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Countertenor Randall Scotting has quickly become a sought-after artist by many of the world’s leading opera houses and concert halls. He’s recently made standout debuts at The Royal Opera House, Bayerische Staatsoper, and Staatsoper Hamburg.  He also sang  first time at La Fenice in Venice in the major role of Adonis in Sciarrino’s Venere e Adone, and he makes his Carnegie Hall debut in Handel’s Messiah.  March 2026 also brings the release of his next album on the Signum label with the Academy of Ancient Music and Laurence Cummings, The Divine Impresario, featuring virtuoso castrato arias. Randall’s breakthrough came in 2019 at London’s Royal Opera House when he stepped in last-minute for Sir David McVicar’s production of Britten’s Death in Venice. His performance drew praise for “singing brilliantly,” and he went on to complete the run to sold-out houses, with the production also being broadcast on the BBC. That success led directly to his joining the Metropolitan Opera’s roster, and he’s since become a regular on the world’s top stages. Randall’s  portrayal of the Refugee in Jonathan Dove’s Flight (Seattle Opera, 2021) drew glowing reviews—“marvelous,” “compelling,” “warm, focused, and fluid.” In 2023 he originated the role of Adonis in the world premiere of Sciarrino’s Venere e Adone at Staatsoper Hamburg with Kent Nagano, earning praise as “vocally and physically muscular,” “wonderfully strong and supple,” and “luminous.” Randall is also making his mark as a recording artist. His 2022 debut solo album The Crown, recorded with the Orchestra of the Age of Enlightenment and conductor Laurence Cummings, introduced modern-day premieres of show-piece arias composed for the legendary castrato Senesino and he won international acclaim for “ravishing vocalism” and ““impressive beauty and warmth” tone. His follow-up, Lovesick with Grammy-winner and lutenist Stephen Stubbs, offered intimate lute and folk songs and drew glowing reviews from Gramophone, BBC Music Magazine, and Limelight, which called it “gorgeous” and “beautifully sung”. “Most recently, Infinite Refrain with the Academy of Ancient Music explores 17th-century works by Monteverdi and his contemporaries through the lens of gay love, praised as both “vibrantly seductive” and “a strikingly beautiful declaration of same-sex love”.

You saw them on ABC News; now meet them on this excting episode.The Reasonable Doubts is a "garage band" of  Minnesota judges, created to provide creativity and to relieve stress through making music together. The group has nine members, who come together to enjoy music and foster camaraderie outside of their judicial roles.    The Reasonable Doubts was formed about two years ago by Minnesota Supreme Court Justice Anne McKeig, who sent an email to judges across the state inviting them to join her in starting a band.  As you will hear, the name "Reasonable Doubts" refers to the legal standard of proof required in criminal cases. The band practices nearly every weekend in St. Cloud, Minnesota, and their repertoire covers genres from country to rock and pop. They perform covers of popular songs, including tracks by Elvis Presley, AC/DC, and Beyoncé. The Reasonable Doubts has participated in various events, including their first public booking at Law Law Palooza, (Get it?) a benefit concert for legal aid, highlighting their commitment to community engagement while also showcasing their musical talents.  The Reasonable Doubts band demonstrates how judges can come together to share their love for music, to support each other, and to find balance in their demanding careers. I know from my day job the stress under which judges work --- day and night.  The Reasonable Doubts goes a way to relive that stress.Enjoy this episode!

The New Yorker magazine called Joyce DiDonato “perhaps the most potent female singer of her generation.”  Joyce has towered at the top of the industry as a performer, a producer, and a fierce advocate for the arts. With a repertoire spanning over four centuries, a varied and highly acclaimed discography, and industry-leading projects, her artistry has defined what it is to be a singer in the 21st century. Joyce enjoys a musical partnership with Yannick Nézet-Séguin and the Philadelphia Orchestra and, of course, the Metropolitan Opera.  Joyce’s distinctively varied 2025-26 season commenced with season-opening concerts for the Minnesota Orchestra and Montreal’s Orchestre Métropolitain, as well as the re-opening Powell Hall with the St. Louis Symphony Orchestra in a Kevin Puts’s World Premiere, House of Tomorrow.  She only recently made her Lincoln Center Theater stage debut as The Mother in Amahl and the Night Visitors, and is about to star in the Met’s production of Innocence by Kaija Saariaho. Concert appearances include Mahler’s Symphony No. 2 with Nézet-Séguin and The Philadelphia Orchestra, and Mahler’s Symphony No. 3 with Nézet-Séguin and the Berlin Philharmoniker. Joyce also joins the Metropolitan Opera Orchestra for her second European tour with Yannick and this orchestra following a performance of Mahler’s Symphony No. 4 at Carnegie Hall. She is also, quite plainly, a genuine delight.  

Born in Taiwan, raised in Austria, and educated in Europe and America, Pianist Jenny Lin has built a vibrant international career, notable for innovative collaborations with a range of artists and creators. In recent seasons, Jenny has performances – both digital, and in person – for Washington Performing Arts; at Hudson Hall performing the American premiere of William Bolcom’s Suite of Preludes; at Boston Conservatory’s piano series; at Little Island in NYC; and at Winnipeg New Music Festival. She now serves as director of music for The Phillips Collection in Washington, DC.Recently, she performed a recital of Philip Glass’s music for the Morris Museum – a continuation of a close collaboration with Glass, with whom she has appeared regularly since 2014.  This experience has inspired the creation of her own commissioning initiative, The Etudes Project, in which she works with a range of living composers to create new technical piano etudes, pairing each new piece with an existing etude from the classical canon.  Her catalogue includes more than 50 albums.A passionate advocate for education, Jenny created “Melody’s Mostly Musical Day“, a musical album and picture book for children, following the adventures of an imaginative little girl from breakfast to bedtime, told in a collection of 26 classical piano works from Mozart to Gershwin.  We’ll hear some of these in this episode.Fluent in English, German, Mandarin, and French, Jenny Lin studied Noel Flores at the Hochschule für Musik in Vienna, with Julian Martin at the Peabody Conservatory in Baltimore, and with Dominique Weber in Geneva. She has also worked with Leon Fleisher, Richard Goode, and Blanca Uribe, and at Italy’s Fondazione Internazionale per il pianoforte with Dimitri Bashkirov and Andreas Staier. In addition to her musical studies, Lin holds a bachelor’s degree in German Literature from The Johns Hopkins University. Jenny Lin currently resides with her family in New York City and serves on the faculty of Mannes College The New School for Music.

Hamburg’s new General Music Director, Omer Meir Wellber, recently began his five-year tenure of the 2025/26 opera and symphony seasons with the Philharmonic State Orchestra at the striking Elbphilharmonie.  The season’s unique programs focus on a very special kind of dialogue between the present and the past under the motto “no risk, no fun”. In this episode, Omer will explain that and more.  Suffice it to say,  Omer unveiled his unusual idea of “over-writing” single movements of great works by international composers, to be repeated in all concerts this season.  Omer regularly conducts the Orchestre National de France, the Gewand-haus-orchester Leipzig, the Swedish Radio Symphony Orchestra, the London Philharmonic Orchestra, the Orchestra del Teatro dell’Opera di Roma, the City of Birmingham Symphony Orchestra, the Staatskapelle Dresden, the Deutsche Kammer-philharmonie Bremen and the Vienna Symphony Orchestra.  He is also the author of,  “Die Angst, das Risiko und die Liebe  – Momente mit Mozart” – his first book, published in spring 2017.  In it, he shares his personal understanding of the universal emotions addressed in the three Mozart/Da Ponte operas – Così fan tutte, Le nozze di Figaro and Don Giovanni, establishing him as a great voice of classical music.

For 65 years Young Concert Artists has stood at the forefront of discovering and launching the careers of the future leaders of classical music. Founded by Susan Wadsworth in 1961, YCA has invested in its artists by providing them with the tools, opportunities, and infrastructure to take their careers to the highest level. YCA alumni include Emanuel Ax, Julia Bullock, Anne AkikoMeyers, Jeremy Denk, Ray Chen, Anne-Marie McDermott, Richard Goode, Zlatomir Fung, Jean-Yves Thibaudet, Kevin Puts, Pinchas Zukerman, Randall Goosby and Sasha Cooke, to name but a few. This episode features composer Daniel Kellogg, an alumnus of Young Concert Artists, and now its president. He is one of the extraordinary musicians whose careers were discovered and launched to prominence by this innovative non-profit organization. Chosen as YCA Composer-in-Residence in 2002, Daniel was a member of the Young Concert Artists roster for 10 years. Join us as he reveals plans for the 2025-2026 season.

Enrique Mazzola, is music director at the Lyric Opera of Chicago, who recently announced his extension through the year 2031. In the 2025-26 season, Enrique makes debuts at Staatsoper Berlin with Verdi’s Un ballo in Maschera and at Opera de Paris with Rossini’s Cenerentola. At the Lyric Opera, he is currently leading productions of Medea, Cavalleria rusticana and Pagliacci and Cosi fan Tutti.Notable symphonic debuts include Orchestre National du Capitole de Toulouse,Philharmonia Orchestra, Royal Scottish National Orchestra, Orchestra of the Age ofEnlightenment, Oslo Philharmonic, New Japan Philharmonic, Taipei Symphony, UtahSymphony, Detroit Symphony, Luxembourg Philharmonic, Brussels Philharmonic,Staatsphilharmonie Nürnberg, and Swedish Radio Symphony. Other highlights includeperformances with Vienna Symphony, London Philharmonic and Bern Philharmonic.Enrique works regularly with young musicians, among them at Accademia Teatroalla Scala, Académie de l’Opéra national de Paris, Opéra Studio de l’Opéra national duRhin, Accademia del Maggio Musicale Fiorentino, the Lyric’s Ryan Opera Center, andCodarts of Rotterdam. He has given conducting masterclasses.And, as you’ll hear, Enreique Mazzoli is also renowned as a champion of bel cantoopera,

Born in Texas to Chinese immigrant parents, Nancy Zhou began the violin under the guidance of her  father, who is from a family of traditional musicians. She went on to study with Miriam Fried at the New England Conservatory while pursuing her interest in literature at Harvard University.Nancy has collaborated with the Royal Stockholm Philharmonic Orchestra, Munich Symphony, Hong Kong Philharmonic, Hangzhou Philharmonic, New Jersey Symphony, Naples Philharmonic, San Diego Symphony, and Kansas City Symphony, among others.She is a regular guest educator at various international summer festivals, holding not only masterclasses but also workshops on fundamental training and well-being for musicians. Over the years, Nancy’s interest in cultural heritage and the humanities manifested in a string of notable collaborations across the US and in China.Recently, she recorded her debut album, STORIES (re)TRACED, featuring four seminal and inextricably connected works for solo violin, including Béla Bartók’s Sonata.

 Alex Bonoff is studying to become a cantor, and is currently a cantorial soloist at Temple Israel of Minneapolis, a congregation that has had only two cantors in its 147 year history.    We’ll to talk to Alex about that, but I also want to discuss his history as a composer, orchestrator, producer, audio engineer, copyist, music director and supervisor, working on projects in film, television and theatre—and, he says, “anything else that makes sound.”  Alex has worked on shows including New York, New York (Broadway), Classic Stage Company’s Assassins (Off-Broadway Show, Broadway Concert), Theatre for a New Audiences (Off-Broadway, in collaboration with the Royal Shakespeare Company) Timon of Athens, Chicago’s Goodman Theatre’s The Penelopiad, Chicago’s Paramount Theatre’s world premiere of August Rush, and Goodspeed Opera House’s world premiere of The 12.  He also served as a guest artist at the University of Michigan, his alma mater, as a music director and composer.

Robert Marx is president of The Fan Fox & Leslie R. Samuels Foundation, one ofNew York City’s leading arts philanthropies.  Since 1995, Rob has appeared on the Metropolitan Opera’s live Saturday afternoon radio broadcasts as an intermission host, commentator and Opera Quiz panelist.  His many broadcast interview subjects have included the late Supreme Court Justice Ruth Bader Ginsburg, stage director Robert Wilson, and former Met general manager Joseph Volpe.  From 1989-99 he was executive director of Lincoln Center’s New York Public Library for the Performing Arts.   Among many new initiatives there, he created the Library’s first touring program, sending exhibitions about choreographers Alvin Ailey and George Balanchine, director Harold Prince, and stage designer Ming Cho Lee across America and to Asia.  Major collection acquisitions included the personal archives of choreographer Jerome Robbins, impresario Lincoln Kirstein, composer John Cage, stage designer Boris Aronson, and producer Joseph Papp.   From 1987-1989 Rob was director of the National Endowment for the Arts Theatre Program, and was director of the New York State Council on the Arts Theatre Program from 1976-1983.

David Feheley is a technical director, with 20 years of experience, specializing in producing opera and productions in repertory. He is currently the technical director for the Metropolitan Opera.David studied theatrical production at York University in his native Toronto before joining the newly opened York University Student Centre as its production manager.  He managed all aspects of the Centre’s program of concerts and events in its multi-use facility.He later branched out into the freelance world as a technical director before joining the production department at the Stratford Festival of Canada. He started as the Assistant Technical Director for the Festival Stage, and finished his time at the Festival as the assistant director of production.David moved into the world of opera when he joined the Canadian Opera Company in 2003. While there, he was part of the opening of the Four Seasons Centre for the Performing Arts, Canada’s first purpose-built opera house, and the COC’s Ring Cycle, Canada’s first home-grown production of the Ring.David moved to the United States in 2013 to assume the position of technical and production director for the Houston Grand Opera. While in Houston, he continued his association with Wagner’s Ring Cycle, as Houston produced its first Ring, the La Fura dels Baus production from Barcelona.Since 2016, David has been the technical director for the Met, overseeing all backstage operations as well as the construction work done in the scenery and scenic shops. The Met’s season of 19 productions running in repertory also includes building and producing 6 new productions each year.The Ring Cycle has played a prominent role in his time at the Met. A major technical overhaul of Robert Lepage’s 2010 production and its presentation as part of the 2019 season marked David’s third Ring.

Steven Blier is the co-founder and artistic director of the New York Festival of Song, and has served asprogrammer/translator/pianist/arranger of more than 150 of its programs.He has been a recital collaborator with some of the great singers of our time, including Renée Fleming and Cecilia Bartoli. He has recorded on the Koch, New World, Nonesuch, Albany, and RCA labels, and he won a Grammy Award in 1990. He was also nominated for Grammy Awards in 1999 and 1989.  Most recently, he issued six new albums on NYFOS Records, including Schubert/Beatles with Theo Hoffman and Julia Bullock.Blier has been on the faculty of the Juilliard School since 1993, and has given master classes around the U.S. in song repertoire. A longtime feature writer for Opera News Magazine, he has been guest faculty/recitalist at the Wolf Trap Opera, Santa Fe Opera, the Steans Institute at the Ravinia Festival, and San Francisco Opera. He holds a BA degree from Yale University, summa cum laude, Phi Beta Kappa.

After graduation from Macalester College in St. Paul, Lawrence Perelman imagined a performing arts cable channel. So he earned an MBA at Columbia Business School and later founded Semantix Creative Group, a strategic advisory firm for performing artists and global performing arts institutions. As Semantix’s CEO, Lawrence kept pitching his idea, and even discussed it with Carnegie Hall’s Clive Gillinson. In December 2021, Lawrence, as co-founder, was part of the team that launched Carnegie Hall+, a premium subscription on-demand channel on the Apple TV app. As you’ll hear in this episode, his parents always encouraged him to take risks: “You want to meet someone and accomplish something? Write them a letter.” That’s maybe the most valuable lesson he learned: "...to put your heart out there and make a statement." So, in 1994, he wrote a letter to William F. Buckley Jr. to thank him for emboldening Soviet Jews to come to America, as his parents did. Suffice it to say that over the years, Buckley became a friend and mentor who changed the course of Lawrence’s life "because he took time to answer my letter." This is a unique episode!

Earl J. Schub has had a distinguished career as an educator and arts administrator. For 12 years he was the dean of the Chicago College of Performing Arts of Roosevelt University.   He had served as Lyric Opera of Chicago’s director of public relations and marketing, and executive producer for television, and director of education.  He served as manager of the company’s Opera Center for American Artists, and as manager of Western Opera Theater, San Francisco Opera’s touring and educational affiliate. Earl has served on the Illinois Arts Council, the Chicago City Arts Council, and the California Arts Commission and he was as an on-site observer for the National Endowment for the Arts. He served on the education committee of the Chicago Symphony Orchestra In addition, he has been on the board of trustees for a number of music organizations, including the Chicago Music Alliance, the Chicago Youth Symphony Orchestra, and the Los Angeles Jewish Symphony.

Richard Schoch is an historian whose research encompasses theater historiography, Shakespeare in performance, musical theater, and cultural history. Richard is the author of eight books, including the recently published Shakespeare's House: A Window onto his Life and Legacy. His latest book is How Sondheim Can Change Your Life, published last November. In 2021 he was elected to the Royal Irish Academy, Ireland’s highest academic honor. Richard Schoch is a professor of drama Queen’s University in Belfast. He graduated summa cum laude from Georgetown University and earned his PhD from Stanford University. He has directed plays in New York City and worked for the New York Public Library for the Performing Arts. Richard’s book shows how Sondheim’s lyrics relate to us all. But as important, Richard’s book reveals parallel styles between Stephen Sondheim and William Shakespeare.