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In this episode of Death in Cambodia, Life in America, I sit down with Vanna Sann, a Cambodian American entrepreneur and the founder of Dorsu, an ethical garment company based in Cambodia. Vanna was born in a refugee camp in Thailand and grew up working class in Lowell, Massachusetts. Like a lot of us in the diaspora, he grew up knowing pieces of what happened to his family, but without always having the historical context to understand how those stories shaped him. He did well in school, eventually earning degrees from Vassar and Georgetown, but there was still this lingering question of Cambodia. At some point, hearing the stories wasn’t enough. He wanted to go see and understand the country for himself. So in 2010, Vanna went back to a place he says he “never really knew” looking for identity. We talk about what it felt like to arrive in Cambodia as a Cambodian American, the optimism and entrepreneurial energy that made him want to stay, and how his experience eventually led him to Dorsu. Today, Vanna works alongside a team of 30 to rethink what garment production can look like when Cambodian ownership, female leadership, ethical practices, and the people actually making the clothes are put at the center of the business. In this conversation we touch on some key topics like what it means to be Cambodian American while building a business in Cambodia. What responsibility comes with local ownership? How do you compete in an industry built around producing more, faster and cheaper while also talking seriously about waste and sustainability? How do you measure the value of a business when some of its biggest impacts can’t easily be put into a spreadsheet? Vanna’s story also gets at something I think a lot of us in the diaspora understand: sometimes going “back” isn’t really going back at all. You’re building a relationship with a country you inherited through your parents’ memories, while figuring out what your own relationship with it gets to look like. This is a conversation about identity, ownership, business, and what can happen when Cambodian people are given the space to build something on our own terms. Supporting Vanna’s Work: https://www.vannasann.com https://shopdorsu.com https://www.instagram.com/dorsu_cambodia

What does it mean to build a business that refuses to compromise its values? In this episode of Death in Cambodia, Life in America, Dorothy sits down with Camilla Mayer, CEO and co-founder of Nary Resort, an ethical fashion brand rooted in Cambodia that is redefining what sustainable manufacturing can look like. Although Camilla grew up in Chicago, her Cambodian heritage has always shaped the way she sees the world. In this conversation, she reflects on navigating identity as a Cambodian American, the influence of family and culture, and how those experiences ultimately inspired her to build a company that invests directly in Cambodian artisans, ethical production, and environmentally responsible practices. Camilla talkings about some of the harsh realities of fast fashion—an industry responsible for nearly 10% of global carbon emissions, 20% of the world's wastewater, and 35% of the microplastics polluting our oceans (UniformMarket). They discuss how a culture of overconsumption, where many garments are worn only 7-10 times before being discarded, has fueled demand for cheaper production at the expense of both people and the planet. Camilla shares why staying true to your values is often the hardest part of entrepreneurship, how Nary Resort approaches sustainability beyond marketing buzzwords, and why preserving Cambodian craftsmanship matters now more than ever. Whether you're passionate about Cambodia, ethical fashion, entrepreneurship, or building a purpose-driven business, this episode offers an inspiring look at how culture and values can become the foundation of lasting change. Supporting Camilla Mayer’s Work: www.naryresort.com Instagram: @cvmayer

In this episode of Death in Cambodia, Life in America, I sit down with Vanndearlyn Bermudez Vong, a Cambodian Chinese-American ceramist based in Long Beach, California, whose work is rooted in cultural revival and resistance. A daughter of genocide survivors, Vanndearlyn shares what it was like growing up in Long Beach—home to one of the largest Cambodian diasporic communities—while still feeling “othered” in predominantly white academic spaces. She reflects on navigating her Khmer identity, studying Cambodian Language & Culture at California State University, Long Beach, and the ways art helped her reconnect with her roots. We talk about the near-erasure of Khmer ceramics during the Khmer Rouge regime and how learning traditional pottery techniques from master ceramist Yary Livan transformed her creative path. Through traditional motifs, ancient techniques, and even contemporary pieces like her symbolic “donut pipe,” she explores what it means to carry culture forward through rebellion and healing. This conversation is about reclaiming what was nearly lost and a new generation of Cambodian Americans using creativity to ensure that Khmer culture is not only remembered, but reimagined and revived. Supporting Vanny Vong’s Work: https://www.vanndearlyn.com/ Facebook: https://www.facebook.com/vanndearlyn Instagram: @vanndearlyn TikTok: @vanndearlyn

In this episode of Death in Cambodia, Life in America, I sit down with Cambodian American culinary creator and MasterChef USA Season 13 contestant, Charles Calvino, to talk about identity, authenticity, and the responsibility of representing Khmer cuisine on a global stage. Born in Long Beach and now based in the Midwest, Charles shares how growing up in a large Khmer family shaped his earliest memories of food, culture, and community. From watching his mother cook in the kitchen as a child to building a food platform that now reaches hundreds of thousands online, his journey has always been deeply rooted in family and preserving Cambodian traditions through storytelling. We talk about his unexpected path from hairstylist to food creator, the viral rise of his Khmer cooking videos, and the moment MasterChef producers first reached out to him through Instagram. Charles opens up about the intense pressure of becoming the first Cambodian contestant to receive an apron from Gordon Ramsay, what it felt like to present Amok on national television, and why he refused to water down Khmer flavors to make them more “acceptable” to mainstream audiences. This conversation dives deep into representation, cultural pride, and the emotional weight of carrying your community with you in spaces where Cambodian cuisine is still widely misunderstood or overlooked. Charles reflects on hearing Gordon Ramsay tell him that Cambodian food deserves far more recognition, a moment that ultimately inspired him to dedicate his platform entirely to Khmer cuisine after the show. We also explore the complexities of authenticity in food, the importance of preserving traditional recipes, and the impact of reconnecting with Cambodia through yearly trips back to the motherland. Charles shares how traveling throughout Cambodia, learning directly from locals and family members, and studying ingredients like kroeung, prahok, and palm sugar has transformed not only his cooking, but also his understanding of himself as a Khmer American. At its heart, this episode is about memory, survival, healing, and using creativity to keep culture alive for future generations. Supporting Charles Calvino’s Work: https://www.instagram.com/charlescalvino/

In this episode of Death in Cambodia, Life in America, I sit down with Alissa Iris, a Los Angeles–based model, actress, and cultural writer whose work explores beauty, media, and modern womanhood through a Southeast Asian lens. Alissa shares what it was like growing up Khmer American in California’s Central Valley, struggling to see herself reflected in the world around her, and slowly learning to embrace her identity. From directing backyard self-portraits at 12 years old to modeling for brands like Fenty, Levi’s, Nike, and ULTA, her journey has been shaped by both resilience and intention. We spend time unpacking colorism in a way that feels both personal and global, exploring how Eurocentric beauty standards shaped her experience in the U.S., and reflecting on how, in Cambodia, those ideals shift toward Korean and East Asian influence. Alissa reflects on seeing women lighten their skin, wear mismatched foundation, and adjust their features to fit a different standard even when their natural complexion and features are already beautiful. We also talk about how the modeling industry reinforces these hierarchies, from being labeled “ethnically ambiguous” to not being seen as “Asian enough,” and what that reveals about who gets centered and who gets pushed to the margins. This conversation is about visibility, authenticity, and what it means to take up space as a Khmer woman in industries that weren’t built with us in mind. Supporting Alissa Iris’ Work: https://alissairis.com/ Instagram: @alissa.iris TikTok: @alissa.iris

In this episode of Death in Cambodia, Life in America, I sit down with Sambath Both Bou Chum, better known as Both Bou — award-winning designer, Co-Founder & Creative Director of Anagata Design, and one of Prestige’s 40 Under 40 honorees. Self-taught and relentlessly curious, Both has become one of the leading forces shaping Cambodia’s modern design landscape. From reimagining the identity of Baramey Production to elevating Khmer typography and visual storytelling on a global stage, his work blends cultural heritage with contemporary design principles, proving that Cambodian creativity belongs in the world’s design conversations. We talk about growing up in Cambodia, navigating an education system that doesn’t always nurture creativity, and the long road to self-discovery as an artist. Both shares what it really means when he says, “Creatives reflect society back to itself,” and why design must carry intention, strategy, and cultural responsibility. This conversation is all about reclaiming narrative, modernizing Khmer identity without losing its soul, and building a creative future where “small doesn’t mean less.” This episode is for all aspiring designers, entrepreneurs, and anyone invested in Cambodia’s cultural renaissance Supporting Both Bou’s Work:  Instagram: @anagata.design & @both_bou https://anagata.design

In the Season 4 premiere of the Death in Cambodia, Life in America Podcast, we're kicking things off with a new focus: amplifying the voices of young, bold Cambodian changemakers. First up is content creator and community builder Priscilla Kim Ong, also known as Sela — a Khmer-Krom American who moved to Cambodia to reconnect with her roots and reclaim her identity. Sela shares how growing up in a predominantly white town shaped her early disconnect from Khmer identity, and how learning about Khmer-Krom history sparked a transformation that eventually led her to leave the U.S. and move to Cambodia. From learning Khmer with monks to launching Selarati, a homecoming experience for diasporic Khmer, Sela opens up about the healing, loneliness, and power of creating something deeply intentional for her community. We talk about her vision for Selarati, her hopes for bridging intergenerational gaps, and the musical and cultural renaissance she sees blooming in Cambodia today. A deeply personal, expansive conversation about belonging, activism, and the journey home. ✨ Selarati is accepting signups now for the next homecoming experience in Cambodia, happening April 6–15 for Khmer New Year. Sign-ups close early February. 👉 Learn more at www.selarati.com or follow @selarati on IG for updates. Supporting Sela’s Work: www.selarati.com Instagram LinkedIn YouTube TikTok:

Elizabeth Becker, a war correspondent and author of When The War Was Over: Cambodia and the Khmer Rouge, discusses her experience in Cambodia during the Khmer Rouge regime. Becker explains how she became interested in Cambodian history and how she ended up as a journalist in Vietnam and Cambodia. Becker highlights the importance of understanding the historical context of Cambodia's involvement in the Vietnam War and the impact of American bombing. She also shares her experience as one of the few journalists allowed into Cambodia during the Khmer Rouge regime and the propaganda she witnessed. Becker discusses the murder of a journalist during her visit and the inconsistencies in the official narrative. She concludes by reflecting on her interview with Pol Pot and the paranoia and delusions of the Khmer Rouge leadership. Elizabeth Becker discusses her experiences in Cambodia during the Khmer Rouge regime and the importance of telling the stories of ordinary people. She talks about her book 'When the War is Over' and the impact it has had. Becker also mentions the movie 'Rendezvous avec Pol Pot' and the emotional toll of being close to such a horrific figure. She emphasizes the need for more media attention on Cambodia and its history. Supporting Elizabeth Beckers Work Website www.elizabethbecker.com Books You Don't Belong Here: How Three Women Rewrote the Story of War When The War Was Over: Cambodia And The Khmer Rouge

Dr. Scott A. Allen, an author, physician and professor, shares his experiences working in refugee camps on the Thai-Cambodian border in the 1980s in his book, Across a Bridge of Fire: An American Teen's Odyssey from the Burn Ward to the Edge of the Cambodian Killing Fields. Dr. Allen highlights the resilience and hope he witnessed in the refugees, despite their difficult circumstances. He also explores the complexities of the Khmer Rouge regime and the challenges faced by women and children in the camps. Throughout the conversation, Dr. Allen emphasizes the importance of sharing and preserving the stories of survivors. He discusses the trauma experienced by Cambodian children in refugee camps and the resilience and optimism he witnessed among the survivors. He also talks about his transition from a relief worker to a resettlement worker for the U.S. Embassy and the challenges faced during the refugee resettlement process. He emphasizes the significance of preserving the history of the Cambodian American community and the contributions they have made to the United States. Supporting Dr. Allens Work: Website: drscottallen.com Read His Book: “Across a Bridge of Fire: An American Teen's Odyssey from the Burn Ward to the Edge of the Cambodian Killing Fields”

Monica Sok, author of A Nail the Evening Hangs On, discusses her upbringing in Lancaster, Pennsylvania, and her connection to her Cambodian heritage. She shares how her parents' silence about their refugee experiences and her own curiosity led her to explore her history and pursue poetry. Sok talks about her time studying abroad in Vietnam and Cambodia, which inspired her to commit to writing poetry. She discusses her writing process and the emotional journey of creating her book. Sok discusses the process of writing her book of poems and the responsibility she felt to carry the history of her community. She explains how she created personas in her poems to write about the experiences of her family and community from a safe distance. Sok also reflects on how writing the book has changed her and brought her closer to the Khmer community. She hopes that future generations will learn the importance of their history, remain critical, and continue to fight against empire. Supporting Monca’s Work: Website: http://www.monicasok.com Read Her Book: A Nail the Evening Hangs On

Director and producer Chris Parkhurst discusses his documentary film 'Elvis of Cambodia' and his journey of exploring the music and legacy of Cambodian artist Sinn Sisamouth. The film beautifully blends the history of the Khmer Rouge with the healing power of Cambodian music. Chris shares how he fell in love with documentary filmmaking and Cambodia during his first visit in 2004. He talks about the challenges of making the film over a span of 10 years and the importance of honoring the family and the country in telling the story. The documentary film, 'Elvis of Cambodia,' explores the life and legacy of Cambodian musician Sinn Sisamouth and the impact of his music on the Cambodian people. The film highlights the resilience of the Cambodian culture and the role of music as a form of survival during the Khmer Rouge regime. It also follows the journey of Sin Setsochhata, Sinn Sisamouth's granddaughter, who becomes a successful Khmer musician. The film aims to bridge the gap between generations and promote healing and understanding of Cambodia's history. Parkhurts hopes that viewers, both Cambodian and non-Cambodian, will gain a deeper appreciation for Cambodian arts and culture. Links to Parkhurst’s Work: www.chrisparkhurst.com www.elvisofcambodia.com

Anne Elizabeth Moore, author of Cambodian Grrrl, shares her experiences in Cambodia, teaching young women about self-publishing and cultural differences. She discusses the impact of the Khmer Rouge and the Chbab Srey on women's rights and freedom of speech. The conversation covers Moore’s experience teaching self-publishing to young women in Cambodia, the impact of the experience on her, the creation of her books, and the evolution of women's rights in Cambodia. It also delves into the complexities of writing about non-Western cultures and the unintended consequences of white saviorism. Anne’s Work + Social Platforms Website: https://anneelizabethmoore.com/ Cambodian Grrrrl: Self-Publishing in Phnom Penh: https://a.co/d/5BFhqSj New Girl Law: Drafting a Future for Cambodia: https://a.co/d/hQ12lPE Instagram: https://www.instagram.com/aem.oore

Soreath Hok, a multimedia journalist, shares her journey in the media industry and her focus on reporting on Cambodian-American mental health issues. She discusses her upbringing as a 1.5 generation immigrant and her love for media from a young age. Soreath talks about her experience in college radio and how it led her to pursue a career in journalism. She highlights the importance of representation in the media and the support she has received for her reporting on Cambodian Americans. Soreath also discusses her fellowship at the USC Annenberg Center for Mental Health Journalism and the impact it had on her reporting. Soreath Hok's journalism work focuses on the mental health issues faced by Cambodian refugees and the second generation. She highlights the lack of resources and culturally sensitive care available to these communities. Through her reporting, she sheds light on the trauma and challenges experienced by Cambodian refugees and their descendants. Soreath's articles have been well-received and have won awards. She also explores her own family's story and the donut industry in her writing. Soreath's work is part of a larger movement to bring awareness and healing to the Cambodian American community. Additional Resources and Soreath's work: -https://www.kvpr.org/community/2022-11-28/from-cambodia-to-california-survivors-of-the-khmer-rouge-genocide-need-access-to-mental-healthcare -https://www.kvpr.org/health/2022-11-30/a-program-built-for-and-by-cambodian-refugees-suffering-from-ptsd-participants-say-it-works -https://www.kvpr.org/local-news/2022-12-02/how-a-temple-and-a-newer-generation-is-carrying-cambodian-tradition-in-fresno  https://www.kqed.org/news/11945946/the-oakland-program-helping-the-cambodian-community-heal-unspoken-trauma Legacy of Mrs. Rosalynn Carter and impact on Cambodian refugees: https://www.wbur.org/cognoscenti/2023/12/01/rosalynn-carter-death-cambodian-refugees-thailand-soreath-hok

Dr. Sophal Ear, a Cambodian refugee, shares his journey from escaping the Khmer Rouge to becoming a successful academic and writer. He discusses his multifaceted work, including teaching, research, and consulting, and his passion for paying it forward and giving back. Dr. Ear reflects on the importance of educating the next generation about the Khmer Rouge and Cambodian history. He also shares his experiences growing up in France, the challenges of moving to America, and the impact of his mother's determination. Throughout his journey, Dr. Ear emphasizes the role of others in shaping his success and the importance of community. Sophal Ear shares his journey of choosing a different path from becoming a medical doctor to pursuing political science and economics. He discusses the complexities of development and the flaws in foreign assistance. He also talks about his experience writing about Western academic supporters of the Khmer Rouge and the challenges of publishing a book. He shares the inspiration behind his TED Talk and the creation of a documentary about his family's story of escape from the Khmer Rouge. He concludes with a message to the second generation of Cambodian Americans, emphasizing the importance of appreciating their parents' journey and taking responsibility for continuing the story.

Welcome back to Season 3 of Death in Cambodia, Life in America! We're starting season 3 off strong with a special guest: Dr. Patrick Heuveline. Dr. Heuveline is a sociologist and expert on the long-term consequences of the Khmer Rouge regime, discusses the effects of the Khmer Rouge in Cambodia. He explores topics such as the baby boom that occurred after the Khmer Rouge, the mental health effects on survivors and their children, and the transformation of family structures in post-Khmer Rouge Cambodia. Dr. Heuveline also touches on the comparison between the effects of the Khmer Rouge and other genocides, such as the Holocaust and the genocide in Rwanda. The conversation explores the process of healing and reconstruction in Cambodia after the Khmer Rouge regime. It discusses the challenges of conducting research in post-conflict settings and the need for comparative studies. The conversation also highlights the slow healing process at the population level, with younger generations indirectly experiencing the trauma through their interactions with the older generation. The conversation emphasizes the importance of documenting the history, promoting dialogue, and encouraging the diaspora to contribute to the country's development.