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This morning's episode drifts into the fog as we talk about The Lighthouse, a film that blurs sanity, myth, and isolation into one. Oscar & Tinsley will dive into the tension between the two keepers, the slow raveling of their minds, and the optimistic way the film releases you in its spiral. As they unite characters , imagery, and themes, be surprised if the discussion wanders. Open the door, brighten the lights, and keep your wits about you.

On the 18th episode of The Tomorrow Show with Sweet Dreams A.M., we’re stepping into something liminal. Something sterile, beige, and humming with the quiet dread of cubicle life. Oscar is talking about Corner Office, a film that pulled him in from the trailer alone. There was something about it, and honestly? The sight of Jon Hamm like you’ve never seen him before. Orson, a man who doesn’t quite fit. From the moment he enters the office building, things feel slightly off. And it only gets stranger when he discovers a room no one else seems to acknowledge. Oscar will walk through the plot, how the film builds its surreal tension, and the performance Hamm delivers. But then comes the real question of what does it mean? The film never lays it out, but there’s plenty to dig into. Oscar encourages for you to stick around as this one doesn’t just make you think but it makes you rethink the way we view productivity, perception, and the silent alienation tucked between elevator doors and quarterly reports.

On this episode of The Tomorrow Show with Sweet Dreams A.M., things get eerie fast. The movie Late Night with The Devil instantly brought to mind the real-life case of Paco Stanley, who was a beloved TV host whose public persona shattered after his shocking demise. Oscar gives a quick rundown of that case before diving into what pulled him toward this film in the first place. His soft spot for the golden age of late night television like the hosts Johnny Carson, Tom Snyder, Letterman, and more. A plot rundown on how this is a found footage film. Towards the end, Oscar talks about the parallels between fiction and fact, like how Carmichael Haig clearly echoes James Randi, and how the film’s shadowy "Grove" has more than a passing resemblance to the real-world Bohemian Grove. By the end, this one leaves you asking questions about the occult and what forces might be lurking behind not just in Hollywood but maybe closer than we think.

On this episode of The Tomorrow Show with Sweet Dreams A.M., we dive headfirst into The Gentlemen which is a slick return to form for Guy Ritchie, who brings his signature chaos, sharp dialogue, and British grit back to the screen. Oscar talks about what made him hit play on this one in the first place, like Ritchie going back to his bread and butter blueprint, and the pleasant surprise of discovering Hugh Grant. From there, we get into the plot, the crime web, and the utterly bizarre but entertaining characters that weave through it. Oscar wraps things up, as he gets into some current talk about Sherlock Holmes 3 rumors and more information in this episode.

On this episode of The Tomorrow Show with Sweet Dreams A.M., Oscar dives into what dragged him into watching the film: Henry Cavill’s dumbass haircut, Sam Rockwell being Sam Rockwell, and a trailer that looked like it would be a blast to watch. Before the movie breakdown, Oscar talks about hitting up a record convention and stumbling on a Japanese pressing of a Supertramp album specifically being Breakfast in America. There are moments of joy which you may experience with Oscar before it goes into a cinematic film mess. Then it’s all about the movie’s plot, the weird choices, and whatever else unravels along the way as Oscar tells it as it is. After the breakdown, there are facts shared and some remaining thoughts on Henry Cavill.

The Tomorrow Show with Sweet Dreams A.M. kicks off with a reworked format: segments in which Oscar can talk about almost any topic, movie review. There was news that Music + Talk features no longer exist, meaning that there will be no music breaks. The episodes still included the introductions to the music breaks, but no music will play. There will be links within Spotify and episodes that will lead to the music that is presented/recommended, we got here as a society and why it exists. Then it’s a full breakdown of Clue (1985), the murder mystery that comes with multiple endings, wild performances, and a script that somehow holds together by pure energy. Oscar walks through the plot, rants about what hit and what might have not, then drops some behind-the-scenes facts that make the whole thing better.

For the 16th episode, Oscar and Tinsley dive into Wanted, directed by Timur Bekmambetov, a bullet-bending, logic-defying rollercoaster where chaos reigns supreme. Things kick off with Oscar making an absurd point about just how far men will go to impress a "baddie," even if it means completely ignoring their common sense. In the Mystical Sentient Typewriter segment, things spiral even further into madness as Oscar is forced to figure out which ridiculous gameshow is real among a pile of even more ridiculous fakes (hint: none of them make any sense). And in true Sweet Dreams fashion, the episode dives into another absurdity: questioning the accuracy of "the weave" that supposedly controls fate, especially when history has been packed with horrible people who somehow never got caught in its threads. Between desperate men, absurd gameshows, and cosmic injustices, it’s all staying in episode sixteen of Sweet Dreams A.M. LIVE!

For the 15th episode, Oscar and Tinsley dive into Suicide Squad (2006) by David Ayer, a chaotic clash of villains, bad decisions, and even worse character logic. Things start off with Oscar going off about a channel about growing up Italian, where American-Italians desperately try to portray themselves as authentic but end up acting more like off-brand extras from The Sopranos or Goodfellas. The jokes come fast, and the absurdity doesn’t slow down. Oscar tears into the bizarre character lineup, questioning how any of these villains are supposed to stand a chance against a literal goddess. Then, there’s a brutal takedown of Jared Leto’s Joker, whose performance is so horrendous it practically becomes its own horror show. To top it off, Oscar and Tinsley share a wild moment imagining what they would do if, like the characters in the film, the nanobombs keeping them in check suddenly got deactivated just pure Sweet Dreams humour. Between fake Italians, impossible villains, disastrous Jokers, and nanobomb-freedom fantasies, it’s all staying in episode fifteen of Sweet Dreams A.M. LIVE!

For the 14th episode, Oscar and Tinsley dive into The Adventures of Sharkboy and Lavagirl by Robert Rodriguez, a technicolor fever dream of imagination, chaos, and questionable narrative logic. The absurdity kicks off fast as Oscar zeroes in on George Lopez’s stereotypical, one-note jokes about being Latino which is a running gag that feels more tired than timeless. In the More Than Ordinary segment, things get even stranger as a preacher appears, hawking outrageously expensive items and a “sinless weapon” you can apparently use without sin. As if that weren’t enough, Oscar spirals into a surreal breakdown about whether anything in the movie was real at all, since it’s revealed the characters were asleep through the chaos of a tornado. Sweet Dreams A.M. LIVE! leans all the way into the madness. Between George Lopez clichés, sinless shopping sprees, and dream logic breakdowns, it’s all staying in episode fourteen of Sweet Dreams A.M. LIVE!

For the 13th episode, Oscar and Tinsley dive into The Tax Collector by David Ayer, a film soaked in blood, bravado, and a questionable amount of mafia glorification. Kicking things off, Oscar delivers a monologue about a girl reading a letter about her uncle — who unalived her parents — and gets genuinely irritated by how disturbingly cheerful she seems about it. From there, the absurdity ramps up: Oscar spirals into a critique of how the movie feels like an unfiltered love letter to criminal life. Then, in true Sweet Dreams fashion, things derail into a bizarre exploration of the "George Lopez Phenomenon" that strange universal experience The George Lopez Show. Oscar doesn't hold back his disdain for the movie either. Between the mafia worship, baffling character reactions, and George Lopez, it's all staying in episode thirteen of Sweet Dreams A.M. LIVE!

After 2 years, Oscar & Tinsley are back like it never happened, well no they know it happened. They have returned with a new format that brings back the traditional values that Oscar brought in. The absurdity, humour, and bizarre will be returning as there will be a Monologue, Mystical Sentient Typewriter , & More Than Ordinary segment. The episodes will be shorter with a striving purpose to be below 30 minutes. Sweet Dreams A.M. LIVE! After All is supposed to be a bite size of absurd humour and talk of film. Consider this one hopefully final overhaul to the core format of the podcast but join Oscar & Tinsley in their newly tuned vehicle of entertainment.  For the twelfth episode, Oscar and Tinsley step into the eerie world of They/Them, a horror-thriller that places Kevin Bacon at the center of a disturbing conversion therapy camp. With themes that aim to be twisted and terrifying, the film tries to blend social commentary with slasher sensibilities. But does it succeed? Oscar, who hadn’t seen the film before this episode, brings his fresh perspective, while Tinsley attempts to keep up with the shenanigans that Oscar throws his way. Will the duo find something to enjoy in the campfire tale or maybe it failed in their attempt. Either way, it's all staying in episode twelve of Sweet Dreams A.M. LIVE! 

Army of the Dead is a film that was interesting as it was Snyder returning to make movies that involved Zombies. He is the director of Dawn of the Dead (2004) with the screenplay being made by James Gunn. This was Snyder’s directorial debut so seeing him years later return to the zombie genre with a bigger project well people were excited. They were so excited that at the 94th Academy Awards, Army of the Dead won the fan favorite contest. Oscar watched this movie when it released on Netflix and a few more times after but what does he think of this film? Oscar and Tinsley will be going to watch the film again so that they can review it in this eleventh episode. There are some mysterious easter eggs within the film and what will Oscar think of it, will he enjoy those easter eggs sprinkled across the film or hate it? Whatever happens in the eleventh episode will stay in the eleventh episode as Oscar and Tinsley review Army of the Dead for the eleventh episode of Sweet Dreams A.M. LIVE!. Music Used: Black Fingerprint - Dylan Owen (https://www.youtube.com/watch?v=Uk5zngU-aAE) Art of Silence - Uniq (https://www.youtube.com/watch?v=3V-pYCGx0C4) Sexy - Bensound (https://www.youtube.com/watch?v=kIdt6NVPfpg) The French Detective - Alex Reuben (https://www.youtube.com/watch?v=KfR7_F-ufxM) In The Desert - Savfk (https://www.youtube.com/watch?v=mXReqChbOdM) Götterdämmerung, Act III Scene 2: Siegfrieds Trauermarsch (Siegfried's Funeral March) - Richard Wagner (https://www.youtube.com/watch?v=a53s4jyCqqU) DUNES - Hayden Folker (https://www.youtube.com/watch?v=B0ygw5GVxjk)

Cocaine Bear is a movie that was absurd to think that they actually made a movie about a real event where a bear did some cocaine. The bear did later die but the movie simply grabs a real event and plays with ideas on what could have happened. A movie that was seen as a fun but dumb movie but many were convinced that this would be a fun movie. Will Oscar be going to have some fun when watching and reviewing the film? Oscar and Tinsley will be approaching this movie with the hopes that it is entertaining and fun. A cast that would prove to be stellar and have so much potential, what will Oscar think of the cast. Oscar and Tinsley will review this film and see whether it is a fun movie to watch. This is the tenth episode of Sweet Dreams A.M. LIVE! reviewing the Cocaine Bear movie. Music Used: Neon Breeze - Karl Casey @ White Bat Audio (https://www.youtube.com/watch?v=3jZTuWLV3oc) Floating - Karl Casey @ White Bat Audio ( https://www.youtube.com/watch?v=Cqhvi5UnCtE)  Diamond Eye - Karl Casey @ White Bat Audio (https://www.youtube.com/watch?v=gEODUar36uo) 

The SpongeBob SquarePants Movie was so good that many people believe it should have been used to end the franchise. It is fondly remembered by those who grew up watching SpongeBob SquarePants. Oscar goes back to look at a movie that he watched when he was young. Will Oscar have a good time again watching this movie or will it not be as good as he remembers it. Oscar and Tinsley will sit down to review this film and see how it performs. They will go over the plot and look over the humor present in the film. There will also be a special guest segment at the end so enjoy the ride this ninth episode of Sweet Dreams A.M. LIVE! reviewing the SpongeBob SquarePants movie.  Music Used: (Noire #1 - Music By Pedro) (Nighttime Stroll - E's Jammy Jams) (Bet On It - Silent Partner) ("Savfk - The Invention Rooms" is under a Creative Commons (CC-BY 4.0) license Music promoted by BreakingCopyright: https://bit.ly/bkc-invented)

The duo will be going over a movie that is an iconic movie in general but it is monumental for those who enjoy gangster films. Oscar and Tinsley will be reviewing Scarface on this eighth episode where we will find what Oscar thinks of this movie. Oscar and Tinsley have some fun as they go over the plot of Scarface. In this episode, the mystical sentient typewriter has decided to make an appearance so who knows what will happen in this segment. Oscar will share his opinion over the film as he goes through the plot. This episode will have some calamity and bad impersonation of characters in the film. Join this episode where Oscar and Tinsley review this film on the eighth episode of Sweet Dreams A.M. LIVE! reviewing Scarface. The music used: (Karl Casey @ White Bat Audio - Vice https://youtu.be/4xNoGgOvC5w?si=9cNdn9NxslZqkvUd ) (George Street Shuffle by Kevin MacLeod, https://youtu.be/DDmILM0cxg4 ) (Flight of the Bumblebee Composition by Nikolai Rimsky-Korsakov) (Karl Casey @ White Bat Audio - Unsolved Mystery https://youtu.be/vSx8KyXHkwI?si=niUxahcjKqnP2Ldo  ) (Carl Kasey @ White Bat Audio - Running From Death https://youtu.be/XnX8p5JmoZ8?si=RRbutigaLXdKTckA )