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Are Britain's game shots taking things too far? As pheasants are driven ever higher and cartridges become increasingly powerful, are we pushing the boundaries of sporting shooting - or crossing the line into something unethical? Charlie Bull, founder of Just Cartridges, joins George and Chris to tackle the question of whether 60-, 70- and 80-yard pheasants really sporting, and whether the modern cult of high bird shooting risks under-valuing traits like speed and agility. Elsewhere in the mailbag, a young devotee of antique side-by-sides wonders whether his enthusiasm for black powder is ruining everyone else's day; should his fellow Guns have to put up with enormous bangs, clouds of smoke and painfully slow reloading? And a newcomer to game shooting asks how many cartridges he should take on his first proper 150-bird driven day, and whether he really needs a spare gun.

Sporting artist Alistair Makinson returns to explain how an artist looks at a drive or shooting estate differently to someone standing on the peg, and how a great drive doesn't necessarily make for a great painting. With Chris and George he explores why sporting art commands a premium over standard landscape paintings, and how painting to the tastes of the aristocracy is as savvy a move for an aspiring artist todat as it was in the Rennaissance. The team also ask why it is that a painting can sometimes capture a feeling and a moment rather better than a photograph, and whether sometimes a little bit of artistic license is needed to make a painting feel more 'true'.

Is shooting becoming something we have to keep secret? Sporting artist Alistair Makinson joins George and Chris for an episode of listener correspondence that takes an unexpectedly serious turn. First up, what do you do when a shoot day goes spectacularly wrong? From kit and malfunctioning equipment, the team discusses the best ways to rescue a day in the field. Then there's the question of a rather unfit host on a walked-up grouse day - is it reasonable to expect your host to be fit enough for the shooting he's organised? Finally, a listener raises a thornier issue: prejudice against shooting in the workplace. Should Guns have to conceal their sporting interests from colleagues and employers? Why can companies entertain clients on the golf course but not in the shooting field? Plus, Alistair discusses his experiences of anti-shooting hostility, Chris reveals his foolproof shoot-day packing system, and George contemplates the possibility of shooting's answer to militant veganism.

George and Chris return to Kitchen W8 in Kensington for the second part of their conversation with Michelin-starred chef Mark Kempson, this time to discover what makes wild ingredients so special and appealing for chefs, why more professional chefs aren't cooking game, and whether our traditional approach to cooking game birds is due for a rethink. From his early days at The Square, preparing grouse for the table on the Glorious Twelfth, to nearly seventeen years championing seasonal British ingredients at Kitchen W8, Mark explains why game deserves a much bigger place on restaurant menus and in our kitchens at home. Along the way, the conversation takes in why venison is succeeding where feathered game struggles, whether roasting whole birds is fundamentally flawed, and how shooting estates could forge stronger relationships with restaurants. Mark also shares some practical advice for home cooks, from a simple partridge schnitzel to hare-filled pasta and an ambitious grouse ballotine, before revealing his ultimate Desert Island Shooting experience.

George and Chris visit Kitchen W8 in Kensington to record with Executive Chef Mark Kempson, winner of Game Chef of the Year in 2024 and 2025. Oh, and the restaurant has a Michelin star too. Mark serves up a mini game feast before helping to tackle listener questions on taking extra birds home, tips for shoot staff who aren't keepers, whether pheasant actually tastes good, and why shooting’s benefits reach far beyond the day in the field.

Diggory Hadoke returns for a dive into vintage guns: how an air rifle, an eccentric primary school teacher and a childhood spent taking old farm guns apart led to a life as a gun dealer, writer, archivist and vintage gun expert. We ask what makes a gun “vintage” rather than simply old, and whether the best sporting guns were effectively perfected before the Second World War. The conversation then turns to steel, bismuth, proof marks and whether vintage guns are still worth owning in the non-toxic era.

Diggory Hadoke joins George and Chris to answer three listener dilemmas about the unwritten rules of shooting: what does it mean if you're invited to “have a go” on a family shoot, and is there a correct way to issue an invitation? What do you do when a dream loading trip clashes with your significant other's significant birthday? And do we have a duty to speak up if we see something on a shoot day that feels wrong?

D'Arcy Wyvill's family have owned the Constable Burton estate for centuries, so he's better placed than many to offer a view on why the shooting community (and the countryside in general) value tradition and heritage so very much, and what makes a shoot a place rather than an event. The wide-ranging conversation also covers sustainable shooting, the legacy of the British Game Alliance and why so many see Yorkshire as the ultimate shooting destination.

D’Arcy Wyvill of Constable Burton joins George and Chris to tackle some correspondence. Should you avoid certain colours for certain quarry, and is there a 'wrong' sort of green for a fieldcoat? The episode then turns serious with a listener’s suggestion that new guns should pass a practical safety test before shooting driven game, prompting a proper discussion about low birds, loaders, common sense, clay-ground habits and D’Arcy’s own experience of being shot on a grouse moor.

We interrupt your normal programming for a very important emergency episode. With the news that Defra has launched a 'call for evidence' on all aspects of game shooting, Chris and George are joined by BASC Chief Executive Ian Bell, who helps us to understand what it all means, and how we can all help. BASC'S ADVICE ON HOW TO FILL IN THE CALL FOR EVIDENCE: https://basc.org.uk/thevoiceofshooting/

George and Chris are joined again by Marc Newton, Managing Director of John Rigby & Co, for the full Rigby story: how a country-mad teenager went from Saturday boy at Orvis to apprentice under Paul Roberts, then found himself at 25 being asked to relaunch one of Britain’s great gunmaking names. Marc explains how Rigby returned to London, and how the company rebuilt its reputation by making rifles that were true to the brand’s dangerous-game heritage. The conversation ranges from Jim Corbett’s legendary .275 Rigby apprenticeships, and how animal-rights squatters nearly left the next chapter of Rigby's story unwritten. Plus Marc shares a Desert Island Shooting that turns into a love letter to safari and cold beer, and the people we hunt with.

George and Chris are joined by Marc Newton of John Rigby & Co for an episode that begins with alcoholic iced tea, Tusker beer, shooting drinks and the question of whether alcohol helps or hinders your shooting. The correspondence starts with a listener heading salmon fishing and wondering what to give generous hosts when whisky, wine and sloe gin feel a bit obvious. There’s also advice for a soon-to-be father trying to make the most of his last child-free season. Finally, the team hear from a listener who actually followed GoP’s advice and hosted a game barbecue, converting friends with wild boar burnt ends, Korean fried pheasant, venison backstrap and the promise of stalking trips to come.

George and Chris are joined again by Carlo Beretta to discuss the extraordinary 500-year history of Beretta, from Bartolomeo Beretta’s 1526 contract for arquebus barrels to the company’s place today as one of the great names in global gunmaking. Carlo explains what it means to be the sixteenth generation of the family, and how the company balances heritage, industrial production, hand craftsmanship, robotics and AI. The conversation ranges from the enduring appeal of the Silver Pigeon to the company's special 500th anniversary projects. Plus: AI wood grading, the most beautiful shotgun Carlo has ever seen, and a Desert Island Shooting that returns, fittingly, to home, friends, food and family.

George and Chris are at the Game Fair with Carlo Beretta. Beginning with rally clays and Carlo’s first impressions of the great British countryside gathering, there’s also discussion of Italian outdoor shows, Carlo's family vineyards Franciacorta, local beer, and the pressure of shooting well when your surname happens to be Beretta. The correspondence takes the conversation into the etiquette of walked-up shooting, Italian hunting culture, dogs, and what British shooters might learn from Europe. A second listener letter describes the extraordinary demands of getting a Dutch hunting licence, prompting a debate about whether the UK’s low barrier to entry is a blessing, a problem, or a missed opportunity.

Part two of the Game Fair live show sees us tackle one of shooting's most hotly contested questions - where's the best place in the UK to put gun to shoulder? We settle the debate once and for all using a highly democratic approach. We also bid au revoir to three very special people in the podcast's history...