Advertise on podcast: Locarno Meets

This week on #LocarnoMeets, Isabelle Huppert joins us to talk Marc Fitoussi’s tender comedy “All About Corinne” (“Ni vue, ni connue”), the closing film of #Locarno79. Alongside Sandrine Kiberlain, Huppert plays the lead in a story that reunites her with Fitoussi, a director she has long trusted and often collaborated with. We talk about how she adapts to such different filmmakers, what keeps her artistic partnership with Fitoussi fresh, and her memories from collaborating with visionary filmmakers Claude Chabrol and Michael Haneke.

Isabella Rossellini has never settled on a single job title: actress, supermodel, fashion designer, farmer, holder of a master's degree in animal behaviour. Upon receiving the Excellence Award in Locarno, she joined us to talk the silence of "Conclave", how her fascination with animal courtship rituals turned into her cult series "Green Porno," the "nightmare" reputation that followed her after David Lynch's "Blue Velvet", and how director Robert Zemeckis proved just as experimental on set as her father, Roberto Rossellini.

This week on #LocarnoMeets, we sat down with Alexander Payne, the comedic genius behind some of the best films of the past three decades, including “The Holdovers”, “Election”, and “Sideways”. He joined us to discuss his career, working with George Clooney on “The Descendants”, and his low, low budgets.

Iraqi filmmaker Mohamed Al-Daradji’s latest film (“Irkalla: Gilgamesh's Dream”), which premiered on the Piazza Grande during Locarno78, was hailed as a major achievement, both in terms of its artistry and the circumstances of its production. He joined us to discuss the myth of Gilgamesh, shooting a movie in Baghdad, and being shot at in Baghdad.

When, in August 2025, we had the honour of awarding the Raimondo Rezzonico Award to the Lebanese independent company Abbout Productions – founded by Georges Schoucair and Myriam Sassine – we could never have imagined that, just a few months later, we would find ourselves facing the current dramatic international situation and that war would be raging harsher than ever in Lebanon. At the time, in Locarno, these two outstanding producers joined our podcast to discuss their careers and the future of Lebanese cinema. We spoke about the trauma of the Beirut explosion in 2020, the work of creative producing and the Arab film community, as well as their films “Costa Brava, Lebanon” and “Memory Box”.

Serving as head of the Locarno78 jury last year, Rithy Panh is a legend of Cambodian cinema. Over his thirty year career, he has tirelessly interrogated the atrocities of the Khmer Rouge with creativity and originality. He joined us on the latest episode of #LocarnoMeets to talk about movies, TikTok, and the demagogues of the tech world.

Vicky Krieps is one of the definitive European actors of her generation. But her new film, the astonishing “Yakushima's Illusion”, which world premiered at Locarno78, dropped her deep into an ancient forest on the eponymous Japanese island, the mystical place that once served as, among other things, the inspiration for Hayao Miyazaki's “Princess Mononoke”. We talked about preparing for a role as a pediatric heart surgeon, adapting to the sounds of the forest, and the challenge of accommodating the Japanese way of doing things.

Best known for “21 Bridges” and his work on television shows like “Game of Thrones”, director Brian Kirk’s much anticipated new film is the icy thriller “The Dead of Winter” starring Emma Thompson in a bravura role as a steely Minnesotan widow named Barb. As the film premiered to acclaim on the Piazza Grande at Locarno78, we sat down with Kirk to dig into the mechanics of shooting in snow and collaborating with a living legend.

Nadia Tereszkiewicz is the actor at the heart of “Heads of Tails?” an award-winning new spaghetti western by Italian filmmaking duo Alessio Rigo de Righi and Matteo Zoppis. This magnetic actress joined us on the latest episode of LocarnoMeets to talk about “McCabe & Mrs. Miller”, John C. Reilly, corsets, and horses.

The Swiss director, cinematographer, and close collaborator on some of Jean-Luc Godard’s final works Fabrice Aragno made his debut as a feature filmmaker at Locarno78 with the hypnotic “Le Lac”, a near-wordless experimental romantic drama that takes place during a sailing competition on Lake Geneva. Aragno joined us on Locarno Meets to discuss his work to capture the spirit of the lake itself, why every film is a documentary of its own making, what it meant to see “La Notte” as a young man, and the profound personal influence of working so long and so closely with JLG.

Colm Meaney is the definitive Irish character actor of his generation, having starred in classics like “The Commitments”, “The Damned United”, and “Layer Cake” over a near 50-year career. Meanwhile, his roles in Hollywood blockbusters like “Die Hard 2”, “Con Air”, and “The Last of the Mohicans”, as well as on TV in “Star Trek: The Next Generation” and “Star Trek: Deep Space Nine”, have cemented his place as one of those character actors we’re always happy to see appear in a movie. Meaney joined us to discuss his new movie – Duwayne Dunham’s “The Legend of the Happy Worker” – and to tell us quite why digital cameras suck.

From ‘Star Wars’ and ‘Blue Velvet’ to Disney Channel originals, nobody has had a career like Duwayne Dunham’s. In the latest episode of Locarno Meets, the singular editor and director reflects on cutting some of the most iconic films of our time, explores longstanding collaborations with George Lucas and David Lynch – from ‘Twin Peaks’ to ‘Wild at Heart’ – and dives into his “Western capitalist fairy tale,” the new feature ‘Legend of the Happy Worker’, which premiered out of competition at Locarno78 and marks the final film to feature Lynch’s name as executive producer.

A comedian from New York who knows what’s wrong with the movie industry, Maysoon Zayid spent Locarno78 haranguing cinema executives about the kind of work being produced, and she joined us on Locarno Meets to do the same. “The idea that diversity only applies to diverse audiences is a supremacist mindset” says the Palestinian-American comic, a disability rights advocate uncompromising in her critiques of how and why movies get made. In Locarno last year to speak at StepIn during Locarno Pro, Zayid’s many insights were a powerful and much-needed provocation on the first day of our industry activities.

We start the new year off with another episode of our movie podcast Locarno Meets, this time in conversation with the iconic star LucyLiu and Eric Lin, director of her celebrated film “Rosemead”. Winner of the Prix du Public UBS – the audience award – at Locarno78, “Rosemead” tells the heart-wrenching, real-life story of a woman, played by Liu, who discovers her teenage son is obsessed with violent fantasies and plans to act on them. Only her drastic intervention can stop him from destroying everything they’ve built as a family and bringing harm to others. We sat down with Lucy Liu and her director Eric Lin to discuss this extraordinary film and dig into the specifics of Liu’s remarkable performance.

Ed Guiney is an Irish producer known for his collaborations with filmmakers like Yorgos Lanthimos and Joana Hogg. We invited him to join us on Locarno Meets to give his insights on the state of indie filmmaking in Europe, his artistic partnership with Yorgos Lanthimos, Letterboxd’s influence on arthouse attendance, and his definition of the role of producer.