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Gender and sexuality can feel natural and even immutable, but science and the lived experience of numerous humans tell us that these categories are far more variable than they may seem. At a time when dozens of states around the US have passed or are considering legislation to enforce rigid definitions of gender, queer theorist Jack Halberstam and journalist Zach Stafford discuss the fallaciousness of what scholars call the “gender binary.” Bringing an intersectional perspective, and looking at examples from women’s sports, they invite journalists to speak truth to the power that is exercised, often violently, through an insistence on “normative” ideas of gender and sexuality.

The American Dream is often portrayed as the hook that pulls people to the United States.  What is usually left out of the story is the hell many flee, sometimes a hell fed by the very country in which they seek refuge.  The story of U.S. involvement in Central America is a classic example of wars inflicted on people by U.S. financed repressive regimes and later by gangs grown in the U.S. and deported wholesale to vulnerable nations.  In this episode, a scholar sheds light on the invention of the “illegal alien,” its use and manipulation for the past 140 years (and counting) to exclude and exploit people of color and more recent notions of who and who is not deserving of legal admission into the United States.

Steel produced in Youngstown, Ohio, helped America win World War II, and it was used to build the bridges that we cross and the buildings in which we live. But in the 1970s, the mills began closing. Some 50,000 well-paid jobs were gone. There was a concurrent rise in anger as the workers and their children struggled to survive with minimum-wage jobs or in the gig economy. Youngstown represents the widening chasm of class division in the United States. Journalists need to understand how class informs politics and culture. In this episode we talk with a labor studies expert about how to cover the working class.

There is a long tradition of imperial denial in the United States. After all, Americans fought the British Empire and have always thought of themselves as different from European colonialists. They are Empire Slayers — why else would “Star Wars” and its fight against the Galactic Empire have such a hold on the popular imagination?  In this episode, two scholars explain how, from the nation’s birth,  imperial expansion — first westward into Indian Country and later, overseas —was a defining character of the United States. The echoes of empire can be heard in today’s news. It’s impossible to talk about immigration, drone strikes, the attacks on Asian Americans, the US withdrawal from Afghanistan, etc., without understanding the history and projection of American power. What would journalism informed by the history of empire look like? MUSIC CREDITS Order of Entrance by Blue Dot Sessions  Greyleaf Willow by Blue Dot Sessions  Tapoco by Blue Dot Sessions  Gra Landsby by Blue Dot Sessions  Pencil Marks by Blue Dot Sessions  Lunette by Blue Dot Sessions  Watercool Quiet by Blue Dot Sessions  Pukae by Blue Dot Sessions  Checkered Blue by Blue Dot Sessions  Ottol by Blue Dot Sessions

Whiteness in America isn’t just the neutral norm against which racial minorities, particularly Black people, are measured. Whiteness in America means having the privilege and power that go along with being part of that supposed norm. And becoming white – not in terms of pigment but of social status – is a choice that nearly every immigrant or refugee group in America has had to embrace or reject. We talk with two scholars in the field of Whiteness Studies, Nell Irvin Painter and Eric Goldstein, about how understanding the construction of white identity in this polyglot country gives us keen insights into its troubled racial history. MUSIC CREDITS Turning to You by Blue Dot Sessions  Our Only Lark by Blue Dot Sessions  Heather by Blue Dot Sessions  A Certain Lightness by Blue Dot Sessions  The Crisper by Blue Dot Sessions  Throughput by Blue Dot Sessions  Pukae by Blue Dot Sessions  Four and Fourteen by Blue Dot Sessions  The Longshoreman by Blue Dot Sessions  Ewa Valley by Blue Dot Sessions  Careless Morning by Blue Dot Sessions  Morning Glare by Blue Dot Sessions  Lick Stick by Blue Dot Sessions

The issue of police violence and racism is a familiar one. It’s been present in the United States since the Republic's beginnings. And the stories of George Floyd, Breonna Taylor, Tamir Rice and others cannot be understood if we do not know and comprehend that history. In this episode, Jelani Cobb discusses race, crime, criminal justice, violence and the kind of cyclical dynamic that we have seen repeatedly over the decades with Harvard historian Dr. Khalil Muhammad.  The conversation gives greater context and an insight into the shattering events of today by illuminating the roots of injustice and violence against Black Americans by those in authority. MUSIC CREDITS Pencil Marks by Blue Dot Sessions Stock Still by Blue Dot Sessions Ether Ridge by Blue Dot Sessions Vine Crawler by Blue Dot Sessions Gilly Wash by Blue Dot Sessions Roadside Bunkhouse by Blue Dot Sessions Arlan Vale by Blue Dot Sessions

How We Got Here is a podcast for journalists about how history and identity shape narrative.  As journalists, we like to say we’re writing the first draft of history. But if we don’t know our own history, we run the risk of misinterpreting what we see and what we hear. Of failing to connect the dots. George Floyd’s murder, the Black Lives Matter movement, the election, the attempted coup  - they’ve all brought America to a reckoning with its national character. Six professors from the Columbia University Graduate School of Journalism take a step back to examine the historical context of today’s news. They look at how race, gender, class, immigration and American empire impact the stories we cover and how we tell them. How We Got Here is a production of the Columbia Graduate School of Journalism in partnership with Columbia Journalism Review.