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We'll look at three of the four overtures Beethoven composed for Fidelio.

We’re going to focus on Piano Sonata No. 24 in F# Major, Op. 78, and Piano Sonata No. 25 in G Major, Op 79, but we’ll also take a quick look at the two piano sonatinas of Op. 49. 

We'll look at Beethoven's String Quartet No. 10  in E-flat Major, Op. 74, completed in 1809 and nicknamed the "Harp" quartet.

We'll look at Beethoven's fifth and final piano concerto, the so-called "Emperor" Concerto in E-flat Major, Op. 73.

We'll look at the two piano trios of Op. 70: No. 1, the famous "Ghost" Trio in D Major, and No. 2, the less famous but still very interesting Trio in E-flat Major.  

We'll talk about Beethoven's great "Pastoral" Symphony, No. 6 in F Major, Op. 68.  

We'll look at Beethoven's highly unusual Choral Fantasy, Op. 80, and his Cello Sonata No. 3 in A Major, Op. 69.  

We'll talk about Beethoven’s Symphony No. 5 in C minor, Op. 67.   

We'll focus on Beethoven's Mass in C Major, Op. 86, composed in 1807.  

We'll look at the Coriolan Overture, Op. 62 (1807) and Wellington's Victory, Op. 91 (1813).

We'll look at Beethoven's Violin Concerto in D Major, Op. 61, from 1806.  

We'll talk about Beethoven's Symphony No. 4 in B-flat Major, Op. 60.