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The body count is in… and it’s time to crown the winners. After slicing through 1985–1989, we close out Season 2 with The Slashies! Our full-on slasher awards show. Expectations get gutted, reputations get reevaluated, and a few movies somehow survive the carnage. We’re talking: • The tropes that need to be permanently buried (looking at you, “failed escape”) • The most brutal, ridiculous, and “that’s messed up” kills of the era • Hidden gems, total disasters, and the best of the late-80s slasher boom • Rapid-fire awards for the dumbest decisions, most obvious killers, and more Featuring films like The Stepfather, April Fool’s Day, Maniac Cop, StageFright, Blood Rage, Intruder, and Grave Robbers—this is the definitive wrap-up of one of the weirdest, wildest stretches in horror history.

The Slashers: 1989 - Part 2 The end is here! 1989 finds us digging into three late-cycle oddities: Offerings, Grave Robbers, and Cutting Class. A disfigured outcast returns to deliver body parts as twisted “gifts” (Offerings), a group of grave robbers unleashes an axe-wielding satanic revenant (Grave Robbers), and a killer stalks Brad Pitt after a mental patient is released (Cutting Class) It’s messy. It’s mean. It’s the death rattle of the ‘80s slasher boom. One last review. One last cut.

The Slashers: 1989 – Part 1 The end of the decade is in sight, but 1989 isn’t going quietly. This week, we dive into three wildly different slices of late-’80s horror: the frosty revenge thriller ICED, the supermarket siege slasher INTRUDER, and the sun-drenched paranoia of Don’t Panic. From ski masks to stock rooms to supernatural dread, this trio captures a genre in transition, nastier, stranger, and pushing against the limits of what the slasher could be before the ’90s reset the board. Three films. One year. The body count keeps climbing.

This week is all cornfields, canals, and killer toys! The Slashers slice into the back half of 1989. This time, we’re stalking scarecrows in the cornfields, unearthing satanic panic in the suburbs, chasing a wetsuit-clad killer through Amsterdam’s canals, and unboxing one of horror’s most enduring icons. On the slab: Scarecrows (1988/89 release) – Shot down over a cursed farm, mercenaries discover the harvest fights back. Hack-O-Lantern (1988/89 release) – Grandpa’s occult hobbies turn Halloween into a suburban nightmare. Amsterdamned (1988) – A giallo-tinged slasher soaked in neon and canal water, directed by Dick Maas. Child’s Play (1988) – The birth of Chucky, where consumer culture and killer instinct collide. From regional oddities to international mayhem to franchise origin stories, this lineup captures the strange, transitional energy of late ’80s horror where satanic paranoia, Euro-thriller style, and toy-store terror all shared the same video shelf.

The Slashers return to slice and dice the end of the decade with 1988: Part One. From the horrors of wholesome America to militarized police, low-budget chaos, and shocking international brutality, the late-’80s slasher cycle pushes into transgressive new territory. American Gothic Doom Asylum Maniac Cop Evil Dead Trap

It’s Christmas, and Billy is back. On this episode of The Slashers, we review Silent Night, Deadly Night (2025), the unrated reboot of the infamous holiday slasher, written/directed by Mike P. Nelson and starring Rohan Campbell and Ruby Modine. Released in U.S. theaters on December 12, 2025, via Cineverse. This new entry marks a return to the franchise’s “you better watch out” brutality while adding plenty of new wrinkles.  We break down what works, what doesn’t, and how it stacks up against the 1984 original and the broader Silent Night, Deadly Night legacy, kills, tone, holiday vibes, and whether this reboot earns a spot on your annual Christmas horror rotation.

Peeping Tom (1960) is the taboo-shattering thriller that dissected voyeurism, exposed the predatory psychology baked into filmmaking, and, ironically, became the accidental blueprint for a whole subgenre of cinematic sexual sadism. In this mini-sode, we break down Michael Powell’s striking color design of saturated reds, icy blues, and uncanny purples; the film’s razor-sharp commentary on directors and audiences as voyeurs; and the enduring irony that Peeping Tom was condemned for the very impulses later slashers celebrated. From its explosive reception to its outsized influence on modern horror, we explore how Peeping Tom warned us about the genre it helped create. A deep dive into color, psychology, and the dangerous thrill of looking.

Our journey through 1987 continues! This time, slicing through Christmas carnage, rural rampages, real estate nightmares, and one of the greatest sequel glow-ups in horror history. ’87 refuses to quit, and neither do we. Silent Night, Deadly Night 2 (1987) Garbage day!  Berzerker (1987) Campground mayhem meets Nordic Buck flower? Slaughterhouse (1987) Ugh Open House (1987) The only thing deadlier than the housing market is… the housing market. Hello Mary Lou: Prom Night II (1987) A fake sequel that outshines its predecessor? We dig into the wild genre swings that make late-’80s horror such a glorious mess. More than trees were trimmed in 1987 when the slaughter continued.

We’re carving into some truly deranged offerings from 1987, because nothing says “family holiday” quite like identity theft, sleazy LA strip joints, Italian arthouse mayhem, and a killer with a taste for cranberry, colored carnage. This feast features: The Stepfather (1987) Body Count (1987) StageFright (1987) Stripped to Kill (1987) Blood Rage (1987) We break down the kills, the chaos, the craft, and the traditional family values behind this year of pure insanity, all while celebrating the most important Thanksgiving tradition of all: cinematic dismemberment. Pull up a chair. Sharpen the carving knife. It’s time for your 1987 Thanksgiving.

The summer of ’86 wasn’t just big hair and bigger explosions; it was a massacre. Slashers were getting weirder, wilder, and way more unhinged. In Part Two, we dive into four films that pushed the genre into neon-soaked absurdity, meta-mayhem, and straight-to-video madness. The Blood Pool: The Texas Chainsaw Massacre 2 – Tobe Hooper’s bonkers sequel blends grindhouse satire, chainsaw duels, and Dennis Hopper in full maniac mode. The Zero Boys – A survival-action-horror hybrid that turns a weekend getaway into a deadly hunt. Evil Laugh – A deep cut, straight-to-video slasher packed with ’80s cheese, masked mayhem, and one unforgettable kitchen-dance montage. Sorority House Massacre – A dream-logic riff on Halloween with psychic visions, campus carnage, and sorority slasher energy. We break down the kills, the craft, the chaos, and hand out awards along the way.

The mid-’80s slashers are evolving!  Trading grindhouse grime for glossy kills, wild twists, and dark comedy. In this episode, Jason, Paul, and Megan carve into four films that define horror’s strange transition year: The 11th Commandment April Fool’s Day Psycho III Killer Party From returning icons to forgotten freak shows, we debate which films kept the genre alive as the slasher craze started to die. Expect heated takes, deep cuts, and maybe a few April Fools along the way.

The Slashers return to 1985 when gore went direct-to-video. Paul from The Countdown, Megan Kearns from Spoilerpiece Theater, and Jason from Binge Movies slash through Murderlust, The Mutilator, The Hills Have Eyes Part II, The Ripper, and Blood Tracks. Expect sharp debate, killer trivia, and a battle for Best Kill, Best Final Girl, and Best Overall Film. Don’t let them catch you!

Season 2 of The Slashers slashes into the second half of the ’80s! An era when the sub-genre got gorier, campier, and more unhinged than ever. From cult curiosities to infamous sequels and the rise of new horror icons, our Blood Pools dig into everything from sun-drenched slash-sploitation to chilling suburban nightmares. Expect deep cuts, forgotten oddities, and some of the wildest Final Girls, killers, and kills the decade had to offer. Subscribe now and join us as we carve through the bloody boom years of 1985–1989.

Join Jason of Binge Movies, the creator and brains behind this limited series podcast, Megan from Spoilerpiece Theatre, the heart and soul of the series, and Paul from The Countdown, the equivalent of the series' immune system, as they come together one final time to reflect on the golden age of the Slasher sub-genre, 1980 to 1984.   In among their musings on that long ago time, the hosts give their overall season awards for a range of fun categories including: most athletic killer, most likely to write a best selling memoir, assessments of what type of killer each of their co-hosts, and of course best and worst film that has been covered.   If you have enjoyed the show and would like to hear a second series, it's not too late! Leave a 5-star review on whatever platform you're listening to and let Jason, Megan and Paul know you've enjoyed the journey on Letterboxd at slasherspodcast and via email at [email protected].   The incredible synthwave series theme, Shattered, comes from the talented Karl Casey @ White Bat Audio. Please check him out.   And even though that's it for The Slashers, never forget ... DON'T let them catch you!

Join Jason of Binge Movies, the great defender of all that slashes, Megan from Spoilerpiece Theatre, who dives deep into those same slashers to reveal the deeper themes, and Paul from The Countdown, he who worships the gore among those slashers, as they round out the golden age of the Slasher by exploring the year that was 1984.   This episode's Blood Pool consists of: Rocktober Blood released January 1, 1984 Fatal Games released January 1, 1984 Splatter University released July 13, 1984 Day of the Reaper released October 31, 1984 A Nightmare on Elm Street released November 9, 1984 The Initiation released December 7, 1984   From this Pool, the hosts will each select their Best Poster/Box Art, Best Cult Classic, Best Final "Girl", Best Kill and Best Film, and decide on a podcast winner from each category.   Get involved in the discussion about the show on Letterboxd at slasherspodcast and via email at [email protected].   Leave a 5-star review on whatever platform you're listening to if you'd like to hear a Season 2 of The Slashers.   The incredible synthwave series theme, Shattered, comes from the talented Karl Casey @ White Bat Audio. Please check him out.   And otherwise, always remember ... DON'T let them catch you!