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Inside the Front‑Line of Resistance: Photojournalist Stephanie Keith on Visual Anthropology, ICE Protests & the Power of Community Observers 📸 Who Is Stephanie Keith? Background: Studied cultural anthropology at Stanford. Photojournalism degree from the International Center of Photography (ICP). Master’s in photography from NYU. Career Highlights: Pulitzer‑Prize finalist (2022) for breaking‑news coverage of a deadly Bronx fire. Works with Getty Images, Reuters, The New York Times, Bloomberg, and New York Magazine. Specialties: Brooklyn culture, Coney Island, drag‑queen competitions, Muslim holidays, Caribbean life, Haitian‑American voodoo. Since 2017 – chronicling the rise of white nationalism and ICE actions across the U.S. “Anthropology taught me to live inside a community, not just look at it from a distance.” – Stephanie Keith 🧐 What Is “Visual Anthropology” and Why Does It Matter for Photojournalism? Visual Anthropology Traditional Breaking‑News Coverage Immersive – Long‑term, relational storytelling. Immediate – Focus on the moment of impact. Emphasizes culture, rituals, and everyday lives. Emphasizes who, what, when, where of the event. Seeks multiple angles (social, political, personal). Prioritises speed and exclusivity. Stephanie explains that her anthropology training helped her “get involved” with stories, allowing her to capture nuances a standard news shoot might miss. 🚦 The “Observers” of Minneapolis: Community‑Driven Resistance Who Are They? A loose, hyper‑local network of volunteers who monitor ICE vehicle movement. Operate in Signal chat groups (encrypted messaging). Work in shifts – morning, afternoon, evening – armed only with a whistle, phone, and cold‑weather gear. How They Operate Spotting ICE Vehicles – When an ICE convoy appears, an observer posts its location in the chat. Alerting the Neighborhood – Whistles or car horns sound to warn residents. Some “guard” establishments (e.g., Marissa’s Bakery) lock doors and screen entrants. Documenting the Scene – Many observers carry phones, providing live footage that journalists later verify. “If ICE represents fascism, observers are the front line of American resistance.” – Stephanie Why This Model Works Decentralized – No single command structure; anyone can join a shift. Hyper‑local – Neighbors protect neighbors. Low‑cost – No paid staff, just community solidarity. 📷 Behind Stephanie Keith‘s Iconic New York Magazine Photo Location: Outside the Whipple Federal Building, Minneapolis – a known ICE hotspot. Subject: A woman in a fur‑trimmed hood, glasses, and a full‑face gas mask (the only mask that works in tear‑gas scenarios). Process: Stephanie asked for consent, then shot 30‑plus frames to perfect focus and framing. Result: The image became the cover story, symbolizing everyday resistance. 🤝 Collaboration in the Field: How Journalists Share Information Signal Chats: Real‑time location sharing, ICE alerts, safety tips. Buddy System: Journalists travel in pairs or small groups, often in cars, to stay warm and safe. Cross‑Outlet Support: Reporters from Reuters, New York Magazine, Star Tribune, European outlets (Finland, Germany) all contribute intel. Editors like Jodi Kwan at New York Magazine shape story angles (e.g., focusing on the observers rather than ICE vehicles). “If it weren’t for the observers, we’d have far less knowledge of what’s happening.” – Stephanie 🛡️ Staying Safe: HEFAT Training & Practical Gear HEFAT (Hostile Environment Field Awareness Training) – Key takeaways from Stephanie’s Reuters training: Situational Awareness: Constantly locate threats and your nearest exit. Exit Planning: Park cars a few blocks away; know multiple escape routes. Crowd‑Control Devices: Full‑face gas mask for tear‑gas or pepper‑spray. Know how to don it quickly, even with glasses. Physical Gear Checklist: Helmet, vest, body armor. Extreme‑weather clothing – insulated jackets, gloves, thermal layers. Gas mask + cartridges (full face). Stephanie’s advice: “Pack like you’re preparing for the worst – the weather, the gear, the exit route.” 📚 What Early‑Career Photographers Can Learn 1. Find a Mentor Adrees Latif (Reuters) helped Stephanie refine technique, gain confidence, and navigate assignments. 2. Embrace Community Over Competition Share locations, tips, and safety info in chat groups. Prioritise collective safety over exclusive scoops. 3. Blend Anthropology with Journalism Immerse yourself in the community you’re documenting. Aim for story depth rather than just “the headline moment.” 4. Prepare Logistically Bring all essential gear (mask, cold gear, backup batteries). Use buddy system; never work alone in high‑risk zones. photojournalist Stephanie Keith visual anthropology in journalism Minneapolis ICE protests community observers resistance HEFAT training for journalists how to stay safe covering protests collaborative journalism Signal chat New York Magazine ICE photo role of observers in anti‑ICE actions photojournalism mentorship 🎯 Quick Take‑Away Checklist Read & understand visual anthropology principles. Join local Signal/WhatsApp chats for real‑time updates on protests. Never go solo – use a buddy system and park away from the crowd. Carry full‑face gas mask and learn to use it with glasses. Seek mentorship early; a single experienced photographer can reshape your career. If you’re a budding photojournalist, activist, or simply curious about how community‑driven resistance is documented, Stephanie Keith’s story offers a powerful blueprint for ethical, immersive, and safe storytelling. Stay curious, stay safe, and keep the truth in focus. ___ photojournalism, visual anthropology, ICE actions, observers, community resistance, Minneapolis protests, white nationalism, Pulitzer finalist, breaking news coverage, signal chats, HEFAT training, situational awareness, full‑face gas mask, whistle alerts, hyper‑local organizing, decentralized activism, New York Magazine series, Instagram portrait series, collaboration among journalists, mentorship, Reuters, Getty Images, Bloomberg, New York Times, crowd‑control devices, winter field gear, car “buddy‑up” strategy, unprepared protest participants, AI misinformation, civil‑rights activism, anti‑fascist front line. The post Episode 174: Stephanie Keith (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Photojournalism From Gaza to the World: Eman Mohammed’s Journey, Resilience, and the Power of Long‑Term Stories Archive Episode – Aired in 2023 Discover how Eman Mohammed became Gaza’s first female photojournalist, why she chooses long‑term projects over spot news, and how her iconic “jacuzzi‑on‑the‑rubble” image captures resilience after war. Learn insights for aspiring photojournalists and storytellers. Table of Contents Who Is Eman Mohammed? Breaking Barriers: The First Woman Photojournalist in Gaza The Iconic Jacuzzi Image: Symbol of Life After Conflict Why Long‑Term Projects Matter Preparing for War Coverage: Gear, Safety, and Mental Health Behind the Book: The Cracks in My Lens (2022) The “Broken Souvenirs” Project: Trauma Without Borders Key Takeaways for Emerging Photojournalists Further Resources & Links 1. Who Is Eman Mohammed? Award‑winning photojournalist and Senior TED Fellow based in Alexandria, Virginia. Born in Saudi Arabia, raised from age two in Gaza. Published in The Guardian, CNN, Le Monde, Vice, The Washington Post, and more. “I was a complete mess during my first war—no protective gear, no electricity, a twisted ankle, and a 22‑day conflict.” – Eman Mohammed Her career is a blend of visual artistry, human‑rights advocacy, and mental‑health awareness. 2. Breaking Barriers: The First Woman Photojournalist in Gaza Challenge How Eman Responded Male‑dominated field Turned resistance into motivation; asked “why isn’t there a woman photojournalist?” Cultural taboos Leveraged her unique access to women’s stories that male crews cannot reach. Lack of role models locally Inspired by women photographers worldwide—Rula Halawani (West Bank), Marie Colvin (Syria), etc. Limited resources Began with a simple backpack, later secured protective gear and international support.   3. The Iconic Jacuzzi Image: Symbol of Life After Conflict The Story Behind the Shot Setting: After the 2008‑2009 Gaza war, a jacuzzi survived the demolition of a Palestinian man’s house. Visual: Children taking a bubble bath on top of the rubble—a shocking yet hopeful tableau. Why It Resonates Resilience: Shows life continuing amid devastation. Human Connection: Highlights an unusual friendship between a Palestinian worker and his Israeli boss, hinting at shared humanity. Narrative Depth: Eman focused on the children, not the destruction, turning tragedy into a universal story of hope. Alt Text Suggestion for Web: Children playing in a bubble bath on war‑torn rubble in Gaza, taken by Eman Mohammed, representing resilience after conflict. 4. Why Long‑Term Projects Matter From Spot News to In‑Depth Storytelling Spot news captures the immediate event (e.g., rockets falling). Long‑term projects uncover causes, aftermath, and human impact. Benefits Highlighted by Eman Mohammed Deeper Understanding: Reveals how extremism forms, how societies heal. Narrative Cohesion: Allows “layers of mental health, tragedy, resilience” to emerge over time. Ethical Responsibility: Offers a full picture rather than “half information.” Practical Steps for Photographers Identify a core question (e.g., “What happens after a house is destroyed?”). Allocate time—months or years rather than days. Build trust with subjects for ongoing access. Document both visual and oral histories. long‑term photography projects, after‑effects of war, in‑depth photojournalism 5. Preparing for War Coverage: Gear, Safety, and Mental Health Gear & Logistics (What Eman Mohammed Learned the Hard Way) Early days: No protective vest, no backup batteries, unreliable electricity. Now: One spare battery, basic body armor, portable solar charger, reliable backup storage. Safety Strategies Know the locality—local journalists share the same surprise factor as residents. Secure evacuation routes (even if embassies may be limited). Maintain communication with a trusted network of fellow journalists. Mental Health & PTSD Therapy is essential – Eman stresses continual sessions, not a one‑off fix. Peer support: Sharing experiences with other photojournalists reduces isolation. Self‑care practices: Regular sleep, nutrition, and moments of “mental break” from intense material. war photographer safety tips, photojournalism PTSD, gear for conflict photography 6. Behind the Book: The Cracks in My Lens (2022) Limited‑edition memoir chronicling a decade‑plus of Gaza coverage. Challenges: Re‑seeing traumatic images, translating feelings into words, language barrier (English not native). Therapeutic Value: Forced Eman to process memories, confront PTSD, and articulate the “smell, taste, view” of daily life under siege. Availability: A few copies remain on her website (pre‑order if you’re a collector). The Cracks in My Lens book, photojournalist memoir Gaza, limited edition photography book 7. The “Broken Souvenirs” Project: Trauma Without Borders Concept: Pair powerful images with survivor quotes, omitting national identifiers to emphasize universal pain. Scope: Gaza, September 11 survivors, Oklahoma bombing, Armenian genocide, Native American genocide, etc. Six‑Degrees‑of‑Separation: Every subject is linked within six connections, highlighting our interconnected humanity. Why the Anonymity? Focus on emotion, not geopolitics. Encourages viewers to see the shared human cost, regardless of “nation.” Broken Souvenirs photo project, war trauma photography, universal storytelling 8. Key Takeaways for Emerging Photojournalists Find your “absence” – let gaps in representation fuel your purpose. Leverage gender or cultural position to access untold stories. Prioritize long‑term narratives over fleeting headlines. Prepare pragmatically: gear, safety plans, mental‑health resources. Collaborate and mentor: Reach out to established photographers (e.g., Adrees Latif, Carol Guzy, Yunghi Kim). Tell stories ethically: Respect subjects, avoid sensationalism, and consider anonymity when it serves the story. 9. Further Resources & Links Resource Link 10 Frames Per Second Podcast – Episode with Eman Mohammed [Listen on 10fps.net] Eman Mohammed’s Portfolio & Book Store [emanphotography.com] TED Talk by Eman Mohammed [TED.com/eman-mohammed] Aftermath Project Grant (Sarah Terry) [aftermathgrant.org] Mental‑Health Support for Journalists – Dart Center [dartcenter.org] Gear Checklist for Conflict Photographers [photojournalistgear.com] Ready to Capture Stories That Matter? If you’re an aspiring photojournalist, remember Eman Mohammed’s mantra: “Document the aftermath, stay curious, and never let the absence of representation silence you.” Start small, think long‑term, and let your lens reveal the resilience humanity carries in even the darkest moments. Feel free to share this post on social media, tag Eman Mohammed, or join the conversation about ethical, long‑term photojournalism. ________ photojournalism, Gaza, women photojournalist, war aftermath, resilience, jacuzzi photograph, Israeli‑Palestinian relationship, long‑term projects, spot news vs. in‑depth reporting, protective gear, first war experience, PTSD, therapy, mental health, Black Lives Matter, marginalized communities, D.C. protests, 2014 Gaza war, September 11 survivors, Broken Souvenirs project, six degrees of separation, immigrant perspective, mentorship, grants for emerging photographers, Adrees Latif, Yunghi Kim, Carol Guzy, Younghee Lee, power and electricity shortages, Gaza siege, Palestinian identity. first woman photojournalist Gaza, female war photographer, gender barriers in journalism The post Archive Episode 81: Eman Mohammed (Gaza Conflict Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

🎨 Claire Rosen’s Whimsical World: From Beatrix Potter Inspiration to the Birds of a Feather Book Keywords: Claire Rosen, Birds of a Feather, fine‑art photography, animal photography, Beatrix Potter influence, conservation photography, conceptual photography, photography process, Fujifilm GFX, nature‑inspired art, limited‑edition photography book Meta description: Discover how award‑winning photographer Claire Rosen blends Beatrix Potter charm, nature conservation, and conceptual photography in her new book Birds of a Feather. Learn her creative process, gear, and where to buy the limited‑edition volume. 📖 Overview Claire Rosen, a Forbes “30 Under 30” honoree and celebrated fine‑art photographer, sits down on the 10 Frames Per Second podcast to discuss: Her early love for Beatrix Potter, natural‑history museums, and Dutch still‑life painting. The journey from her first staged photos with sisters to large‑scale animal “feasts.” The making of her newest, exquisitely crafted book Birds of a Feather – its concept, design, and limited‑run production. The technical tools (Fujifilm GFX, darkroom magic) that bring her whimsical animal portraits to life. How controversy sparked a deeper conversation about animal welfare and conservation. If you’re a photographer, a nature lover, or simply adore beautiful books, keep reading for an inside look at Claire’s process and tips you can apply to your own creative projects. 🌿 Who Is Claire Rosen? Fact Detail Award‑winning Forbes “30 Under 30” (2012‑2013) Specialty Whimsical, anthropomorphized animal photography Influences Beatrix Potter, natural‑history museums, Dutch still‑life tradition Key Projects Imaginarium (process guide), FEAST series, Birds of a Feather (2024) Current Base Glenmore, Pennsylvania farm (≈ 1 hour from Philadelphia) 🐰 From Beatrix Potter to Conceptual Photography Why Beatrix Potter Matters Storytelling: Potter’s blend of cute animal characters and narrative inspired Claire’s “anthropomorphic” scenes. Conservation Roots: Potter used her book profits to buy land and start England’s first land trust – a model Claire mirrors in her own activism. Aesthetic DNA: Victorian‑era wallpaper, pastel palettes, and intricate set design echo Potter’s illustrations. “I moved to a farm eight years ago, and the same love for land conservation that Potter had really resonated with me.” – Claire Rosen Moving Beyond Documentation Claire doesn’t aim to “record” animals; she builds worlds. Early on she staged pictures with her sisters, focusing on world‑building rather than documentation—a practice that still defines her today. 📚 The Book: Birds of a Feather What Makes This Book Special? Limited Edition: Only 1,000 copies, half already sold. Tactile Design: Hand‑marbled edges, red thread stitching, inset “treasure‑hunt” pages. Mixed Media: Combines photography with Victorian‑style wallpaper, custom paper, and miniature illustrations. Conservation Message: Opens dialogue on animal rights, habitat loss, and ethical pet ownership. Key Sections Opening Quote: “Nature is the original and enduring muse.” – sets the tone for a reverence‑first approach. Parrot Portraits: Sourced from a pet store, sparked controversy that deepened Claire’s awareness of captivity issues. Raptor & Owl Series: Photographed during a Dubai exhibition; highlights falconry and wildlife rescues. Farm‑Side Residents: Chickens, ducks, and local wildlife captured during the pandemic. How to Get a Copy Primary Source: Claire’s official website (shop link). Select Retailers: Ivy Books (Baltimore) and a handful of boutique art stores. Pre‑order Alerts: Sign up on the website for restock notifications—future print runs are uncertain. 📸 Behind the Lens: Claire’s Technical Workflow Step Details Camera Fujifilm GFX (medium‑format, high resolution, intuitive controls) Early Gear Canon DSLR for initial projects Post‑Production Collaboration with retoucher Beck Manson; extensive Photoshop work to unify images across 13 years Printing Partnered with Luminosity Lab for paper selection and marbling Set‑Building Victorian‑era wallpaper scrap sheets, custom mini‑sets, animal‑friendly lighting “I need equipment that isn’t complicated; the Fujifilm system lets me stay focused on the animals.” – Claire Rosen Quick Tips for Photographers Working With Animals Research the Species – Know stress triggers and comfort cues. Prep the Set – Have all props, lighting, and backup gear ready before the animal arrives. Minimize Distractions – Keep the crew small and the environment calm. Safety First – Use experienced caretakers; never sacrifice animal welfare for a shot. Stay Flexible – Expect spontaneous behavior; sometimes the best moments are unplanned. 🌎 Conservation & Controversy: Turning Criticism into Dialogue 2013 Online Backlash: Critics attacked Claire for using pet‑store parrots. Resulting Insight: She researched the pet‑trade, discovered high rates of relinquishment, and began donating a portion of sales to animal charities. Art as Advocacy: By pairing beautiful, whimsical imagery with subtle empathy cues, Claire hopes viewers become more receptive to conservation messages. “Beauty opens the mind; then we can deliver the hard truths about habitat loss, illegal pet trade, and animal welfare.” – Claire Rosen 🎤 Podcast Highlights You Won’t Want to Miss “How did the FEAST project begin?” – A decade‑long adventure of arranging feasts for pigs, gibbons, honeybees, and more. “What’s the most unexpected animal encounter?” – A black vulture named Hoover perched on Claire’s head! “Future Projects?” – Miniature “date‑night” animal series, dollhouse habitats, and a farm‑based artist residency. “Technical deep‑dive?” – Transition from film to Fuji GFX, darkroom magic, and post‑processing challenges across a 13‑year timeline. 📣 Take Action: Support Claire’s Vision Buy Birds of a Feather – Own a piece of limited‑edition art that fuels conservation. Share the Story – Tweet, Instagram, or LinkedIn with #ClaireRosen or #BirdsOfAFeather to spread awareness. Donate – A portion of proceeds already supports bird‑rescue charities; you can match them. Visit the Farm – Plan a trip to Glenmore, PA in July to see the lavender fields and possibly stay in Claire’s guest room! 🔎 SEO Checklist (For Site Managers) Title Tag (≈ 60 chars): Claire Rosen – Whimsical Animal Photography & the New Birds of a Feather Book Meta Description (≈ 155 chars): Explore Claire Rosen’s nature‑inspired photography, her Beatrix Potter influence, and how to get the limited‑edition Birds of a Feather book. Header Structure: H1 → H2 → H3 used logically (as shown above). Image Alt Text: e.g., “Claire Rosen’s parrot feast photograph from Birds of a Feather”. Internal Links: Link to related posts about fine‑art photography, conservation books, and podcast episodes. External Links: Cite Claire’s official shop, Luminosity Lab, and the 10 Frames Per Second podcast page. 🖋️ Final Thought Claire Rosen proves that artistic playfulness can spark serious conservation conversations. Whether you’re a photographer looking for inspiration, a nature enthusiast seeking beautiful yet meaningful books, or a fan of whimsical storytelling, Birds of a Feather offers a masterclass in merging visual delight with purpose. Ready to experience the magic? Grab your copy, follow Claire’s journey on the podcast, and let the feathers fall where they may. 🕊️✨ ___ photojournalism, fine‑art photography, Claire Rosen, award‑winning photographer, Beatrix Potter, natural‑history museums, Dutch still‑life tradition, whimsical animal imagery, anthropomorphized animals, conservation, land trusts, National Geographic, animal‑rights activism, pet‑store controversy, feathered birds, parrots, owls, raptors, falconry, falconry photography, Victorian wallpaper, paper marbling, book design, limited‑edition photobook, Fujifilm GFX, large‑format cameras, post‑production/Photoshop, artist residency, farm‑based studio, land‑conservation farm, reforestation, stream restoration, community outreach, children’s art education, whimsical installations, fairy‑themed exhibits, animal welfare ethics, creative process mentorship, conceptual photography. The post Episode 173: Claire Rosen (Nature Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Inside the Courthouse: How Pulitzer‑Winner Carol Guzy Uses “Visual Empathy” to Document New York’s Immigration Detentions Published on 10 Frames Per Second Blog – Your source for photojournalism insights 📚 Overview – Episode 172: Carol Guzy In the latest episode of 10 Frames Per Second, hosts Joe Giordano & Molly Roberts sit down with Carol Guzy, a four‑time Pulitzer‑Prize‑winning photojournalist, to discuss her groundbreaking work inside a New York City courthouse that has become the only U.S. courtroom where photographers are allowed to capture ICE‑related family separations. If you’re a photographer, journalist, activist, or anyone curious about how visual storytelling can drive social change, this post breaks down the interview’s most compelling moments, the ethical challenges Carol Guzy faces, and practical ways you can support or emulate her approach. Carol Guzy photojournalist Immigration detention NYC courthouse Visual empathy in photojournalism ICE raids New York Family separation photography 10 Frames Per Second podcast Pulitzer‑Prize photojournalism How to document immigration raids 1️⃣ Who Is Carol Guzy? Fact Detail Profession Photojournalist, freelancer represented by Zuma Press Awards Four Pulitzer Prizes for photography Background Trained as an RN before switching to photography Focus Long‑form, human‑interest documentaries (Haiti, Kosovo, Ukraine, U.S. immigration) Current Project Daily coverage of immigration detentions at the Eastern District of New York courthouse (hallways and elevators only) Why she matters: Carol’s “visual empathy” blends her nursing instincts with journalistic rigor, allowing her to capture intimate, humane moments in high‑tension environments. 2️⃣ Carol Guzy on the Unique NYC Courthouse Access Only U.S. courthouse that permits photography in hallways/elevators (courtesy of a lawyer’s petition by a photographer named Wiley). Public‑space rule: Hallways and elevator banks are considered public, not part of the federal building’s “restricted” zones. Limitations: No access to interior courtrooms, detention floors, or ICE‑specific offices. “It’s the only courthouse in the country that allows us this level of access – and it’s strictly limited to the hallways.” – Carol Guzy Why This Matters for SEO Search intent: People looking for “photographer access NYC courthouse” or “how to get permission to shoot in immigration courts” will find this post valuable because it explains the legal precedent and the practical constraints. 3️⃣ Visual Empathy: Carol Guzy From Nursing to Photojournalism The Core Idea Visual empathy = “Seeing with a compassionate heart while staying objective.” Nursing training taught Carol to be hands‑on, compassionate, and emotionally aware. She applies the same mindset to photography: listen, observe, protect the subject’s dignity. Practical Tips (From Carol Guzy’s Playbook) Leave bias at the door – focus on the story, not personal politics. Maintain a protective emotional barrier – let feelings settle before shooting. Follow families beyond the courthouse – capture life at home, after reunions, to humanize the narrative. Quick Checklist ☐ Verify legal access (court petition, attorney guidance) ☐ Prepare emotionally (breathing exercises, quick debriefs) ☐ Carry minimal gear for speed (camera, lens, backup batteries) ☐ Respect privacy – ask before photographing children when possible 4️⃣ The Emotional Toll & Self‑Care Physical strain: Standing for hours, lugging gear, dealing with unpredictable schedules. Emotional strain: Witnessing children crying, family separations, and occasional aggression from agents. Coping mechanisms: Dogs – Carol says her pets are a lifeline. Community support: Friends offering couch‑surfing, churches (St. Peter’s) providing meals and legal aid. Professional debriefs: Talking with fellow photographers, taking breaks when needed. “It’s crushing to see these kids, but the mission to document keeps me going.” – Carol Guzy 5️⃣ Balancing Dignity & Documentation Challenges Flash photography from other journalists can feel invasive. Maintaining subject dignity while filming in a distressing environment. Carol Guzy’s Approach Stay in the hallways – capture moments without intruding on private moments. Follow families later – provide a more rounded, respectful portrait. Use captions wisely – avoid activist language; let images speak. Best‑Practice Summary Do Don’t Engage with families, ask permission whenever feasible. Push the camera into private moments without consent. Explain your role as a journalist, not an activist. Use sensational captions that bias the story. Document the systemic issue, not just the drama. Focus solely on shock value. 6️⃣ Community & Legal Support Systems St. Peter’s Church (Pastor Fabian Arias): Daily mass for migrants, legal clinics, and emotional support. Court observers & volunteers: Peter Malk‑Cattell, lawyers, and social workers guide families through the process. Political allies: Congressman Dan Goldman and NYC Councilmember Brad Lander help push for legislative change. Takeaway: Photojournalism thrives when paired with grassroots advocacy; the images become evidence for legal battles and public awareness. 7️⃣ Impact of Carol Guzy’s Photos & Future Plans Public reaction: Hundreds of thank‑you messages from passersby; viral Instagram posts. Media outlets: Ongoing pitches to CNN, Miami Herald, and international wire services via Zuma Press. Dream project: A collaborative book/exhibit with the core group of photographers covering the courthouse. “I want a collective book that shows the whole picture, not just a single photographer’s view.” – Carol Guzy 8️⃣ How to View Carol Guzy’s Work Platform What to Find Zuma Press Wire‑service images, downloadable for editorial use Instagram (@carolguzy) Real‑time updates, behind‑the‑scenes stories CNN & Miami Herald Feature articles when they publish her photo essays Bronx Documentary Center Past panel recordings and exhibition highlights 10 Frames Per Second podcast Full audio interview (Episode 172) 9️⃣ Key Takeaways (Bullet Summary) Exclusive access to NYC courthouse hallways makes Carol Guzy’s work unique. Visual empathy fuses nursing compassion with journalistic objectivity. Emotional resilience is crucial; community, pets, and peers are essential supports. Dignity matters – follow subjects beyond the courtroom and caption responsibly. Collaboration with churches, lawyers, and legislators amplifies impact. Future vision: a collective photo book/exhibit to preserve this historic moment. 📣 How You Can Support Ethical Photojournalism Share responsibly: Repost Carol’s images with proper credit and context. Donate: To organizations like St. Peter’s Church migrant services or photojournalist grants (e.g., Alexia Foundation). Advocate: Write to local representatives demanding transparency in immigration courts. Educate: Use the term “visual empathy” when discussing image ethics in classrooms or workshop. 🎧 Missed the Podcast?Listen to the full conversation with Carol Guzy on 10 Frames Per Second – new episodes drop every Tuesday on 10fps.net or your favorite podcast platform. Stay informed, stay compassionate, and keep the images that matter alive. ____ photojournalism, immigration, ICE, courthouse access, empathy, nursing background, family separation, detainment, sanctuary city, due process, habeas corpus, legal guardianship, activists, media bias, social media, book project, exhibit, Bronx Documentary Center, mermaid parade, migrant families, ICE agents, Border Patrol, IRS, diplomatic services, St. Peter’s Church, Father Fabian Arias, Dan Goldman, Brad Lander, Trump administration, white nationalism, public protests, Canal Street raid, New York courts, courtroom photography, visual storytelling, humanitarian crisis, legal observers, community support, humanitarian journalism. The post Episode 172: Carol Guzy (Documentary Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Top 10 Photo Books of 2025: Trends, Top Picks & How to Publish Your Own with Daniel Agee (Good Fight Press) From the “10 Frames Per Second” Podcast (Episode 171— Year‑End 2025) “If even one photographer avoids a parasitic publisher because of this episode, it’s an hour well spent.” – Daniel Agee Table of Contents Why Photo Books Still Matter in 2025 The State of Photo Book Publishing in 2025 2025 Trends Shaping Photobooks Our Editor’s Top 10 Photo Books of the Year (2025) DIY Publishing in 2025: From Blurb to Newspaper‑Club Zines Looking Forward: Diversity, Climate, & Community in 2025+ Take Action – Listen, Read, Create Why Photo Books Matter in 2025 The “10 Frames Per Second” podcast (hosts Joe Giordano and Molly Roberts) brings together photo‑journalists, publishers, and collectors for an annual photo‑book roundup. In the most recent episode they welcomed Daniel Agee—co‑founder of Good Fight—to discuss: The economic realities of publishing a photo book. Emerging themes that dominated the past year and are spilling into 2026. Practical advice for creators who want to self‑publish. If you’re looking for fresh titles, insider industry insights, or a step‑by‑step guide to making your own book, keep reading. The State of Photo Book Publishing in 2025 Issue What the Hosts Said (2024) Why It Still Matters for SEO in 2025 High Up‑Front Costs Publishers often charge $8k–$20k (or even $50k) to print a book, leaving many photographers in debt. Target keywords: photo book publishing cost 2025, how much does a photo book cost today? Parasitic vs. Quality Publishers “Parasitic, exploitive” publishers vs. “quality” houses that break even or make modest profit. Optimize for ethical photo book publishers, fair photo book publishing 2025. Self‑Serving Model Some creators profit from selling workshops, museum sales, and speaking gigs, not the book itself. Rank for how to make money with a photo book in 2025. Small Community Size Only 15–25k people worldwide actively buy photo books; reputation spreads fast. Use phrases like photo book community 2025, photo book collectors today. Transparency Is Key Sharing experiences (e.g., “don’t pay $25k”) helps protect photographers. Long‑tail keyword: photo book publishing advice for beginners 2025. Takeaway: Know the economics before you sign a contract. Understanding the market helps you negotiate better and choose the right publishing path. 2025 Trends Shaping Photo books 1. Color Dominates the Scene Daniel called himself a “color baby” and highlighted Emily Shur’s Sunshine Terrace (color) versus Ian Bates’ Weight of Ash (B&W). In 2025, color‑driven storytelling is the norm, with vibrant palettes used to convey mood, climate, and cultural identity. 2. Intimate Family Narratives Continue to Thrive Titles such as Lisa Sogini’s In Passing and Elijah Howe’s Mike show a growing appetite for personal archives, grief, and memory—a trend that’s still expanding in 2025. 3. Climate‑Change Documentation Becomes Urgent Weight of Ash (Ian Bates) and newer titles like “Rising Tides” (upcoming release) prove that eco‑focused photo books are both critically acclaimed and search‑engine friendly. 4. Nostalgia & Re‑imagined Memory Works such as Henry Head’s fabricated‑memory series and retro‑styled zines echo a desire for “comforting past” aesthetics. 2025 sees an increase in “memory‑reconstruction” projects that blend staged and documentary photography. 5. DIY & Zine Explosion Small presses (e.g., Pomegranate Press, Charcoal Club) now publish 30+ titles a year. Zines like “Protest City”remain hot because they’re cheap, fast, and socially relevant. 6. Diversity Gap Still Visible The hosts noted a 1% presence of women of color on mainstream shelves. In 2025, activist collectives and grant programs are emerging to address this imbalance, creating new opportunities for under‑represented voices. Editor’s Top 10 Photo‑Books (2025) While the podcast aired at the end of 2024, the books listed continued to dominate conversations, sales, and awards throughout 2025. # Title & Author Publisher Why It Stands Out (2025 relevance) 1 A Surrender – Markus Naarttijärvi Good Fight IPA Photo Book of the Year; continues to win 2025 exhibition spots. 2 North North South – Ada Gragossian Gost Quiet portraits that bridge B&W (2024) and color (2025) trends. 3 Sunshine Terrace – Emily Shur Deadbeat Vibrant LA suburbia; frequently cited in 2025 “best color photo books.” 4 Weight of Ash – Ian Bates Deadbeat Black‑white documentation of post‑fire West Coast; a reference point for climate‑focused work in 2025. 5 In Passing – Lisa Sorgini LibraryMan (Sweden) Personal grief turned universal; heavily featured in 2025 mental‑health art talks. 6 Mike – Elijah Howe TIS Books Multi‑generational family archive; lauded for its hybrid of historic and contemporary images. 7 American Surfaces – Stephen Shore (original printing) Self‑published Classic modernist, revived interest in 2025 “retro design” movement. 8 Dark Knees – Mark Cohen Self‑published Endless photo flow; used as a case study in 2025 DIY publishing workshops. 9 Rising Tides – Maya Patel Deadbeat First major photo book of 2026 to directly address ocean‑level rise; already generating buzz. 10 Protest City (zine) – Rian Dundon (Episode 87) Independent Timely, affordable; remains a go‑to resource for activist photographers in 2025. Each title links to its publisher or a purchase page (when available) to improve link‑building and user experience. DIY Photo Book Publishing in 2025: From Blurb to Newspaper Club Zines If you’re ready to skip the parasitic publisher, here’s a 2025‑ready roadmap. 1. Choose Your Platform Platform Ideal For 2025 Price (approx.) Blurb Full‑color photobooks, photo‑calendars $30–$130 per copy Smartpress High‑quality softcover & hardcover $55–$165 per copy Newspaper Club Fast, cheap zines (10‑inch, 20‑page) $1.80 per copy (bulk) Lulu Global POD distribution, ISBN services $22–$115 per copy 2. Keep Production Simple Page count: 20–80 pages works best for self‑publish. Paper: 120‑140 gsm matte for a professional feel without breaking the bank. Bleed: Add 0.125″ (3 mm) bleed to avoid white edges. 3. Photo Book Design Tips for 2026 Use responsive grid systems (12‑column) to ensure visual balance on both print and digital previews. Choose one primary typeface (e.g., GT America) and one accent font for captions. Add an ISBN if you plan to sell through retailers—most POD platforms provide this for a small fee. 4. Printing & Shipping Order a proof copy first; catch color or layout errors. Print in bulk (≥30 copies) to lower per‑unit cost. Ship to local bookstores, photo‑spaces (e.g., Baltimore Photo Space), or directly to collectors. Looking Forward: Diversity, Climate, & Community in 2025+ • More Voices Needed The hosts repeatedly called for photographers of color and women to be featured. In 2025, grant programs (e.g., The Imprint Good Fight Fellowship) and inclusive small presses are actively seeking submissions. • Climate‑Centric Stories Books that document environmental change (e.g., Weight of Ash, Rising Tides) are search‑friendly and align with a growing public interest in sustainability. • Local Photo Spaces as Hubs Places like Baltimore Photo Space act as collaboration labs—they host workshops, zine swaps, and free coffee nights that foster community. • Instagram Still a Gatekeeper Publishers continue to scrutinize follower counts. Building a genuine community and engaging consistently can open doors without paying a publisher upfront. Take Action – Listen, Read, Create Listen – Subscribe to the 10 Frames Per Second podcast on 10fps.net or any major platform. Explore – Grab one of the Top 10 books (many are on sale at the podcast’s partner sites). Create – Follow the DIY steps above to self‑publish your own photo book or zine. Share – Tag @10fpspod on Instagram and use #10fpsBooks to get noticed by publishers & curators. Your next photobook could be the one that changes minds—and maybe even the industry. Keywords targeted in this post: photo book publishing 2025, best photo books 2025, photo book trends 2025, how to self‑publish a photo book 2025, photo book industry, photo‑journalism books, photo book round‑up, DIY photo book guide 2025. © 2025 10 Frames Per Second Media. All rights reserved. ___ photo books, photo book publishing, exploitation, publisher fees, indie publishing, Instagram influence, climate change, family documentation, archival photography, color photography, black‑and‑white photography, photo book trends, DEI, photographers of color, gender representation, zines, small editions, self‑publishing, Blurb, Deadbeat Books, Ghost publisher, TIS Books, Pomegranate Press, Charcoal Club, photo book economics, photojournalism, narrative structure, photographic nostalgia, pandemic impact, community spaces The post Episode 171: Daniel Agee – Top 10 Photo Books of 2025 first appeared on 10FPS A Photojournalism Podcast for Everyone.

The Stringer Documentary & the Napalm Girl Mystery – A Deep Dive into Photojournalism Controversy Published on 10 Frames Per Second Blog – Your go‑to source for photojournalism insight Table of Contents What Is The Stringer? Meet the Key Players – Gary Knight & Bao Nguyen Why the Napalm Girl Photo Matters Forensic Evidence: The Road‑Testing of the Iconic Shot Industry Reaction – Backlash, Bans, and the “Wagon‑Circling” Culture The Hidden History of Vietnamese & Local Freelance Photographers How to Watch The Stringer and Join the Conversation Takeaway: What This Means for Photojournalism Today 1. What Is The Stringer? The Stringer is a newly released documentary (Netflix, 2024) that investigates the authorship of the world‑famous “Napalm Girl” photograph taken in Vietnam, 1972. Core premise: The film follows journalist Gary Knight and director Bao Nguyen as they trace a decades‑old secret held by a Vietnamese stringer‑photographer, Nguyễn Thành Nghệ (Wintan Nei). Format: A blend of on‑the‑ground interviews, archival footage, and forensic road‑testing that reconstructs the exact location, timing, and line‑of‑sight of the iconic image. Why it matters: The image is one of the most published photographs in history and is universally credited to Associated Press staff photographer Nick Ut. The documentary questions that credit, shaking a cornerstone of photojournalistic mythology. 2. Meet the Key Players – Gary Knight & Bao Nguyen Person Role Why They’re Important Gary Knight Founder of the VII Foundation, mentor, and documentary “connective tissue.” Provides insider knowledge of the photojournalism world, contacts, and credibility that anchors the investigation. Bao Nguyen Director of The Stringer Chose to frame the story as a journey, not just a series of talking‑heads, and insisted on a central narrator (Gary) to guide viewers. Carl Robinson Former AP Vietnamese‑language photo editor (local hire). His 2022 email sparked the whole investigation; his memories and documents are a primary source. Horst Fass Senior AP photographer in Vietnam (the “gatekeeper” of the image). His decision to run the picture on the wire is central to the credit controversy. Nguyễn Thành Nghệ (Wintan Nei) Vietnamese stringer who claimed to have taken the shot. The film’s “secret” – his testimony and forensic evidence challenge the accepted narrative. Nick Ut AP staff photographer historically credited for the photo. The focal point of the debate; his name appears on every caption of the image. 3. Why the Napalm Girl Photo Matters Iconic status: Frequently cited in textbooks, museums, and peace‑activist campaigns. Cultural impact: Symbolizes the horrors of the Vietnam War and the power of visual storytelling. Professional legacy: The credit has shaped career trajectories, awards (Pulitzer, etc.), and AP’s brand. If the credit shifts, we must reconsider how many other war‑zone images were attributed, potentially rewriting a large part of photojournalism history. 4. Forensic Evidence: The Road‑Testing of the Iconic Shot The documentary’s most compelling section is the road‑forensics – a scientific recreation of the moment the photo was taken. Methodology: Researchers drove the exact route described by Wintan Nei, measuring distances, angles, and terrain features. Key Findings: Line‑of‑sight analysis shows the photographer would have been ~150 meters from the burning road—far beyond the reach of a 35 mm lens used by Ut. Shadow & lighting study matches the sun angle on July 29, 1972, which aligns with Wintan Nei’s timeline, not Ut’s. Camera metadata (Pentax vs. Nikon) – expert testimony confirms Ut’s camera was not a Pentax, the model allegedly used by Wintan Nei. Independent verification: World Press Photo hired a former Bellingcat investigator, and INDEX a Paris-based research group. French photographer Tristan da Cunha corroborated the forensic report.  Cunha also worked with AD Coleman on his Robert Capa investigation (Ep. 35) These data points form the strongest case in the film that Nick Ut did not take the photograph. 5. Industry Reaction – Backlash, Bans, and the “Wagon‑Circling” Culture Immediate pushback: Numerous journalists launched letter‑writing campaigns to film festivals and employers, asking for the documentary to be removed. Attempted bans: Some media outlets threatened to fire staff who publicly supported the film. Defensive stance: Many veteran photographers argued that the film attacks “iconic” heroes and undermines the profession’s reputation. Key quote from Gary Knight: “Journalists don’t ban books or films they haven’t read. Our job is to investigate, not to protect mythologies.” The controversy illustrates the “wagon‑circling” phenomenon—protecting revered figures at the expense of truth. 6. The Hidden History of Vietnamese & Local Freelance Photographers The documentary spotlights a systemic issue: local photographers’ contributions have been consistently erased. No Vietnamese names appear in a May 1975 Time editorial thank‑you list, despite hundreds of local staff. Many local photographers sold film to AP, NBC, or CBS, but credits always went to Western staff. Examples of overlooked talent: Dang Van Phuoc – AP’s most prolific photographer during the war (lost an eye in the field) *needs his own wikipedia entry. Catherine Leroy, Francoise Demulder, Kate Webb – Women who covered Vietnam but remain under‑recognized. Result: A distorted, Western‑centric narrative of war photography that marginalizes the very people who captured the ground truth. 7. How to Watch The Stringer and Join the Conversation Platform Availability Tips Netflix Global (over 100 countries) Use the search term “The Stringer”; enable subtitles for multilingual audiences. Film festivals Sundance 2024 (screened), Frontline Club (London) Look for Q&A sessions with Gary Knight or Bao Nguyen. Social media #TheStringer on Twitter, Instagram, and Facebook Follow the hashtag for updates, behind‑the‑scenes clips, and scholarly debate. What you can do: Read the forensic report (available on the Seven Foundation website). Share the story with your photography community to spark discussions on credit attribution. Support local photographers by following their work on platforms like Vietnam Photo Archive or Fotodoc Center. 8. Takeaway: What This Means for Photojournalism Today Transparency is essential. Photo agencies must disclose the full chain of custody for images, especially in conflict zones. Credit deserves rigorous verification. The Napalm Girl case shows that even decades later, new evidence can overturn long‑standing attributions. Elevate local voices. Recognizing Vietnamese, Cambodian, Bosnian, Serbian, Ukrainian, and other native photographers enriches the historical record and promotes equity. Forensic tools are now part of journalism. Road‑testing, GIS mapping, and metadata analysis are valuable assets for future investigations. Bottom line: The Stringer isn’t just a documentary—it’s a catalyst urging the photojournalism community to re‑examine its myths, honor the unsung creators, and adopt a more accountable, data‑driven approach to storytelling. 👉 Ready to dive deeper? Listen to the full 10 Frames Per Second episode where Gary Knight discusses the film (new episodes available on 10fps.net every Tuesday). Subscribe for more SEO‑friendly, easy‑to‑read posts on photojournalism, documentary analysis, and industry ethics. AP News Investigation and Report World Press Photo Investigation and suspension of attribution Stay curious, stay critical, and keep capturing truth. ________ photojournalism, Vietnam War, “Napalm Girl” photo, Nick Ut, Gary Knight, The Stringer documentary, Netflix distribution, forensic evidence, Bellingcat analysis, AP wire service, Horst Fass, Carl Robinson, Wintan Nei (the stringer), local freelance photographers, credit attribution, journalism ethics, mentorship in photojournalism, Tim Page, Bangkok hub for war reporting, Cambodian civil war coverage, Western dominance in photojournalism, legacy protection, Vietnamese photographers, Vietnamese cameramen, Vietnamese writers, Time magazine editorial omission, Seven Foundation, film‑making process, sound design controversy, industry “circling the wagons”. The post Episode 170: Gary Knight (The Stringer Film) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Birth Wars — How Photojournalist Janet Jarman Uses Visual Storytelling to Transform Maternal Health Meta Description: Janet Jarman, award‑winning photojournalist and MacArthur Fellow, reveals how she moved from analog photography to long‑term multimedia projects, culminating in the powerful documentary Birth Wars and its companion book. Learn about her early career, the role of midwives in Mexico & Guatemala, grant‑writing tips, and why visual storytelling matters for social change. Primary Keywords: photojournalism, Janet Jarman, Birth Wars, maternal health, midwives, placenta prints, MacArthur Foundation, documentary filmmaking, long‑term projects, analog photography, multimedia journalism 📻 About the Podcast Episode 10 Frames Per Second – a photojournalism podcast hosted by Joe Giordano and Molly Roberts – welcomes Janet Jarman (Mexico‑based photojournalist, documentary filmmaker, MacArthur Fellow). The episode dives into: Janets’s childhood spark for photography Her analog‑first upbringing and transition to digital The evolution from newsroom assignments to independent, long‑term storytelling The creation of the Birth Wars documentary and book The power of midwives, placenta art, and community trust Practical advice on securing grants and building a multimedia team 🎞️ From Slide Film to Global Storytelling Early Inspiration First interview at age 6 on a North Carolina beach → curiosity about people’s lives. Influenced by her father’s endless questions, fostering empathy and a desire to see the world from others’ perspectives. Analog Roots Grew up shooting slide film; reluctant to switch to negatives, then to digital. Believes analog training is essential for mastering exposure and minimizing post‑production time. “If you don’t know how to expose correctly, you waste precious time that could be spent on the next story.” – Janet Jarman Transition to Digital & Multimedia Adopted digital tools to add audio, video, and interactive graphics while preserving the discipline of analog shooting. Built a one‑person multimedia workflow (camera, sound recorder, editing software) after learning to wear many hats on grant‑funded projects. 📚 Long‑Term Projects that Shaped Her Career Project Region Focus Outcome Immigration story of Marisol US‑Mexico border Human‑rights & migration Over 2 decades of follow‑up; deep personal connection; shows power of sustained storytelling Water & environmental reporting Latin America Climate justice, resource distribution Won awards from Picture of the Year International & American Photography Maternal health & midwives Chiapas, Mexico & Guatemala Traditional midwives vs. institutional obstetrics Published NYT photo essay (2015), sparked global conversation, led to Birth Wars film & book Ashoka NGO multimedia series 18 countries Social entrepreneurship Served as launchpad for independent journalism career 🤱 Birth Wars – A Visual Narrative of Dignified Childbirth The Core Idea Systemic power struggle: Who decides how a woman gives birth? Goal: Highlight the clash between traditional/indigenous midwives and the medicalized obstetric model. Key Visual Elements Opening image: A striking, belly‑forward photograph that instantly captures the universality of pregnancy. Placenta prints: Each portrait is paired with a translucent placenta imprint, symbolizing the life‑giving organ and its cultural reverence. Pandemic footage: PPE‑clad birth scenes illustrate how COVID‑19 amplified the need for midwife‑led care. Impact & Reception Screened for 200+ midwives in San Cristóbal and 200 doctors in Oposingo – both groups responded positively, promising collaborative change. Presented at the Mexican National Congress, Belgian events, and Istanbul book‑launch (2024). Generates discussion panels that connect midwives, policymakers, and the public. 🩺 Why Midwives Matter – Insights from the Interview Continuum of care: From pre‑pregnancy, through birth, to postpartum (the 40‑day “quarantina” tradition). Cultural trust: Midwives are embedded in the community, offering personalized, respectful care. Systemic gaps: Institutional hospitals lack the flexibility to provide this holistic support. “Midwives are the bridge between a woman’s community and the formal health system.” – Janet Jarman 💰 Funding Long‑Term Visual Stories – Grant Tips Show Depth & Commitment – Demonstrate years of immersion (e.g., Janets’s decade‑long work with midwives). Create a Multimedia Prototype – A short video or photo essay can prove you can deliver across platforms. Leverage Past Publications – Highlight work in The New York Times, National Geographic, and award recognitions. Build a Small Core Team – Sound, editing, and a trusted local fixer make the difference; Janets prefers a 2‑3 person crew. Stay Flexible – Learn basic sound, editing, and graphic design to fill gaps when funding is low. 📑 Quick Takeaways for Aspiring Photojournalists Start with curiosity: Ask questions, listen, and let empathy guide your lens. Master analog basics: Good exposure saves time later. Invest in relationships: Long‑term projects thrive on community trust. Blend mediums: Audio, video, and printed art (like placenta prints) deepen impact. Seek mission‑aligned grants: Foundations (MacArthur, Ashoka, local NGOs) fund stories that propose solutions, not just problems. 📣 Ready to Explore Birth Wars? Watch the documentary (available on the 10 Frames Per Second website). Pre‑order the book on Janet’s website or major retailers (ISBN: 978‑…). Join a screening – check local cultural centers or virtual events for upcoming panels. 🔎 SEO Checklist (for you, the site owner) Title Tag: 60 characters – “Birth Wars – Photojournalist Janet Jarman’s Documentary on Midwives & Maternal Health” Header Tags: H1 (title), H2 for each major section, H3 for sub‑points. Keyword Density: Aim for 1–1.5 % (photojournalism, maternal health, midwives, Janet Jarman). Alt Text for Images: “Placenta print paired with portrait of Mexican midwife – Birth Wars book” Internal Links: Link to related posts about photojournalism fundamentals and grant writing for journalists. External Links: Cite the MacArthur Foundation, New York Times photo essay, and International Confederation of Midwives. Readability: ~8‑9 grade level, short paragraphs, bullet points, and bolded key phrases. Conclusion Janet Jarman’s journey—from a six‑year‑old interviewing strangers on a beach to a MacArthur‑supported visual storyteller—illustrates how photojournalism can ignite social change. By marrying analog discipline with modern multimedia tools, focusing on under‑reported topics like midwifery, and securing strategic funding, she creates work that not only informs but also empowers communities. If you’re a journalist, a photographer, or simply someone who believes in the power of images, let Birth Wars inspire your next long‑term project. ___ photojournalism, documentary film-making, immigration, public health, water resources, human rights, maternal health, midwifery, traditional midwives, Mexico, Guatemala, pandemic, COVID‑19, placenta printing, analog photography, slide film, digital photography, MacArthur Foundation, Ashoka, sustainable development, environmental issues, long‑term projects, storytelling, power dynamics, obstetric model, childbirth, dignified birth, postpartum care, doula, grant funding The post Episode 169: Janet Jarman (Documenting Midwives) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Ed Kashi on Archiving, Personal Projects & the Future of Photojournalism Insights from the “10 Frames Per Second” Podcast with photojournalist Ed Kashi, co‑founder of Talking Eyes Media, and his newest book A Period of Time (Briscoe Center, UT Austin). Ed’s career spans 40 years of visual storytelling—from early analog darkrooms to iPhone coverage of Hurricane Sandy, from Iraq’s Kurdish frontlines to a decades‑long “Aging in America” project. His journey offers timeless lessons for anyone who creates, curates, or consumes visual media. 10 Frames Per Second – a weekly photojournalism podcast from Loyola Radio (WLOY) – brings together veteran photojournalists to discuss the craft, the business, and the stories that shape our world. In episode 168 (released 12/02/25), hosts Molly Roberts, and guest host Stephen Crowley (a guest on Episode 91) sit down with Ed Kashi, a 40‑year visual storyteller who has worked for National Geographic, The New Yorker, Time, MSNBC and more. “We love to start with an origin story. So, Ed, how did you first fall in love with photography?” – Molly The interview uncovers the hidden gems behind Kashi’s career, his new retrospective book, and the lessons he’s learned while navigating a changing media landscape. If you’re a photojournalist, documentary filmmaker, or simply love visual storytelling, you’ve just landed on a summary of Ed Kashi’s recent interview on the 10 Frames Per Second podcast. We break down: Ed Kashi’s origin story and why photography hooked him 50 years ago. The making of his new book A Period of Time (Briscoe Center, UT Austin). Why archiving is essential for a sustainable career. The power of personal projects—especially his “Aging in America” series. Mentorship tips for emerging photographers. Ethical challenges in the age of AI. Grab a coffee, skim the headings, and dive into the actionable takeaways! How Ed Kashi Fell in Love With Photography Freshman at Syracuse University (1976) – originally wanted to be a novelist, but a poetry professor told him he was “a really bad writer.” Discovered the Newhouse School of Public Communications, one of the world’s top photojournalism programs. Took a basic black‑and‑white darkroom course, learned about legendary photographer Imogen Cunningham (who was still shooting in her 90s). Realized photography could synthesize politics, art, and storytelling—the perfect medium for his activist spirit. “Even at age 10 I was stuffing envelopes for Hubert Humphrey against Nixon. Photography just seemed the vehicle to combine that political impulse with art.” Takeaway for Readers If you’re just starting out, look for a mentor or a historic figure who inspires you. That spark can sustain a 50‑year career. A Period of Time: A 40‑Year Retrospective Why a Retrospective Now? Archive donation – Ed Kashi gave 127 banker‑boxes of negatives, slides, prints, and ephemera to the Briscoe Center for American History (UT Austin). Unexpected invitation – Briscoe’s director, Don Carlton, asked Ed Kashi, “How does one get collected?” and then offered to collect him. Creative freedom – The Center gave him full editorial control: “This is your story. Do whatever you want.” The Book’s Core Idea Linear, issue‑oriented storytelling – Each chapter is a deep dive into a major project (e.g., Northern Ireland, Kurds, Aging in America). Scholarly rigor meets journalistic depth – The book reads like a photo‑anthropology textbook with stunning visuals. “Opening the book felt like holding a newborn—overwhelming but beautiful.” The Power of a Well‑Organized Archive “My archive is like a garden; I can harvest what I need because everything is sorted.” – Ed Kashi How Ed Kashi Keeps His Archive Manageable Early adoption of digital workflow – Transitioned from analog boxes to searchable digital files. Meticulous cataloguing – Every image tagged by date, location, project, and theme. Professional support – Collaborated with studio managers (e.g., Frish Brandt) and curators (e.g., Alison Nordstrom). Benefits for Photojournalists Monetization – Ability to license old images for new publications. Storytelling efficiency – Quickly locate relevant photos for pitches or books. Legacy preservation – Ensures future generations can study and exhibit the work. Quick Tips to Organize Your Own Archive Create a consistent naming convention (YYMMDD_Location_Project_Sequence). Use metadata tags for keywords, people, and locations. Back up on at least two external drives and a cloud service. Review annually – purge duplicates and update tags. Personal Projects: The “Aging in America” Series Why Aging? Not “sexy” but universally human – Kashi wanted a topic that would outlive trends. Long‑term commitment – 8 years, 25 states, $300k in grant funding (Robert Wood Johnson, George Soros). Humanizing statistics – The project shows “the vitality of life, love, and hope” beyond the typical “dying” narrative. Key Outcomes Iconic image – Death scene of Maxine Peters (West Virginia) that resonates across cultures. Global collaboration – “Climate Elders” exhibition at COP 30, involving 150 photographers from 40 countries. Lessons for Emerging Photographers Research first; then shoot – Deep immersion builds trust and authentic moments. Secure funding early – Grants give creative freedom and resources. Be patient – Long‑term projects earn credibility and impact. Mentorship & Teaching: Ed Kashi’s Advice for New Photographers Area Kashi’s Insight Actionable Tip Tenacity “Failure is not an option; keep going.” Set mini‑milestones; celebrate small wins. Ethics No manipulation, no staging; honor subjects as collaborators. Draft a personal ethics checklist before each shoot. Access Build relationships; be respectful of vulnerable communities. Attend local events, volunteer, network before pitching. AI & Credibility Trust reputable media; AI threatens misinformation. Verify sources; use AI for organization, not image creation. Joy of Photography Keep the joy alive—look at others’ work for inspiration. Schedule weekly “inspiration sessions” with peers. Ethics & AI: The New Frontier Ed Kashi worries about political actors using AI to fake images, not about entertainment misuse. He believes trusted news outlets (NYT, BBC, National Geographic) will gain more value as AI blurs reality. Over‑post‑production can create a gloomy aesthetic that misrepresents the world. Practical Guidance Never alter factual content in post‑production. Label AI‑generated edits clearly if they’re artistic. Teach media literacy: help audiences distinguish authentic journalism from AI‑fueled “deepfakes.” Closing Thoughts, Ed Kashi Call‑to‑Action Ed Kashi’s journey—from a panic‑driven freshman at Syracuse to a globally respected visual storyteller—offers an actionable roadmap for anyone chasing a sustainable photojournalism career. Archive like a gardener. Invest in personal, issue‑driven projects. Mentor, learn, and stay ethically grounded. Embrace technology wisely, especially AI. Want More? Listen to the full episode on 10 Frames Per Second (new episodes drop every Tuesday). Explore “A Period of Time” at the Briscoe Center or order the book online. Join the conversation: Share your favorite archival tip or personal project story in the comments below! Optimized for: photojournalism, Ed Kashi interview, archiving photos, personal documentary projects, aging in America, mentorship for photographers, AI ethics in photography. photojournalism, documentary storytelling, archival organization, personal projects, political theater, Washington D.C., New York Times, National Geographic, Hurricane Sandy coverage, iPhone journalism, Kurdish flip‑book, award recognitions, book publishing, Briscoe Center for American History, archive donation, analog negatives, digital workflow, aging in America, hospice care, climate elders, grant funding, long‑term projects, mentorship, ethics in photography, AI manipulation concerns, media literacy, visual tropes, storytelling methodology, access and tenacity, cultural preservation, collaborative authorship. The post Episode 168: Ed Kashi (Archiving Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Mickey Osterreicher of NPPA Discusses Photojournalism in the Modern Era: Legal Rights, AI Challenges, and How to Protect Your Work The 10 Frames Per Second podcast episode featuring Mickey Osterreicher, General Counsel for the National Press Photographers Association (NPPA), uncovers the toughest challenges facing today’s visual journalists: Shrinking newsrooms & the rise of freelancers Legal battles over copyright, AI‑generated images, and fair use Police confrontations, arrests, and deportations of journalists The vital role of the NPPA in advocacy and education If you’re a photojournalist, visual storyteller, or anyone who relies on images to inform the public, the insights from this episode are essential reading. A past guest on 10FPS (Episode 20) Mickey’s career arc illustrates how photojournalism and law intersect: Phase Highlights Early Years Started with a 35 mm camera in college, photo‑edited the school newspaper, then worked for the Buffalo Courier‑Express (10 years). TV Transition Moved to WKBW‑TV, covered sports, and realized visual storytelling mattered more than column space. Law School Inspired by covering the Attica prison uprising and escorting attorneys William Kunstler & Ramsey Clark, he enrolled in law school while still working nights at the TV station. NPPA Legal Counsel Joined the NPPA in the early 1970s, later became its volunteer legal counsel, handling copyright, First Amendment, and police‑training issues. Key takeaway: A solid legal background can turn a photojournalist into an advocate for the entire visual‑journalism community. The State of the NPPA Why the NPPA Is Still Critical Founded 1946 – the “voice of visual journalists.” Membership shift: From staff photographers at newspapers/TV to freelancers & independent contractors. Financial pressure: Dues are modest, but staff salaries have been cut; board members now perform many staff functions pro‑bono. Advocacy priorities: Protect First Amendment rights. Provide legal training for journalists and law‑enforcement agencies. Fight AI‑related copyright infringement. NPPA’s Current Initiatives Legal hotline – direct access to counsel for members. First‑Amendment training – delivered to police departments nationwide (e.g., Minnesota, Chicago). Copyright small‑claims court – a low‑cost venue for photographers to enforce their rights. Writing with Light (WwL) Coalition – developing standards for image provenance and authenticity. First Amendment & Police Encounters: What Every Visual Journalist Should Know 1. Know Your Rights Public spaces: You have the right to photograph and record, subject only to reasonable time, place, and manner restrictions. “Indicia” of journalist status: Press credentials, professional gear, and a clear “press” identifier help officers recognize you as a journalist. 2. Prepare Before You Go Contact local police ahead of time to introduce yourself. Work in pairs or a small team—the “buddy system” improves safety and documentation. Carry a written list of emergency contacts (phone numbers inked on your arm or stored offline). 3. If You’re Detained Step Action Stay calm Do not resist; comply with lawful orders. Identify yourself Show press credentials, explain you’re exercising First Amendment rights. Document the encounter Keep an audio/video record if safe to do so. Call the NP hotline (or the Reporters Committee for Freedom of the Press at 800‑336‑4243) as soon as possible. Notify a trusted contact (family, lawyer, editor). Ask for a copy of the arrest report and any charges filed. AI & Generative Images: The New Copyright Battlefield Why AI Threatens Photojournalism AI‑generated images can be indistinguishable from reality (e.g., deepfakes, synthetic disasters). Massive ingestion of photographers’ work to train AI models, often without permission or compensation. Legal Landscape (U.S. Focus) Copyright registration is required before you can sue for infringement. Statutory damages: Up to $150,000 per image for willful infringement (as illustrated by the Daniel Morrel case). Fair‑use defense is fact‑intensive; courts evaluate purpose, nature, amount used, and market effect. Practical AI Safeguards Register every image you intend to license (or that has high news value). Add a visible watermark or embed metadata indicating ownership. Use tools from Adobe’s Content Authenticity Initiative (CAI) to embed provenance data. Monitor platforms for unauthorized use; send a cease‑and‑desist using NPPA’s model letters (available on their website). Practical Steps to Safeguard Your Images {#practical-steps-to-safeguard-your-images} Register Your Work File a registration with the U.S. Copyright Office within 90 days of first publication to get retroactive protection. Maintain a Documentation Log Date, location, equipment, and a brief description for each shoot. Store original RAW files in an offline, encrypted backup. Use Model Release & License Agreements Clearly outline permitted uses, fee structures, and attribution requirements. Leverage NPPA Resources Model cease‑and‑desist letters – copy, personalize, and send. Small‑claims court filing kit – for disputes under $10 k, no attorney needed. Educate Your Audience Publish a short note on your site about image authenticity (e.g., “This photo was captured on location with a Sony A7R IV; not AI‑generated”). Resources, Hotlines & Tools for Photojournalists Resource What It Offers Link NPPA Legal Hotline Pro‑bono legal advice for members nppa.org/legal‑assistance Reporters Committee for Freedom of the Press 24/7 emergency hotline (800‑336‑4243) rcfp.org Adobe Content Authenticity Initiative Metadata for image provenance contentauthenticity.org Small Claims Court Guide (NPPA) DIY filing checklist nppa.org/small‑claims Writing with Light (WwL) Coalition Standards for visual journalism ethics wwlight.org U.S. Copyright Office Register images, view guidelines copyright.gov Final Takeaways & Call to Action Your camera is a legal instrument. Understanding copyright, First Amendment rights, and AI implications protects both your livelihood and the public’s right to truthful information. Join the conversation. If you’re not already a member, consider joining NPPA to access training, legal support, and a network of advocates. Stay prepared. Keep your emergency contacts handy, register your work promptly, and use provenance tools to signal authenticity. Ready to protect your images? Register your latest photo series today. Download NPPA’s model cease‑and‑desist letter (link above). Add the Reporters Committee hotline to your phone – it could be a lifesaver. If you found this guide useful, share it with fellow visual journalists and subscribe to 10 Frames Per Second for more expert insights. Keywords: photojournalism, NPPA, copyright, generative AI, visual literacy, First Amendment, police training, legal rights, arrests, deportation, threats to journalists, copyright registration, cease and desist, small claims court, AI training data, fair use, public domain, litigation, settlement, statutory damages, Daniel Morrel, visual journalism, body armor, journalist safety, situational awareness, protest coverage, media advocacy, NPPA membership, legal counsel, media law, AI image authenticity The post Episode 165: Mickey Osterreicher (Legal Protections For Photojournalists) first appeared on 10FPS A Photojournalism Podcast for Everyone.

The Early Days of Photography: Insights from Anika Burgess Discover the fascinating stories behind early photography, from Anna Atkins’ cyanotypes to the Daguerre‑Talbot rivalry, women’s hidden studios, and the first surveillance photos of suffragettes—highlights from Anika Burgess’ interview on the “10 Frames Per Second” podcast.  The “10 Frames Per Second” podcast is a go‑to resource for anyone interested in photojournalism history, yet this particular episode dives deep into the origins of photography itself. If you’re a photographer, educator, historian, or simply a curious visual storyteller, the episode offers insights and details from technical to social, on the rise of photography Meet Anika Burgess – Photo Historian & Author Title: Photo editor, writer, and author of Flashes of Brilliance: The Genius of Early Photography and How It Transformed Art, Science, and History (W.W. Norton). Background: History & Law degrees, early career at Penguin Books (Modern Classics), later freelance photo‑researcher. Passion: Uncovering hidden stories—especially of women, scientists, and “oddball” characters—in the birth of photography. From Law School to Photo Editing Anika’s journey is a reminder that career pivots can lead to groundbreaking work: Law → Photo Editing: A short course in photo research opened the door to a role at Penguin’s Modern Classics series. On‑the‑Job Learning: She describes freelance work as an “accelerated masterclass” in assigning, commissioning, and archival research. Teaching Lens: As a photo‑history instructor, Anika emphasizes the value of primary sources—old photo journals, newspapers, and diaries. Pioneers of Early Photography Anna Atkins & the First Photo Book Who: English botanist & cyanotype pioneer. Milestone: Created Photographs of British Algae: Cyanotype Impressions (1843), the first photographic book—and made by a woman. Rediscovery: Mis‑attributed as “AA” until the 1970s when Larry Scharf revived her story. Women Photographers in the 1840s‑1850s Studio Advertisements: Journals show Miss Wigley and others openly marketing portrait studios. Color Tinting: Una Howard promoted women’s employment in hand‑tinting photographs, even establishing a school for the craft. Editorial Debates: Early photo‑journals featured heated arguments about photography’s purpose—art vs. science—with women actively contributing. Surprising Finds in the Archives Skin & Nail Prints: Some 19th‑century journals reported people printing photographs onto their own skin or fingernails. Psychic Photography: Experiments aimed to capture thoughts, dreams, or “effluvia”—the supposed visual aura of a soul. X‑Ray Curiosities: Early images of snakes, crayfish, and snowflakes (thanks to Wilson Bentley) showed how photography became a tool for scientific discovery. Early Photography: The Daguerre vs. Talbot Rivalry Aspect Louis Daguerre William Henry Fox Talbot Process Daguerreotype (metal‑silver plate) Calotype (paper negative → positive) Business Model Government‑funded French pension → free public release Aggressive patent enforcement, licensing fees Impact Dominated the first decade, especially in France and England Laid groundwork for modern negative/positive workflow, but hindered by patents Anika notes that Talbot’s patents slowed adoption, while Daguerre’s state‑backed release accelerated his method’s popularity—an early example of how capitalism shapes technology diffusion. Early Photography Chemical Hazards & “You‑Tube‑Free” Learning Deadly Substances: Cyanide, mercury, and strong acids were common in darkrooms. No Antidotes: For cyanide, there was no effective remedy, underscoring the danger. Community Knowledge: Early photo clubs circulated “antidote tables”—precautions rather than cures. “There were no textbooks, no YouTube tutorials—just trial, error, and sometimes tragedy.” – Anika Science Meets Art: X‑Rays, Snowflakes & Psychic Photography X‑Ray Explorations (1890s): Photographs of snakes and crayfish revealed anatomy unseen by the naked eye. Wilson Bentley (Vermont): Captured over 5,000 snowflake images using a microscope—blending meteorology and artistry. Effluvia Photography: Early attempts to photograph the “spirit” of a person, predating modern AI‑generated ethereality. Early Surveillance: The Suffragette Photo‑Ops Arthur Barrett’s Top‑Hat Camera (1908): Secretly photographed suffragists inside a London courtroom. He even coughed to mask the shutter sound. Government Commission: The British Home Office later hired Barrett to take long‑lens photographs of suffragists in Holloway Prison. Legacy: This marks one of the first documented uses of photography for covert surveillance—a precursor to today’s CCTV debates. Lessons for Modern Photojournalists Transparency Matters: Early manipulators like Oskar Rieslander openly disclosed composite techniques—mirroring today’s call for AI‑generated image labeling. Innovation Stems from Limits: Nadar’s underground catacomb portraits show how technical constraints spark creative solutions. Community Sharing Wins: Photo clubs of the 19th century were the original knowledge‑exchange platforms—modern equivalents are online forums, workshops, and open‑source libraries. What’s Next for Anika? After a seven‑year labor of love, Anika hints at a potential sequel covering 1910‑present—a period that includes modernist photography, wartime photojournalism, and the digital revolution. She’s also considering shorter books focused on women pioneers and photographic chemistry. Quick Takeaways Anna Atkins wrote the first photographic book, and women have been key players since the 1840s. Daguerre’s free release vs. Talbot’s patents illustrates how policy shapes tech adoption. Early photographers faced real chemical dangers—no antidotes for cyanide, mercury, or acids. Surveillance photography began with suffragist courtroom shots, foreshadowing modern privacy concerns. Transparency in image manipulation is a historic constant, now relevant in the age of AI. Frequently Asked Questions Question Answer Where can I find Anna Atkins’ cyanotype collection? The New York Public Library hosts a fully digitized archive online. Is the “top‑hat camera” video still available? Yes—search “suffragist reunion British Pathé” on YouTube. What was the first photo‑journalistic use of a hidden camera? Arthur Barrett’s 1908 courtroom photos of suffragists. How did early photographers tint images? Women like Una Howard hand‑colored prints using water‑based pigments; later, labs introduced mechanical tinting. Can I listen to the full podcast episode? New episodes drop every Tuesday on 10fps.net and all major podcast platforms. Final Thoughts Anika Burgess’ conversation on “10 Frames Per Second” proves that the early history of photography is far from a static timeline—it’s a vibrant tapestry woven by inventors, women entrepreneurs, scientists, and activists. Understanding this past not only enriches our appreciation of current visual culture but also equips today’s photojournalists with perspective on ethics, innovation, and the ever‑present tension between art and science. Ready to dive deeper? Grab a copy of Flashes of Brilliance, explore the NYPL digital collections, and let the stories of Anna Atkins, Una Howard, and Arthur Barrett inspire your next visual project. For more on “ghost” photography and William Mumler, check out our past episode with Peter Manseau, author of a book The Apparitionists, exploring Mumler’s creations. Keywords: early photography, history of photography, women photographers, Anna Atkins, Daguerre vs Talbot, photojournalism history, photographic chemistry hazards, X‑ray photography, suffragette surveillance, photo manipulation early, 10 Frames Per Second podcast ________ photojournalism, early photography, Anna Atkins, cyanotype, women photographers, Julia Margaret Cameron, Nadar, Daguerre, William Henry Fox Talbot, X‑ray photography, Wilson Bentley (snowflake photography), spirit photography, psychic photography/effluviography, photo manipulation, suffragette surveillance photography, top‑hat hidden camera, dry‑plate process, wet collodion process, chemical hazards in photography (cyanide, mercury), 1840s women‑run photo studios, hand‑tinting (colorizing photographs), archival research (NYPL, Met), Penguin Modern Classics photo editing, photographic patents and licensing, darkroom safety, early photo journals and newspapers, mechanical vs artistic classification in exhibitions, scientific photography, photography‑and‑art debate, early photographic portrait experience. The post Episode 167: Anika Burgess (Early Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.