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This week on Very British Futures, Gareth Preston gathers a trio of passionate creatives to revisit the enigmatic world of The Prisoner — a series that reshaped British sci-fi and still sparks fierce conversation today. The Prisoner is one of the most distinctive and influential TV series to emerge from the Sixties. A surreal, allegorical blend of spy-fi, psychological drama, and contemporary satire that has frustrated and fascinated viewers for decades. At its core is Number Six, played by creator-star Patrick McGoohan, an impressive intelligence agent abducted after resigning and imprisoned in the Village, a picturesque yet sinister coastal settlement where everyone is known only by a number. Ruled by ruthless, seemingly omnipotent authority, but Number Six is determined to escape. Joining Gareth is David Barrie, writer and co-founder of Six of One, the officially recognised fan club for The Prisoner, who has recently published The Prisoner: What’s It All About? Alongside him sits Cev Moore, the ever-insightful voice behind Film Guff and The House of Hammer pod-casts, bringing a fan’s enthusiasm and a critic’s eye. Completing the panel is Will Hadcroft, author of thoughtful speculative fiction, music artist and long-time admirer of Patrick MacGoohan’s pas-sion project. Each guest selects a favourite episode, revealing what drew them in — the atmosphere, the allegory, the audacity — and why Number Six’s struggle remains so compelling. Expect humour, nostalgia, and sharp analysis as they celebrate one of TV’s most unforgettable creations. Under discussion: A Change of Mind Living in Harmony Fall Out Hosted and produced by Gareth Preston with guests David Barrie, Will Hadcroft & Cev Moore. Music by Chatri Art Artwork by Ken Moss Follow us on @futuresvery Facebook https://www.facebook.com/verybritishfuturespodcast Find out more about The Prisoner - What's It All About by David Barrie Listen to Cev Moore on House of Hammer podcast. Discover Will Hadcroft's music project Principle Character. More information about Six of One.

Time Riders took one of science fiction’s oldest questions — what if you could travel through time? — and wrapped it in a distinctly British television sensibility. It mixed adventure with education, history with fantasy, and that uniquely early-nineties atmosphere where earnestness and oddness often went hand in hand. Welcome to Very British Futures, the podcast where we digthrough Britain’s small screen visions of tomorrow. In thisinstallment we’re heading back to 1991, to a curious and largely forgotten corner of children’s television: Time Riders.Produced by Thames Television for ITV, it arrived at a moment when British-made telefantasy was largely being carried by children’s drama. And with the absence of Doctor Who, maybe there was room for a new temporal adventurer – Dr B B Miller? Played by Hadyn Gwynne, with TV newcomer Kenneth Hall as her young sidekick. Although this series was inspired more by Back to the Future than the old time lord. Written by Jim Eldridge, and directed by Michael Winterbottom, years before he became an award-winning filmmaker. But nearly thirty-five years later, Time Riders has become one of those intriguing television artefacts that sits justoutside the mainstream memory. For those who watched it, there are flashes of recognition — themes, moments, perhaps a particular feeling — while for others it’s almost vanished entirely into the fog of children’s television history. So what exactly was Time Riders? How was it made? Whatwas it trying to do? And what does it tell us about the futuresBritish television was imagining at the beginning of the 1990s? Joining me to explore all of that are three exciting guests:Rebecca Wray and Kevin Hiley from I Don’t Do SciFi podcastand brand new voice Tina Jones. So set your coordinates, rev your Yamaha motorbike, and join us as we travel back to Time Riders — and to a very particularvision of Britain’s future, from the recent past. Produced and hosted by Gareth Preston, with guests Kevin Hiley, Rebecca Wray and Tina Jones. Music by Chatri Art Artwork by Ken Moss A Phantom Frame Production I Don't Do SciFi - https://open.spotify.com/show/6vPllHxYmotp85gcFFxmJd Jim Eldridge Home Page - https://www.jimeldridge.com/ Gareth Preston's blog - https://garethpreston.blog/

Ready to take a trip to Tracy Island? In the latest episode of Very British Futures, host Gareth Preston is firing up the atomic engines for a deep dive into the 1960s puppet masterpiece: Thunderbirds. To help navigate the high-stakes world of International Rescue, Gareth is joined by a powerhouse trio of guests from the Official Talking Pictures TV podcast: Mel Byron, Scott Phipps, and Daniel Reifferscheid. The gang isn't just looking at the flashy vehicles (though, let’sbe honest, we all want to pilot Thunderbird 2). They’re gettinginto the nuts and bolts of what made Gerry and Sylvia Anderson’s vision so enduring. Concentrating on three varied episodes: “Trapped in the Sky”, “Attack of Alligators”, and “Alias Mr Hackenbacker”. Since TPTV is the spiritual home of vintage telly, the guests bring their expert perspective on why Thunderbirds still looks "F.A.B." on modern screens. Includes Dinky Toys, Busted and the most popular Blue Peter make ever. It’s a warm, witty, and wonderfully nostalgic conversation.Whether you’re a lifelong fan who knows their Thunderbird 4 from their Thunderbird 5, or you just have a soft spot for Parker’s "Yus, M'Lady," this episode is a lovely tribute to acultural touchstone of British television. Useful links Very British Futures on Xhttps://x.com/FuturesVery The home of Gerry Anderson shows https://gerryanderson.com/ The Official Talking Pictures TV podcasthttps://talkingpicturestvpodcast.libsyn.com/ More on Gilly’s Antiqueshttps://www.theboltonnews.co.uk/news/25842588.boltons-gillys-antiques-full-thousands-treasures/ Gilly’s Antiques on Ebayhttps://www.ebay.co.uk/usr/gillysantiques Mel Byron’s home page https://www.melbyron.co.uk/

Welcome to Very British Futures, the podcast where we explore Britain’s past visions of tomorrow on the small screen — the futures that became part of pop culture, and the ones that somehow slipped through the cracks of television history. We are launching a brand new season with an episode takes us back to 1977 and a groundbreaking docu-drama made when such programmes were relatively rare - Alternative 3. Originally aired on ITV on the 20th of June that year and immediately caused confusion, alarm, and a fair bit of late-night debate in pubs and living rooms across the country. Was it a serious investigative documentary? A science fiction thriller in the vein of Quatermass? Or an elaborate hoax that proved more convincing than its makers intended? Journalists on a science magazine show claimed to reveal a secret plan devised by world governments and scientific elites: a desperate response to a dying planet involving disappearing scientists, a secret space programme, and a supposed off-world escape route for the elite of humanity. It was bleak, conspiratorial, and delivered with astraight-faced authority that blurred the line between factualreporting and speculative fiction. Nearly fifty years later, the programme still holds a strangeplace in British broadcasting history. It sits somewhere between Cold War paranoia, mischief, and the enduring fascination with hidden truths. To help us untangle the story behind Alternative 3 — its production, its reception, and the long conspiracy-theoryafterlife it spawned — Gareth Preston is joined by actor, writer,broadcaster, and noted expert on the odd corners of British film and television, Toby Hadoke. So settle in as we dig into a real one-off of British telefantasy. Very British Futures is hosted and produced by Gareth Preston, with guest Toby Hadoke. Music by Chatri Art, and James Leatherbarrow. Artwork by Ken Moss. This is a Phantom Frame production. Find out more about Toby Hadoke and his work -https://tobyhadoke.com/ Order his marvellous book on The Quatermass Experiment -https://tenacrefilms.bigcartel.com/product/the-quatermass-experiment-the-making-of-tv-s-first-sci-fi-classic Toby Hadoke’s adaptation of Nigel Kneale’s The Road -https://www.bbc.co.uk/programmes/m0000y1d IMDB page for Alternative 3https://www.imdb.com/title/tt0075664/reference/ Visit our website at http://westlakefilms.uk/verybritishfutures/ Follow us on X at https://x.com/FuturesVery

In this episode, Gareth Preston is joined by Ken Moss and Andrew Roe-Crines to venture into one of the quirkier corners of British science fiction television: Terrahawks. Zelda, a centuries old android with incredible powers over matter, an army of renegade aliens, and a grievance against all humanity, threatens the Earth. Standing in her way are the Terrahawks, a secret organisation of pilots and scientists and their fleet of advanced vehicles. Not to mention their Zeroids, ball-shaped self-aware robot soldiers. Created by Gerry Anderson and Christopher Burr and first broadcast by ITV in 1983, Terrahawks arrived at a moment of transition for Anderson’s career. Mixing model work and puppetry with early video effects, broad humour, and moments of genuine darkness, the series has long divided audiences. Was it a deliberate satire of the Supermarionation era, a children’s show struggling with changing tastes, or something odder and more stylish than it’s usually given credit for? As ever, the conversation ranges across production history, aesthetics, tone, and legacy, asking what Terrahawks tells us about British television science fiction in the early 1980s—and why, decades later, it stubbornly refuses to be forgotten. Hosted and produced by Gareth Preston. Guests Ken Moss (The Extonmoss Experiment) and Andrew Roe-Crines (Westlake Films). Music by Chatri Art Listen to The Extonmoss Experiment here Find out more about Andrew S Roe-Crines' work Buy the Big Finish Terrahawk stories Visit Gareth Preston's blog for more info on the podcast

In this episode of Very British Futures, Gareth is joined by writer Stephen Hatcher to explore The Guardians (ITV, 1971), the gripping 13-part dystopian drama that imagined a Britain under authoritarian rule.  Together, they revisit the series’ chilling vision of a one parry state, controlled media, violent political resistance, and a society kept in line by the brutal paramilitary force and secret police known as the Guardians, or ‘the G’s’. Gareth and Stephen examine its themes, production history, and the ways this drama resonates with contemporary anxieties about power and democracy. It stars a remarkable cast of actors, many before they became household names. They also consider a lost style of mainstream television, with long erudite scenes between characters.  Join us as we shine a light on one of British television’s most thoughtful and rarely discussed sci-fi political thrillers.  Very British Futures is a Phantom Frame production, hosted and produced by Gareth Preston. Music by Chatri Art. You can follow the podcast on X @futuresvery Find out more about Obverse Books Silver Archive https://obversebooks.co.uk/product-category/silver-archive/ Book now for The Quatermass Event at the Quad in Derby https://www.derbyquad.co.uk/events/thequatermassevent/The Guardians on IMDB https://www.imdb.com/title/tt0066666/reference/?ref_=nm_knf_t_2

"All irregularities will be handled by the forces controlling each dimension. Transuranic heavy elements may not be used where there is life. Medium atomic weights are available: Gold, Lead, Copper, Jet, Diamond, Radium, Sapphire, Silver and Steel. Sapphire and Steel have been assigned!" This cryptic introduction sets the tone for an eerie blend of science fiction and supernatural mystery. It hints at a cosmic bureaucracy of elemental agents tasked with maintaining the integrity of time and reality — without ever fully explaining how or why. In this hauntingly nostalgic episode of Very British Futures, Gareth Preston is joined by Steve Exton and Mark Stalker to unravel the enigmatic threads of ITV’s cult classic Sapphire and Steel. Together, they dive into the eerie corridors of time where logic bends, reality fractures, and two elemental agents—played by Joanna Lumley and David McCallum—battle forces beyond comprehension. They even engage in some genuine discussion of the periodic table and its metals. Expect spirited debate, affectionate critique, and deep dives into the show’s surreal storytelling, minimalist production, and its place in the pantheon of British sci-fi. Whether you're a longtime fan or a curious newcomer, this episode will leave you pondering: just what is time… and who’s really keeping it in check? Very British Futures is hosted and produced by Gareth Preston, with guests Simon Exton of The Extonmoss Experiment and introducing Mark Stalker. Music by Chatri Art. Listen to The Extonmoss Experiment on your favourite app or here https://podcasts.apple.com/gb/podcast/the-extonmoss-experiment/id1451454324 Buy Big Finish's revival of the series here https://www.bigfinish.com/ranges/v/sapphire-steel At the time of publication you can watch Sapphire and Steel on ITVX in the UK.

Welcome to Very British Futures, the podcast that dives deep into the hidden vaults of British science fiction television, uncovering the bold, the bizarre, and the brilliant. Hosted by Gareth Preston. Today we’re decoding a 80’s cold war thriller with a cerebral twist: the 1981 BBC teen drama Codename: Icarus. Martin Smith may seem like a typical Northern teenager but he might be the next Einstein. An offer from the mysterious Icarus Foundation for gifted children seems like his golden ticket but soon Martin and his friend Susan suspect that the school is a front for something much more sinister. Part spy story, part psychological mystery, and part techno-thriller, Codename: Icarus dared to ask what mighthappen if the brightest minds of tomorrow were weaponised today. With its moody visuals, strong cast, and a plot that spirals from boarding school corridors to global conspiracy, it’s a series that still resonates with viewers who like their sci-fi served with a dose of paranoia and intellect. Joining me to dissect this enigmatic gem are two brilliant minds of our own: Kara Dennison, writer and pop culture analyst with a keen eye for British genre television, and Nicky Smalley, sci-fi enthusiast whose love for vintage drama runs deep. Together, they’ll explore the show’s themes, its place in the BBC’s legacy of ambitious children’s programming, and why Codename: Icarus deserves a place in the best of genre television. So flex your keyboard skills, adjust your frequency, and prepare to enter a world where genius is dangerous and nothing is quite what it seems. Let’s begin. Follow us: X https://x.com/FuturesVery Threads https://www.threads.com/@preston_gareth BlueSky https://bsky.app/profile/garethpreston.bsky.social Find out more about Gareth Preston and the podcast atgarethpreston.blog Read more about Kara Dennison on her blogkaradennison.blogspot.com Kara at Crunchy Roll TV Learn more about Codename: Icarus from these excellentarticles: https://www.curiousbritishtelly.co.uk/2015/10/codename-icarus.html https://ayearinthecountry.co.uk/codename-icarus-hidden-teatime-cold-war-intrigues-wanderings-23-26/ https://www.the-medium-is-not-enough.com/2010/02/lost_gems_codename_icarus_1981.php

Welcome to a special episode of Very British Futures, where we dive deep into the UK cult classics that shaped sci-fi television history. Today, we're rewinding the clock to explore The Tomorrow People—the original 1970s British TV series that dared to imagine a new evolution of humanity. With its blend of telepathy, teleportation, and teenage idealism, this show captured imaginations and sparked debates about what it means to be truly human, and what you might do if you "broke out" too. Joining Gareth Preston for this nostalgic journey are two voices well-versed in retro sci-fi: Tim Reid and Charles Auchterlonie, the dynamic duo behind The Randomiser podcast. Together, they’ll unpack the series’ legacy, its quirky charm, and the bold ideas that made it a standout in the world of children's television. Expect lively discussion, behind-the-scenes trivia, and maybe even a jaunt through hyperspace. So grab your belts of power and tune your mind to the frequency of tomorrow—because the future starts now. Please subscribe to the show for more informed British geekiness. Follow us on X at @futuresvery or on Bluesky at @garethpreston.bluesky.com Contact us at [email protected] Listen to The Randomiser podcast at Apple Podcasts Find out more about Very British Futures at garethpreston.blog

Welcome to Very British Futures—the show where cult British TV series get the future-facing conversations they deserve. In this episode, host Gareth Preston is joined by special guests Amy Elizabeth and Una McCormack to dive deep into the world of Blake’s 7, the iconic space opera that launched a thousand philosophical debates and more than a few dodgy costume choices. Together, they unpack two standout episodes: the intense showdown of “Seek-Locate-Destroy,” which introduces the formidable Servalan and her relentless pursuit of the Liberator crew, and the mind-bending intrigue of “Deathwatch,” where diplomacy and entertainment collide in the strangest of arenas. Expect sharp insights, fond memories, and lively discussion as they revisit the show's bold storytelling and enduring legacy. So, strap in—it's time to teleport back to the Federation. Find out more about Una McCormack's work at https://www.unamccormack.com/ Book tickets for "Calendar Girl with Amy, at the Lyric Theatre. Follow us on X at @futuresvery or visit our Facebook page https://www.facebook.com/verybritishfuturespodcast Visit garethpreston.blog for more info on the podcast, reviews, fiction and more about host Gareth Preston

2016. Northern Ireland’s New Community College of Education is a symbol of integrated living between Protestant and Catholic communities. When founder and Director Cyril Brown returns from three weeks of convalescence, he is disturbed by the increased influence of his Security Chief turned Vice-Director, Lennie North. History lecturer Connor Mullan wants to turn a proposed art exhibition about the centenary of the 1916 rising into a fully-fledged protest march against the government. North is bitterly against this and Brown finds himself caught in a power struggle of ego and prejudice. Easter 2016 was written by Graham Reid, who would go on to write Play for Today's famous "Billy" trilogy. It stars Derrick O'Connor, Bill Nighy and Denys Hawthorne. This is the final play in the Play for Tomorrow mini-season produced by the team behind Play for Today. Featuring special guest Carolyn Arnold. Find out more at https://westlakefilms.uk/verybritishfutures/ Find out more about Carolyn Arnold's work as a Time Travel Coach Follow us on X at @futuresvery or visit our Facebook page https://www.facebook.com/verybritishfuturespodcast

1999.A time when technology has created a comfortable materially rich UK. The government has converted empty office blocks into luxury living accommodation for all single young people, where they move in after turning 18. In return for an hour of work, all their physical needs are catered for, and the residents spend their days lost in virtual reality worlds. Sheena is a recent arrival. Invited to choose the theme for her birthday party, she and her friends research history and choose the “psycho-masochists” of the early Eighties.Sheena becomes intrigued by the CND protestors and wonders why none of her friends worry about nuclear war anymore. Then one day she wakes up and finds herselfliving in 1981, as a young woman called Abigail. "Shades" was written by Stephen Lowe and stars Tracy Childs and Neil Pearson. Presenting a special mini series examining BBC1's "Play for Tomorrow" from 1982. Six looks into the future by up and coming playwrights, produced by the "Play for Today" team. Featuring regular guest commentator John Isles from "I Don't Do Sci-Fi" podcast. Listen to it at https://open.spotify.com/show/6vPllHxYmotp85gcFFxmJd?si=008d9101248b4790 Find out more at https://westlakefilms.uk/verybritishfutures/ Follow us on X at @futuresvery or visit our Facebook page https://www.facebook.com/verybritishfuturespodcast Visit garethpreston.blog for more info on the podcast, reviews, fiction and more about host Gareth Preston Please like and subscribe!

It’s 1999 and the Brown family are cooped up together in their family flat. Joe was made redundant at the start of the 80s, like most men in town. Now it’s his children Gary and Ann who are the breadwinners, working from home, much to Joe’s resentment. Joe decides that the family needs a holiday, and signs them up for a working break in the underwater Ministry of Defence Civilian Work Centre. Once there, all four of them face unexpected personal challenges. Presenting a special mini series examining BBC1's "Play for Tomorrow" from 1982. Six looks into the future by up and coming playwrights, produced by the BBC legendary "Play for Today" team. Written by Tom McGrath and starring Jimmy Hanley, Gerard Kelly and Russell Hunter. Featuring guest commentator Mark Donaldson, from On the Timelash. Listen to it at https://onthetimelash.wordpress.com/ Find out more at https://westlakefilms.uk/verybritishfutures/ Follow us on X at @futuresvery or visit our Facebook page https://www.facebook.com/verybritishfuturespodcast Visit garethpreston.blog for more info on the podcast, reviews, fiction and more about host Gareth Preston Please like and subscribe!

A rare of example of a SF take of rural politics, set in Northumberland. The selection committee of Coanwood Cricket Club is meeting to decide the lineup for the final match of the season, at the farmhouse of chairman John Ridley. His wife Morna is providing afternoon tea and she notices the men are acting unusually secretively. Once she has been sent away, Lord Slaggyford activates a device to disrupt computer and radio surveillance, either by their rivals Blenkinsop or the Forrestry Commission. The meeting gets underway, using an online version of Wisden which stores all their match data and can suggest the ideal team order and strategy. However, soon cricket talk gives way to the matter of an incompetent guerilla raid on a local farm carried out by John’s son Willie and his friends. Cricket was written by Michel Wilcox and directed by Michael Darlow. Presenting a special mini series examining BBC1's Play for Tomorrow from 1982. Six looks into the future by up and coming playwrights, produced by the Play for Today team. Featuring writer, editor and cricket fan Steve Hatcher as our special guest. Find out more at https://westlakefilms.uk/verybritishfutures/ Find out more about Steven Hatcher's local group work at https://www.whoovers.org.uk/home.php Follow us on X at @futuresvery or visit our Facebook page https://www.facebook.com/verybritishfuturespodcast Visit garethpreston.blog for more info on the podcast, reviews, fiction and more about host Gareth Preston Please subscribe. More episodes coming soon.

New Year’s Eve 1999. Great Britain is part of the European State. The Euro army is in the midst of a controversial war in the Middle East. Sam Howard has come to a French prison to see his daughter Cathy, who has been arrested for being part of a conspiracy to assassinate a pro-war politician, and is facing execution. The authorities hope he can persuade her to issue an apology regretting her actions, allowing them to commute her sentence to prison time. Waiting outside her cell, Sam remembers two earlier New Year’s Eves. How can he save his daughter - and should he? Presenting a special mini series examining BBC1's Play for Tomorrow from 1982. Six looks into the future by up and coming playwrights, produced by the Play for Today team. Bright Eyes was written by Peter Prince, and stars Robin Ellis, Sarah Berger and Stephen Greif. Featuring guest contributor Jon Arnold, writer and co-host of the Strangers in Space podcast. Find out more at https://westlakefilms.uk/verybritishfutures/ Listen to the insightful Strangers in Space at https://strangersinspace.libsyn.com/ Follow us on X at @futuresvery or visit our Facebook page https://www.facebook.com/verybritishfuturespodcast