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Shiv Malik was formerly an investigative journalist with the Guardian. He’s also co-author with Ed Howker of the book Jilted Generation: How Britain Has Bankrupted Its Youth. He is now working with Joe Reeve on Forest City: a new town for 1 million inhabitants near Cambridge in the UK.

Sam Jacob, Dean of the Institute of Architecture, University of Applied Arts Vienna, has a great show on at the Hypha gallery in No. 1 Poultry, London. Tim spoke to him about the complex ways architecture and money relate and where ruins feature in this tangle of meaning.

In London a stellar cast joined Tim Abrahams and regular News Review contributor Vicky Richardson for some drinks and nibbles to reflect on the architectural highlights of 2025.

Peter Murray is a London institution himself, although he is also the founder of several. He spoke to Tim about his ongoing investigations into how City Architects are defined in successful cities around the world and how they could be reintroduced into the UK. He also shared some personal news.

Pete Collard is exhibitions curator at the RIBA; and the brains behind a new show held at RIBA North in Liverpool called Home Ground, the Architecture of Football. Tim spoke to him about an architectural typology that was developed in the home of football but increasingly found its apogee away in Europe.

With controversy lingering over his personal conduct, three major new museums designed by David Adjaye open this month. Tim Abrahams goes beyond the scandal to explore his commitment to Africa’s cultural and social transformation.

The Superurbanism News Review is back again! Tim sits down with our good friend Vicky Richardson, former Architecture Curator at the Royal Academy to discuss the latest events in the architecture world and reaction to them. Award season is upon us in the United Kingdom and we talk through the early responses to Witherford Watson Mann’s victory in the Stirling Prize and much more.

In the early 21st century, Olafur Eliasson helped define a new era of public art with works that took on nature for scale. Tim Abrahams met him at the new Oxford North development and asked him what he makes of his metier as a public artist in a new era when who the public might be is less clear and the idea of nature is unstable.

Tim heads out to Almaty in Kazakhstan to talk to Asif Khan about his work on the Tselinny; an incredibly painstaking transformation of a 1964 Soviet cinema into an arts centre, which he undertook with Kazakh wife the architect Zaure Aitayeva.

This is the second half of a two part discussion with Andy Groarke of the London practice Carmody Groarke in which he and Tim discuss more recent buildings including archives for the Bibliotheque Francaise and for the British Library takes this idea about the relationship between materials and time into a different order.

Tim spoke to Ab Rogers about the exhibition he has curated, dedicated to his father Richard, at Sir John Soane’s Museum. They also talk about Ab's own career including his ongoing working relationship with the film director Wes Anderson, and their upcoming Design Museum show in London.

This is the first half of a two part discussion with Andy Groarke of the London practice Carmody Groarke. Talking to Tim, he explores the origins of the practice and the influence of Antony Gormley on their singular appreciation of materials and their relationship to time.

Richard J Williams’s latest book The Expressway World is about spaces built for cars, which humans live alongside. He and Superurbanism host Tim Abrahams took a drive down the M40 to discuss urban landscapes in Glasgow, New York, Seoul and more.

Charles Saumarez Smith is a distinguished British cultural historian and curator known for his leadership in major art institutions including the National Gallery and the Royal Academy. He spoke to Tim about his latest fascination, the life and works of the great British baroque architect John Vanburgh.

Tim talks to Pablo Bronstein, a London‑based artist born in Argentina, known primarily for his beautiful, clever drawings which have been collected by the Pompidou, the Met and the British Museum. His latest project at Waddesdon Manor plays with design history and explores how national identities are constructed.