Publicidad en podcasts en: Psicología, Música e Historia

Sean todos bienvenidos a Psicología, Música e Historia. Hoy retomamos desde donde lo dejamos en el episodio anterior para hablar del Réquiem de Verdi. Musica utilizada: Messa per Rossini – Varios compositores, Helmuth Rilling, Orquesta Sinfónica de la Radio de Stuttgart y Coro Filarmónico de Praga. https://open.spotify.com/intl-es/album/6VZaKh9R5MmGy2L3rK5lgN?si=zeXH9VVVRgOIedCsS_lqvQ Liber scriptus -  Sofia National Opera House Orchestra and chorus, Peter Tiboris (dir.)  https://open.spotify.com/intl-es/track/3p6Nsvbc2y4mkKQh70kADS?si=7bfdae192cc34a76 Verdi – Requiem: Filarmónica de Berlín, el Coro de la radio de Suecia y el Coro de Cámara Eric Ericson. Angela Ghoerghiu (Soprano), Daniela Barcellona (Mezzo-soprano), Roberto Alagna (Tenor) y Julian Konstantinov (bajo), Claudio Abbado (dir.). https://open.spotify.com/intl-es/album/1Svvhsb1rnRmPMxo1h0jY6?si=6yKj10HQT7q9Z126Aw_3ZQ This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia de la Viena del siglo XVIII viajamos hasta la Italia de finales del siglo siguiente para hablar de uno de los pináculos de la música dramática y sacra, apodada jocosamente como ‘La mejor ópera de Verdi’. Hoy hablaremos del Réquiem. Musica utilizada: Messa per Rossini – Varios compositores, Helmuth Rilling, Orquesta Sinfónica de la Radio de Stuttgart y Coro Filarmónico de Praga. https://open.spotify.com/intl-es/album/6VZaKh9R5MmGy2L3rK5lgN?si=zeXH9VVVRgOIedCsS_lqvQ Messa Solenne – Giuseppe Verdi, Ricardo Chailly, Coro y Orquesta Sinfónica de Milán. https://open.spotify.com/intl-es/album/5KgseNBhqewZ46OCP6UDff?si=sAcHsSMKSkCvFYuXXS5zOw Verdi – Requiem: Filarmónica de Berlín, el Coro de la radio de Suecia y el Coro de Cámara Eric Ericson. Angela Ghoerghiu (Soprano), Daniela Barcellona (Mezzo-soprano), Roberto Alagna (Tenor) y Julian Konstantinov (bajo), Claudio Abbado (dir.). https://open.spotify.com/intl-es/album/1Svvhsb1rnRmPMxo1h0jY6?si=6yKj10HQT7q9Z126Aw_3ZQ This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Hoy retomamos desde donde lo dejamos en el episodio anterior para hablar de los dos últimos movimientos de la última sinfonía de uno de los genios más grandes de la historia: la Sinfonía número 41 en Do mayor, conocida como «Júpiter», KV 551, de Wolfgang Amadeus Mozart. Musica utilizada: Sinfonía No. 1 en Mi bemol K. 16 - The Northern Chamber Orchestra, Nicholas Ward (dir.) https://open.spotify.com/album/0Hweu3ZqSrqMta5fZYTtmD?si=xKe-m2CTR9KzAehFbxrwEA Sinfonía No. 39 en Mi bemol K. 543 - Wiener Philharmoniker, Leonard Bernstein https://open.spotify.com/intl-es/track/2T41FOMqyWK87Hh4Z5uIW1?si=ba4783b2abfa4d32 Missa Brevis in F Major, K. 192: Credo - l'Orchestra Filarmonica di Moss Weisman https://open.spotify.com/intl-es/track/0gem20bdNoV50sgaUHjM2C?si=38219ab718af4825 Symphony No. 33 in B-Flat Major, K. 319: II. Andante moderato, Sir Neville Marriner, Academy of St Martin in the Fields https://open.spotify.com/intl-es/track/0yykGOMFzn2Y9P8zw476AR?si=d49061fe73594282 J.S. Bach: The Well-Tempered Clavier, Book 2: Prelude & Fugue No. 9 in E Major, BWV 878 - András Schiff  https://open.spotify.com/intl-es/track/0v4TPajBQYPFeTPuLLcH1p?si=dbcfc3f94dfc4def Sinfonía No. 41 en Do K. 551 - Orchestra Mozart, Claudio Abbado https://open.spotify.com/intl-es/album/5NkJMC9njCOYqV8XuESdty?si=a6b3027ad1b04699 This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Hoy haremos un viaje del Reino Unido de finales del siglo XX a la Viena del período clásico, para hablar de la última sinfonía de uno de los genios más grandes de la historia: la Sinfonía número 41 en Do mayor, conocida como «Júpiter», KV 551, de Wolfgang Amadeus Mozart. Musica utilizada: Sinfonía No. 1 en Mi bemol K. 16 - The Northern Chamber Orchestra, Nicholas Ward (dir.)https://open.spotify.com/album/0Hweu3ZqSrqMta5fZYTtmD?si=xKe-m2CTR9KzAehFbxrwEASinfonía No. 40 en Sol menor K. 550 - Berliner Philharmoniker, Herbert von Karajan.https://open.spotify.com/intl-es/album/25ydGD8SDCSltZETeRV4yu?si=7AeWS-orS7GFve3SMxbFDAEin Deutsches Kriegslied: Ich möchte wohl der Kaiser sein, K.539 - Dietrich Fischer-Dieskau, Vienna Haydn Orchestra, Reinhard Peters https://open.spotify.com/intl-es/track/1vlijRZ3vvEj9Y1RDpefaw?si=d8570e70ad9b4a8dMozart: Beim Auszug in das Feld, K. 552 - Meinard Kraak, Dalton Baldwinhttps://open.spotify.com/intl-es/track/2ruxOuJiXLot3KkPjng7YN?si=8bf6135554d746eeUn Bacio di Mano K. 541 - Dietrich Fischer-Dieskau, Vienna Haydn Orchestra, Reinhard Petershttps://open.spotify.com/intl-es/track/6OETjusSEpVPpUcuDyjyaw?si=1bd1bbf8428c4547Sinfonía No. 41 en Do K. 551 - Orchestra Mozart, Claudio Abbadohttps://open.spotify.com/intl-es/album/5NkJMC9njCOYqV8XuESdty?si=a6b3027ad1b04699This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Retomamos desde donde lo dejamos en el episodio pasado para abordar la segunda mitad de  The Armed Man, una misa para la paz. Música Utilizada: Karl Jenkins: The Armed Man (Ensemble Version) - Hertfordshire Chorus, David Temple (dir.), London Orchestra da Camera, Kathryn Rudge (mezzo-soprano), Jamal Aliyev (violonchelo), Osama Kiwan (muezzin).https://open.spotify.com/intl-es/album/0gcJOqSNqGwyQPyzlCk6y6?si=a407ec81e8314265The Armed Man: A Mass for Peace - Nicholas Merryweather (Barítono), Philip Shakesby (Bajo), Rachel Lloyd (Mezzo-soprano), Elizabeth Witts y Susie Parkes (Soprano), London Philharmonic Orchestra, The National Youth Choir Of Great Britain, Mike Brewer (Dir.)https://open.spotify.com/intl-es/album/1CgJvRQcoKATvHRis0T3He?si=3b922936ff8041dbThe Eternal Knot - Karl Jenkins (Adiemus Project)https://open.spotify.com/intl-es/track/49VaaIPXgwNH7XeIdco3pu?si=fe661b249c7340aaFor the Fallen: In Memoriam Alfryn Jenkins - Karl Jenkins. LSO y Bernard Cribbins (dir.)https://open.spotify.com/intl-es/track/5kfCVjHKzazEosspVHTY7s?si=39a2751eee764337This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Italia Barroca viajamos al Gales de 1999 para hablar de una de las misas más espectaculares que se han compuesto. The Armed Man, una misa para la paz. Música Utilizada: Karl Jenkins: The Armed Man (Ensemble Version) - Hertfordshire Chorus, David Temple (dir.), London Orchestra da Camera, Kathryn Rudge (mezzo-soprano), Jamal Aliyev (violonchelo), Osama Kiwan (muezzin).https://open.spotify.com/intl-es/album/0gcJOqSNqGwyQPyzlCk6y6?si=a407ec81e8314265The Armed Man: A Mass for Peace - Nicholas Merryweather (Barítono), Philip Shakesby (Bajo), Rachel Lloyd (Mezzo-soprano), Elizabeth Witts y Susie Parkes (Soprano), London Philharmonic Orchestra, The National Youth Choir Of Great Britain, Mike Brewer (Dir.)https://open.spotify.com/intl-es/album/1CgJvRQcoKATvHRis0T3He?si=3b922936ff8041dbOckeghem: Missa L’homme armé: L’homme armé - Oxford Camerata, Jeremy Summerly (Dir.)https://open.spotify.com/intl-es/track/2GZMgBIWbVtr9iK87UiA6U?si=9c607cfea0cb4a6aElastic Rock - Nucleus https://open.spotify.com/track/1kDgVBQv8uR6NUv2LBIDU8?si=M4EJe7IFSjqMntuILe060QCarol Ann - Soft Machinehttps://open.spotify.com/track/3BMpfut1fhytdChxJCABEU?si=aq7fjVBTTjKDqLfyBDvVdgMissa L’homme Armé: Kyrie - Palestrina (The Sixteen, Harry Christophers)https://open.spotify.com/track/0QqWrQejFzO47gML8BXoto?si=yC__TX-tSySYwMJIMh-xvQThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia, ¡último episodio del año! Retomamos desde donde lo dejamos en el episodio anterior para hablar del segundo y tercer acto de la ópera Motezuma de Vivaldi. Música Utilizada Motezuma - Il Complesso Barroco - Alan Curtis https://open.spotify.com/intl-es/album/2ID7dtWRJovjJ8CeLIVnMx?si=zBCfTR16R_GGcgZ9oNL9iA This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Desde Alemania, viajamos hasta Italia, sin salir del barroco para hablar de la ópera más famosa de Vivaldi. Motezuma. Música Utilizada Motezuma - Il Complesso Barroco - Alan Curtishttps://open.spotify.com/intl-es/album/2ID7dtWRJovjJ8CeLIVnMx?si=zBCfTR16R_GGcgZ9oNL9iA This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

(Re-subido por copyright) Sean todos bienvenidos a Psicología, Música e Historia, el día de hoy volvemos del pequeño paréntesis que hicimos para hablar de la historia de la liturgia en occidente para retomar la biografía de Florence Price aunque, hoy nos centraremos también en la Era de la Reconstrucción de los Estados Unidos y en la transición e impacto de las Leyes Jim Crow.  Dado el contenido de este episodio, recomiendo a los oyentes tomar precauciones pues se abordará una de las épocas más violentas de la historia reciente. Música utilizada: Sonata in E minor : Andante - Allegro · Kirsten Johnson · Florence Pricehttps://open.spotify.com/intl-es/track/2VTEmSkZ4M9AxMpHVhyjdt?si=039d321dee424522Treemonisha: Overture (Scott Joplin)- The Paragon Ragtime Orchestra and Singers - Rick Benjamin, conductorhttps://open.spotify.com/intl-es/track/6XdlUMlbSocS4RNcmnEM0X?si=66beb34d3ae142e6Black Face Performance // Jim Crow Laws Project - Nathalie Zamora https://youtu.be/xG2zd6NCzJ8?si=A2dY4SWcijk0t-To Song Of The Roustabouts (From "Dumbo"/Soundtrack Version) · Chorus - Dumbohttps://open.spotify.com/intl-es/track/17Bx0bjNmejts7iE6MdXyP?si=c19a1e8ceb5a41b8Black and Tan Fantasy - Duke Ellingtonhttps://open.spotify.com/intl-es/track/5iltwljBW1H5ScLeeiB9ZB?si=8ec51a8fdf7c4bbbSt. James Infirmary - Louis Armstronghttps://open.spotify.com/intl-es/track/6qbXCgb4v1absGvuQVaB5M?si=8b9d73dcd31a4814Shadrack - Louis Armstronghttps://open.spotify.com/intl-es/track/3FceAAUVLW7OaKetiUrg9e?si=79bf0898c0634f38Go down Moses - Louis Armstronghttps://open.spotify.com/intl-es/track/4I35WzEGfQz5BPicnxcwP6?si=30a6e9e047eb4415Summertime - Ella Fitzgerald and Louis Armstronghttps://open.spotify.com/intl-es/track/2gNjmvuQiEd2z9SqyYi8HH?si=0ed318e2bfa743e6In the Land O’ Cotton - Kirsten Johnsonhttps://open.spotify.com/intl-es/album/1v4k5soHkVhEQoKZe9Yp1d?si=hkYPMmuoRZ2GJC4fJ6opUATo my little son - Michelle Kennedy, Henry Lebedinskyhttps://open.spotify.com/intl-es/track/3KR3CtLPYEqCJKpW6hQyK9?si=07f712687c634d6aImpromptu - Michael Clarkhttps://open.spotify.com/intl-es/track/0edBFRMb9lI2jTnUB5kEPG?si=beabd73490004b6aTickin’ Toes - Lin Shumeihttps://open.spotify.com/intl-es/track/1tSjHKhKDeEMneYWc5GgfT?si=871a0db3c3784670Placid Lake - Kirsten Johnsonhttps://open.spotify.com/intl-es/track/14MQVTUXZvNzghtIGzZMtm?si=832bc8eee8604b8fThe old Boatman - Althea Waiteshttps://open.spotify.com/intl-es/track/5laaTWdDhjswyn0NeJMneK?si=7866a25199024086Strange Fruit - Billie Holidayhttps://open.spotify.com/intl-es/track/1CTex49P0iWwzUGsMNjgaV?si=39a76b03ce6e49bcThis podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. Después de este pequeño descanso estoy de vuelta con una colaboración con la Sociedad J. S. Bach de Suiza. De antemano quiero agradecer a la Fundación por su apoyo y darle un agradecimiento especial a Alice Noger por su tiempo y esfuerzo. Habrá una entrevista en este episodio, pero antes, hablemos brevemente sobre J. S. Bach. Como último paréntesis antes de empezar, invito a todos los oyentes a visitar Bachipedia.org. Tiene una versión en español en la que podrán aprender sobre el trabajo de Bach y de la Fundación.  Si bien, la vida de Bach da para una serie para ella sola, intentaré traer a colación algunos de los elementos que considero más importantes de ella. Música utilizada: (Todas las grabaciones son de la orquesta y coro de la Bachstiftung, dirigidos por Rudolf Lutz) BWV 196 II. Chorhttps://open.spotify.com/intl-es/track/5DvcWfwAJvA09g8A8T0HxZ?si=ce241920dbcb4efdBWV 232 XII. Et in unum Dominum https://open.spotify.com/intl-es/track/5NJZPL0ETxPwYOqhUsB3fX?si=8c399ce2f69a4876BWV 1 III. Arie (Sopran)https://open.spotify.com/intl-es/track/2uuCTfAjnsF2zwfVYVZ9vU?si=30ba5737342e44fdBWV 232 XVI. Et in Spiritum Sanctum https://open.spotify.com/intl-es/track/3MJI0dqlW4rWBGBejMQ38E?si=657f3d200a8f4e8aBWV 244 VIII. Arie (Sopran) – Blute nur, du liebes Herzhttps://open.spotify.com/intl-es/track/1eqEeDpvTmYvBQ2Le9Td2k?si=b486872f226d4898BWV 169 I. Sinfoniahttps://open.spotify.com/intl-es/track/5jQlseCDNG8d9BBwXLHUgR?si=12cdc79ade1e4cc1BWV 232 XX. Confiteor https://open.spotify.com/intl-es/track/1r1yPCyREfvq8iCs6H3Tup?si=f6247ad9afb542f0BWV 18: Sinfoniahttps://open.spotify.com/intl-es/track/0kyItujJdzJqOXGR0JksU2?si=73f72a0c1d014002Fugue in G Minor, BWV 578, "Little" - The Swingle Singers https://www.youtube.com/watch?v=PudCB4YGlYo Bourré - Son of a Bach https://www.youtube.com/watch?v=e6Kyap5BTfo Cumbia Barroca - Bardinerie (AllCARAZ) https://www.youtube.com/watch?v=521W5vadSUw Confiteor (Remix) (GHOSTS & SHADOWS) https://www.youtube.com/watch?v=0Aad6QXbSjg BWV 232 I. Kyrie eleison https://open.spotify.com/intl-es/track/26BeyqvvHHrZOCIeYzPY7u?si=353566cacf3e4935BWV 228 Fürchte Dich nichthttps://open.spotify.com/intl-es/track/1N2lwDaAEV0OqMkKKouWAd?si=5c598aa33f63491fBWV 27 V. Arie (Bass)https://open.spotify.com/intl-es/track/4E12MaHbfkGPyYcMtuBK2r?si=bc01be7752884570BWV 35 V. Sinfoniahttps://open.spotify.com/intl-es/track/4xqV0hbBNk5HxlQ0so4q1Y?si=8f8aae75c34542a9BWV 244 XLIX. Arie (Sopran) – Aus Liebe will mein Heiland sterbenhttps://open.spotify.com/intl-es/track/0Z8MQqXs2bphsHWdMCl7TO?si=8f2153ad7ab14436BWV 244 XXXIX. Arie (Alt) – Erbarme dichhttps://open.spotify.com/intl-es/track/1b3ZZOxCMJo9z1OZb4BzXh?si=a4ec63b68a954f04BWV 60: ‘O Ewigkeit, du Donnerwort’ II. Arie (Sopran)https://open.spotify.com/intl-es/track/5HYqo3Dw8lOLj85DJ3EvQj?si=6e631213ce5b4ca5 This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Resubido :/ Desde la Viena romántica, volvemos a la actualidad para empezar una serie en el canal. A través de ella daremos un panorama general de la ópera y su historia. Sean todos bienvenidos a Psicología, Música e Historia, esto es Risas y Tragedias, capítulo 0, Introducción. Música utilizada: Le nozze di Figaro, K. 492: Overture · Leonard Bernstein · New York Philharmonic Orchestra · Wolfgang Amadeus Mozart https://open.spotify.com/intl-es/track/7JOZ5X3byHERBPtX2Pe9OT?si=db3ea44ff6c94aea Die Zauberflöte, K. 620, Act 2: Queen of the Night Aria. "Der Hölle Rache kocht in meinem Herzen" (Königin) · Diana Damrau · Le Cercle de l'Harmonie https://open.spotify.com/intl-es/track/2IRMCtPrxmJwpyfCF8WcJA?si=bb727062ee6f4edd Carmen, WD 31, Act 1: Habanera. "L'amour est un oiseau rebelle" (Carmen, Chœur) · Maria Callas · Chœurs René Duclos https://open.spotify.com/intl-es/track/5Adxsld8lL9MLcaULeoSKu?si=efe638b6c9b64c1c Verdi: Il Trovatore / Act 2 - "Vedi! le fosche notturne spoglie" (Anvil Chorus) · The London Opera Chorus · National Philharmonic Orchestra · Richard Bonynge https://open.spotify.com/intl-es/track/3KkYGz3w5jw24IKaFbIq6k?si=b08674640beb40ec Der Freischütz, Op. 77: Act II: Nr. 9 Terzetto: Wie? Was? Entsetzen! · Bruno Weil · Carl Maria von Weber https://open.spotify.com/intl-es/track/3tZtN19JMpz8gXhccLYr7q?si=65d30ad8f8ec4a10 Giulio Cesare, HWV 17: V'adoro pupile · Victoria de los Ángeles · Yehudi Menuhin · Gerald Moore · Georg Friedrich Händel · Sir Adrian Boult https://open.spotify.com/intl-es/track/6UAfDhhsHRP4mZbSHacBZF?si=00801494657f453d Purcell: Dido and Aeneas / Act 3 - "Thy Hand Belinda - When I Am Laid In Earth" · Catherine Bott · Academy of Ancient Music · Christopher Hogwood https://open.spotify.com/intl-es/track/25weMcBwOZzH73q2PYHQMA?si=d88bedbd4b4949a4 Nabucco, Act 3: "Va pensiero" (Chorus of the Hebrew Slaves) · Bernard Haitink Chorus: Chorus of the Royal Opera House Covent Garden, Orchestra: Orchestra of the Royal Opera House Covent Garden https://open.spotify.com/intl-es/track/26tfAzbA8h60Xt0XaH4hVJ?si=60bfe78a82c24c00 Wagner: Götterdämmerung, WWV 86D - Siegfried's Funeral March · Gewandhausorchester · Andris Nelsons https://open.spotify.com/intl-es/track/7nPd9spk4QL5bNwADUWIwF?si=15621b004964427d This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la controversia Mahler-Rott viajamos al medioevo para la segunda edición del misceláneo medieval. En este episodio aboraremos: Características de los cantos gregorianosLa Escritura del Canto: De los Neumas a la Notación CuadradaFunción de los Neumas y Nacimiento de la Escritura MusicalNeumas Diastemáticos y Origen del PentagramaGuido D’ArezzoLa Solmisación Guidoniana y el GamutLa Mano GuidonianaModos, Escalas y la Relatividad del Sonido MedievalModos Griegos, Escalas y TonalidadDe la Modalidad a la TonalidadMúsica utilizada: Cantos Gregorianos para los Muertos - Ensamble vocal femenino Aurora Surgit dirigidos por Alessio Randon, quien hará ocasionalmente de solista. https://open.spotify.com/intl-es/album/1ZfxbseEf5eFbhn3oqyEQt?si=KLsOw7RqSpyuYn5MbouS0w Musica amores allicit - Ensamble Elthin. https://open.spotify.com/intl-es/album/1jZdkVotjBCq5i2pRKpy87?si=jwVc1bPdR4u2G3HcWr-MhA This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

“Si Mahler estuviera vivo hoy en día enfrentaría una demanda por plagio” —Paavo Järvi Sean todos bienvenidos a Psicología, Música e Historia. Después de varios meses peleándome con los guiones para hablar de la Primera Sinfonía de Mahler, decidí que antes de entrar de lleno a esa obra, hay un par de temas que merecen ser abordados con calma. Así que hoy, vamos a ponernos los trajes y subir al estrado para hablar de un caso que ha dividido opiniones durante décadas: la controversia Mahler–Rott. This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws. Música utilizada: Hans Rott: Sinfonía en Mi Mayor - Orquesta de Bamberg, dirige Jakub Hrusahttps://open.spotify.com/intl-es/album/3muyWKaSOclVXt9biOMKOn?si=9a2a3c3d42164108Hasn Rott: Sinfonía para Orquesta de Cuerdas en La Bemol Mayor - Orquesta Gürzenich de Colonia, dirige Christopher Ward.https://open.spotify.com/intl-es/album/1Uz9D9zKAtXUHtxRSyOhBL?si=FJtGScbBTl2SFSUv8m3YCA

Sean todos bienvenidos a Psicología, Música e Historia. El episodio sobre Mahler está llevando más tiempo del queimaginaba, así que, para no dejar el podcast abandonado hasta que lo termine voy a presentar otro artículo del Musical Quarterly. “Sobre el culto a las Notas equivocadas” de Frederick Corder. Música utilizada Prospero - Corder (The Orchestra of Opera North, David Lloyd-Joneshttps://open.spotify.com/intl-es/track/4MFXMLJWIO9G7kqac0P5le?si=5b70472b05884529Preludio de Así Habló Zaratustra - Strauss (Berliner Philharmoniker, Herbert von Karajan)https://open.spotify.com/intl-es/track/43YwOmGUOS3zzGvj1Feszb?si=9c8df90beecf4f0eIb. Allegretto un poco agitato de Sinfonía 2 - Mendelssohn (NDR Radiophilharmonie, Andrew Manze) https://open.spotify.com/intl-es/track/0jAiwsbd4u8GzKPVHiCsNb?si=ee4d1299db204777Japanese Suite, Op. 33, H. 126: II. Ceremonial Dance - Holst (Ulster Orchestra, JoAnn Falletta)https://open.spotify.com/intl-es/track/4p7WmQq40D4EMK2O1y2Vzm?si=4b2e7909a00e430cVers la Flamme - Scriabin (Vladimir Horowitz)https://open.spotify.com/intl-es/track/1KNDO0UjXWKuM6KjtBNnlW?si=5efc3b7994d84584Aimons-nous et dormons, CD 7 - Debussy (Jennifer France y Malcolm Martineau)https://open.spotify.com/intl-es/track/6kGZQwzPmJTofyrJx1SikU?si=0efd0638bb7145c12 Elegies, Op. 8b, Sz. 41 - Bartók (Samson François)https://open.spotify.com/intl-es/track/0ArZVWm5ad4X2e5XeJaMID?si=49663a2a97e943f8https://open.spotify.com/intl-es/track/3pJZOKtxUjRC7MnIJZBhp7?si=ae3919dcde854b6cHamlet, S104/R421 - Franz Liszt (New Zealand Symphony Orchestra, Michael Halasz)https://open.spotify.com/intl-es/track/2olFy2LNllskr2qDwlCCgJ?si=36f661ee339a4f7fNocturne et Scherzo, L. 39 - Debussy (Henrik Brendstrup y Per Salo)https://open.spotify.com/intl-es/track/6ZyYNCkZwpC3UJ0jjaueKV?si=9f1f4b7ac7bd4aca This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.

Sean todos bienvenidos a Psicología, Música e Historia. De la Francia del siglo XIII viajamos a las oficinas de The Musical Quarterly, en Oxford de principios del siglo XX para hablar del artículo “Some Aspects of Modern Music” de W. H. Hadow. Música Utilizada Fantasia on a Theme by Thomas Tallis – Ralph Vaughan Williams (Academy of Saint Martin in the Fields dirigida por Neville Marriner) https://open.spotify.com/intl-es/track/04daeztQJg7lyDDAHJ70rT?si=5a6381a3cd5447d2 Prélude à l'après-midi d'un faune – Claude Debussy en versión de la Berliner Philharmoniker bajo la batuta de Claudio Abbado. https://open.spotify.com/intl-es/track/4NXmcUMQauqEtDYDgP0MEi?si=ae552465e7004ac2 Pelléas et Mélisande – Claude Debussy Apertura del Agundo Acto e Interludios 3 y 4 en versión de Abbado con la Berliner Philharmoniker https://open.spotify.com/intl-es/track/0LGutDI2q2c9KbZchjgOMX?si=4b5e0505fe5b4bc7 Fragmento del concierto para violín no. 1 de Jean Sibelius versión de Maxim Vengerov con la Chicago Symphony Orchestra dirigidos por Daniel Barenboim https://open.spotify.com/intl-es/track/3UaYgoJGnI4uJjsUywHliR?si=c5959e039f6b4824 Chamber Symphony No. 1 V. Etwas – Arnold Schönberg Boston Symphony Chamber Players https://open.spotify.com/intl-es/track/1ehyZZ0qihrFI7dOu2vZSV?si=ef44307354ac40c2 Fragmento de Risveglio di una città – Luigi Russolo https://open.spotify.com/intl-es/track/6GYB7YLxttW1VGp5kLSfLv?si=f412648953bc4989 Le Sacre du Printemps – Igor Stravinsky Augurios de Primavera en versión de la Orquesta de Cleveland bajo la batuta de Richard Chailly. https://open.spotify.com/intl-es/track/2IETPr99QczxMBjVz77YKE?si=6fdd8056ca2a4feb Gurre-Lieder – Arnold Schönberg en versión de Pierre Boulez con la Berliner Philharmoniker Pt. 3 Gegrüst https://open.spotify.com/intl-es/track/1fNxv0wQ3FjhJukIu0zDI2?si=7cc3591cb23b4f22 Pavane pour une infante défunte - Ravel (ver. Keith Hardy & Linn Henry) https://open.spotify.com/intl-es/track/1Vyb58eKfloJzyXFLxtXcn?si=433f10da1a5d4d9a This podcast may contain copyrighted material used under the 'fair use' doctrine or with the copyright owner's permission. In accordance with international copyright laws, we employ copyrighted content for purposes such as critique, commentary, education, and research, respecting the rights of copyright holders. We make every effort to secure proper permissions when required, and if you believe we've inadvertently infringed upon your copyright, please contact us for resolution. Our commitment is to promote learning and discussion while adhering to copyright laws.