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In episode 97 of the Filmumentaries podcast, I interview helicopter stunt pilot Fred North. Fred shares his journey from a childhood fascination with helicopters to becoming a successful stunt pilot in Hollywood. He emphasizes the importance of creating opportunities for oneself and having a shark-like drive to keep moving forward. Fred also discusses the art of flying a helicopter and the importance of connecting with the machine. He shares insights on working with directors and understanding their vision to offer creative solutions. Takeaways Creating opportunities and having a drive to succeed are key to achieving success.Connecting with the machine and understanding its nuances is crucial in flying a helicopter.Understanding the director's vision and offering creative solutions can make a helicopter pilot invaluable in the film industry.Embracing mistakes and learning from them is essential for personal and professional growth. Chapters00:00 Introduction and Patreon Support 03:35 First Encounter with Helicopter 06:27 From Childhood Fascination to Becoming a Stunt Pilot 08:20 Shark-Like Drive and Embracing New Opportunities 10:42 Dealing with Mistakes and Learning from Them 12:30 The Importance of Having an Open Mind and Connecting with People 14:24 Writing the Book to Share His Journey 25:08 The Role of Instinct and Connection in Flying 28:21 Finding a Way into the Film Industry 35:25 Understanding the Director's Vision and Offering Creative Solutions 41:06 QR Codes in the Book and Making it Entertaining 42:18 Closing Remarks and Future Episodes All the links

I hope you enjoyed my archival interview episodes in December 2023, one with Producer Robert Watts, the other with actor Garrick Hagon. Well now we are back to some recent interviews, I can tell you I’ve been busy lining these up ready for 2024! So… for the first, its a pretty big one, well it’s a very big one - Thanks to the lovely folks at ILM, I was given the chance to interview director Gareth Edwards and his FX crew on The Creator. I’d be trying to get Gareth on via a mutual friend of ours but given Gareth is currently doing press about the nominations the film has received, so it was perfect timing. So you’ll hear my conversion with Gareth along with VFX supervisors Jay Cooper, Ian Comley, Charmain Chan, Andrew Roberts and Jay Cooper as well as SFX supervisor Neil Corbould. There is an exclusive video version of the podcast on the filmumentaries youtube channel so that you can see all of us talking while I paint the interviews with some of the VFX breakdown clips ILM kindly provided. So if you can, head over to youtube to check that out. So, we talk about: Gareth’s unique shooting techniques that enable large scope on a relatively low budget. And also the now famous use of the pro-sumer camera.How the collaboration between the on-set crew and VFX teams is crucial for achieving seamless integration of practical and digital elements.How anchoring VFX work to practical elements in the frame enhances the realism and believability of the visual effects.How real-world locations can provide inspiration and add authenticity to the film's design and visual effects.How the future of filmmaking with VFX lies in finding innovative ways to combine practical and digital techniques and finding the best tools to make the pipeline more efficient.We finish by talking about award recognition and what it means to them. All the links

Ok, this is another one from the archives, but as with the Robert Watts recording, I’ve been wanting to put this one out in podcast form for a while too. This is a conversation I had with actor Garrick Hagon back in 2015. If that name doesn’t ring a bell, how about Biggs Darklighter. Yes, Garrick is well known for his mostly deleted scenes from Star Wars in which he plays Luke’s best pal. I’d met Garrick in the green room at a Star Wars Trilogy day at the BFI southbank earlier that year. I’d been invited there by my old mate Toby Phlipott, Jabba puppeteer and all round good guy. Garrick and I got chatting about how I’d done an interview with Toby and created what turned out to be a very popular video from it. So I suggested we do the same. In fact both of those videos are still on my vimeo channel. So I’ll also link to that in the show notes. As with all interviews, when making a video you often cut out certain bits that you don’t need. But with a podcast you can make it more long form. So that’s what I’ve done here. The interview was done over the phone, so it won’t sound as good as some of my more recent episodes. But it’s still definitely very listenable. All the links

This is one from the archives, but I’ve been wanting to put this out in podcast for for some time now. Its my interview with the legendary producer Robert Watts from back in July 2018. My cameraman buddy Paddy and I visited Robert at his home, and a lovely home it was too. He was on such great form and just a delight to be with. We arrived armed with some F1 signed caps from Hamilton and Vettel because a little birdy had told us he was a motorsport fan. And he was absolutely delighted. That little birdy was actually David Whitely, who is going to be a guest on this very podcast in the coming weeks. It wasn’t of course ever intended to be a podcast, so you’ll hear my questions slightly off mic, but of course this is all about Robert and his work on 2001, Thunderball, Star Wars, Raiders, The Empire Strikes Back and Return of the Jedi etc, so I'm sure you can forgive some audio irregularities. As the recording starts, Robert and I are talking about Stuart Freeborn and his creation of Yoda. You’ll also hear friend of the podcast Paddy Tyndall ask the occasional question. I hope you enjoy it. All the links

Uncover the secrets of Mission Impossible – Dead Reckoning Part 1's breathtaking visual effects. VFX supervisors Jeffrey Sutherland and Simone Coco share insights on collaboration, challenges, and the art of crafting cinematic magic. Step behind the scenes and explore the dynamic world where reality meets creativity. I was recently given the opportunity, by the folks at ILM, to talk to two VFX supervisors that worked on Mission Impossible Dead Reckoning Part 1. Namely Jeff Sutherland and Simone Coco. So as you might imagine I jumped at the chance and within 24 hours we were chatting. In this conversation we discuss their work on Mission Impossible Dead Reckoning Part 1 and the unique challenges they face. They talk about the impact of practical elements on their VFX work, the importance of creating scale and believability, and the balance between realism and creativity. We also discuss the collaboration with stunt teams, the adaptation to new camera technology, and the always evolving role of VFX in filmmaking. They share their experiences in finding creative solutions and maintaining freshness and objectivity. Just so that you know who is who, Jeffrey is the first to speak after me, and Simone is the one with the Italian accent. All the links

Now, for this exciting episode, I had the pleasure of speaking with Tom Spina. Tom is an avid Star Wars enthusiast, restoration specialist, and the founder of Tom Spina Designs and Regal Robot. In our conversation, we delve into his early love for Star Wars and those toys, his passion for computer graphics on his Amiga, his brief stint as a TD in live TV, and his current work in restoring historical movie props. We also touch on his Star Wars Celebration panel, his interactions with the film saga's crew, props, and monsters. It's a fascinating insight into his creative process, and I hope you enjoy our conversation. All the links

For this episode, the second of November 2023, I spoke with director, producer and editor Jeremy Coon. Jeremy was the producer on the 2007 film Napoleon Dynamite. But I spoke to him in his editor director capacity about the new documentary “A Disturbance in the Force’, which I was lucky enough to see at the UK premiere in London last week. The documentary chronicles the story behind the bizarre and legendary Star Wars Holiday Special. The 1978 TV special full of growling wookies, odd dance numbers and a “revisit” of sorts to the cantina, run be Bea Arthur usual and awkward appearances from the main cast of Star Wars. This is a shorter than usual episode, but I wanted to get it out to you before the documentary is released on 5th December So here is my conversation with Jeremy Coon, director and editor of Disturbance in the Force. I hope you enjoy it. All the links

In this episode (number 90!!), I share an enlightening conversation with the creators of the "RoboDoc" series - a comprehensive documentary on the iconic sci-fi film, RoboCop. The team includes directors Chris Griffith and Eastwood Allen, and producer Gary Smart. The trio talks in-depth about how they transformed their passion project into a widely acclaimed series over several years. They reveal that their journey was far from smooth, battling legal issues, budget constraints, and meeting stringent fair-use criteria, among other challenges. Their tenacity to produce a series that deeply analyses every scene of the cult classic is ultimately what led to the final output. The documentary features over 100 interviews with cast, writers, producers, special effects designers and countless crew members of the Robocop universe to provide fans with an incredibly detailed and insightful look into this much-loved franchise. The creators finally discuss distribution, the importance of physical media, and their hopes for future projects. In the meantime “stay out of trouble”... ROBODOC: The Creation of RoboCop. A 4-part limited series detailing the making of the seminal sci-fi movie, RoboCop (1987)STREAMING NOW: 🇬🇧Prime Video via The Icon Film Channel 🇺🇸Prime Video, Apple TV, Google Play and other VOD via Screambox. 💿 BLU-RAY 🇬🇧 SPECIAL EDITION (REGION B) 🇺🇸 COLLECTOR’S EDITION (REGION A) All the Filmumentaries links

If you listened to episode 87 you’ll have heard my conversation with the British Film Institutes Douglas Weir. He’s Technical and Remastering lead there and does great work with his team to restore and release films from British classics to lost gems. He invited me back to talk to him and his colleague Vic Pratt - film historian and Video Publishing Producer. So I got together with them both at BFI Southbank last week to talk about some of their new projects. One of their blu ray releases out this month is Short Sharp Shocks a wonderful collection of short films which… well I won’t say any more just now, you’ll hear everything about it in out conversation. Just grab a glass of brandy, get a blanket and pull your chair closer to the fireplace. Enjoy. All the links!

For this episode, number 88, I spoke with Mac Smith about the path he took to his career as Supervising Sound Editor and employee of Skywalker Sound, via marching bands, a chance meeting with Walter Murch, being propelled into the industry working for Robert Zemekis on Castaway. And so much more. Listen in for the full story. Thanks to the folks at Skywalker Sound for helping set this up. All the links!

For this episode, number 87 I spoke to The British Film Institute’s Remastering and Technical lead Douglas Weir. Doug had recently introduced a screening of Jaws at the BFI back in June of this year. It wasn’t just any old print of Jaws, it was a near pristine dye transfer print that a colleague of Doug’s found in the archive. After the screening which was amazing, I contacted Doug to see if he’d come on the podcast to talk about that print and about his career at BFI. It turns out he is already a listener of the podcast and was very keen to chat. So Doug invited me up to the southbank based BFI and along with his colleague, I got a back stage tour, checking out all the old projectors and film reels (I’ve posted some photos on the filmumentaries Instagram page). Doug and I then sat down for an hour for a chat, covering a multitude of topics including Jaws, the limits of restoration from both a techinical POV as well as what should be restored Vs what can be achieved. I hope you enjoy it. All the links!

For this episode, number 86, I spoke with VFX Supervisor Charmaine Chan. We chatted back in mid June 2023 on a boiling hot day here in London. We talked about Charmaine's entry into the industry via running a website about a particular girl group that you might have heard of. She then went onto to be a researcher and compositor at ILM, and most recently a VFX supervisor on Gareth Edwards' visually dazzling, “The Creator” - out on 29th September 2023. I'm very much looking forward to seeing it. Listen in for the rest of the conversation. Links Videos on VimeoReturn of the Jedi Timeline Book Etsy Shop - Buy your Jabba print here Filmumentaries MerchSupport the Podcast on PatreonLinktree