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In My Skin (2002), Inside (2007), and Martyrs (2008) While the French aren't widely known for their horror films, when they do enter the genre, it's often something special. A perfect example is Georges Franju's Eyes Without a Face (1960). With its stark realism and dark themes, it established a tone of discomfort and unease that still feels powerful today. In the early 2000s, a new wave of younger filmmakers took that sense of unease and pushed it much further, deliberately testing the limits of what audiences could tolerate. These films were often graphic, sometimes over-the-top, and frequently dealt with disturbing subject matter that lingered even when the violence or gore wasn't shown onscreen. Often, it wasn't what you saw that was hardest to watch, but the subject itself and the way it was presented. In this episode, we take on three titles that demonstrate the range of this movement, from deeply subversive and uncomfortable subject matter to films that push gore to extreme levels, while still challenging the viewer intellectually and emotionally. These are films that don't just shock in the moment, they can leave you unsettled for days after they end. That's powerful filmmaking. Films mentioned in this episode: Brotherhood of the Wolf (2001), Calvaire (2004), Dark Touch (2013), Diabolique (1955), Eyes Without A Face (1960), Frontier(s) (2007), Get Out (2017), High Tension (2003), The Horde (2009), I Know What You Did Last Summer (1997), In My Skin (2002), Inside (2007), Irreversible (2002), I Stand Alone (1998), Martyrs (2008), The Phantom of Liberty (1974), Raw (2016), Salo, or 120 Days of Sodom (1975), Scream (1996), The Shining (1980), The Tall Man (2012), Texas Chainsaw Massacre (2003), Them (2006), Trouble Every Day (2001)

The Deadly Spawn (1983) & Metamorphosis: The Alien Factor (1990) A cult fan favorite of the 1980s low-budget monster boom, The Deadly Spawn is best remembered for one of the era's most distinctive creature designs. Its semi-sequel, Metamorphosis: The Alien Factor, is a scrappy and underrated follow-up that's still a lot of fun, and long overdue for a proper Blu-ray upgrade. Behind both films is Ted A. Bohus, a true multi-man of independent genre cinema. Beyond producing and directing, Bohus has also been a vital chronicler of film history and technique through his magazines SPFX and Candid Monsters, publications that routinely reveal how much there still is to discover about movies we think we already know. In this episode, he sits down with us to talk about The Deadly Spawn, Metamorphosis, and the realities of working in the low-budget, independent filmmaking world, sharing more than a few hard-earned lessons for aspiring filmmakers along the way. We also dive into his work as a publisher, including the deep-research, damn-near-a-book issues of Candid Monsters, which take exhaustive looks at some of our favorite classic films. So sit back and enjoy a conversation packed with great stories, sharp insights, and a genuine love for the messy, fascinating world of making movies and magazines. Films mentioned in this episode: Angry Red Planet (1959), The Alien Factor (1978), The Alligator People (1959), Avatar: Fire and Ash (2025), Black Scorpion (1957), The Blob (1958), The Day the Earth Stood Still (1951), The Deadly Spawn (1983), Destination Fame (2012), Dr. Jekyll and Mr. Hyde (1931), Fiend (1980), Forbidden Planet (1956), Freaks (1932), Friday the 13th (1980), Gog (1954), Gorgo (1961), Hell on Earth (2010), Hideous Sun Demon (1958), The House of Haunted Hill (1959), The Invisible Boy (1957), It's a Wonderful Life (1946), King Kong (1933), Kronos (1957), The Maze (1953), Metamorphosis (1990), Metamorphosis: The Alien Factor (1990), Mighty Joe Young (1949), The Monster of Piedras Blancas (1959), Nightbeast (1982), Primate (2025), Regenerated Man (1994), Son of Kong (1933), Star Wars (1977), Them (1954), The Tingler (1959), Tobor the Great (1954), Vampire Vixens from Venus (1995)

Another year in the books, which means it is time for our annual Wrap Up, where we not only go through our personal favorites of the year, but also some other standout films, as well as some others that came out in the last 12 months. For the second year in a row, it is astounding at some of the high quality pictures that have been getting released. From ones going straight to streaming services, to other wide release pictures, there have been plenty of fantastic titles out there. It really is a great time to be a horror fan. It's a long episode, so make sure you have a pad and pen, because we cover a LOT here! Titles mentioned in this episode. 28 Years Later (2025), 5150 Elm's Way (2009), Alien: Earth (2025), Alien: Covenant (2017), Alien: Romulus (2024), American Werewolf in Paris (1997), Barbarian (2022), Born of Fire (1987), The Bride of Hades (1968), Bring Her Back (2025), Buffalo '66 (1998), Clown in a Cornfield (2025), Companion (2025), The Conjuring: Last Rites (2025), Dangerous Animals (2025), The Dark Half (1993), A Dark Song (2016), Dead Ringers (1988), Dracula 3D (2012), Frankenstein (1931), Frankenstein (1994), Frankenstein (2025), From Dusk Till Dawn (1996), Good Boy (2025), The Gorge (2025), Green Inferno (2013), Halloween (2018), Heart Eyes (2025), Hell of a Summer (2023), I See You (2019), It Feeds (2025), The Long Walk (2025), Malignant (2021), Maniac (1980), Marshmallow (2025), The Monkey (2025), Monster Island (2024), The Monster of London City (1964), One Cut of the Dead (2017), Prometheus (2012), [REC] (2007), Rosario (2025), The Rule of Jenny Pen (2024), Running Man (2025), Saloum (2021), Shadow of God (2025), Silent Night Deadly Night (2025), Sinners (2025), Snowbeast (1977), Society (1989), Strange Harvest (2024), Talk to Me (2022), Texas Chain Saw Massacre (1974), Together (2025), Trouble Every Day (2001), The Ugly Stepsister (2025), V/H/S/ Halloween (2025), Vicious (2025), The Wailing (2016), Weapons (2025), When Evil Lurks (2023), Wolf Man (2025)  

Every now and again, the horror genre produces a film that becomes a bona fide classic. In 1980, director William Lustig and co-writer and star Joe Spinell teamed up to make what may be the defining film of the 42nd Street grindhouse era: Maniac. The film has it all, a serial-killing protagonist who scalps women while sobbing about his mother, buckets of gore from an early-career Tom Savini, and all the usual suspects of late-'70s Times Square: hookers, drugs, and utter despair. A remake, directed by Franck Khalfoun, written by Alexandre Aja, and starring Elijah Wood, arrived in 2012. This time, the action shifts to Los Angeles and leans more heavily into the mannequins that served as surrogate girlfriends in the original. Does it rise to the occasion and meet its predecessor on its own terms? We dig into that question, and much more, on this Twice Told Tales edition of the show. Films mentioned in this episode: The Avengers (2012), Basket Case (1982), Cannibal Holocaust (1980), Dawn of the Dead (2004), The Fly (1986), Friday the 13th (1980), The Godfather (1972), Halloween (1978), High Tension (2003), Inferno (1980), Jaws (1975), Last Horror Film (1982), Last House on the Left (1972), Maniac (1980), Maniac (2012), Pieces (1982), Taxi Driver (1976), Texas Chain Saw Massacre (1974), The Thing (1982), The Warriors (1979)

Count Dracula's Great Love (1973), Horror Rises from the Tomb (1973), Panic Beats (1983) We're finally back to discuss the wonderful cinematic world of Paul Naschy! Back in episode 21, we covered three different entries in Naschy's werewolf films. So this time out, we are covering three of his NON-werewolf titles. It's important to remind fans that while he was known for his Waldemar Daninsky werewolf films, he made plenty of other films, incorporating a bunch of different kind of monsters. And if you are familiar with more of his work, then what better time to revisit some of them, right? Making over a hundred titles in his career spanning decades, Paul Naschy loved the horror genre and made the kind of films he wanted to, giving fans a wide variety of well-known beasties, as well as ones we'd never seen before. While some might say they vary in quality, Naschy's passion never did, and he always put his heart and soul into each one of them.  Films mentioned in this episode: Beast and the Magic Sword (1983), Count Dracula (1970), Count Dracula's Great Love (1973), Count Yorga (1970), Curse of the Devil (1973), Dracula (1974), Dr. Jekyll vs the Werewolf (1972), Frankenstein's Bloody Terror (1968), Frankenstein Meets the Wolf Man (1943), The Frenchman's Garden (1978), The Hanging Woman (1973), Horror Rises from the Tomb (1973), Howl of the Devil (1988), Hunchback of the Morgue (1973), The Mummy's Revenge (1975), The Night of the Executioner (1999), Night of the Werewolf (1981), Nightmare Castle (1965), Panic Beats (1983), People Who Own the Dark (1976), Santo vs Doctor Death (1973), She Killed in Ecstasy (1971), Snowbeast (1977), Vampyros Lesbos (1971), Vengeance of the Zombies (1973), The Wolf Man (1941)

Attack of the Crab Monsters (1957), Terrorvision (1986), and Uninvited (1988). That's right, folks! It's Turkey Time again, and we are celebrating our 5th episode dedicated to those wonderous missteps in cinematic history. They aimed for the stars, but dropped like frozen turkey chucked off a building! But as we always say, the only bad movie is a boring one. And these films are definitely not boring. Because once the credits roll, if you've been entertained, then how could it be considered bad??? So sit back and enjoy this episode, where we discuss giant telepathic crabs, a ravenous space creature beamed in through a brand-new state-of-the-art satellite dish, and, finally, a story about an experiment gone horribly wrong that leaves a mutant creature living inside a cat that just happens to end up on a luxury yacht with some criminals and college kids. How could that not spell fun? Films mentioned in this episode: A*P*E* (1976), Attack of the Crab Monsters (1957), Better Off Dead (1985), Blood Freak (1972), CarousHELL (2016), Creatures from the Abyss aka Plankton (1984), Creepshow 2 (1987), Death Ship (1980), Dracula vs Frankenstein (1971), Dr. Caligari (1989), Dungeonmaster (1984), Feast (2005), Friday the 13th: The New Blood (1988), Fright Night (1985), Fright Night II (1988), From a Whisper to a Scream (1987), From Beyond (1986), The Giant Claw (1957), Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies!!? (1964), Inhumanwich! (2016), Just Before Dawn (1981), Kingdom of the Spiders (1977), Lady Frankenstein (1971), Little Shop of Horrors (1960), The Man with Two Brains (1983), Naked Gun (1988), Napoleon Dynamite (2004), Phantom of the Paradise (1974), Pit Stop (1969), Real Genius (1985), Re-Animator (1985), The Return (1980), Return of the Living Dead (1985), Robot Monster (1953), Running Scared (1986), Satan's Cheerleaders (1977), Satan's Sadists (1969), Sharknado (2013), Terrorvision (1986), Things (1989), The Undead (1957), Uninvited (1988), Videodrome (1983), Without Warning (1980)

Frankenstein Created Woman (1967), Frankenstein Must Be Destroyed (1969), Frankenstein and the Monster from Hell (1974) Continuing our quest to get through the rest of Hammer's Frankenstein films which starred Peter Cushing, we cover the last three titles that Hammer made. Cushing loved to play this character, and he's done it like no one ever had, or ever has. Along with the screenwriters, Cushing made this character his own, and really made him the real monster in this series. While these films might be well covered by others, sometimes we forget just how good some of these are, as well as what we might be missing the first time or two that we watched it. And as we've mentioned many times before, watching them in sequence in a relatively short time, more things can come to light. Films mention in this episode: Brides of Dracula (1960), The Bride of Frankenstein (1935), Curse of Frankenstein (1957), Curse of the Werewolf (1961), The Evil of Frankenstein (1964), The Exorcist (1973), Frankenstein Created Woman (1967), Frankenstein and the Monster from Hell (1974), Frankenstein Must Be Destroyed (1969), Horror of Dracula (1958), Horror of Frankenstein (1970), Kiss of the Vampire (1966), The Mummy (1959), Night of the Living Dead (1968), Peeping Tom (1960), Psycho (1960), Revenge of Frankenstein (1958), Rosemary's Baby (1968)

The Curse of Frankenstein (1957), The Revenge of Frankenstein (1958), and The Evil of Frankenstein (1964) What can you say about the Hammer Frankenstein films that hasn't been said before? Well, a lot, actually! In 1957, a relatively small, mostly unknown studio made a film that would forever change horror and kick off a cycle of sensual, bloody, and atmospheric fright flicks that would dominate the genre for around twenty years.  To say that The Curse of Frankenstein is a classic is almost like saying that water is wet, but it is also a film that lives up to it's reputation. It and its sequels are films that not only deserve regular revisits, they also belong in more modern conversations about horror.  While nearly all the films shard crewmembers and all but one were directed by Terence Fisher, one constant defined the series: Peter Cushing's mesmerizing take on Victor Frankenstein, equal parts gentleman and ghoul. On this episode we look at the first three films in the Cushing Frankenstein cycle, and in a very real way, make a pilgrimage to one of horror's holy places.  We love these films and we hope that either you do too, or that you will by the time you are done listening. Films mentioned in this episode: The Bride of Frankenstein (1935), Corruption (1968), The Curse of Frankenstein (1957), The Devil-Ship Pirates 1964), Dracula vs Frankenstein (1971), The Evil of Frankenstein (1964), Frankenstein (1931), Frankenstein Must Be Destroyed (1969), Maniac (1963), Nightmare (1964), Paranoiac (1963), The Quatermass Xperiment (1955), Re-Animator (1985), The Revenge of Frankenstein (1958)

No matter what kind of horror fan you are, there's a good chance that you love the monsters. Whether it's from the Universal Classics, Hammer's colorful reinterpretations, the amazing creatures from Ray Harryhausen, to the no-classic aliens in Star Wars, monsters are a backbone of cinema, and arguably, are the backbone of horror. It's one of the things that we horror fans rally around, and love to discuss: from our favorites, to how some are designed, how they move, and everything in between. Oscar winning special makeup effects artist Howard Berger and author Marshall Julius have a new book out entitled Making Monsters: Inside Stories from the Creators of Hollywood's Most Iconic Creatures, so we asked them to be on our show to talk all about monsters, and those special memories that we all have from the films we love. Films mentioned in this episode: 2001: A Space Odyssey (1968), The 7th Voyage of Sinbad (1958), The Abyss (1989), An American Werewolf in London (1981), Creature from the Black Lagoon (1954), The Fly (1986), Frankenstein (1931), The Golden Voyage of Sinbad (1973), Gremlins (1984), The Hunchback of Notre Dame (1923), Indian Jones and the Temple of Doom (1984), Jason and the Argonauts (1963), Jurassic Park (1993), King Kong (1933), King Kong (1976), Night of the Living Dead (1968), Nosferatu (1922), Phantom of the Opera (1925), Planet of the Apes (1968), Raiders of the Lost Ark (1981), Say Anything (1989), Star Wars (1977), The Thing (1982), The Valley of the Gwangi (1969)

The Quatermass Xperiment (1955), Quatermass 2 (1957), Quatermass and the Pit (1967) Everyone knows the name Hammer Films (at least, we hope they do!) but most people associate it with gothic horror, particularly their reimagining of the Universal classic Frankenstein in The Curse of Frankenstein (1957). Yet Hammer had been around long before Peter Cushing breathed life into that first stitched-together corpse. Founded in the 1930s as a distribution company, the studio gradually moved into producing films, often adapted from popular TV and radio series. In 1953, the BBC aired a six-part serial, The Quatermass Experiment. Hammer quickly recognized its potential, adapted it into a feature film, and in doing so set itself firmly on the path toward becoming "the studio that dripped blood." In this episode, we cover all three Quatermass films. While they lean more toward science fiction than Hammer's later gothic output, they are steeped in horror... and we think they're well worth your time. Films mentioned in this episode: And Now the Screaming Starts (1973), Asylum (1972), Brides of Dracula (1960), The Curse of Frankenstein (1957), Curse of the Werewolf (1961), Dracula Prince of Darkness (1966), Dr. Jekyll and Sister Hyde (1971), The Gorgon (1964), Horror of Dracula (1958), I Married a Monster from Outer Space (1958), The Incredible Melting Man (1977), Inhumanwich! (2016), Invasion of the Body Snatchers (1956), It Came from Beneath the Sea (1953), It Conquered the World (1956), Journey to the Center of the Earth (1959), Legend of the Seven Golden Vampires (1974), Masque of the Red Death (1964), Monster Club (1981), Nineteen Eighty-Four (1954), Pit Stop (1969), Quatermass Xperiment (1955), Quatermass II (1957), Quatermass and the Pit (1967), Rasputin the Mad Monk (1966), Revenge of Frankenstein (1958), Scars of Dracula (1970), The Stone Tape (1972), The Vampire Lovers (1970), Vault of Horror (1973), X – The Unknown (1956)

The Ghastly Ones (1968), The Man with Two Heads (1972), and Carnage (1984) There are not many filmmakers like Andy Milligan. Sure, there were a lot of no-budget independents during Milligan's era that somehow got their finished pictures to play theaters and released on home video. But there weren't many whose real life was almost as terrifying as the films they made. But Andy Milligan would fit neatly into that category. Making over 30 pictures in almost 25 years, with some of the most outrageous and memorable titles, he still remains very close to obscurity. But he does have some fans out there. In fact, in September of 2021, Severin Films released The Dungeon of Andy Milligan, a box set that included over a dozen of his films, packed with extras. As that set has lived on fan's shelves for a while now, it seemed a good time to take a look into this strange filmmaker and three of his films. But a warning... his films are not for everyone. Some quirky critics refer to them as high school stage plays that were filmed. They can be mean. Talky. Bizarre camerawork. And pretty shoddy makeup. Nonetheless, they still have a charm to them… to some fans, at least. So take your next steps with caution, and as the saying goes, "Well... we warned you." Films mentioned in this episode: Blood (1973), Bloodthirsty Butchers (1970), The Body Beneath (1970), Carnage (1984), Depraved (1967), The Degenerates (1967), Dr. Jekyll and Mr. Hyde (1932), Dr. Jekyll vs. The Werewolf (1972), Edge of Sanity (1989), Frankenstein (1931), The Ghastly Ones (1968), House of Seven Belles (1979), Legacy of Blood (1978), Mad Ron's Prevues from Hell (1987), The Man with Two Heads (1972), Pelvis (1977), The Promiscuous Sex (1967), The Rats Are Coming! The Werewolves Are Here! (1972), Torture Dungeon (1969)

A Company of Wolves (1984), Nightbreed (1990), Errementari (2017) As horror fans, we might not really think about the amount of horror elements that are in other sub-genres, such as fantasy. Sure, we all know titles like Conan the Barbarian (1982) that has a guy who turns into a giant snake, or Legend (1985) where one of the main characters is some sort of demon or devil, do those elements make it a horror film? We all know that horror is used in many different genres of films, even some where the filmmakers themselves go out of their way to make sure to define it NOT as horror. But we know. But when it comes to Fantasy / Horror, that's where the story might be based on fairy tales or folklore, and definitely has some elements of horror in there, either in content or maybe just characters. The line can get kind of blurry. But we also know that if its entertaining, then does it really matter? Take a listen as we discuss 3 titles that we all felt hit the Fantasy / Horror sub-genre, for a variety of reasons. Tune in and find out why. Titles mentioned in this episode: Army of Darkness (1992), Beastmaster (1982), A Company of Wolves (1984), Conan the Barbarian (1982), The Curse of Frankenstein (1957), The Crying Game (1992), The Devil's Backbone (2001), Don't Be Afraid of the Dark (2010), Errementari (2017), Eyes of Fire (1983), Frankenstein (1931), Freaks (1932), Häxan (1922), Hellboy (2004), Hellraiser (1987), In Dreams (1999), Interview with the Vampire (1994), Jason and the Argonauts (1963), Krull (1983), Legend (1985), Lord of Illusions (1995), Masters of the Universe (1987), Nightbreed (1990), Pan's Labyrinth (2006), Phantasm (1979), The Picture of Dorian Gray (1945), Sword and the Sorcerers (1982), Suspiria (1977)

If you've been to a few horror conventions over the years, you've probably noticed all the artists showcasing their work. Do you ever stop to browse, flipping through their illustrations and taking in the different visions of horror they bring to life? These artists set up hoping to catch the eye of fans wandering past, sharing their unique takes on monsters, movies, and macabre ideas. One of those artists is Don England. For decades, Don has been a fixture at conventions, known for his striking pen-and-ink style. His work is not only distinctive, it's consistently excellent. We've known Don for many years, and like us, he's a lifelong horror fan. That's why we invited him onto the show- to talk not just about his love of horror, but also his art, his inspirations, and to give fans a peek into what it takes to be a working artist in the convention scene. We also dive into his latest project, Late Night Snack, a classic (but high quality) zine filled with his artwork, essays on movies, short fiction, a comic, and much more. Films mentioned in this episode: Alice, Sweet Alice (1976), An American Werewolf in London (1981), The Big Bird Cage (1972), Blood for Dracula (1974), Cannibal Ferox aka Make Them Die Slowly (1981), Children Shouldn't Play with Dead Things (1972), Curse of Frankenstein (1957), Curse of the Werewolf (1961), Dog Soldiers (2002), Flesh for Frankenstein (1973), Frankenstein (1931), Frankenstein Meets the Wolf Man (1943), Gut-Pile (1998), Headless Eyes (1971), The Howling (1981), Indiana Jones and the Temple of Doom (1984), Jacker (1993), Jacker 2: Descent to Hell (1996), Mr. Sardonicus (1961), Night of the Living Dead (1968), Phantasm (1979), Satanico Pandemonium (1975), Shogun Assassin (1980), Texas Chain Saw Massacre (1974), Vampire Lovers (1970), Wolfen (1981), The Wolf Man (1941), Zombie (1979)

Children Shouldn't Play with Dead Things (1972), Deathdream (1974), Black Christmas (1974) Director Bob Clark will probably always be remembered for his now classic holiday film, A Christmas Story (1983), released the same year as his previous film, Porky's, which is one of the raunchiest sex comedies of that era! But he started off making horror films, 3 of them in particular, before he moved on to making films in just about every other sub-genre. As you can imagine, it is these 3 horror films that we are going to discuss on this episode. One of them set many of the standards of what would be known as a slasher film, while the others have two very different take on zombies. All made on low to moderate budgets, but still are still so well made, it's a shame that Clark didn't continue on in the horror genre. Maybe that's why he's not remembered as much as names like Carpenter, Cronenberg, or Craven. And that's why we're discussing it now! Films mentioned in this episode: Baby Geniuses (1999), Black Christmas (1974), Black Christmas (2006), Black Christmas (2019), Blood Orgy of the She-Devils (1973), Born on the 4th of July (1989), The Brood (1979), Cat People (1982), Children Shouldn't Play with Dead Things (1972), A Christmas Story (1983), Deathdream (1974), Deranged (1974), Duel (1971), Halloween (1978), Hereditary (2018), Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (1964), Jaws (1975), Last House on the Left (1972), Murder by Decree (1979), Popcorn (1991), Porky's (1981), Porky's II: The Next Day (1983), Prom Night (1980), Return of the Living Dead (1985)

Better grab something to write with before you hit play on this one. In this extra-long episode, we dive into a variety of horror sub-genres and each pick a title that we think defines that category. Not necessarily the best film, but one that captures the essence of the sub-genre in a meaningful way. To help us take on this ridiculously huge (but fun) challenge, we've brought back Aaron Christensen—aka Dr. AC—to join the conversation. If you're new to the genre, this one's especially for you.  If you've been around a few years (or decades) we think the conversation is still worth your time, and we hope that you consider giving a few of these a revisit.  Time to start that new watchlist!  All set? Notes ready? Coffee or energy drink in hand? Then hit play! Titles mentioned in this episode: 7th Voyage of Sinbad (1958), Abbott & Costello Meet Frankenstein (1948), Abbott & Costello Meet the Mummy (1955), Alien (1979), Army of Darkness (1992), Audition (1999), Bad Taste (1987), Baskin (2015), The Beyond (1981), Black Christmas (1974), Black Sabbath (1963), Blair Witch Project (1999), Braindead aka Dead Alive (1992), Bride of Frankenstein (1934), Bring Her Back (2025), Cannibal Holocaust (1980), Carnival of Souls (1962), Children Shouldn't Play with Dead Things (1972), Creature from the Black Lagoon (1954), Creepshow (1982), Cruel Jaws (1995), Curse of Frankenstein (1957), The Devil's Wedding Night (1973), Dracula (1931), Evil Dead 2 (1987), The Exorcist (1973), Fight Club (1999), Frankenstein (1931), Frankenstein Must Be Destroyed (1969), The French Connection (1971), Gamera vs. Barugon (1966), The Giant Claw (1957), Godzilla (1954), Godzilla vs. Hedorah aka Godzilla vs the Smog Monster (1971), Ju-on: The Grudge (2002), Guinea Pig 2: Flower of Flesh and Blood (1985), The Haunting (1963), Hellraiser (1987), Hereditary (2018), Horror of Dracula (1958), Horror Rises from the Tomb (1973), The Host (2006), The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies (1964), Island of Lost Souls (1932), It Follows (2014), Jacob's Ladder (1990), Jaws (1975), King Kong (1933), Kwaidan (1964), Lair of the White Worm (1988), Let's Scare Jessica to Death (1971), The Monster (2016), Nekromantik (1988), Nightbreed (1990), Night of the Living Dead (1968), One Missed Call (2003), Onibaba (1964), Paranormal Activity (2007), Paranormal Activity 2 (2010), Paranormal Activity 3 (2011), Phantasm (1979), Pieces (1982), Possession (1981), Psycho (1960), Pumpkinhead (1988), The Raven (1963), Re-Animator (1985), Repulsion (1965), Return of the Living Dead (1985), Ringu (1998), The Ritual (2017), Rosemary's Baby (1968), The Sadness (2021), Satan's Sadists (1969), Saw (2004), Scream 5 (2013), Scream VI (2023), Seeding of a Ghost (1983), The Seventh Curse (1986), Shatter Dead (1994), Shaun of the Dead (2004), The Shining (1980), Suspiria (1977), Terrified (2017), Terrifier (2016), Tetsuo (1989), Texas Chain Saw Massacre (1974), The Thing (1982), Things (1989), Tombs of the Blind Dead (1972), Toxic Avenger (1984), Tucker and Dale vs. Evil (2010), The Ugly Stepsister (2025), Uzimaki (2000), Vampyros Lesbos (1971), Viy (1967), What We Do in the Shadows (2014), When Evil Lurks (2023), The Wicker Man (1973), Young Frankenstein (1974)