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For this special bonus episode Tim is joined by the host of the Talking Hitchcock podcast, Rebecca McCallum. You can read Rebecca's series of essays on Hitchcock's Women here. Book tickets to Rebecca's screening of Four Seasons of Hitchcock at the Science and Media Museum here. Listen to our Moving Pictures episode 'A Primer on Alfred Hitchcock' with Tim and screenwriter Phil Drinkwater here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by Craig Ian Mann from Eureka Entertainment to discuss Alfred Hitchcock's Rear Window (1954). –––––––––––––––––––––––––––––– Rear Window is no. =38 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by the film critic Matthew Leyland to discuss Orson Welles' Citizen Kane (1941). –––––––––––––––––––––––––––––– Citizen Kane is no. 3 on the Sight & Sound critic's list. You can read Matthew's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This special bonus episode Tim is joined by Mark Cousins to discuss the legacy of Orson Welles. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can support the pod by joining Moving Pictures' Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Follow us on Bluesky @top100pod.bsky.social or on Instagram @thetop100pod Get in touch via emai: [email protected] –––––––––––––––––––––––––––––– Orson Welles 'Impossible' Quote - here. Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended.

We've joined up with our friends at Curzon Film for a very special competitoin to win one copy of Jean Vigo: A Curzon Collection on 4K UHD and Blu-ray. Check out this episode for details of how to win this amazing prize! –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by John Ramchandani, the Head of Video Production and Online Programming at the BFI, to discuss the BFI's role in releasing physical media for home entertainment. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by film writer and curator Sarah Cleary to discuss Sergei Eisenstein's Battleship Potemkin (1925). –––––––––––––––––––––––––––––– Battleship Potemkin is no. =54 on the Sight & Sound critic's list. You can read Sarah's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by film academic Jenny Chamarette to discuss Jean Vigo's L'Atalante (1934). –––––––––––––––––––––––––––––– L'Atalante is no. 34 on the Sight & Sound critic's list. You can read Jenny's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by the host of The Thriller Cabinet podcast Johnny Restall to discuss Carol Reed's The Third Man (1949). –––––––––––––––––––––––––––––– The Third Man is no =63 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by film academic Dr Lindsay Hallam to discuss Claire Denis' Beau Travail (1999). –––––––––––––––––––––––––––––– Beau Travail is no 7 on the Sight & Sound critic's list. You can read Lindsay's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– This episode includes discussions about suicide. If this issue has affected you and you'd like support in the UK you can speak with someone at the Samaritans or Campaign Against Living Miserably (CALM); in the States there is the American Foundation for Suicide Prevention. Alternative services may be available in other countries, so please reach out. The world is better with you in it. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by Tim Robey (film critic for The Telegraph) to discuss Max Ophul's Madame de... (1953). –––––––––––––––––––––––––––––– Madame de... is =90 on the Sight & Sound critic's list. You can read Tim's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Listen to Paul Thomas Anderson's interview on Max Ophul's for Criterion here. Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by Matthew Turner (Fatal Attractions pod) to discuss Martin Scorsese's Goodfellas (1990). –––––––––––––––––––––––––––––– Goodfellas is =63 on the Sight & Sound critic's list. You can read Matthew's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by Jordan Farley (from The Movie Wingman) to discuss Sergio Leone's Once Upon a Time in the West (1968). –––––––––––––––––––––––––––––– Once Upon A Time in the West is =95 on the Sight & Sound critic's list. You can read Jordan's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by Leila Latif (host of the Little White Lies podcast Truth & Movies) to discuss Ousmane Sembène's Black Girl (1966). –––––––––––––––––––––––––––––– Black Girl is =95 on the Sight & Sound critic's list. You can read Leila's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Interview with Ousmane Sembène here. Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––

This month Tim is joined by Amber T (News Editor for Fangoria) to discuss Kenji Mizoguchi's Ugetsu Monogatari (1953). –––––––––––––––––––––––––––––– Ugetsu Monogatari is =90 on the Sight & Sound critic's list. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can support the pod by joining Moving Pictures' Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: [email protected] –––––––––––––––––––––––––––––– Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos 👉   / @podcastbackgroundmusic    –––––––––––––––––––––––––––––– This podcast episode is under Fair Use. Copyright disclaimer under Section 107 of the Copyright Act in 1976; Allowance is made for 'Fair Use' for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. All rights and credit for audio clips used in this episode go directly to the rightful owners. No copyright infringement is intended. ––––––––––––––––––––––––––––––