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Today I'm talking with Dom Smart, who makes music as Neurodriver and runs the plugin company Devious Machines. He spent about fifteen years doing sound design for games, a lot of it on the Harry Potter games at Electronic Arts, and back in the day he was half of the breaks act Far Too Loud. Then he taught himself C plus plus, teamed up with his business partner Jim Credland, and they made Texture and Infiltrator. I still use Texture all the time. He also just finished a new Neurodriver album after a long break from music, and it's on Alpaka Musik. We get into the granular car engine stuff they were doing at E A, which is kind of insane, and how Texture started as a techno trick with gated white noise under the hi hats. He also tries to explain the Fourier transform to me, which I still don't fully get. We talk about why pretty much only audio software uses knobs, saying no to power user features so a plugin stays easy to use, the sample based instrument they've been working on for ages, and how he's coding with Claude now. And then it turns into a bigger thing about AI and art, and why prompting code feels totally different to him than prompting a song. Hope you dig it. Dom Smart Links https://deviousmachines.com/ https://www.facebook.com/DeviousMachines/ https://www.instagram.com/deviousmachines/ https://soundcloud.com/neurodriver Mr. Bill's Links

Today I've got AHEE back on the podcast — Chris Adams. He came up through audio engineering and synthesis, and he's spent years pulling dubstep, trap and future bass into one sound, with releases on Bassrush, Subsidia, Circus Records and Wakaan, and support slots for Excision, Subtronics, Shpongle and Liquid Stranger. He also puts a lot of producer knowledge out for free on YouTube, which I respect. Last time we spoke he'd moved onto a farm outside Portland, Oregon. He's still there, still has the chickens. Most of this one is about his new DJ/VJ rig. Instead of DJing with WAVs and MP3s he's DJing with MOVs, running them through Rekordbox with the CDJs as a MIDI controller, so the audio and the visuals come off the same file and the faders crossfade both at once. He turned the camera around and walked me through the whole thing, including where the visuals come from, which is mostly CapCut and InShot on his phone, layering up gifs and old commissioned artwork into what he calls hyper collages. We also get into having far more finished music than you can ever put out, why he's releasing it as the Bass Quest EPs instead of albums, the forty eight albums he made in four years at college, and why he started Zot Records. And then there's a long detour into UFOs, including the time he stepped out of his body onto a ship while holding a field recorder, and what his mate said when he stepped back in. AHEE Links https://soundcloud.com/ahee https://www.instagram.com/iamahee https://www.youtube.com/channel/UCNNFPGqrCztLAlfTKIJ1uKQ https://www.facebook.com/aheemusic/ https://open.spotify.com/artist/1gbDc1TANALgP8lLvO5UEf?si=mXUO8maBRzCa2RD3INNfJw https://music.apple.com/us/artist/ahee/688432748 https://www.twitch.tv/iamahee https://www.aheebass.com/ Mr. Bill's Links

Today we're joined by Tom Cosm, a New Zealand-born producer, technologist, coder, and educator who's been pushing the boundaries of music and sound for over two decades. He's known for pioneering YouTube tutorials that taught a generation of producers, and for building systems that turn things like tree-disease data and biometric signals into actual music. He's currently Technical Director at Telepathic Instruments, where he built the first prototype of Orchid and now oversees its development. We start out talking about travel and jet lag recovery, which sounds like small talk but turns into a pretty real conversation about what it actually feels like to be constantly in motion — the post-travel bounce, the crash that follows, and learning to slow down when you get home. Tom just got back from London, Berlin, and Spain, partly for a Telepathic team meetup and a pop-up where people could come play Orchid in person, and partly for Superbooth, which he describes as basically a Vegas casino lobby for modular nerds — in a forest. From there we get into Telepathic Instruments and how he got involved — Kevin Parker reached out after seeing his work on YouTube — and what the development of Orchid has actually looked like. We talk about what the device is trying to do, how community feedback from their early adopters has shaped the features, and what's coming next. Hope you enjoy it. Please welcome Tom Cosm. Tom Cosm Links https://www.instagram.com/tomcosm/ https://www.instagram.com/telepathic.instruments/ https://www.youtube.com/@telepathic.instruments https://www.tiktok.com/@telepathic.instruments Mr. Bill's Links

Today we're joined by David Satori — co-founder of Beats Antique alongside Zoe Jakes and Sidecar Tommy, a trio that came out of the San Francisco performance underground, Burning Man, and the West Coast Circus Bass music scene. He's also co-founder of Dirtwire with Evan Fraser and Mark Reveley, which blends experimental bass music with folk music from around the world. Between the two projects he's co-produced and recorded over 20 albums in the past 15 years. He also co-founded a nonprofit called SunRise Studios Collective, which builds micro recording and multimedia studios in under-resourced communities around the world to give youth a voice through music and production. David and I actually go back to a tour we did together in 2017, so it was good to catch up. We spend a good chunk of this one talking about life on the road — buying and converting buses, what it actually costs to tour as an independent artist, and the tradeoffs between owning your vehicle versus renting. He just got off a two month run with Dirtwire and shares what touring looks like for them right now, including how they run their live setup with Ableton and handle sound checks. Hope you enjoy it. Please welcome David Satori. David Satori Links Mr. Bill's Links

Today we're joined by Nicholas Yochum, an LA based sound designer currently working at Blizzard on Overwatch, where he focuses on synthesized sounds to help create effects with a more clean, stylized aesthetic. He's on the heroes team and is currently working on new heroes for the game. Nicholas and I actually go way back to like 2012 in Boston, so it's cool to finally catch up. We get into how he got into the industry — starting out at a third party audio company called Hexany, which he describes as kind of like sound design boot camp, and eventually landing a senior sound designer role at Blizzard, which even he still seems a little surprised about. We talk about what stylized sound design actually means — why game audio has been pulling more and more from the electronic music world, and how listening to stuff like Noisia is basically research at this point. We also get into the difference between working at a third party studio versus being embedded on a game team, and why that sense of ownership and connection to the work ended up mattering a lot to him. Hope you enjoy it. Please welcome Nicholas Yochum. Follow Nicholas Yochum https://www.linkedin.com/in/nicholasyochum/ https://www.youtube.com/@NicholasYochum Follow Mr. Bill https://linktr.ee/mrbillstunes

Today we're joined by Mr. Wobbles, a.k.a. Austin O'Brien — a live loop station artist who's built his own approach to creating music entirely in the moment. We get into where the name Mr. Wobbles actually came from — which involves a beatboxing Ventrilo server, a wah bass, and a guy who turned out to be a three-time world champ. Austin talks about coming up as a beatboxer when he couldn't afford production gear, doing street performances, and running a touring beatbox troop — and how all of that shaped his obsession with the live element. We also get into why live performance feels so absent from EDM right now, and what he thinks is missing when shows lean harder on production value than on the actual music. And we talk about where he's at now with learning to produce, trying to bridge that gap between his live setup and the in-the-box world. He's playing 1720 in Los Angeles on April 24th with Honeycomb, so go check that out if you're in the area. Hope you enjoy the episode. Follow Mr. Wobbles https://linktr.ee/mrwobbles Follow Mr. Bill https://linktr.ee/mrbillstunes'

Markj is a Melbourne based DJ from New Zealand. His sound encompasses all things House, Techno, and everything in between. He runs a little project called Soundfood. This is where he simultaneously cooks food and DJs for his audience. Over the years he has been lucky enough to open for a bunch of amazing musicians, including Carl Cox, Seth Troxler, Moodymann, James Curd, Psychemagik and D-Nox. He has also had the pleasure of showcasing his projects at some incredible festivals, including Rainbow Serpent, Burning Man, Strawberry Fields, Rhythm & Vines, Happy Daze and Chi Wow Wah Town. In 2014 he released a cookbook featuring a group of musicians who all provided a tune to go with a recipe. Some of the artists included Opiuo, Spoonbill, Tom Cosm, Fiord and Mr Bill. For the last few years he's been working on a follow up to that book. This time to be released on vinyl, and featuring artists such as Doppel, Uone & Out Of Sorts, Electrocado, James Curd and K+Lab. You can rely on him to serenade your senses. Markj Links New Soundfood box set release Mr. Bill's Links

AMB is a music producer, educator, and Ableton Certified Trainer with 30 years experience across electronic music, sound design, audio engineering, and film. After a decade as founder of Budapest School of Music Technology and another as Program Manager at the Los Angeles Film School, he founded Soft Synced to distill everything he learned into a learning system for producers.    Ambrus Deak Links   Mr. Bill's Links

Sierra Bowler, known as Downtempbowl, is a Chicago-based performing and music artist, movement instructor, and computer engineer. Her work blends fusion bellydance, animation dance, and flow arts with experimental sound and technical precision. She is the founder of Mycochanel, a creative project exploring design and identity, and Fine Linez, an all female movement collective focused on fingerstyles, tutting, and hands performance. FLOW SYSTEMS NEW MUSIC RELEASE  NEW MUSIC VIDEO Downtempbowl Links   Mr. Bill's Links

Today's guest on The Mr. Bill Podcast is Rob Talbott of Dodge & Fuski and co-founder of Disciple. Rob's been producing since the early 2000s and came up during the early UK dubstep era, back when scenes were small, MySpace was the main discovery tool, and nothing happened overnight. Dodge & Fuski was a key part of that moment, and Disciple went on to become home to a generation of artists who grew into long-term careers. We talk about when music stopped being a hobby and started feeling like a job, what it was really like coming up before modern social media, and how slow and unglamorous those early years actually were. We also get into the realities of running a label, balancing creativity with business, and the burnout that can come with doing both at once. Rob also opens up about stepping away from music for several years, what caused that disconnect, and what it has been like coming back after a long hiatus. We talk about how his relationship with music has changed and why he is enjoying it again now. This is an honest, behind-the-scenes conversation about building things, burning out, and finding your way back to the thing you cared about in the first place. Rob Talbott Links Mr. Bill's Links

Brad Sweet is the co-founder and CEO of Same Same But Different Music Festival and Same Same Presents. With a background as a musician and producer, Brad's understanding of the industry has fueled the growth of Same Same But Different from a 400-person gathering to 7,500 daily campers in under five years. This achievement was recognized with a nomination for Best Emerging Festival by X-Live and winning Best New Festival by USA Today. Brad's approach to festival organization is rooted in empowering passionate, creative individuals with the tools to build and create with as little restrictions as possible. This has grown and fostered a passionate team around the festival and has led to incredibly rich and meaningful experiences for attendees. The team sets the tone and ethos for any festival and a team built directly from the community means that the attendees and the team become a unified force working together to the benefit of the festival. His personal commitment to create a welcoming, inclusive environment are hallmarks of his leadership style. At the heart of Brad's work is a commitment to building a community that extends beyond the festival grounds, fostering lasting connections and memorable experiences for each attendee. Brad Sweet Links   Mr. Bill's Links

Simone 'Funi' Fougnier is a visual artist from Northern Italy, built a 15-year career in the music industry, collaborating with icons like Deadmau5 and Anderson Paak as an illustrator, designer, and motion artist. In 2019, Fougnier co-founded Studio Syro to pioneer unexplored artistic mediums. This vision birthed 'Tales from Soda Island,' an award winning VR animated series for Meta, where Fougnier served as writer, designer, and director. As the field of VR evolves, Funi consistently explores its untapped artistic potential with a host of fresh, immersive projects underway. His last project, 'The Art of Change' was selected in the Immersive section at the 81st Venice Immersive Biennale and won the 2024 XR Experience Award. Funi Links   Mr. Bill's Links

Opiuo is a genre-bending plethora of auditory and visual masterclasses. Born in 1984 in rural New Zealand, his parents provided the land upon which music festivals were held. This extremely formative growth surrounded by the early incarnations of Aotearoa's electronic music scene exposed him to the celebration of life through self-expression, dance, and giant sound systems. These experiences shaped so much of who he is & what he stands for today. Positivity and movement at the core of the project, his music is an infectious electronic based blend of funk, soul, psychedelia, and booty-shaking bass.  Now calling Australia home, Oscar tours his party-starting music throughout the globe. Having spent more than a decade performing at some of the world's most renowned festivals and venues including Lollapalooza, Glastonbury, and Coachella, as well as selling out Colorado's famous Red Rocks Amphitheatre multiple times, he's performed his music in an unimaginably large array of formats. From self-built Orchestras, to collaborating with symphony choirs, touring his own Opiuo Band, and as an immersive solo audio & visual show, his live creativity is limitless. Taking home the New Zealand Music Award for Best Electronic Album in 2014, his catalogue is vast. Having released 6 full-length albums, 10 EPs, and a myriad of singles and remixes over the last 14 years. In his own words, he is still "just getting started!". Opiuo Links   Mr. Bill Links

Justin Frankel is a programmer, musician, and human being. In this conversation, Justin, the creator of Winamp and Reaper, shares his journey through programming, the evolution of his software, and the philosophy behind his work. He discusses the challenges of working under AOL, the artistry involved in software development, and the unique pricing model of Reaper. Justin also reflects on the future of AI in music and the importance of human connection in art. Justin Frankel Links   Mr. Bill Links

In this conversation, this research team discusses their innovative project that combines social cognition, crowd dynamics, and machine learning. They explore how to utilize body tracking technology and infrared cameras to gather data on audience behavior during live performances. The team aims to understand the relationship between crowd dynamics and environmental factors, ultimately seeking to predict crowd behavior and enhance audience engagement. In this conversation, the speakers delve into the complexities of extracting data from crowd dynamics, particularly in the context of music performances. They discuss the challenges of video data extraction compared to audio, the inspiration behind their project, and the ethical implications of using technology for crowd surveillance. The conversation also touches on the potential for real-time integration of audience behavior into performances, the future of brain-computer interfaces, and the exploration of life beyond Earth through advanced technology. Michael Schnebly is an Applied Physics PhD student at Harvard University, where he studies the mechanics of proteins. He is also the creator of Stepwise (@stepwise.xyz), an experimental artist project using body-tracking technology to build new musical instruments and ways of performing. His work bridges scientific research, live performance, and social experimentation. Michael is one of the co-creators of "Calibration," a new collaborative research-performance series alongside neuroscientist Landry Bulls and electronic music artist Supertask. Calibration is a scientific study of group synchrony, embodiment, and the neural basis of musical experience through body-tracking in live concert crowds. It launches at Cervantes' Other Side in Denver this summer. Michael Schnelby Links Landry Bulls is a PhD student in the Department of Psychological and Brain Sciences at Dartmouth College. As part of the Social Computation, Representation, and Prediction (SCRAP) Lab working with Dr. Mark Thornton, he uses computational methods to study social signaling of human groups and crowds.  Landry Bulls Links For the people who love to experience music, look no further than Supertask. With deep roots in hip-hop and a focus towards immersion, Supertask creates sonic landscapes that dance between the intensity and stillness of the human consciousness. His offerings of musical escapism are consumed by the concept of infinity, and with a background in IT, Supertask often utilizes code and programming in his artistic vision. A vision that his loyal community, the Dev Team, are directly involved in. Blending both analog and digital sound design, his unique approach has proven to be a driving force in the forward progression of electronic music. Through soundscapes that feel sentient, interactive live streams, and mind-bending visuals, Supertask is changing the way that we consume art. Supertask links Mr. Bills Links