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A former detective walks into a recording studio for the first time and cries when the band starts playing his song. That’s the kind of real, lived-in moment that makes this conversation with South Carolina country artist Kyle stick with you long after the credits roll. We talk through Kyle’s winding career path from dispatcher to police officer to detective, then into ministry as a pastor, and later into EMS as an EMT and paramedic. Along the way, he shares how a rough childhood shaped his drive to serve, why the physical demands of the ambulance eventually pushed him toward teaching, and how he now trains the next generation as a paramedic program director. If you’re searching for a career change story that’s honest about risk, faith, and the need for steady income, this one delivers. Then we turn the spotlight to the music. Kyle grew up with guitar in his hands, but he doesn’t return to writing and releasing until his fifties and within a few years he’s landing chart attention and building momentum as an independent country singer-songwriter. We get into songwriting craft, the studio workflow, adding Nashville session players, and the unglamorous business reality of building “numbers” through live shows, social media, Spotify, and distribution tools like DistroKid. We also unpack what a modern artist team can look like: mentorship, management, radio promotion, and PR, even while paying for growth out of gig money. If you enjoy stories about second acts, country music with real stories, and the behind-the-scenes of building an indie career, hit subscribe, share this with a friend, and leave a review so more listeners can find it. Episode Links Kile Antone: https://kileantonemusic.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

Atlanta’s music identity is bigger than most headlines, and Heydreamer is proof. We’re joined by Melody and Dustin from the Atlanta-based alternative rock band to get a grounded look at what the local scene really feels like for working musicians, from open mics and jam culture to the web of relationships that quietly powers the best shows. If you’ve ever searched for the Atlanta rock scene, live music venues in Atlanta, or how indie bands actually get booked, their stories land with the kind of detail you only get from people doing the work week after week.  We also talk venues in a practical way: the difference between true listening rooms and bar gigs where you’re competing with TVs and small talk, plus why multi-stage rooms can help bands grow without jumping straight from tiny clubs to impossible rooms. Melody and Dustin share what it’s like booking dates without an agency, how “tour surprises” can swing from sketchy logistics to unforgettable spaces, and why smart gig selection matters more now than ever in a tough touring economy.  On the bigger-stage side, we dig into how their team at Real People Music connects to opportunities like opening for Collective Soul, and why one great show rarely changes a career by itself. The goal is momentum, sustainability, and intentional choices that respect budgets, schedules, and the realities of being a professional musician. We wrap with van-life dynamics, food-first road rituals, and a shout-out to the unsung heroes who helped them get here, plus news about their upcoming album The Celebrated Destruction of Paradise dropping November 6. Subscribe, share this with a friend, and leave a review, then tell us what city’s music scene you want to hear about next. Episode Links Hey Dreamer: https://heydreamerband.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

A street sign becomes a chorus. A waltz meter turns a sad scene into something haunting. A concept album clicks into place because one image won’t let go. That’s the kind of creative thinking we chase with actor and musician James Woods, and it’s why this conversation stays with you after the final note.  We talk through what James learned from decades in film that directly applies to music: interpreting great writing, using improvisation without disrespecting the work, and showing up with discipline even when inspiration feels effortless. Then we flip the lens to his lyric-first process, where every word and story concept starts on the page before trusted collaborators shape the sound. James shares how working with Shooter Jennings and Bob Wayne changed his output, helped him protect the spark, and kept the collaboration productive instead of precious.  From there, we go deeper into the nuts and bolts that music fans love: why 3/4 and 6/8 time can tug harder at emotion than standard 4/4, how subtle rhythmic shifts can hide in plain sight, and why concept albums still matter when most listening happens one track at a time. We also walk through his studio workflow, from printing lyric sheets for the band to watching elite players build charts on the spot and deliver a full performance after one listen. The episode closes with our “Unsung Heroes” moment, where James honors his mother’s support and the promise that shaped his entire career.  If you enjoy thoughtful conversations about songwriting, concept albums, studio recording, and creative discipline, subscribe, share this with a friend, and leave a review so more people can find the show. Episode Links James Woods: https://www.jameswoods.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

A forgotten Indianapolis sound helped shape the blues, and Christopher Wise is determined to prove it with receipts. We sit down with the Indiana blues recording artist to talk about Knaptown Blues, his deep dive into the music of Leroy Carr and Scrapper Blackwell, and why recording close to home can feel just as alive as cutting tracks in Memphis or Mississippi. If you’ve ever wondered how much a room, a neighborhood, or a local history can change a performance, this conversation keeps it real. We also get nerdy about recording without turning it into a format fight: the warmth and ritual of tracking on tape, the convenience of Pro Tools, and the practical way modern sessions happen, including Zoom-produced work for TV and film. Christopher shares what it was like recording at the legendary Royal Studios in Memphis, working with the High Rhythm Section, and pulling off a time-crunched session that included a duet with UK blues singer Emma Wilson. Then we go straight into blues history and storytelling. Christopher breaks down why Carr and Blackwell’s city blues carries a different swagger than Delta blues, how Kokomo Blues connects to the DNA of Sweet Home Chicago, and why he still presses CDs with detailed liner notes to reach blues radio and build real momentum on charts like Roots Music Report. Subscribe, share this with a blues fan, and leave a review with your favorite blues origin story. Episode Links Christopher Wyze: https://christopherwyzeandthetellers.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

Sun Studio has a reputation that borders on myth, but Coyle Girelli breaks down what the “magic” actually feels like when you’re alone in the room with a guitar, a vocal mic, and the original RCA microphones. We talk about recording in Memphis through Sun Records, why a room mic can tell the whole story, and how hearing the space itself can change the way you understand sound, performance, and even songwriting. We also zoom out to the real day-to-day of being a touring singer-songwriter. Coyle compares crowd culture across cities and countries, shares how he deals with people talking through quiet shows, and explains why touring the United States still feels special after years on the road. From there, we trace the path that led him to Sun Records through songs written with Mac Davis, plus the deeper influences that shaped his ear: Americana, opera at home, Britpop, and grunge records that permanently rewired his sense of what’s possible. Then we get practical. Coyle walks us through his workflow from home demos to finishing records in a Brooklyn studio, why he prefers Logic for writing, and how he keeps himself from overthinking a song to death. He’s a melody-first writer, often fast, and he explains how lyrics keep evolving right up until final vocals. We also hit musical theater, big career moments like David Letterman, and the “unsung heroes” who’ve been there since the early days. If you enjoyed this conversation, subscribe so you don’t miss the next one, share it with a friend who loves songwriting and music history, and leave a review so more listeners can find the show. Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

A “made it overnight” story can still take decades to understand. We talk with Texas folk rock and Americana artist Ezra Vancil about the twists that shaped his career: early bands with a drummer-driven groove, a development deal that arrived fast and fell apart even faster, and years of chasing the next break without ever getting the album release he thought would change everything. Ezra doesn’t dodge the hard parts. He walks us through the dark decade of addiction, the legal fallout, and what probation life really looks like when a device is literally beeping for you to prove you’re sober. Then the tone shifts to the moment that finally sticks: a decision on a kitchen floor, a recovery group, and 13 years without a drink. From there, we dig into what changed most, not just his habits, but his reason for making music. We also get practical for songwriters and home recordists. Ezra breaks down how he writes (chords plus syllables until real words appear), how his iPhone voice memos become an “idea scrapyard,” and how he curates songs when he’s ready to tell a full album story. He describes tracking in a cabin studio, building records from drum and bass feel instead of a rigid click, upgrading from a Universal Audio workflow into donated analog outboard gear and Neve-style channels, and sending mixes and vinyl masters through trusted Nashville collaborators. Along the way, you’ll hear unforgettable road stories from Japan to Germany, plus a simple piece of encouragement from an unsung hero: “keep going.” If you connect with honest artist interviews, songwriting craft, and real-world music industry lessons, subscribe, share this with a friend, and leave a review so more listeners can find it. Episode Links Ezra Vancil: https://ezravancil.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

Cincinnati is full of rooms where a band can level up fast, but only if you know where to look. We talk with hard rock artist Mark Frye from Asayda about the Cincinnati live music scene as a real map of neighborhoods, venues, and crowds, and why the city feels like a “big small town” for musicians. From Bogarts to Annie’s Music Center to Ludlow Garage and Riverbend, we compare what each space rewards, what it costs to be close to the stage, and what makes a show feel electric when the band is still on the rise.  We also get into the less glamorous truth behind every solid band: people. Mark breaks down how Aseda came together after multiple projects, why “good hang” matters as much as chops, and how lineup changes happen when life, family, careers, and health collide with rehearsal schedules. If you’ve ever wondered why some groups sound great but still fall apart, this part hits home with practical, real-world honesty.  Then we go deep on the craft and the gear. Mark shares how Asayda is building a new album with a DIY studio approach, how drum tracking can work with an e-kit and triggered sounds, and why flexibility can be a blessing and a curse when you can always tweak “one more” part. We talk guitars, stage visibility, and the modern debate over modelers and “real” instruments, plus what’s next including the Swine City Brewing show on September 4 and the band’s release strategy for Spotify and beyond. If you like Cincinnati rock stories, recording process talk, and behind-the-scenes band building, hit follow, share this with a friend, and leave a review so more listeners can find the show. Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

A debut single is never just a song. It’s ten years of drafts, late-night voice memos, and learning how to trust your own taste long enough to hit release. We sit down with Tennessee pop rock recording artist Ivy Leighton to unpack the real work behind her first official drop, “Good Girl,” out September 1st, 2026. Ivy shares the moment she got serious about songwriting at 14, the mix of influences that shaped her sound (Taylor Swift, Coldplay, Paramore, Wet Leg, Radiohead), and why she keeps coming back to angry, dramatic lyrics even when she tries to write something happy. She also gets specific about craft: starting with guitar or piano chords, finding lyrics through “gibberish” melodies, pulling one-liners from her Notes app, and turning a root feeling into a fictional story that still hits hard. Then we go deep on music production and recording. Ivy walks us through capturing ideas on iPhone Voice Memos, tracking with a full band at a studio in Dunlap, Tennessee, and building vocal harmonies by experimenting in GarageBand on her phone before stepping up to the mic. We also talk mixing with nine-time Grammy winner Bob Bullock and what it feels like to hear your music come back with real punch for the first time. After the livestream, we share a major update: Jay Franze officially steps in to manage Ivy, setting the stage for bigger shows, smarter career moves, and a long release runway. Listen, follow Ivy’s journey, and if “Good Girl” hits you, share it, subscribe, and leave a review so more people can find the music. Episode Links Ivey Leighton: https://iveyleighton.com/Bob Bullock: https://jayfranze.com/episode28/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

Three songs. That’s the window most concert photographers get to capture an entire night of energy, emotion, and chaos and somehow deliver photos that look like they belong on a tour poster. We sit down with Ohio concert photographer Tom Rentz to talk about what really creates a signature look in live music photography, from tight portrait framing to the decisions you make before you ever lift the camera. Tom breaks down the craft behind the “lucky” shots: studying performances ahead of time, reading choreography, using burst shooting to catch micro-expressions, and choosing where to stand so the moment lands in your frame. We also dig into the unglamorous problems that every live music photographer faces, like harsh red lighting, microphones covering faces, underlit drummers, and the constant pressure of the three-song sprint. Then we go nerdy in the best way: focus points, cropping choices, why he loves wide glass like a 14-24, and what changes when you’re stuck at front of house with a long lens, a monopod, and an ISO ceiling you may or may not want to cross. We also talk credentials, band restrictions, and the etiquette that keeps you getting invited back. If you shoot concerts, want to shoot concerts, or just love the behind-the-scenes reality of live music, hit play, subscribe, and share this with a photographer friend. After you listen, what’s the hardest part of concert photography for you right now? Episode Links Tom Rentz: https://rentzphotography.com/Jeff King: https://jayfranze.com/episode6/Chris Leuzinger: https://jayfranze.com/episode17/Bruce Reiter: https://jayfranze.com/episode67/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

A heavy song doesn’t start as a finished riff and a perfect hook. It starts as a feeling, a voice memo, a half-built demo, and a band willing to tear it down and rebuild it until it finally hits. We sit down with Ohio rock band Archer’s Gate for a deep, practical talk about collaboration, vocal harmonies, and the real behind-the-scenes work that turns an idea into a release you can blast in the car. We get specific about their songwriting process, from who brings the first spark to how they pressure-test arrangements in pre-production with scratch tracks, pads, and evolving structures. The band also breaks down their studio workflow with Sonic Lounge Studios and engineer-producer Joe Viers, including why producer coaching changes vocal performances, how Pro Tools sessions move back and forth, and why recording clean stems for re-amping keeps tones flexible without losing personality. If you love gear talk, you’ll hear how they think about guitar roles, drum impact, and bass tone shaping with clean plus dirt blending. Then we go straight into the heart of the music. Emily shares the story behind “Metamorphosis,” using the butterfly lifecycle as a metaphor for life transformation and the hard seasons that come before growth. The band also unpacks “Suffocate,” weaving anxiety, pressure, and breathwork-inspired vocal textures into a track that feels as tense as the message. We wrap with what’s next: album plans, marketing support, building the right team, and what they actually want from management. Subscribe for more artist interviews, share this with a musician friend, and leave a review if you want more deep dives like this. What part of the band’s process do you want to hear more about next? Episode Links Archers Gate: https://www.archersgateband.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

A great heavy band does two jobs at once: it punches you in the chest with sound, then pulls you closer with truth. Jay Franze sits down with Ohio recording artist Matthew Fritsch, vocalist for Life After This, to talk about the moments that shaped his approach to modern metal and hard rock, starting with the impact of Papa Roach. We get into what “stage energy” really means, how crowds become one unit, and why the most powerful lyrics are often the most direct ones. Matthew breaks down his songwriting process as a vocalist who doesn’t play instruments, building songs collaboratively from a riff-first foundation and then writing melody and lyrics after the music reveals its mood. We also talk about why he pushes for variety across the catalog, keeping every track on the same street but not in the same house, and how vulnerability in vocal performance can be just as heavy as screaming. Then we go behind the curtain: building a real music community through presale ticket hustle, hanging with fans after sets, and even renting a school bus party ride to bring supporters to a show. On the production side, Matthew shares what it’s like recording at Sonic Lounge with engineer Joe Viers, trusting creative ideas, and dialing in a mix with feedback that serves the song. Subscribe for more interviews, share this with a friend who loves heavy music, and leave a review with the one band that taught you to be braver. Episode Links Life After This: https://lifeafterthis.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

One scoop of vanilla ice cream after dinner sounds harmless until it turns into a band tradition, and it’s the perfect opener for a conversation that quickly gets real about what a working musician’s life actually looks like. We’re joined by Les Janssen, a New York bassist with deep roots in rock, a love for great feel, and the kind of touring experience that forces you to think about everything from stage sound to airport baggage claims. We talk about playing at Daryl’s House and why consistent production changes the entire night for both musicians and the crowd. From there, Les walks us through his early start on bass, the influence of growing up in a musical family, and how the discipline of learning technical music (hello, Rush) can be a gift and a challenge when you’re trying to get back to pure rock and roll groove. He also shares advice he gives younger players: don’t become a pattern player, learn the basics, and stay open-minded so you don’t trap yourself in one lane. Then we dig into gear and career realities: the Michael Kelly bass he helped design for real-world fly dates, the small design choices that make an instrument feel “high-end,” and what the NAMM show is like when you’re working a booth, meeting other pros, and still squeezing in performances. Les also connects the dots between Journey tribute worlds like The Voyage and playing with Steve Augieri, plus the travel stories that come with it including a private jet sprint stuffed with gear. We wrap with studio life, from tape-era lessons and apprenticeship habits to modern home recording with Universal Audio Apollo interfaces, Cubase, and remote session work. If you’re a bass player, producer, or just curious about the behind-the-scenes of touring and recording, this one is packed with practical takeaways. Subscribe, share this with a musician friend, and leave a review with your favorite road or studio lesson. Episode Links Les Jansson: https://www.lesjansson.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

You can hear it in Trey Calloway’s voice: the grind is still there, but something has shifted. The work feels more focused, the circle is tighter, and the next steps look a lot more like a real Nashville plan than a hopeful guess. Jay Franze sits down with Trey to talk through the behind-the-scenes moves that actually change a country artist’s trajectory: signing with manager Jerry Hines, learning how to lead with confidence, and building a team that believes in you when you are tempted to doubt yourself. We dig into the advice Trey is getting from Jerry and Craig Morgan, especially the part most artists struggle with: stop selling yourself so hard and start trusting what you do well. Trey shares how he used to turn rejection inward, how that mindset can poison your momentum, and why positivity matters when you are the “CEO” of your own career. If you care about artist development, music industry mentorship, and the mental health side of chasing big goals, this conversation gets specific fast. Then we go deep on the practical craft: working with producer Phil O’Donnell, recording at Soundstage Studios on Music Row, and why collaboration with great players can elevate a record without losing the heart of the song. Trey also breaks down a huge weekend as Craig Morgan’s special guest, what the tour bus life taught him, and how a single onstage introduction can translate into real social media growth. We close with big news about Broken Compass and the broader mission of building careers the right way, plus plenty of road stories along the way. Subscribe for more conversations like this, share it with a friend who loves country music, and leave a review that tells us what part hit you the hardest. Episode Links Trey Calloway: https://treycallowaymusic.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

Streaming promised unlimited music, but it also trained us to treat songs like disposable wallpaper. We sit down with Harmony Records founder and CEO David Chatfield to talk about what that shift costs artists and listeners, and why he thinks the next wave is about bringing music back to being an experience you choose, not noise that happens to you.  David walks us through building a record label from the ground up, from the early 1980s world of $125,000 recording budgets and indie distribution to today’s reality of home studios, cheaper lockouts, and the brutal competition of constant new releases on Spotify. We dig into what actually holds up across every era: writing better songs, crafting memorable hooks, arranging music for records, and following through on promotion when things inevitably go sideways.  Then we get practical about music marketing and artist development. David explains why a million streams can still mean nothing if you do not tour, how a small base of superfans can fund a real career through merch and direct support, and why physical media like CDs and vinyl is trending again when the packaging gives people something to hold, read, and keep. We also talk legacy artists, catalog revival, cinematic music videos, radio strategy, and thinking globally about where fans still buy records.  If you got value from this conversation, subscribe, share it with a friend, and leave a review so more artists and music fans can find the show. What part of today’s music business do you want us to tackle next? Episode Links David Chatfield: https://davidblakechatfield.org/Harmony Records: https://harmonyrecordsmusic.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives

A band that adopts a highway, cleans it with fans, then goes straight back to building a tightly synced live show is the kind of story we can’t stop talking about. I’m joined by Rex Larkman, drummer for Tropidelic, for a conversation that moves from Cleveland pride to the real mechanics of modern touring, with plenty of laughs and hard-earned lessons in between.  We get into the Cleveland music scene and how a “Lake Erie ocean” mindset can fuel a band whose sound blends reggae rock, funk, hip-hop, and high-energy drumming. Rex breaks down the drummers who shaped him, from Neil Peart and Trey Cool to Joey Jordison and Carter Beauford, and explains how he approaches recording versus performing so the parts serve the song but the stage still hits like a rush.  Then we go deep on the gear and the why behind it: click track philosophy, backing tracks used as layered support rather than shortcuts, and Rex’s practical Roland SPD-SX setup with count-offs and a kill switch for the nights when tech fights back. We also talk tour life, Warped Tour chaos, rain-soaked shows, and the surreal feeling of playing Red Rocks, plus the “basement of Red Rocks” vibe at The Caverns. We wrap with Tropidelic’s new album First Light, DIY music video production, and a shout-out to the unsung heroes behind every great show.  If you like artist interviews, touring stories, drumming talk, and behind-the-scenes music production, subscribe, share this with a friend, and leave a review. What’s the best live venue you’ve ever been to? Episode Links Tropidelic: https://tropidelic.com/Send us Fan Mail Support the show Links Jay Franze: https://jayfranze.com/JFS Countdowns/Playlists: https://jayfranze.com/playlists/Contact Contact: https://jayfranze.com/contact/Socials Instagram: https://www.instagram.com/jayfranzeYouTube: https://youtube.com/@jayfranzeEverywhere: @jayfranzeServices Services: https://jayfranze.com/services/Books Books: https://jayfranze.com/books/Merchandise Merchandise: https://jayfranze.com/merchandise/Support Support: https://jayfranze.com/support/Sponsor the Show: https://jayfranze.com/sponsor/Shout Outs High Mountain Breezes Music: https://highmountainbreezesmusic.com/VR Knives: https://www.facebook.com/VRKnives