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Mel Brooks famously said that the only way to get even with Hitler is to make fun of him. Although Mel said it, he wasn’t the first to do it. That honor goes to the director of our film for today, the legendary Ernst Lubitsch and his brilliant political satire from 1942, “To Be or Not To Be.” To be or not to be, that is the question of this movie. A troupe of second rate actors are the last line of defense against the onslaught of fascism and somehow it’s hilarious and terrifying at the same time. We walk through why this wartime dark comedy still feels so modern today,  from the brilliantly incisive dialogue, to the sleight of hand structure, to the hysterical and meta performances of its stars: the incomparable Jack Benny and the luminous Carole Lombard, in her final screen performance.  The story keeps asking “what’s real and what’s staged?” as characters impersonate other characters, romances collide with resistance work, and jokes snap into suspense without warning. Along the way, we dig into what people mean by “the Lubitsch touch” and why the film’s sharp dialogue and careful misdirection reward repeat viewings.  This film also kicks off our listener requested “Swan Songs” series, as it’s impossible to separate the movie from the legacy of the great Carole Lombard. We talk about her brilliance on screen, her war bond tour, and the tragic circumstances that made this her final film, adding a haunting layer to an already daring piece of political comedy. If you enjoy deep dives into Hollywood’s golden age, subscribe to Going Hollywood, share this episode with a film lover, and leave us a review on Apple Podcasts or Spotify. What’s the boldest comedy you’ve ever seen take on real world horror? Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

A great sitcom can survive a lot, but it can’t survive forgetting who it is. We’re back for Part Two of our “Laverne & Shirley” 50th anniversary celebration, and we dig into why that basement apartment window, the working-class charm, and “Making Our Dreams Come True” still feel so alive 50 years later. The early seasons don’t just deliver laughs, they build a world where being the underdog is the whole point. So, we give one last hurrah to the Milwaukee era, remembering a few more of our favorite (and one of the most famous) episodes, and then we get honest about the big shift that changes everything: the move to California. We talk TV network decisions, time slot damage, new characters that don’t click, and how the show loses its original magic even when there are still a few fun late-season nuggets, including an appearance by “goddess-of-the-pod” herself, Carrie Fisher. We also unpack the behind-the-scenes reality of Cindy Williams’ exit and why it still stings for fans. Subscribe, share the show with a fellow classic TV lover, and leave a rating and review. What’s your all-time favorite “Laverne & Shirley” moment, and when do you think the series should’ve ended? Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

We're making our dreams come true today, as we dive into the wonderfully wacky world of our two favorite Milwaukee bottle-cappers while they transverse life, love, and a little vo-de-oh-doh-doh. Yes, we’re talking about Ms. DeFazio and Ms. Feeney today, in the first of our two part celebration of the 50th anniversary of "Laverne & Shirley"! This situation comedy, which aired on ABC from 1976 until 1983, defines the term “classic television”.  We’re commemorating the show’s 50th by going back to the Milwaukee years, when two blue-collar  turn bad luck into a weekly art form. And yes, we start where the show lives best: big character choices, physical comedy that commits all the way, and jokes that still land because the emotions are real. In Part One, we talk about how the series spins out of “Happy Days”, why Gary Marshall had to “rebuild” the characters for the family hour, and how Penny Marshall and Cindy Williams create a partnership that feels equal in a way TV rarely gets right. Along the way, we dig into the “Lucy” influence, the chemistry that makes absurd situations believable, and the secret sauce of supporting players like Lenny and Squiggy when they stay as just that: support.  We also set the table for Part Two, where a terrible plot turn and growing backstage dramas change everything about the show we love so much. But that’s for later; today grab a Scooter-pie and a milk and Pepsi a join us in the festivities as we pay tribute to a TV classic.  If you enjoy the show, subscribe so you don’t miss the next chapter, and please leave a rating or review so more classic TV fans can find us. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

It's our 100th episode!! And we have something extra special in mind to commemorate the occasion.  We looked back 100 years to find a film that is widely considered one of the greatest silent films of all time - from 1926, it's Buster Keaton's masterpiece "The General".   A silent film where the biggest romantic rival is a locomotive sounds like a joke until Buster Keaton turns it into one of the most ambitious action comedies ever put on screen. It's a Civil War era train-chase epic that mixes breathtaking stunt work, meticulous visual storytelling, and a surprisingly dark sense of humor. We walk through why the premise is so clean and timeless: a railroad engineer loses the girl, loses the train, chases the train, and accidentally becomes a hero. We also get honest about what makes "The General" complicated. A comedy about one of the most tragic events in American history? That was what Buster Keaton took on in 1926, and its a choice that baffled many audiences and critics on release,  especially in an era when audiences expected war movies to be solemn and sentimental.  The lukewarm reception had a prolonged effect on the great comic's career, and after the film’s messy rollout and the initial box office disappointment, Keaton's career began a slow but steady slide into near oblivion.  The film's eventual re-evaluation and celebration by later generations is one of the most surprising and heartwarming stories in Hollywood history, and the long turnaround eventually put "The General" alongside the most celebrated movies ever preserved and praised. If you love classic Hollywood, silent cinema, or practical stunts that modern CGI cannot replace, press play, then subscribe, share the episode, and leave us a rating and review so more film fans can find the next hundred. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

The news hit like a gut punch: Dolly is gone, and somehow the whole world is mourning at once. We needed to talk it out, but since laughter through tears is our favorite emotion, not with a stats-heavy deep dive, but with the stories, songs, laughs, and screen moments that made her feel bigger than celebrity and closer than a neighbor.  We look back at the Dolly we met through film and television, from "9 to 5" (1980) to "Steel Magnolias" (1989) to the pure guilty-pleasure fun of "The Best Little Whorehouse in Texas" (1982),  plus a real soft spot for "Straight Talk" (1992). Along the way we dig into what made her performances work and that made even the lightest scenes feel true. And of course we talk music, including why “I Will Always Love You” lands differently in Dolly’s intimate original and why “Light Of A Clear Blue Morning” has carried so many of us through hard nights.  Plus "Jolene", "Here You Come Again", "Coat of Many Colors" and all the songs that make up the fabric of our lives. We’re joined by two friends of the pod who bring Dolly into sharper focus. Playwright Del Shores shares personal meetings that capture her kindness and her lack of judgment. Author and documentarian Randy Schmidt talks about growing up with Dolly on TV, her master plan to become a “universal star,” and gives us  a sneak peak at his upcoming documentary, "Dolly Uncovered" . We also honor the heart behind the legend, from quiet generosity to the Imagination Library’s massive impact on kids and families.  So don't feel like a bastard at a family reunion! Join us as we discuss this universally beloved star.  Listen, share it with a fellow fan, and subscribe for more. Then leave a review and tell us your favorite Dolly song or movie, what is yours? Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

The line hits like a slap- literally: “Let me tell you the truth for once in my life...I was the slut of all time!” From that notorious confession, we jump into one of the most infamous Hollywood melodramas of all time, MGM’s "Butterfield 8". Today on "Going Hollywood" we're unpacking this notorious guilty pleasure from 1960, and why this film is widely called trash while still being weirdly hard to look away from.  We dig into the behind-the-scenes story that makes "Butterfield 8" essential Hollywood gossip history: Elizabeth Taylor reportedly despised the script, rushed to finish her final MGM contract, and pushed for demands that shaped the production, including New York locations and a role for Eddie Fisher. Then we get into the on-screen chaos: Gloria Wandrous as “call girl” versus “model,” the Production Code-era dance around sex, and the film’s relentless need to shame and punish its heroine. Along the way, we talk about Lawrence Harvey’s chilly performance, the mink coat plot trigger, and that marathon car crash finale.  The most revealing part might be the meta-layer. "Butterfield 8" plays as a commentary on Taylor’s real-life scandal with Fisher and Debbie Reynolds, right down to casting and styling choices that feel pointed. We also explain the title itself as a phone exchange tied to Manhattan’s Upper East Side, and we trace how Taylor’s near-death illness and tracheotomy helped shape her first Best Actress Oscar narrative, even as many argue Shirley MacLaine deserved the win for "The Apartment". Subscribe, share the episode with a classic film friend, and leave us a review, then tell us: is "Butterfield 8" glorious trash or just trash? Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

It's our first crossover episode! Taking a page from 1990s "Must See TV", today we have a special treat. Join us for a "Going Hollywood/Front Row Classics" crossover event as Tony welcomes FRC's Brandon Davis and guest Ben Burke to the show to discuss the (questionable) guilty classic, MGM's musical remake of "The Women", 1956's "The Opposite Sex" . We talk about the remake’s biggest swings: adding eye-popping Metro-color, wedging in yawn-inducing production numbers, and most criminal of all: introducing men into the cast!  Add into the mix a murderous row of gifted actresses whose lifeless performances and lack of on-screen chemistry leave this legendary story of real housewife bitchery strangely lifeless, and you're left with the one big question: WHY?  From June Allyson’s lackluster “society wife” energy to Joan Collins as a Crystal who never quite gets her claws, we compare performance, pace, and the intangible spark the original captures so effortlessly.  If you love classic Hollywood history, MGM musicals," The Women", 1950s fashion, or remake autopsies, you’ll have a lot to argue with us about. If you enjoy the conversation, subscribe, share this with a fellow old-movie obsessive, and leave a review so more listeners can find us. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

A gangster’s superstition turns into a citywide con, and somehow it becomes one of the most humane stories of the 1930s. We’re talking about Frank Capra’s "Lady For A Day" (1933), where Apple Annie sells apples in Times Square and Dave the Dude buys one before every deal like it’s a talisman. When Annie’s daughter returns from Spain expecting a wealthy society mother, Dave and his crew scramble to build a high-society illusion overnight, complete with manners, clothes, and a borrowed life. What surprised us most is how well the film balances fantasy with real Depression-era texture. Mae Robson makes Annie feel fully lived-in, and we dig into why her performance carries the movie even when she isn’t getting the punchlines. We also get honest about what works less, what characters we wish had more time, and the scene we think could have been milked for even better comedy during Annie’s rapid makeover. After the film talk, we share listener survey results that overwhelmingly favor the 1930s and 1940s, plus the series and stars you want us to cover next. If you enjoy classic Hollywood podcasts, film history, and thoughtful movie reviews, hit play, subscribe, and share the show. Then leave us a rating and review, and send a text or voicemail so we can feature your thoughts on an upcoming episode. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

One performer. No guest stars. No dancing chorus to hide behind. Just one unbelievably talented and chutzpah-filled 22-year-old staring down the biggest network in America—and winning all the marbles.  It’s Barbra Streisand in the 1960s. Today, we revisit her first two iconic CBS television specials, My Name Is Barbra (1965) and Color Me Barbra (1966), and explore how a girl barely out of her teens could make an hour of pure singing feel like must-see television. These weren’t conventional variety shows. They were something closer to the prototype for the modern music video—built around persona, irony, theatrical movement, visual storytelling, and, above all, Streisand’s ability to inhabit a song rather than merely sing it. We dig into the creative gamble behind Streisand’s five-million-dollar contract, the three-act structure that makes each special play like a miniature stage production, and the extraordinary way she turns every song into a character piece. Along the way, we get into all the backstage happenings:  the elusive studio audience, the tale of five ill-fated penguins, an overly amorous llama, and all the fascinating production choices that helped make these specials feel so different from anything else on television at the time. So join us as we take a trip into "Streisandland"  circa the 1960s. It’s a journey you won’t soon forget. If you love classic Hollywood, TV history, or the craft of performance, subscribe, share the show with a friend, and leave us a rating and review so more listeners can find Going Hollywood. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

We take a listener recommendation and give Brad one more chance to become a George Stevens fan. Will he? Won't he? You'll have to listen to find out, as we tackle what is, arguably, Steven's masterwork and certainly one of the greatest films of the 1950s: "A Place in the Sun". One bad decision is a plot. A thousand tiny compromises is a life, and "A Place in the Sun" (1951) stares straight at that truth until it becomes unbearable. We follow Montgomery Clift’s George Eastman as he reaches for the "American Dream", only to find it quickly morph into the American nightmare. Is he a character who truly meant to do harm, or was he  simply a victim of the illusion and promise of the "American Dream"? This one will give you plenty to think about. We talk about Theodore Dreiser, the real-life murder case that inspired the original novel, and why Stevens’ adaptation chooses implication over explanation in key moments. Then we get nerdy about craft. Stevens’ extreme close-ups, long static shots, and eerie dissolves don’t just look beautiful; they tell us the story in ways that mere dialogue cannot. We also touch on Edith Head’s iconic costumes, Franz Waxman’s sweeping score, the film’s Academy Awards run, Charlie Chaplin’s legendary praise, and the ugly art-versus-commerce fight over TV broadcasts chopped up by commercials. Finally, there's the cast.  The 17 year-old Elizabeth Taylor, at the peak of her youthful bloom, beauty and possibility;  her polar opposite, Shelly Winters, in a career-defining performance as the young woman who blocks Clift from obtaining his place in the sun and pays the ultimate price for it. There is Clift himself, an American Icarus, whose ambition to attain the American Dream at any cost sends him plummeting to his ultimate destruction.  Listen, then share your take with us: is George Eastman a villain, a casualty, or both? If you like what you hear, subscribe, rate and review, share the show with a friend, and please fill out the survey linked in the show notes. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

“She croaked the blues right out of the horn.” So went a famous movie review by-line, and it kills us to  admit it, but it’s true. It’s also true that it is by popular demand that we’re tackling it all…the good, the bad, and the filters, because, it’s today ladies and gentlemen!  From Warner Bros. in 1974, we’re talking about “Mame”. But we’re going to try to look past the punch lines, and dive into the notorious bomb with a little tenderness and understanding, because the story of how it misfires is more complicated than just “Lucy can’t sing.” We break down the core mismatch of persona that shapes everything, then we widen the lens to the choices around the film. From the direction, to the screenplay, to the  editing, to why a cast this loaded ends up feeling oddly muted (with one magnificent exception). We also get into the juicy behind-the-scenes turns that fans love: Bette Davis lobbying for Vera, Madeline Kahn originally cast as Agnes Gooch before being fired, and the way musical “surgery” can strip story motivation and emotional payoff. Along the way we still call out what works, including the opening sequence, the sets, and those moments when the movie accidentally becomes mesmerizing as a guilty pleasure. If you’ve ever argued about a notorious adaptation, or wondered how ambition and timing can derail great material, you’ll have opinions by the end. Subscribe, share the episode with a fellow classic film fan, and leave a review so more listeners can find us. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

"So gentlemen prefer blondes do they?"  This famous opening line is delivered with more than a little irony by our leading lady, the lethally funny Lil Andrews, in today’s film: MGM’s 1932 pre-Code classic “Red Headed Woman”. After all, the woman saying it is cinema’s most celebrated platinum blonde—Jean Harlow—who trades peroxide for provocation and proceeds to set the screen ablaze as a redhead whose morals are negotiable but whose style is impeccable.  Marriages go smash, reputations take a nosedive, and even murder gets a crack at the spotlight—all served up with a wink and a wicked little laugh by Harlow in her star-making turn as the gold digger to end all gold diggers. Even in glorious black and white, “Red Headed Woman”  crackles with the fiery havoc Jean Harlow unleashes—and it is easy to see why the film caused such a stir in 1932. We look at what makes this MGM pre-Code lightning strike so distinctive: its glossy style, wicked humor, and gleeful refusal to punish bad behavior on cue. Along the way, we explore the film’s ties to F. Scott Fitzgerald and Anita Loos, Lil Andrews’ ruthless ambition, its blunt view of sex and power, and the Paris ending that pointedly dodges a tidy moral lesson.  We also explore the popularity and prevalence of these morally questionable characters during the depths of the Great Depression, examining why audiences embraced their defiant, anti-establishment attitudes and how the enforcement of the Production Code in 1934 brought their era to an abrupt end.  If you love classic film history, pre-Code cinema,  and Hollywood’s Golden Age deep dives, hit play, then subscribe, share the episode with a fellow movie lover, and leave us a rating and review so more listeners can find the show. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

It’s our very own “bottle” episode. Sort of… Your movie picks are taking over the show today.  A listener voicemail, classic Hollywood wish lists, and a friendly debate over a famous ending all in one relaxed “bottle” hang. Hit play, then tell us what we should cover next? Along the way, we shout out the people who keep “Going Hollywood” lively with smart opinions, strong taste, and the kind of detailed requests that make our watch list impossible to ignore. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

Could we be more excited about this week's episode?  We know!! This week, we are hanging out with six of our favorite Gen Xers whose relationship dramas, career travails, sexual exploits and over-caffeinated adventures kept us captivated for a decade. Yes, today we're taking on "Friends". "Friends" is one of those shows everyone “knows” until you actually sit down and rewatch it and realize how much is going on under the laugh track. It's more than comfort TV; it's a sitcom that not only became a defining piece of television history but also a time capsule of pre-internet social life, coffee shop culture, and a very specific kind of aspirational Manhattan normalcy.  We talk honestly about the complicated parts, too: the show’s lack of diversity, homophobic punchlines that were common at the time, and recurring body jokes that can make modern viewers wince. Then we zoom in on what still works brilliantly, including multi-camera sitcom timing, live studio audience energy, and how the writing and performances turn simple premises into unforgettable comedy. Along the way, we share development and casting stories, from early working titles to near misses that could’ve changed the entire series.  Finally, we break down four standout episodes that show "Friends" at peak form. If you’ve rewatched a dozen times or you’re coming back with fresh eyes, this is a smart, funny, clear-eyed look at why "Friends" still sticks. Subscribe, share the episode with a friend, and leave a rating and review. Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.

It seemed like a good idea at the time, but we were wrong. It was a GREAT idea to ask the one and only Bruce Vilanch to help us kick off our new “Can’t Stop the Movie!” summer series with the granddaddies  of guilty pleasures, 1980’s disco fiasco “Can’t Stop the Music” and 1977’s “The Brady Bunch Variety Hour.” Bruce discussed his hysterically funny  memoir “It Seemed Like a Bad Idea at the Time” and why “disastrous” TV specials and misguided variety experiments have a longer afterlife now than they did when they first aired. We unpack how "The Brady Bunch Variety Hour" even happened, what the cast thought they were signing up for, and why the show’s awkwardness is inseparable from the real pressures of 1970s television and celebrity branding. Along the way, Bruce shares surprising context on Robert Reed and the uncomfortable reality of trying to stay employable and private in that era. Then we dive into the ultimate guilty pleasure musical, "Can’t Stop the Music" (1980),  the Village People movie produced by Alan Carr. Bruce breaks down the rewrite chaos, the casting carousel that started with Olivia Newton-John, the wild logistics of putting “wholesome” and “macho” in the same frame, and the truly mind-boggling choice of Nancy Walker as director. We also talk disco backlash, box office damage, and why the soundtrack went on to become global party folklore even when the movie cratered. If you love classic TV, Hollywood history, camp musicals, and behind-the-scenes storytelling, hit play, subscribe, and share this with a friend who loves a glorious flop. If you’re enjoying the show, please leave a rating and review. To get a copy of Bruce’s memoir, "It Seemed Like a Bad Idea At the Time" go to: https://www.amazon.com/Seemed-Like-Bad-Idea-Time/dp/0914091921 To watch “Get Bruce!”(1999) got to https://youtu.be/6ZnU_ZVDmQM?is=bkHdaS6l1tIYcX7d Text us or Leave a Voice Mail  Links to Tony's website, and Brad's website at www.goinghollywoodpodcast.com Follow us on Instagram @goinghollywoodpod To watch "The True Story of the Barrymores," go to https://www.amazon.com/gp/video/detail/B0CZTHYN6D/ref=atv_dp_share_cu_r To watch Tony's WIRED video "Tech Support: Old Hollywood" go to https://youtu.be/6hxXfxhQSz0?si=TO4Xv6q87XhBnqDT Reach us at [email protected] Listen to our Going Hollywood Playlist on Spotify.