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🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵 ============== Beautiful, swinging solo from Wynton Kelly on Someday My Prince Will Come. 00:00 Intro 06:47 2nd Chorus 07:52 Solo Ends The transcription PDF is available on my website: https://store.mirkoguerrini.com/

🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵 ============== Bebop articulation at its best - Phil Woods solo on Walkin' analysis In this video, I analyse the 'language' that made Phil Woods one of the best alto sax players in the history of jazz. His articulation and dynamic control are so detailed and under control all the time. Every single line of the solo is a great starting point to understand and learn how to play bebop. The transcription PDF is available on my website in Bb, Eb, and Concert. https://store.mirkoguerrini.com/ 00:00 Intro 00:12 Welcome 05:40 Phil Woods' solo analysis 11:40 Bebop lines and harmonic analysis

🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵 ============== In this episode, I show my transcribing techniques that you can apply to learn or speed up your transcribing skills. Part 2 shows myself transcribing (and breaking down step-by-step) the solo of Lou Donaldson's Alligator Boogaloo, a great track to start your transcription journey. Shoot a comment to let me know how you go or if something is unclear. 00:00 Intro 00:12 1st Chorus 16:48 2nd Chorus 26:57 3rd Chorus 35:20 4th Chorus The transcription pdf in Bb, Eb, and Concert are available on my website: https://store.mirkoguerrini.com/   Gear used in this video: Audio Technica ATH-CLR100ISBK SonicFuel in-Ear Headphones with in-line Microphone & Control Black https://amzn.to/3tNFmLt AKG 414XLII Multipattern Condenser Microphone https://amzn.to/3XErFZB Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps https://amzn.to/3TZpv3C This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something. Subscribe to the channel!

🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵 ============== In this video, I show my transcribing technique that you can apply to learn or speed up your transcribing skills. Part 1 shows myself transcribing (and breaking down step-by-step) the melody of Lou Donaldson's Alligator Boogaloo, a great track to start your transcription journey. Shoot a comment to let me know how you go or if something is unclear. 00:00 Intro 02:16 Melody starts 03:16 Singing back 05:35 Finding the notes 10:29 Transposed phrase 12:53 Last four bars The transcription pdf in Bb, Eb, and Concert are available on my website: https://store.mirkoguerrini.com/ Gear used in this video: Audio Technica ATH-CLR100ISBK SonicFuel in-Ear Headphones with in-line Microphone & Control Black https://amzn.to/3tNFmLt AKG 414XLII Multipattern Condenser Microphone https://amzn.to/3XErFZB Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps https://amzn.to/3TZpv3C This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something. Subscribe to the channel!

🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵 ============== Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interview podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets, and much more. On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: Jamie Anderson aka Get Your Sax Together. Use this link to download some useful material Jamie provided for you: https://drive.google.com/drive/folders/1b_8bDQvFGp53SqxsWGnQyXRyYXTCxyPe?usp=sharing Leave a comment if you like. Listen to Jaime's answers to the questions below: 00:00:00 Introduction 00:04:10 Why do you transcribe? 00:10:00 What do you expect to bring home with a transcription? 00:24:03 How do you choose the solos you transcribe? 00:28:33 What is your methodology? 01:18:39 How do you incorporate ideas into your playing? 01:19:12 Who was the most difficult player you transcribed? 01:23:02 Which transcription you've done is your favourite? You can check Get Your Sax Together here: https://www.getyoursaxtogether.com/ And here: https://www.youtube.com/@GetYourSaxTogether 🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here: https://store.mirkoguerrini.com/ Subscribe to Mirko Guerrini's Newsletter here: https://www.mirkoguerrini.com Gear used in this episode: 🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u... 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to... Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. Subscribe to my YouTube Channel.

🎵 Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵 ============== Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interview podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets. On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: Max Glanz. Among the engaging answers I got from Max, I love his brilliant points of view on the art of transcription. 'If it is a solo that is singable, than you should be able to sing every phrase!' I love it! Leave a comment if you like. Listen to Max Glanz's answers to the questions below: 00:00 Introduction 05:18 Why do you transcribe? 08:51 What do you expect to bring home with a transcription? 11:30 How do you choose the solos you transcribe? 19:11 What is your methodology? 33:50 Do you write it down? 39:10 How do you practice your transcriptions? 50:40 Who was the most difficult player you transcribed? 54:39 Which transcription you've done is your favourite? You can check Max Glanz here: https://maxglanz.com/ And here: https://www.youtube.com/@maxglanzsax And here: https://linktr.ee/origina1nerd   🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here: https://store.mirkoguerrini.com/ Subscribe to Mirko Guerrini's Newsletter here: https://www.mirkoguerrini.com Gear used in this episode: 🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u... 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to... Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. Subscribe to my YouTube Channel. You can download this podcast or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b...   I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today. This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small contribution if you purchase something.

🎵  Visit my store at https://store.mirkoguerrini.com/ to find transcriptions, tutorials and more! 🎵  ============== Join us on this "Jazz Transcription Clinic" episode with your host, Mirko Guerrini, as he transcribes the legendary Paul Gonsalves' solo on Diminuendo and Crescendo in Blue (Duke Ellington).  Discover how Paul Gonsalves' legendary tenor saxophone solo on "Diminuendo and Crescendo in Blue" was so efficient. This is the first part (the first 7 choruses) of the entire solo  00:00 Introduction 00:30 About the solo 01:54 Beginning of transcription 02:44 Analysis 07:56 Transcription starts with 5th chorus 19:31 6th chorus 30:41 7th chorus 42:54 5, 6 and 7 chorus Stay updated with all news about the podcast and transcription: visit www.mirkoguerrini.com Subscribe to the website for freebies and all news about concerts, transcription and more.

Join us on this episode of "Jazz Transcription Clinic" with your host, Mirko Guerrini, as we delve into the electrifying night of July 7, 1956, (exactly 68 years ago) at the Newport Jazz Festival. Discover how Paul Gonsalves' legendary 27-chorus tenor saxophone solo on "Diminuendo and Crescendo in Blue" saved the Duke Ellington Orchestra from obscurity. We'll explore the backdrop of a jazz scene overshadowed by the rising tide of rock and roll, with Elvis Presley on the verge of releasing his iconic hit "Hound Dog." Listen to the story of how a blonde lady in a red dress, dancing with joyous abandon, helped turn the audience into a frenzied celebration. This is the tale of resilience, passion, and the transformative power of live performance. Tune in to hear how one unforgettable solo reignited the world's love for Duke Ellington's music and changed the course of jazz history forever. Don't miss this compelling episode filled with the spirit and magic of jazz! Stay updated with all news about the podcast and transcription: visit www.mirkoguerrini.com Subscribe to the website to receive freebies and all news about concerts, transcription and more.

Learning the Blues from the Masters, Part 3 - Joel Frahm My transcription and analysis of the incredible Joel Frahm's solo on 'After Supper'.   01:50 - Whole solo 04:50 - 1st Chorus (Blues scale, simple lines) 11:39 - 2nd Chorus (Diminished scale, Tritone substitution, Lydian dominant) 18:42 - 3rd Chorus (More blues scale, Tritone substitution, Perfect ending) The transcription pdf (in Bb, Eb and Concert) is available on my website www.mirkoguerrini.com  Subscribe to my channel. Gear used in this video: Audio-Technica ATH-E40 Professional In-Ear Monitor Headphones  https://amzn.to/4aAGrXE AKG 414XLII Multipattern Condenser Microphone https://amzn.to/3XErFZB Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps https://amzn.to/3TZpv3C

When you are really cookin' - Branford Marsalis' transcription Hi everyone,  For this episode, I have transcribed Branford Marsalis playing on the famous standard Struttin' with some barbecue.  The solo is outstanding for its combination of traditional and bebop language. Branford has a superb tone on soprano, a supersolid time, and a very simple, straightforward way of thinking.  00:00 Introduction 00:10 Whole solo 03:11 Analysis starts (Form analysis A-B-A-C) 06:15 1st A - 1st Chorus 10:40 B - 1st Chorus 13:52 2nd A - 1st Chorus 17:12 C - 1st Chorus 18:32 1st A - 2nd Chorus 20:23 B - 2nd Chorus 24:40 2nd A - 2nd Chorus 26:05 C - 2nd Chorus Subscribe to my Channel Complete transcription in pdf Concert is available on my website: https://mirkoguerrini.com/transcriptions/ A small donation (if you can) would be much appreciated. ========================= Gear used in this video: Soprano Sax Mouthpiece Bari 68 https://amzn.to/480eDcX Select Jazz Soprano Sax Reed 3M  https://amzn.to/3sQU444 RØDE NT-USB  Mini Versatile Studio-Quality Condenser USB Microphone with Free Software for Podcasting, Streaming, Gaming, Music Production, Vocal and Instrument Recording  https://amzn.to/3K7p6e0 Logitech StreamCam,  Live Streaming Webcam, Full 1080p HD 60fps Vertical Video, Smart auto Focus and Exposure, Dual Camera-Mount Versatility, with USB-C, for YouTube, Gaming Twitch, PC/Mac - Black https://amzn.to/3JUdkCd This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something.   Photo by darlene susco, CC BY 2.0, via Wikimedia Commons https://creativecommons.org/licenses/by/2.0/deed.en

Learning the Blues, Part 2 - Marçal Perramon transcription Hi everyone,  For this episode, I have transcribed the  Marçel Perramon solo on Neal Hefti's blues called After Supper. The solo is informative on learning and internalising solid jazz language, especially on the turning points of the blues (between bars 4 and 5 and at the end of the form). 00:00 Introduction 02:32 1st Chorus 19:50 2nd Chorus 36:54 Solo Analysis 51:55 Whole solo Subscribe to my Channel Complete transcription in pdf Concert is available on my website: https://mirkoguerrini.com/transcriptions/ A small donation (if you can) would be much appreciated. ========================= Gear used in this video: RØDE NT-USB  Mini Versatile Studio-Quality Condenser USB Microphone with Free Software for Podcasting, Streaming, Gaming, Music Production, Vocal and Instrument Recording  https://amzn.to/3K7p6e0 Logitech StreamCam,  Live Streaming Webcam, Full 1080p HD 60fps Vertical Video, Smart auto Focus and Exposure, Dual Camera-Mount Versatility, with USB-C, for YouTube, Gaming Twitch, PC/Mac - Black https://amzn.to/3JUdkCd This episode is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something.

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a podcast where we talk about transcriptions, how to do it and wonderful musicians.  On this episode of the Jazz Transcription Clinic Podcast, after receiving some harsh comments on a previous episode about something that I supposedly wrongly transcribed, I decided to make a short video where I explain (once again) what is The Compromise that we need to accept when we transcribe.  🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcripti... Gear used in this video: 🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u... 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to... Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. Subscribe to my YouTube Channel. You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b... I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today. This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small contribution if you purchase something.

Learning the Blues from the Masters, Part 1 - Scott Hamilton transcription Hi everyone, For this episode, I have transcribed the Scott Hamilton solo on Neal Hefti's blues called After Supper. The solo is informative on learning and internalising solid jazz language, especially on the turning points of the blues (between bars 4 and 5 and at the end of the form). 00:00 Introduction 04:18 1st Melody 08:41 2nd Melody (harmonised) 14:35 Scott Hamilton' solo (1st Chorus) 38:57 Scott Hamilton' solo (2nd Chorus) 55:49 Whole solo Subscribe to my Channel Complete transcription in pdf Concert is available on my website: https://mirkoguerrini.com/transcriptions/ A small donation (if you can) would be much appreciated. ========================= Gear used in this video: RØDE NT-USB Mini Versatile Studio-Quality Condenser USB Microphone with Free Software for Podcasting, Streaming, Gaming, Music Production, Vocal and Instrument Recording https://amzn.to/3K7p6e0 Logitech StreamCam, Live Streaming Webcam, Full 1080p HD 60fps Vertical Video, Smart auto Focus and Exposure, Dual Camera-Mount Versatility, with USB-C, for YouTube, Gaming Twitch, PC/Mac - Black https://amzn.to/3JUdkCd This video is NOT sponsored. Some product links are affiliate links, meaning we'll receive a small commission if you buy something.

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctors: Let's Transcribe. Among the engaging answers I got from them, their most difficult transcription has been one of Tal Farlow's, and their favourite is Herb Ellis' Easter Parade. Leave a comment if you like. Listen to Let's Transcribe''s answers to the questions below:  00:00 Introduction 03:25 Why do you transcribe? 06:54 What do you expect to bring home with a transcription? 12:53 How do you choose the solos you transcribe? 18:02 What is your methodology? 27:27 Do you write it down? 39:38 How do you practice your transcriptions? 47:21 How do you incorporate ideas into your solos? 59:00 Who was the most difficult player you transcribed? 01:03:39 Which transcription you've done is your favourite? You can check Let's Transcribe here: https://letstranscribe.store/ And here: https://www.youtube.com/c/letstranscribe 🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcripti... Gear used in this video: 🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u... 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to... Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. Subscribe to my YouTube Channel. You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b... I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.

Hello everyone, This is Mirko Guerrini, and I welcome you to the Jazz Transcription Clinic, a monthly interviews podcast where we talk with accomplished jazz doctors about their lives, careers and personal transcription secrets.  On this episode of the Jazz Transcription Clinic Podcast, Mirko Guerrini interviews the guest jazz doctor: CHERYL DURONGPISITKUL Leave a comment if you like. Listen to Cheryl''s answers to the questions below:  00:00 Introduction 09:50 Why do you transcribe? 11:06 How do you choose the solos you transcribe? 24:20 What do you expect to bring home with a transcription? 32:30 What is your methodology? 41:34 Do you write it down? 45:50 How do you practice your transcriptions? 48:42 How do you incorporate ideas into your solos? 53:32 Who was the most difficult player you transcribed? 56:20 Which transcription you've done is your favourite? Cheryl is a talented composer and saxophonist known for her innovative style and ability to weave captivating narratives through her work. Cheryl released her debut album, Follow Me Through The Red Ash, in 2017 to critical acclaim. She co-leads the JazzLab Orchestra and has released two albums, Menagerie (2018) and Pink Milk (2021) with collaborative trio Koi Kingdom. Cheryl is a dynamic artist in the Australian jazz landscape, dedicated to pushing boundaries in jazz and contemporary music performance and composition. She has attended the prestigious Banff International Workshop in Jazz and Creative Music and participated in masterclasses with New York-based record label New Amsterdam. She received the SIMA Young Composer Award in 2019 and premiered her work Critical Point at the Sydney Women’s Jazz Festival and was nominated for the Freedman Jazz Fellowship in 2020. She has also received commissions from the Monash Art Ensemble (A Pinky Promise, 2022 premiere as part of Melbourne International Jazz Festival) and Homophonic (In Full Splendour, 2023 premiere as part of Midsumma Festival). Cheryl says of her role as MIJF’s 2023 Take Note Jazz Leader: “I am incredibly grateful and humbled to be named the Take Note leader in 2023. Being awarded Take Note will give me the opportunity to compose my next large-scale work – a deeply personal project that has been percolating over the last 3 years. “Cultivating diverse spaces within our community is a passion of mine and I am excited to be working with the Melbourne International Jazz Festival to carve out more opportunities for those that may not fit the status quo. I look forward to working with and empowering students to create music in safe and inclusive spaces in the hope of developing a place where they all feel they can belong within their own communities.” Leave a comment if you wish. You can check Cheryl Durongpisitkul's music here: https://cheryldurongpisitkul.bandcamp.com/album/follow-me-through-the-red-ash 🎷You can check Mirko Guerrini's music here: https://mirkoguerrini.bandcamp.com or here https://www.mirkoguerrini.com Subscribe to Mirko Guerrini's Newsletter here:  https://mirkoguerrini.com/transcripti... Gear used in this video: 🎤 RØDE NT-USB Minihttps://amzn.to/3gRZFARhttps://ebay.u... 🎧 AKG K72 Closed-Back Professional Studio Reference Headphones https://ebay.us/rGQjGOhttps://amzn.to... Mirko Guerrini is a D'Addario artist, playing D'Addario mouthpieces and reeds. Subscribe to my YouTube Channel. You can download this podcast episode or any other episode here: Apple podcast: https://podcasts.apple.com/.../jazz..... Google Podcasts: https://www.google.com/podcasts... Spotify: https://open.spotify.com/show/1oQqf6m... Amazon Music/Audible: https://music.amazon.com/.../8b6f521b... I acknowledge the Traditional Owners of the land on which this podcast is being recorded. I pay my respect to their Elders, past and present, and the Aboriginal Elders of other communities who may be here today.