Four 56:00 – The Belle Starr Story 1:20:01 – Johnny Hamlet 1:36:24 – Beyond the Law 1:52:12 – Outro  

COME WITH US AS WE TUMBLE DOWN THE RABBIT HOLE, PASS THROUGH THE LOOKING GLASS, ENTER THE WARDROBE, AND RIDE A TORNADO TO OZ!   It's time to cover one of my favorite subgenres: movies where people cross over into another world where they learn a lesson and meet a bunch of walking metaphors. This episode's guest host, Betsy, calls these Portal Fantasies and notes similarities to the popular anime/manga Isekai genre, but I'm afraid that those titles will mess up my search results, so I'm calling them [Blank] in Wonderland Movies.   We're trying to cover some of the rarer examples of the genre – specifically Tsui Hark's Zu: Warriors from the Magic Mountain (1983), Vladimir Grammatikov's Mio, Min Mio (aka: Mio in the Land of Faraway, 1987), Hiroyuki Morita's The Cat Returns (2002), and Gokhan Yorgancigil's On the Count of Zero (Turkish: Sıfır Dediğimde, 2007) – but we can't help but also talk about popular classics, like Alice in Wonderland, The Wizard of Oz, Pan's Labyrinth, Spirited Away, and others.   00:00 – Intro and all the important, great movies we aren't going to cover 12:29 – Zu: Warriors from the Magic Mountain  34:04 – Mio, Min Mio 1:07:22 – The Cat Returns 1:29:23 – On the Count of Zero 1:47:55 – Outro and other recommendations  

IT'S SEQUENTIAL DRAWINGS VERSUS FLESH & BLOOD ACTORS IN A SHOWDOWN OF MULTIMEDIA PROPORTIONS!   Since the advent of filmmaking, people have been combining live-action photography with hand-drawn animation and now we're talking about it. But this is a podcast and we don't have time to cover a century of motion pictures, so Gabe and returning guest Tyler Foster are covering a smaller collection of movies released in the wake of Robert Zemeckis' Who Framed Roger Rabbit? (1988), some inspired by its success, others that would have existed without it.   This month's diverse slate includes Walter C. Miller's It's the Girl in the Red Truck, Charlie Brown (1988), Maurizio Nichetti & Guido Manuli's Volere Volare (To Want to Fly, 1991), Ralph Bakshi's Cool World (1992), Jan Svankmajer's Faust (1994), and Des McAnuff's The Adventures of Rocky & Bullwinkle (2000). I had some issues with Tyler's audio and had to do some actual (gasp) mixing to correct it. Hopefully, I did my job well enough that it sounds relatively consistent.    00:00 – Intro 11:16 – It's the Girl in the Red Truck, Charlie Brown  26:18 – Volere Volare 43:09 – Cool World 1:23:07 – Faust 1:41:43 – The Adventures of Rocky & Bullwinkle 2:02:20 – Outro  

A DEAD WOMAN WITH THE SOUL OF A MAN! A MURDEROUS MAN WHO CAN TRANSFORM INTO A WOMAN! PROBABLY JUST A COINCIDENCE!   Have you ever noticed that Hammer Studios made two horror films that work as trans allegories? Well, technically three, but I forgot about one of them. Anyway, I've been curious for a while as to what an actual trans person might think of Terence Fisher's Frankenstein Created Woman (1967) and Roy Ward Baker's Dr. Jekyll and Sister Hyde (1971), so I invited back my friend and the co-host of the Defend Your Trash Movie podcast, Luana Saitta, in order to pick her brain (Frankenstein-related wordplay intended).   This was originally going to be a look at multiple horror movies with a trans/genderqueer slant, but we ultimately had more than enough to talk about with just these two films. Are they really trans allegories? Have they aged well? Are they good outside of the allegory? I hope you agree, enjoy this angle on a couple of Hammer classics, and have a happy Halloween season!   00:00 – Intro 13:55 – Frankenstein Created Woman (and other Hammer Frankenstein movies)  50:32 – Dr. Jekyll and Sister Hyde (and other Hyde and Jack the Ripper movies) 1:42:26 – Outro and sections from Luana's 'trans canon'   If you are in a position to make the world a better place, please consider the following fundraisers: Trans Lifeline: https://translifeline.org/ Hope Mill Inc's Hurricane Relief:  https://www.gofundme.com/f/support-hope-mill-incs-hurricane-relief Florida Disaster Fund (PayPal):  https://www.paypal.com/fundraiser/119147482333313104/charity/1521272 Palestine Children's Relief Fund:  https://pcrf1.app.neoncrm.com/forms/gaza-relief  

TAKE ONE LAST TRIP INTO THE UNKNOWN FOR THE ULTIMATE GIANT INSECT MOVIE, THE ULTIMATE GIANT MAN IN A DIAPER MOVIE, AND THE ULTIMATE KILLER, UM, ROCK MOVIE… Welcome to the final part of Gabe and Patrick's look back at the biggest year in giant monster movie history. This episode features the most eclectic collection of movies, including a shoestring 'lost world' epic in Virgil W. Vogel's The Land Unknown, Edward Ludwig's absolutely incredible Black Scorpion, Bert I. Gordon's second giant bald guy movie of the year, The Amazing Colossal Man, John Sherwood's uniquely eerie The Monolith Monsters, and the only real kaiju movie released in 1957, Ishirō Honda's The Mysterians.   Remember to also check out part one, which covers Nathan H. Juran's 20 Million Miles to Earth, Roger Corman's Attack of the Crab Monsters, Jack Arnold's The Incredible Shrinking Man, and Kurt Neumann's Kronos, as well as part two, which covers Nathan H. Juran's The Deadly Mantis, Kenneth G. Crane's The Monster from Green Hell, Fred F. Sears' The Giant Claw, Arnold Laven's The Monster that Challenged the World, and Gordon's The Beginning of the End and The Cyclops.   This episode is taken from two recording sessions, so forgive us for overlap and minor changes in audio quality.   00:00 – Intro 5:32 – The Land Unknown 25:24 – Black Scorpion 43:16 – The Amazing Colossal Man 56:55 – The Monolith Monsters 1:17:43 – The Mysterians 1:56:24 – Outro   If you are in a position to make the world a better place, please consider the following fundraisers: Trans Lifeline: https://translifeline.org/ Palestine Children's Relief Fund: https://pcrf1.app.neoncrm.com/forms/gaza-relief Anera Gaza Aid: https://www.anera.org/where-we-work/palestine/gaza/ Donations 4 Abortions (state by state abortion funds): https://donations4abortion.com/  

YOU DON'T NEED TO GO TO AMITY ISLAND FOR A SHARK MASSACRE!! IN FACT, YOU DON'T EVEN NEED A SHARK!!   It's easy to recognize a Jaws knock-off when it revolves around a shark eating people, but what about all of those movies without sharks that lift scenes and ideas from Steven Spielberg's film and Peter Benchley's novel? Well, around here we call those movies "Jaws, Minus the Shark" movies and they make up a surprisingly versatile and eclectic little subgenre, one full of Brodys, Quints, and inordinately sexy Hoopers.   Join Gabe and Ann-Marie Taylor – returning to Genre Grinder for the first time since 2020's Bad Shark Movies episode – as we explore what defines a Jaws, Minus the Shark movie and look at four such films: Michael Anderson's Orca (aka: Orca: The Killer Whale, 1977), Lewis Teague's Alligator (1980), Dick Maas' The Lift (Dutch: De Lift, 1983), and Christophe Gans' Brotherhood of the Wolf (French: Le Pacte des loups, 2001).   Note: There's something going on with my mic during this recording that makes me sound a little weird. Unfortunately, I didn't notice until I was editing. Apologies.   00:00 – Intro 10:48 – Orca (and the unfortunate truth of killer whales in captivity) 50:08 – Alligator 1:10:32 – The Lift 1:33:50 – Brotherhood of the Wolf 2:02:42 – Outro   If you are in a position to make the world a better place, please consider the following fundraisers: Justice for Sonya Massey: https://www.gofundme.com/f/justice-for-sonya-massey Palestine Children's Relief Fund: https://pcrf1.app.neoncrm.com/forms/gaza-relief Anera Gaza Aid: https://www.anera.org/where-we-work/palestine/gaza/ Donations 4 Abortions (state by state abortion funds): https://donations4abortion.com/