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yuga-dharma pravartāimu nāma-saṅkīrtana cāri bhāva-bhakti diyā nācāmu bhuvana Translation “I shall personally inaugurate the religion of the age — nāma-saṅkīrtana, the congregational chanting of the holy name. I shall make the world dance in ecstasy, realizing the four mellows of loving devotional service.

Text 225 śrī-kṛṣṇa-caitanya gosāñi rasera sadana aśeṣa-viśeṣe kaila rasa āsvādana Translation Lord Śrī Kṛṣṇa Caitanya is the abode of rasa. He Himself tasted the sweetness of rasa in endless ways.

Text 229 ṣaṣṭha-ślokera ei kahila ābhāsa mūla ślokera artha śuna kariye prakāśa Translation I have given a hint of the sixth verse. Now please hear as I reveal the meaning of that original verse. Text 230 śrī-rādhāyāḥ praṇaya-mahimā kīdṛśo vānayaivā- svādyo yenādbhuta-madhurimā kīdṛśo vā madīyaḥ saukhyaṁ cāsyā mad-anubhavataḥ kīdṛśaṁ veti lobhāt tad-bhāvāḍhyaḥ samajani śacī-garbha-sindhau harīnduḥ Translation “Desiring to understand the glory of Rādhārāṇī’s love, the wonderful qualities in Him that She alone relishes through Her love, and the happiness She feels when She realizes the sweetness of His love, the Supreme Lord Hari, richly endowed with Her emotions, appeared from the womb of Śrīmatī Śacī-devī, as the moon appeared from the ocean.”

When Nahuṣa, who had six sons, was cursed to become a python, his eldest son, Yati, took sannyāsa, and therefore the next son, Yayāti, was enthroned as king. By providence, Yayāti married the daughter of Śukrācārya. Śukrācārya was a brāhmaṇa and Yayāti a kṣatriya, but Yayāti married her nonetheless. Śukrācārya’s daughter, named Devayānī, had a girlfriend named Śarmiṣṭhā, who was the daughter of Vṛṣaparvā. King Yayāti married Śarmiṣṭhā also. The history of this marriage is as follows. Once Śarmiṣṭhā was sporting in the water with thousands of her girlfriends, and Devayānī was also there. When the young girls saw Lord Śiva, seated on his bull with Umā, they immediately dressed themselves, but Śarmiṣṭhā mistakenly put on Devayānī’s clothes. Devayānī, being very angry, rebuked Śarmiṣṭhā, who also became very angry and responded by rebuking Devayānī and throwing her into a well. Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB

Śukrācārya became angry and cursed Mahārāja Yayāti to become old, but when Yayāti begged Śukrācārya to be merciful to him, Śukrācārya gave him the benediction that he could transfer his old age and invalidity to some young man. Yayāti exchanged his old age for the youth of his youngest son, Pūru. Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB

King Yayāti, however, renounced worldly life and divided his property among his sons. He personally adopted the life of a mendicant, or sannyāsī, giving up all attraction to material enjoyment, and engaged himself fully in devotional service to the Lord. Thus he attained perfection. Later, when his beloved wife, Devayānī, was freed from her mistaken way of life, she also engaged herself in the devotional service of the Lord. Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB

As Sudāmā approached the palace of Lord Kṛṣṇa’s principal wife, Rukmiṇī-devī, the Lord saw him from a distance. Kṛṣṇa immediately rose from His seat on Rukmiṇī’s bed and embraced His friend with great joy. Then He sat Sudāmā down on the bed, washed his feet with His own hands and sprinkled the wash water on His head. After this He presented him with various gifts and worshiped him with incense, lamps and so on. Meanwhile, Rukmiṇī fanned the shabbily dressed brāhmaṇa with a yaktail whisk. All of this astonished the residents of the palace. Lord Śrī Kṛṣṇa then took the hand of His friend, and the two of them reminisced about the things they had done together long ago, while living in the school of their spiritual master. Sudāmā pointed out that Kṛṣṇa engages in the pastime of acquiring an education only to set an example for human society.

In the course of His loving talks with His friend Sudāmā, Lord Kṛṣṇa said, “My dear brāhmaṇa, have you brought any gift for Me from home? I regard as very significant even the smallest offering from My loving devotee.” But the poor brāhmaṇa was ashamed to present Kṛṣṇa with his meager gift of flat rice. However, since Lord Kṛṣṇa is the Supersoul dwelling in all hearts, He knew why Sudāmā had come to visit Him. So He grabbed the bundle of flat rice Sudāmā was hiding and ate a handful of it with great pleasure.

Sudāmā spent that night comfortably in Lord Kṛṣṇa’s palace, and the next morning he set off for home. As he passed along the highway, he thought of how fortunate he was to have been so honored by Śrī Kṛṣṇa. Absorbed in this meditation, Sudāmā arrived at the place where his home used to be — and he was struck with great wonder. Instead of his broken-down hovel, he saw a series of opulent palaces. While he stood astonished, a group of beautiful men and women came forward to greet him with singing and music. The brāhmaṇa’s wife, wonderfully adorned with celestial jewelry, came out of the palace and welcomed him with great love and reverence. Sudāmā entered his home together with her, thinking that this extraordinary transformation must have been due to the Supreme Lord’s mercy on him.

Śukadeva Gosvāmī narrated the story as follows. Within the river Yamunā there was a great lake, and in that lake the black serpent Kāliya used to live. Because of his poison, the whole area was so contaminated that it emanated a poisonous vapor twenty-four hours a day. If a bird happened to even pass over the spot, it would immediately die and fall down into the water. Due to the poisonous effect of the Yamunā’s vapors, the trees and grass near the bank of the Yamunā had all dried up. Lord Kṛṣṇa saw the effect of the great serpent’s poison: the whole river that ran before Vṛndāvana was now deadly. Kṛṣṇa, who advented Himself just to kill all undesirable elements in the world, immediately climbed up into a big kadamba tree on the bank of the Yamunā. The kadamba is a tree bearing round yellow flowers that is generally seen only in the Vṛndāvana area. After climbing to the top of the tree, He tightened His belt cloth and, slapping His arms just like a wrestler, jumped into the midst of the poisonous lake.

Seeing how very weary Kāliya had become, his wives, the Nāgapatnīs, bowed down at Lord Kṛṣṇa’s lotus feet. Then they offered Him various prayers in hopes of gaining their husband’s freedom: “It is quite fitting that You have brought our cruel husband to this condition. Indeed, by Your anger he has gained great benefit. What piety Kāliya must have amassed in his previous lives! Today he has borne upon his head the dust of the lotus feet of the Personality of Godhead, the attainment of which is difficult for even the mother of the universe, the goddess Lakṣmī. Please kindly forgive the offense Kāliya has committed out of ignorance, and allow him to live.” Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB

After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī. Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB

After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī. Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB

After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī. Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB

After consulting with his demoniac ministers, Kaṁsa instructed a witch named Pūtanā, who knew the black art of killing small children by ghastly sinful methods, to kill all kinds of children in the cities, villages and pasturing grounds. Such witches can play their black art only where there is no chanting or hearing of the holy name of Kṛṣṇa. It is said that wherever the chanting of the holy name of Kṛṣṇa is done, even negligently, all bad elements – witches, ghosts and dangerous calamities – immediately disappear. And this is certainly true of the place where the chanting of the holy name of Kṛṣṇa is done seriously – especially in Vṛndāvana when the Supreme Lord was personally present. Therefore, the doubts of Nanda Mahārāja were certainly based on affection for Kṛṣṇa. Actually there was no danger from the activities of Pūtanā, despite her powers. Such witches are called khecarī, which means they can fly in the sky. This black art of witchcraft is still practiced by some women in the remote northwestern side of India. They can transfer themselves from one place to another on the branch of an uprooted tree. Pūtanā knew this witchcraft, and therefore she is described in the Bhāgavatam as khecarī. Our initiatives need your support: https://rzp.io/l/brajsundardas Support our cause Paypal: https://paypal.me/bdpayments?country.x=IN&locale.x=en_GB