Advertise on podcast: Anthony Plog on Music

Ahmad Baset Azizi is an Afghan-born American trumpeter whose journey is a remarkable testament to resilience and courage. Fleeing Afghanistan to escape the Taliban's ban on Western music, he pursued his musical dreams, achieving three degrees from the University of Kansas. Baset's story embodies not just his passion for music but also a deep commitment to helping others, aspiring to bridge cultures through his experiences. In this conversation, Baset shares his early life in Afghanistan, his connection to the trumpet, and the challenges he faced while pursuing his education in the U.S. He also reflects on the struggles of refugees today, the meaningful connections he’s fostered, and his aspirations to make a difference through music and public service. As Baset movingly states, "If I only did things for myself and died today, that would be the end of me. But if I helped someone, and they could help the next person, I would live on through those actions."

Will Leathers has quickly established himself as a prominent voice in the world of classical trumpet. After studying at the Juilliard School, Will became Principal Trumpet for both the Nashville Symphony Orchestra and the Santa Fe Opera, a remarkable achievement for someone at his stage in their career. He has collaborated with numerous top ensembles and is recognized by CBC Music as one of Canada’s '30 Hot Classical Musicians Under 30.' In this episode, we delve into Will’s evolving orchestral career, highlighting the challenges and triumphs that come with auditions, such as his experiences with the Nashville Symphony and Santa Fe Opera. We also explore his solo recordings, including his recent album "Blue Sky, Purple Clouds," which features a fascinating blend of traditional and innovative sounds and is partially infuenced by his synesthesia. Will shares his insights on musicianship, the artistic process, and the importance of adaptability in today’s diverse musical landscape. As he says, 'Chasing excellence means you’re always looking for ways to make something better or more interesting.'

Ammiel Bushakevitz is a celebrated pianist and chamber musician whose journey through classical music has taken him across six continents, performing in prestigious venues such as Carnegie Hall, the Concertgebouw, Wigmore Hall, among many more. Born in Jerusalem and raised in South Africa, he discovered his passion for music early on, later studying in Leipzig and Paris under renowned teachers. Ammiel has a particular affinity for the art song, collaborating with leading vocalists and releasing multiple award-winning recordings, including the ambitious project to record all of Schubert's piano works by 2028. In this engaging conversation with Tony, Ammiel reflects on his deep connection to Schubert’s music, exploring themes of joy and melancholy that resonate in the composer’s works. He shares personal anecdotes about his musical journey, the evolution of his interpretations, and the importance of musical spontaneity in live performances. With insights into the nuances of piano playing and his collaborative experiences with singers, Ammiel’s reflections reveal the profound impact of music on both his life and artistry.

Jasmine Choi, praised as “The Goddess of Flute” by the Korea Times, has made a remarkable impact on the classical music world with her extraordinary talent and innovative approach to the flute. From her early days in a family steeped in music to her groundbreaking role as the first Asian woman to serve as Principal Flute of the Vienna Symphony, Jasmine's career has been marked by significant achievements. She has performed with prestigious ensembles worldwide and is celebrated for her acclaimed recordings and strong mentorship of young musicians. In this conversation, we explore Jasmine's journey from a young girl in Korea to a global soloist, her experiences at the Curtis Institute of Music and Juilliard, and the challenges she faced in pursuing her passion. Jasmine shares insights into her unique teaching style, her approach to social media, and her deep commitment to making classical music accessible to a broader audience. With stories that resonate deeply, her journey offers inspiration and valuable lessons for anyone pursuing their dreams in the arts.

Rob Schwimmer is a dynamic composer-pianist and renowned theremin virtuoso whose performances have captivated audiences worldwide. With accolades from The New York Times for his blend of “virtuosity, magic, and humor,” Rob's diverse talents shine through in his solo CD "Heart of Hearing," which features the theremin, Haken Continuum, and solo piano. He has collaborated with an impressive lineup of artists, including Bobby McFerrin, the New York Philharmonic, and Simon and Garfunkel, showcasing his unique ability to hang in multiple genres. In this episode, Rob shares his insights into the theremin's unique sound and its long-standing connection to sci-fi and other film genres. He recounts memorable performances—including a recent debut with the New York Philharmonic—and discusses the intricate relationship between improvisation and formal music training. Rob also demos some of the nuances of the Haken Continuum and the theremin. He shares several engaging stories about working in a variety of  musical settings, from Carnegie Hall to hanging out with Willie Nelson. (Headshot photo by Michael Weintrob)

Composer Michelle DiBucci is a versatile artist whose work spans theater, opera, dance, and film. Michelle has made significant contributions to contemporary music, having collaborated with renowned ensembles like the Kronos Quartet and created works performed at prestigious venues such as Alice Tully Hall and the Komische Oper in Berlin. Her rich background includes studying under esteemed composers like Louis Andriessen and teaching at Juilliard since 1992, where she shares her passion for music and theater with aspiring artists. In this first part of our conversation, we explore Michelle's early influences, from her childhood experiences with television soundtracks to her pivotal moment of discovering the relationship between music and visual storytelling. She shares her journey from acting to composing, detailing how mentorship shaped her path and the lessons learned along the way. Michelle’s insights into music composition reveal the intricate balance between creativity and the realities of the industry. [Subscriber Content] In the second part, we delve deeper into her composition approach and the collaborative process behind her compositions. Michelle discusses memorable projects, including her opera based on Charlotte Solomon’s life, and highlights her thoughts on the changing landscape of music education and the impact of technology on future generations of musicians. This section offers valuable perspectives on navigating a career in music, alongside a reflection on the importance of live performances in an increasingly digital world.

In this special episode, we're joined once again by two extraordinary figures in the world of opera, mezzo-soprano Frederica von Stade, affectionately known as Flicka, and composer Jake Heggie. Flicka has graced the great opera houses and concert halls for over four decades, known for her captivating performances in roles by Rossini and Bellini, as well as her powerful interpretations of modern works like Heggie's own operas, including Dead Man Walking. Jake is renowned for his operas, having created over ten full-length works, including the widely acclaimed Moby-Dick and, of course, Dead Man Walking. In Part 1, we delve into their creative partnership, particularly focusing on their song cycle Paper Wings, inspired by Flicka's children. They share personal stories about the songs that resonate universally, illustrating how specific experiences can lead to broader emotional connections in art. The discussion also touches on the joy of collaborating and the importance of maintaining humor in their performances. [Subscriber Content] In Part 2, Jake and Flicka reveal more about their personal journeys with music and performance, including the importance of pushing through those dreaded "bad days" where things just don't seem to work right. Flicka discusses the emotional depth in her interpretations, while Jake reflects on the significance of trust in music. Their insights provide a deeper understanding of the art of singing, composing, and music in general enriching the listener's appreciation for the nuances of opera and lyrical storytelling. Listen in for a heartwarming conversation filled with memories, laughter, and profound insights into the world of music and creativity.

Karl Schagerl is a leading figure in the world of instrument making since he joined his family's business in 1976. Based in Mank, Austria, Karl has worked and collaborated with a long list of world-class artists, a few of which include Hans and Thomas Gansch, James Morrison, Gabor Tarkovi, and Selina Ott. Dr. Jack Burt, is a distinguished professor of trumpet and performing artist who has contributed extensively to the trumpet community, both as an educator and a performer. Jack's connection to Karl began with a chance introduction through mutual musical interests, leading to a lasting collaboration. In this conversation, we'll explore the fascinating story of how Karl and Jack first connected, sparked by a shared love for Austrian folk flugelhorn duets and a chance recommendation from jazz legend Peter Erskine. Jack talks about how he first reached out to Karl for some music and CDs, which eventually led to their meeting at a brass concert years later. Karl shares how this initial interaction grew into a professional friendship with plenty of stories and impactful insights along the way. [Subscriber Content] In the remainder of the discussion, Karl reveals more about the business side of Schagerl Instruments, discussing their global outreach and how they've continued to innovate in response to evolving musical demands.

In episode number one of SEASON 6 (!), we are joined by two remarkable figures in the world of music and cherished in the brass community: Chris Gekker and Eric Ewazen. Chris is a celebrated trumpet professor at the University of Maryland and has performed as a soloist at prestigious venues like Carnegie Hall. His rich career includes collaborations with many composers, showcasing his dedication to both performance and new works. Eric, a prolific composer and educator, has a long history of writing for brass instruments, with works performed worldwide. He has taught at Juilliard and has garnered numerous awards for his compositions. In this first part of our conversation, Chris and Eric share their memorable experiences from their time at the Eastman School of Music, where they first crossed paths. They discuss their early influences, the importance of collaboration, and the creative processes that shape their work. As Chris reflects about Eric's writing, "When he writes a piece, he creates a dialogue, and it’s a very creative process." [Subscriber Content] In the second part, we dive deeper into their collaboration on various pieces, including the intricacies of composing and performing. They’ll share insights about their teachers, including a few key lessons learned from significant figures in their musical journeys. Eric’s experience with writer’s block and their approach to revising works are enlightening. Chris notes concerning writing specifically for trumpet, "We’re not babies. We can handle difficult music, but you need to give us a break," emphasizing the unique physical challenges trumpet players face. Stay tuned for their engaging discussions about the future of their collaborations and how their friendship continues to flourish through music.

Today, we welcome two remarkable guests: composer Amy Scurria and Dr. Ryan Gardner, Associate Professor of Trumpet at the University of Colorado Boulder. Amy, a multi-award-winning composer, has seen her work performed worldwide, including at Carnegie Hall. With a unique perspective shaped by her late autism diagnosis, she began composing at just eight years old, using music as a language to explore her emotions. Ryan, originally from Santa Monica, California, has spent over a decade teaching trumpet and is known for his innovative approaches to performance psychology. He also serves as the artistic director for Music for Autism, a program that creates inclusive concert experiences for autistic individuals and their families. In this first part of our conversation, we dive into the intersections of music and autism. Amy shares her insights on neurodiversity and how it shapes her approach to composing, while Ryan discusses the transformative power of music for autistic audiences. As Amy poignantly states, "Neurodiversity means we’re just scratching the surface of what the human brain is capable of and how it works." Their stories and perspectives promise to offer enlightening views on how music can bridge differences and create connections. [Subscriber Content] In the subscriber section, we delve deeper into Amy's journey as a composer and her educational experiences. She reflects on her influences, including her composition teachers at Rice University and Duke University, and shares thoughts on how improvisation has played a role in her creative process. Ryan also discusses the impactful training he received and the importance of understanding individual learning styles in music education. Their shared wisdom is sure to resonate and inspire anyone interested in the rich tapestry of music education and neurodiversity. DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Dan Locklair is an esteemed American composer and educator, known for his contributions to sacred music and his long tenure at Wake Forest University in North Carolina. Born in Charlotte, he began his career as a professional organist at just 14 and has since crafted a diverse body of work, which includes orchestral pieces and choral compositions. Locklair's notable achievements include being the Composer-in-Residence at Wake Forest and composing pieces for significant events, such as 'The Peace may be exchanged' for Ronald Reagan's funeral. In this episode, we explore the transition from a full-time teaching career to dedicating more time to composition, his experiences with students, and insights into the evolving world of classical music. In Part 1 of the conversation, Dan shares his reflections on retirement after 43 years in academia, emphasizing the joy of having time solely for composition. He recounts humorous anecdotes from his teaching days and discusses the balance between commissioned works and personal projects. "If someone truly wants to be a composer, they’ll find their way, regardless of the challenges," he notes, illustrating his passion for music and teaching. [Subscriber Content] In Part 2, we dive deeper into Dan's creative process, discussing the importance of crafting music while also addressing frustrations that come with it. He highlights key influences from his education, including his mentors and the impact of major works he's composed. Expect to hear about his relationship with significant figures in music education, like Sam Adler, and how these experiences have shaped his journey. Dan’s stories reveal the human side of being a composer and educator, showcasing the emotional depth behind his music and the lessons he's learned along the way. DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Tony welcomes two remarkable trumpet players and educators, Ryan Gardner and Tomislav Špoljar. Ryan is the Associate Professor of Trumpet at the University of Colorado Boulder, where he combines a wealth of experience with a passion for fostering community among trumpet players. Tomislav, based in Croatia, not only performs but also organizes significant music festivals, including the upcoming International Trumpet Guild conference, which seeks to unite trumpet players from around the globe. Together, they share insights into their journeys as trumpet entrepreneurs, their teaching philosophies, and the importance of building a vibrant, international trumpet community. In Part 1, Ryan and Tomislav dive into the motivations behind organizing the upcoming ITG conference in Croatia. Ryan emphasizes the need to bring the ITG back to Europe, while Tomislav shares the excitement of connecting with musicians and creating lasting memories. One of the standout quotes comes from Ryan, who says, “The community of trumpet players is what keeps me engaged and motivated.” They discuss the challenges and rewards of their roles within the ITG and reflect on their personal journeys in music and education. In Part 2 [Subscriber Content], Ryan opens up about the profound impact his teachers had on him, including Mark Gould and Vince Penzarella, and how their philosophies shape his teaching today. Tomislav shares his experiences with legendary figures like Maurice André and Pierre Thibault, highlighting the unique lessons learned from each. They also offer insights into their teaching approaches, emphasizing the importance of understanding individual student needs. For those interested in more personal anecdotes and valuable lessons from their mentors, this section is not to be missed. We wrap up by celebrating the exciting future of the trumpet community, with Ryan voicing the hope that, "Our love for the trumpet and music bonds us together." DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Jan Swafford is a distinguished American author and composer, known for his insightful biographies of great composers like Charles Ives, Ludwig van Beethoven, and Wolfgang Amadeus Mozart. With degrees from Harvard and Yale, he's made significant contributions to classical music literature. His works, including the Vintage Guide to Classical Music and "Language of the Spirit," reveal the rich narratives behind the music we love. His unique insights and deep understanding of these composers illuminate their artistic journeys in a way that resonates with both music lovers and scholars alike. In our conversation, we explore the fascinating lives of Haydn and Mozart, delving into their prolific output and the support systems that fueled their creativity. Jan highlights how Haydn composed to commission, leading to his astonishing catalog of works, while debunking myths about Mozart's talent and lifestyle. “He worked himself to death because his body couldn’t handle it anymore,” Jan reflects on Mozart’s relentless pursuit of excellence. [Subscriber Content] In the subscriber section, Jan shares his thoughts on Tchaikovsky and Brahms, revealing personal preferences and insights about their contrasting styles. He also reflects on the evolution of music through the lens of history, discussing how composers like Schoenberg and Stravinsky marked a shift in musical innovation. Jan emphasizes the importance of authenticity in composition, stating, "It has to come from your core; otherwise, it’s no good." Prepare for a warm exploration of music’s profound connections to the human experience, as Jan shares his unique perspective on these influential figures. DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Trumpeter Chris Gekker has done just about everything a brass player can do—and done it at the highest level. A longtime member of the American Brass Quintet (18 years) and now Professor of Trumpet at the University of Maryland, Chris has also taught at Juilliard, Manhattan School of Music, and Columbia University. His career spans recording Bach’s Brandenburg Concerto No. 2 to sharing the stage with Sting, all grounded by a reflective artistic life shaped by literature and poetry. In Part 1, we talk about the books that feed his imagination, his father and early upbringing, the interpretive world of the Hindemith Sonata, trumpet mentors from Gerard Schwarz to Thomas Stevens, and the winding arc of a career that prizes curiosity over categories. [Subscriber Content] In Part 2, Chris reflects on the transition to full-time teaching at Maryland and takes us deep into his approach to trumpet playing and musicianship—drawing on insights from his writing, especially Trumpet Talk. DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

In his second appearance on Anthony Plog on Music, celebrated biographer and composer Jan Swafford returns for an expansive two-part conversation that dives deep into the very soul of classical music. In his previous interview from 2021, Jan discussed his monumental biographies of Mozart, Beethoven, Brahms, and Ives. But his intellectual and creative output extends far beyond those volumes, and this new set of interviews explores more of his wide-ranging contributions to the world of music. In Part 1, the focus turns to Jan’s book Language of the Spirit: An Introduction to Classical Music, a refreshingly vivid and often personal guide to the history of Western music. The discussion begins with a few select quotes that set the tone for Swafford’s engaging style—an approach that never shies away from humor, insight, or imagination. Along the way, Tony and Jan take an unexpected detour into a blog post imagining a conversation between Mozart and Picasso’s Guernica. As the conversation returns to the content of Language of the Spirit, the two explore key aspects of the Baroque period, including figured bass and the challenges of intonation. The episode concludes with a discussion of three of Jan’s own compositions—They That Mourn, Late August - First Snow, and River—offering a glimpse into his creative voice as a composer. Part 2 picks up right where they left off, continuing the discussion of the Baroque with special attention to the genius of Bach and the dramatic flair of Händel. This naturally leads into a thoughtful debate on performance practice, particularly the tension between historically informed performances (HIP) and modern approaches. Jan brings his signature candor and wit to the conversation, questioning what authenticity really means and whether the HIP movement sometimes overreaches. The episode closes on a memorable note, as Jan describes the extraordinary experience of holding the original manuscripts of Mozart’s Marriage of Figaro and Brahms’s German Requiem in his hands. And in true Swafford fashion, he promises to return again—next time, to tackle the Classical era through to the present day. DoricoProfessional music notation and composition software from Steinberg. Download a free 30-trial today!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.