Advertise on podcast: In Her Defence: Breach of Trust

The women finally get a chance to address Robert Semenchuck in court, and their victim impact statements lead the judge to consider whether the plea bargain is an appropriate sentence. After a two-week wait, the women grapple with the outcome of the case, including whether there are other ways to seek justice. Email the reporter, Jana G. Pruden, at [email protected] In Her Defence: Breach of Trust is a seven-part original podcast series from The Globe and Mail. The show is made by Kasia Mychajlowycz and Jana G. Pruden. Sound mixing is by Dave Crosbie, with additional recording by Amber Bracken. The show’s theme song is “Black Horses” by Birdbelly. Show art by Celeste Woods. The narration for In Her Defence is recorded at Haq Story Studio in Edmonton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Is it possible to truly consent to sex, if you don’t know the true identity of the person you’re having sex with? Some of the women who had sexual relationships with Robert Semenchuck struggle with a plea deal they think is too lenient, and wonder why he wasn’t charged with sexual assault. Legal experts explain consent under the law, and think about how the law could have been applied differently in this case – or in the future. Email the reporter, Jana G. Pruden, at [email protected] In Her Defence: Breach of Trust is a seven-part original podcast series from The Globe and Mail. The show is made by Kasia Mychajlowycz and Jana G. Pruden. Sound mixing is by Dave Crosbie, with additional recording by Amber Bracken. The show’s theme song is “Black Horses” by Birdbelly. Show art by Celeste Woods. The narration for In Her Defence is recorded at Haq Story Studio in Edmonton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Police sexual misconduct isn’t only a problem in Regina. Investigation shows dozens of officers around the country are accused of misusing their power – and databases – for sexual purposes, whether targeting vulnerable women and girls, random women on the street, or their own colleagues. The Crown and defence strike a plea deal in Robert Semenchuck’s case, and the women prepare to face him in person for the first time. Email the reporter, Jana G. Pruden, at [email protected] In Her Defence: Breach of Trust is a seven-part original podcast series from The Globe and Mail. The show is made by Kasia Mychajlowycz and Jana G. Pruden. Sound mixing is by Dave Crosbie, with additional recording by Amber Bracken. The show’s theme song is “Black Horses” by Birdbelly. Show art by Celeste Woods. The narration for In Her Defence is recorded at Haq Story Studio in Edmonton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jana learns more about Robert Semenchuck’s life and history as a police officer – and about the powerful database he was using to access personal information about his victims. Police professional standards investigators prepare to make an arrest. E-mail the reporter, Jana Pruden, at [email protected] In Her Defence: Breach of Trust is a seven-part original podcast series from The Globe and Mail. The show is made by Kasia Mychajlowycz and Jana G. Pruden. Sound mixing is by Dave Crosbie, with additional recording by Amber Bracken. The show’s theme song is “Black Horses” by BirdBelly. Show art by Celeste Woods. The narration for In Her Defence is recorded at Haq Story Studio in Edmonton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Dozens of women receive a mysterious phone call from police in Regina, telling them they’ve been witnesses to a crime. A meeting with police investigators leaves some victims terrified, and brings old trauma painfully back to the surface. E-mail the reporter, Jana Pruden, at [email protected] In Her Defence: Breach of Trust is a seven-part original podcast series from The Globe and Mail. The show is made by Kasia Mychajlowycz and Jana G. Pruden. Sound mixing is by Dave Crosbie, with additional recording by Amber Bracken. The show’s theme song is “Black Horses” by Birdbelly. Show art by Celeste Woods. The narration for In Her Defence is recorded at Haq Story Studio in Edmonton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Officers at the Regina Police Service begin an internal investigation of one of their colleagues, and turn up a case larger and more complex than they could have imagined. Sgt. Alana Heiliger begins to identify patterns in an officer’s use of police databases, and a notebook filled with names and cryptic notations provides valuable clues. Email the reporter, Jana Pruden, at [email protected] In Her Defence: Breach of Trust is a seven-part original podcast series from The Globe and Mail. The show is made by Kasia Mychajlowycz and Jana G. Pruden. Sound mixing is by Dave Crosbie, with additional recording by Amber Bracken. The show’s theme song is “Black Horses” by Birdbelly. Show art by Celeste Woods. The narration for In Her Defence is recorded at Haq Story Studio in Edmonton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

It was one single word that caught the attention of Kerry Benjoe, and made her question what she knew about the man she’d been seeing on-and-off for five years. What she learned would turn her life upside down, and expose a shocking web of betrayal and predation affecting hundreds of women — many of whom may not know they were victims. E-mail the reporter, Jana Pruden, at [email protected] In Her Defence: Breach of Trust is a seven-part original podcast series from The Globe and Mail. In Her Defence is made by Kasia Mychajlowycz and Jana G. Pruden. Sound mixing is by Dave Crosbie, with additional recording by Amber Bracken. The show’s theme song is “Black Horses” by Birdbelly. Show art by Celeste Woods. The narration for In Her Defence is recorded at Haq Story Studio in Edmonton. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What happens when one of the “good guys” turns out to be a bad guy? A Regina police officer preyed on hundreds of vulnerable women using information from police databases. Some of those women risked it all to expose him and hold him accountable. But would the system punish one of its own? The acclaimed true crime series In Her Defence returns this fall with In Her Defence: Breach of Trust. First episode is out this September. Follow now, so you don’t miss an episode. This season’s theme song is Black Horses by BirdBelly. Show art is by Celeste Woods. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What was Amber doing when she disappeared? Police provide some new information about the rest of the phone call, and their investigation. Amber’s mother faces a serious new threat, but vows to keep fighting. Email the reporter, Jana Pruden, at [email protected] Learn more about this podcast at https://www.theglobeandmail.com/podcasts/inherdefence/#01 Our cover art is a painting of Amber by Lauren Crazybull. Our theme song is No Surrender by Ms.PAN!K. Episode titles were translated into Plains Cree by Dorothy Thunder. Individuals impacted by the issue of Missing and Murdered Indigenous Women and Girls can contact the MMIWG Crisis Line toll-free at 1-844-413-6649. Support for families impacted by Missing and Murdered Indigenous Women and Girls is also available through the Indian Residential School Survivors Society at irsss.ca. In Her Defence: 50th Street is recorded at Gabby Road Studio on Treaty 6 territory in Edmonton, also known as amiskwaciy-wâskahikan, or Beaver Hills House. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The release of the voice brings out a flood of tips and suspects. Experts study the tape for clues about the voice, while police come to realize the recording doesn’t have the investigative value they once hoped. Amber’s biological brother says he knows who killed Amber. Email the reporter, Jana Pruden, at [email protected] Learn more about this podcast at https://www.theglobeandmail.com/podcasts/inherdefence/#01 Our cover art is a painting of Amber by Lauren Crazybull. Our theme song is No Surrender by Ms.PAN!K. Episode titles were translated into Plains Cree by Dorothy Thunder. Individuals impacted by the issue of Missing and Murdered Indigenous Women and Girls can contact the MMIWG Crisis Line toll-free at 1-844-413-6649. Support for families impacted by Missing and Murdered Indigenous Women and Girls is also available through the Indian Residential School Survivors Society at irsss.ca In Her Defence: 50th Street is recorded at Gabby Road Studio on Treaty 6 territory in Edmonton, also known as amiskwaciy-wâskahikan, or Beaver Hills House. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A notorious serial killer prompts a broad reckoning around the murder of Indigenous women and girls in Canada. Amber’s family files an official complaint around how her missing persons investigation was handled, and a review of the case forces a public apology — with an unexpected twist. Questions persist about Evangeline, the last person known to have seen Amber alive. Email the reporter, Jana Pruden, at [email protected] Learn more about this podcast at https://www.theglobeandmail.com/podcasts/inherdefence/#01 Our cover art is a painting of Amber by Lauren Crazybull. Our theme song is No Surrender by Ms.PAN!K. Episode titles were translated into Plains Cree by Dorothy Thunder. Individuals impacted by the issue of Missing and Murdered Indigenous Women and Girls can contact the MMIWG Crisis Line toll-free at 1-844-413-6649. Support for families impacted by Missing and Murdered Indigenous Women and Girls is also available through the Indian Residential School Survivors Society at irsss.ca. In Her Defence: 50th Street is recorded at Gabby Road Studio on Treaty 6 territory in Edmonton, also known as amiskwaciy-wâskahikan, or Beaver Hills House. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Police decide to release the tape to the public, hoping someone will recognize the voice of the man who was with Amber when she disappeared. Amber’s remains are found in a field outside the city, close to where four other women have been found, raising the spectre of a serial killer. A raven visits. Email the reporter, Jana Pruden, at [email protected] Learn more about this podcast at https://www.theglobeandmail.com/podcasts/inherdefence/#01 Our cover art is a painting of Amber by Lauren Crazybull. Our theme song is No Surrender by Ms.PAN!K. Episode titles were translated into Plains Cree by Dorothy Thunder. Individuals impacted by the issue of Missing and Murdered Indigenous Women and Girls can contact the MMIWG Crisis Line toll-free at 1-844-413-6649. Support for families impacted by Missing and Murdered Indigenous Women and Girls is also available through the Indian Residential School Survivors Society at irsss.ca In Her Defence: 50th Street is recorded at Gabby Road Studio on Treaty 6 territory in Edmonton, also known as amiskwaciy-wâskahikan, or Beaver Hills House. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Amber’s cousin gives us a tour of Fort Chipewyan, the northern Alberta community where Amber was raised. We learn about Amber’s life before she disappeared, and about the threats that were facing Indigenous women in Edmonton. The police investigation changes significantly after the discovery of a recorded phone call that seems to record the final moments of Amber’s life – and the voice of the man who may be her killer. E-mail the reporter, Jana Pruden, at [email protected] Learn more about this podcast at https://www.theglobeandmail.com/podcasts/inherdefence/#01 Our cover art is a painting of Amber by Lauren Crazybull. Our theme song is No Surrender by Ms.PAN!K. Episode titles were translated into Plains Cree by Dorothy Thunder. Individuals affected by the issue of Missing and Murdered Indigenous Women and Girls can contact the MMIWG Crisis Line toll-free at 1-844-413-6649. Support for families affected by Missing and Murdered Indigenous Women and Girls is also available through the Indian Residential School Survivors Society at irsss.ca In Her Defence: 50th Street is recorded at Gabby Road Studio on Treaty 6 territory in Edmonton, also known as amiskwaciy-wâskahikan, or Beaver Hills House. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Amber Tuccaro flies south to Edmonton with her baby and a new friend, and vanishes. Amber’s family doesn’t trust the police investigation, and her relatives and friends do everything they can to find her and bring attention to her case. Police find a stunning piece of evidence. E-mail the reporter, Jana Pruden, at [email protected] Learn more about this podcast at https://www.theglobeandmail.com/podcasts/inherdefence/#01 Our cover art is a painting of Amber by Lauren Crazybull. Our theme song is No Surrender by Ms.PAN!K. Episode titles were translated into Plains Cree by Dorothy Thunder. Individuals affected by the issue of Missing and Murdered Indigenous Women and Girls can contact the MMIWG Crisis Line toll-free at 1-844-413-6649. Support for families affected by Missing and Murdered Indigenous Women and Girls is also available through the Indian Residential School Survivors Society at irsss.ca In Her Defence: 50th Street is recorded at Gabby Road Studio on Treaty 6 territory in Edmonton, also known as amiskwaciy-wâskahikan, or Beaver Hills House. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Do you recognize this man’s voice? Coming this fall, In Her Defence: 50th Street investigates the unsolved murder of Amber Tuccaro, who disappeared from the Edmonton area in 2010. Amber left an important clue: A haunting recording of what appear to be the final moments of her life – and the voice of the man who may be her killer. Do you have information about Amber’s murder? Contact reporter Jana Pruden at [email protected] or by phone/ text at 780-265-5262 The portrait of Amber is by Lauren Crazybull. The show’s theme song is “No Surrender” by Ms.PAN!K Resources for people affected Support for families impacted by Missing and Murdered Indigenous Women and Girls is available through the Indian Residential School Survivors Society www.irsss.ca. The Indian Residential School Survivors Society also offers 24-hour support through the Lamathut crisis line toll-free at 1-800-721-0066. The National Indian Residential School Crisis Line provides 24-hour crisis support to former students and their families toll-free at 1-866-925-4419. Individuals impacted by the issue of Missing and Murdered Indigenous Women and Girls can contact the MMIWG Crisis Line toll-free at 1-844-413-6649. First Nations, Inuit and Métis seeking immediate emotional support can also contact the Hope for Wellness Help Line toll-free at 1-855-242-3310, or by online chat at hopeforwellness.ca. Learn more National Centre for Truth and Reconciliation Truth and Reconciliation Commission of Canada: Calls to Action Reclaiming Power and Place: The Final Report of the National Inquiry into Missing and Murdered Indigenous Women and Girls Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.