Advertise on podcast: Factual America

Tatiana Suarez was born into poverty, endured a “tumultuous [and] traumatic childhood”, and at school chose to compete in a sport – wrestling – that led to her being relentlessly bullied. She overcame every obstacle that life and people put in front of her and became a champion. And not just once, but multiple times. Finally, the greatest prize of all, Olympic glory, lay within her grasp. And then, she broke her neck. And as that was being treated, doctors discovered that Tatiana had cancer. In The Unbreakable Tatiana Suarez, Cassius Corrigan tells the story of how Tatiana overcame these seemingly insurmountable setbacks to achieve even greater success than before: with her neck injury meaning that Tatiana could no longer wrestle, she became instead a Mixed Martial Arts fighter. And with the absolute determination and drive to succeed that has characterised her life’s journey so far, she has beaten the hardest opponents, and won the toughest competitions. In this episode of Factual America, Matthew Sherwood discusses with Cassius Tatiana’s incredible life. We meet Tatiana the wrestling pioneer for both girls and Latinas, Tatiana the inheritor of a strong mindedness that will not brook denial, and Tatiana who remains the great “What If” of wrestling and MMA despite her achievements. Cassius also explores Tatiana’s family background and extraordinary work ethic. It has made her an icon of one of the most dangerous sports in the world. Watch the episode at https://factualamerica.com “... look at what Tatiana is risking every day... this is one of the greatest stories I've ever encountered in sport. I was willing to do whatever it took to bring it to life.” – Cassius Corrigan

Who is Mark Zuckerberg? That is the question at the heart of Nick Green’s new Sky documentary, Zuckerberg: King of the Metaverse.  We all know how Zuckerberg took Facebook from being a website accessible to just a few American college students in 2004 to one that is used by over a billion people worldwide in 2024. Along the way, he has acquired Instagram and WhatsApp making him one of the most wide reaching and influential men in the world today. But what are his thoughts? His views? What does he believe in? As Nick Green tells Matthew Sherwood, uncovering the man behind the avatar and update was hard. Unlike his social media rival, Elon Musk, Zuckerberg speaks only guardedly. The importance of his position, however, makes it worth taking time to unravel Zuckerberg’s life. As Matthew notes, he has gone from being a hero, to villain, and is now a survivor. For Nick Green, he has been a disrupter, someone willing to “move fast, [and] break things” in the pursuit of money. In doing so, Zuckerberg has had to navigate serious legal challenges and also the attention of American politicians, all of which, he has overcome.  In this year of important elections, a film about the man who could influence them by his actions or inaction could not be more timely. Especially since, as Nick points out, we can only hope that Zuckerberg is up to the challenge of what lies ahead.  Watch the episode at https://factualamerica.com On Facebook’s algorithm: “Curating what people see and curating what they are exposed to from a business perspective is extraordinary. But... it’s just caused the most horrendous problems.” – Nick Green  

On the night of March 23rd 2015, Denise Huskins and Aaron Quinn were drugged and bound by a mystery assailant who had broken into their home. Denise was then kidnapped. When Aaron called the police the next day, they believed he had murdered her. Two days later, however, Denise – who had been sexually assaulted by her kidnapper - was freed. Now the police believed no crime had been committed at all, and that Aaron and Denise were hoaxers. The psychological thriller Gone Girl had been released just six months before. In American Nightmare, co-directors Bernadette Higgins and Felicity Morris explore both what happened and, as host Matthew Sherwood puts it, ‘the consequences of our cultural rush to judgement and the damage done when law enforcement and the media decide the truth can’t possibly be true’. The result is a three-part series that twists and turns and upends your expectations with every passing minute. In American Nightmare, light becomes dark, and dark turns into light. On this episode of Factual America, Bernadette and Felicity guide Matthew through Denise and Aaron’s story as well as the making of their series. Among the topics they discuss are how the unfair treatment of women who are victims of sexual crime motivated them to make American Nightmare, the true crime documentary that inspired and shaped the series, the extensive research that went into the making of it, and how American Nightmare offers the opportunity to get viewers to ask questions of themselves and others about how they treat other people. They discuss the betrayal of trust, self-doubt, and even out-of-body experiences that Denise and Aaron went through. Perhaps most surprising of all, however, is the point of connection that they find between American Nightmare and Pamela: A Love Story, the 2023 documentary about Pamela Anderson.  Watch the episode at https://factualamerica.com “This happened, and it happens a lot, and if it can happen to Denise and Aaron, it can happen to anyone.” – Bernadette Higgins

Lady Bird Johnson is best known today as the wife of Lyndon Baines Johnson, 36th President of the USA between 1963-69. However, there was much more to her life than simply the role of ‘First Lady’. In this episode of Factual America, Matthew Sherwood takes a deep dive into Lady Bird Johnson’s life with Dawn Porter, director of new documentary film, The Lady Bird Diaries.  It’s 1963. Liz Carpenter, Lady Bird’s Press Secretary, suggests that she records her ‘thoughts and experiences’ on a tape recorder. Lady Bird agrees and borrows one from Carpenter’s son. She never looks back. Over the next six years she will record 123 hours-worth of material about her day-to-day life. As Dawn tells Matthew, Lady Bird’s entries are ‘detailed and meticulous’: she had a degree in journalism and was a very good note taker. She was also, Dawn says, very disciplined, observant, and conscious of her place in history. This consciousness made Lady Bird an invaluable counsellor for her husband. So much so that in an age where there was no line of presidential succession, Lady Bird was even referred to as ‘Mrs Vice President’. The Lady Bird Diaries describe Lady Bird as ‘one of the most influential and least understood First Ladies in [American] history’. Matthew and Dawn discuss the detail of why that is so. They also explore her abilities as a strategist, how Lady Bird changed the way the White House works, and her political and public independence even from her husband. The picture they draw is of a woman who was more than equal to the challenge of the difficult age in which she lived, and which she so carefully recorded. For a fuller picture of Lady Bird, the Johnson White House and 60s America, this episode is a must listen. Watch the episode at https://factualamerica.com “She both did and didn’t accept the limit on her authority that society was giving her. She didn’t demand credit for her contributions but didn’t stop making them... her priority was getting things done.” – Dawn Porter

On January 28th 2017, a mosque in Victoria, Texas was burnt to the ground by an arsonist. In the aftermath, Victorians stood side-by-side with their Muslim neighbours. In A Town Called Victoria, Li Lu – who grew up in nearby Sugar Land, Texas – explores what happened next: to the town, its Islamic community, and to the arsonist, who was soon apprehended. Li joins Matthew Sherwood to discuss her series, its themes, which include white supremacy, patriotism and mental illness, as well as the limits of healing. Li looks back at her own upbringing, and shares how she discovered the arson attack had happened and its effect on her. She also discusses the role played in the making of the film by her DP, Halyna Hutchins, who was tragically killed on the set of Rust in 2021. Victoria’s story is a bittersweet one. For while there is solidarity and shared prayer, understanding and a determination to repair damage done, the arson attack also exposes deep and profound divisions: racial, political, and economic. And what’s more, this is not a story relevant to Texas alone. As Li puts it, Victoria is a ‘microcosm’ of every American community. A Town Called Victoria needed to be a sensitively made film. It could not have found a better and more informed director than Li Lu. Enter the heart of Texas and America with Li and Matthew Sherwood. Watch the episode at https://factualamerica.com “In terms of really reaching people, be brave and have a conversation that’s hard with someone that could use a conversation to be had with.” – Li Lu

Racism is a blight upon the United States of America, and has been all through the country’s history.  In Stamped from the Beginning, a documentary film featuring and based on the book of the same name by Dr. Ibram X Kendi, director Roger Ross Williams explores the history of racist ideas in the US. Using an innovative array of methods, including VFX, animation, and music, he explores how the Trans-Atlantic slave trade gave birth to racist ideas, and how racist myths regarding black hypersexuality and criminality still impact society today. Roger and Ibram join Matthew Sherwood to discuss their film, its themes, and the role of black women, both in terms of studying racism and as the interviewees of Stamped from the Beginning. Roger also notes the reason why he uses pop culture to tell the story of racist ideas in the US. It isn’t despite the fact that it has been used over the years to perpetuate racist ideas but because of it. Roger admits that making the documentary was hard. Fortunately, he liked the challenge! The result is a film that, as Matthew says, is both stimulating and uplifting. Racism may be a big part of the US’s story, but it is not the last word. Watch the episode at https://factualamerica.com “We hope that people – through the film – can begin the process of unlearning any racist ideas about black people that they have internalised...and that they would also begin to learn anti-racist ideas of racial equality.” – Ibram X Kendi

In 1983 America was overwhelmed by a disaster, the likes of which it had never seen before. Hysteria led to riots; mayhem became the norm. And the reason? Chubby, potato faced toys: the Cabbage Patch Kids. In this episode of Factual America, Matthew Sherwood meets Dan Goodman, co-executive producer of Billion Dollar Babies, a documentary about the rise and rise of the awkward looking but homely and utterly desirable Cabbage Patch Kids.  They discuss the origin of the Cabbage Patch Kids’ success, which can be traced back to the Post-Depression era but also owes a great deal to the improving economy of the early ‘80s and the increasing availability of credit.  But none of that would have mattered had the Cabbage Patch Kids not had that certain something that made them so special. Despite being mass produced, improved manufacturing techniques gave each doll a seemingly unique appearance. Each one could be ‘adopted’. And, most simply, they looked cute: cute enough to go through hell and high water at the local shopping mall for. Dan shares how he managed to get the man behind the dolls’ success, Xavier Roberts, onto the doc, while he and Matthew also discuss the roles played in the film by legendary news anchor Connie Chung, and actor Neil Patrick Harris. The Cabbage Patch Kids represent 80s excess at its best or worst, depending on your point-of-view. Step back in time to enjoy the good, the bad, and the immensely cute of it all with Matthew and Dan! Watch the episode at https://factualamerica.com “You think about these Cabbage Patch Kid riots... and it’s not like we looked at that and thought, ‘Boy, that was a terrible idea!’... Instead, we go the opposite direction... and that’s where we got to this Black Friday mentality.” – Dan Goodman

In 1999, Rose Tajiri, a second-generation Japanese-American, was diagnosed with dementia. She was 76. Over the following years, as her condition worsened, her daughter, filmmaker Rea Tajiri, became her caregiver.  In Wisdom Gone Wild Rea documents the journey that she and her mother took together, a journey that sees them navigate both the now of life with dementia and the past as Rose recalls memories from her early years, including the time she spent in an internment camp during the Second World War. The result is, as Matthew Sherwood describes it, a film that is ‘tender, bittersweet, [and] poignant’. Rea calls the film a ‘cinematic poem’, which follows the lines of her mother’s thought process, her ‘dream logic’.  As Rea makes clear, caring for her mother brought highs and lows, sometimes in unexpected places; Rose’s condition brought danger, but also the opportunity to explore, to find meaning. Most of all, it brought wisdom, not just in one area, but several: beauty, beauty in art, and in spiritual matters among others. Rea discusses her family’s accepting response to her filming her and her mother’s journey, the influence of her late father – a professional photographer – on this project, and offers advice born of her own experience to anyone who might be in the same situation: surrender, connect, enjoy. Living with dementia can be hard, but also meaningful, and even profound. Watch the episode at https://factualamerica.com “It was important to me to centre the film around how [my mother] communicated. I wanted to maybe have the viewer adjust a little bit of how they experience dementia.” – Rea Tajiri

Carlos is a documentary that takes the viewer from legendary guitarist Carlos Santana’s beginnings in Mexico to concerts across the world in a musical career that has lasted over fifty years. It goes off-stage as well, exploring his spiritual journey and life with his family, from mother and father, to siblings, and children. In this episode of Factual America, Matthew Sherwood meets Carlos’ director, Rudy Valdez, to discuss Santana’s storied life. Their conversation reveals Carlos as an innovative and laser-focused musician, a story teller with a brilliant memory, and a man always seeking to go further, deeper and higher, whether in his music or life beyond. In addition, Rudy shares how he came to direct Carlos almost despite himself, the intimate nature of the documentary’s production, and his determination to create a film that felt just like you were hanging out with Carlos himself, something that for Matthew made the film very cool, indeed! From fame to family, stardom to spirituality, mysterious tapes and revealing videos of walls, this episode of Factual America takes you from the past, into the present, and maybe even to the future. Plus at the end of the episode Matthew and Rudy have a conversation about the Golden Age of documentary: how Rudy defines it, its duration, and where he believes documentary film making finds itself now. Watch the episode at https://factualamerica.com “... what we always tried to do throughout this process is show the music, show it in relation to spirituality, show spirituality and the relation to family. And... come back to music, come back to spirituality, come back to family... all of those things were part of this collective consciousness for Carlos and they were always equally driving his journey and his life...” – Rudy Valdez

To call Sylvester Stallone a film star is only the beginning of any conversation about him. Movies such as Rocky and Rambo have made him an American icon. But even that barely scrapes the surface of who he really is.  In Sly, a new documentary film available to watch now on Netflix, director Thom Zimny takes a deep dive into Sylvester Stallone’s story. He starts with the actor we all know before introducing us to the man behind the persona: Stallone the writer, director, and even, painter. He goes further still, in fact, right to the heart of Stallone’s life: his relationship with his father, a relationship that for Thom redefined how he saw Stallone’s films. In this episode of Factual America, Thom joins Matthew Sherwood to discuss Sly, both man and film. Their conversation takes them from the beginning of Thom’s relationship with Stallone to its full flowering. Thom describes his approach to interviewing Stallone, and the energy that the latter brought to their conversation. He reveals how his work with Bruce Springsteen helped him navigate Sly, and the great trust that Stallone put in him, made real with a significant gift. Along the way, Thom shares some of the surprises that came out of making Sly, and even Stallone’s musicality. Join Matthew as he and Thom Zimny pull the curtain back on the real Sylvester Stallone – Sly by name, but open hearted by nature. Watch the episode at https://factualamerica.com “Sly went beyond a biopic for me because I felt like there was a chance to show an artist that gets lost with just a shorthand version of their life... I love the details that get lost, that make a film universal.” – Thom Zimny  

In The Enfield Poltergeist, Jerry Rothwell uses over 250 hours of audio recordings made by paranormal investigator Maurice Grosse to revisit the case of 284 Green Street in Enfield, North London. There, for a period of eighteen months starting in August 1977, the Hodgson family witnessed furniture move of its own accord, objects get thrown across rooms, and heard disembodied voices speak. Or did they? Some investigators were convinced, others were not. In The Enfield Poltergeist, Jerry builds a replica of the Hodgson family’s house in order to recreate what – is alleged to have – happened, and he joins Matthew Sherwood to go behind-the-scenes of his film. They explore the mystery of poltergeists, disruptive activity that often centres on young people, the effect of the supposed hauntings on the Hodgson children, and how the Green Street case captured the imagination of the British press. Jerry reflects on his own background and how it might have influenced his decision to make The Enfield Poltergeist. He and Matthew also discuss the high-level background of the British Society for Psychical Research, of which Maurice Grosse was a member. Was 284 Green Street haunted? Is the question even relevant? Whatever your view, enter into the spirit of the season with The Enfield Poltergeist. Watch the episode at https://factualamerica.com “I think what's interesting is... how and why do a people - a group of people in a house come to believe something. [This] for me says a lot about all kinds of things in our modern world... why do we believe what we believe?... the evidence for those things is as much in the stories we tell, and are told, as in, you know, the hard scientific phenomena.” – Jerry Rothwell  

Welcome to the first episode of the fifth season of Factual America! Joining host Matthew Sherwood is Yon Motskin, the director of Encounters, a new Netflix docu-series about four UFO/alien encounters from around the world. Encounters tells a story that is both epic and intimate in its range. It not only explores what occurred when a diverse range of witnesses – including school children, hoteliers, law enforcement officials, and rescue workers – came face-to-face with the seemingly impossible, but what happened afterwards to them, and those who investigated their stories. Some were able to move on; others, though, were bullied, faced ridicule, and professional ruin. All, though, have stuck to their stories. Matthew and Yon discuss what happened to the witnesses, their credibility or otherwise, and the profound differences between the interpretation of UFO sightings in Japan versus the US. They look at the nature of belief, and how what we believe can define our understanding of what UFOs may be. Yon also shares his appreciation for the involvement of Steven Spielberg’s Amblin Television in the making of the film. For Yon, Encounters is fundamentally ‘a human story’ with themes such as ‘consciousness and communication’ at its core. Whether you are interested in UFOs, psychology, mysteries, or the workings of the human heart, this is an episode for you. Watch the episode at https://factualamerica.com “I believe that they believe. Now, if whatever they say happened or not, I wasn't there, so, I couldn't tell you, but it's hard to discount... it's not one person in their backyard seeing something. It's dozens, and in many cases, hundreds of people all seeing the same thing, at the same time.” – Yon Motskin