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In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez examine Joe Jackson's Look Sharp! and award gold, silver and bronze medals to their favorite tracks. Medal Winners One More Time Is She Really Going Out With Him? Fools In Love Got The Time Look Sharp! Bonus Tracks Tell It To Carrie – Romantics Sunday Papers Is She Really Going Out With Him? (Live) Memphis Laundromat Monday Tilt The Harder They Come Battleground Got The Time – Anthrax Praying Mantis – Don Dixon Pretty Girls (Do The) Instant Mash   Joe Jackson released his debut album, Look Sharp! in early 1979.  The album introduced Jackson as one of the most exciting new voices in British new wave, combining punk's energy with sharp pop melodies, angular guitar work and clever, often cynical lyrics. Produced by David Kershenbaum, the album features Jackson on vocals, piano and harmonica, Gary Sanford on guitar, Graham Maby on bass and David Houghton on drums. The band's tight, energetic playing gives the record its distinctive sound. The album's best-known song, "Is She Really Going Out with Him?," was released as a single reaching #21 on the U.S. Billboard Hot 100.  "Sunday Papers" and "One More Time" were also released as singles, but did not chart.  Look Sharp! reached #20 on the U.S. Billboard 200 album chart.  The album's significance lies in how it helped define British new wave at the end of the 1970s. Jackson combined the rebellious attitude of punk with a sophisticated sense of melody and a sharp eye for human behavior. "Sunday Papers" satirizes sensationalist journalism, while "Happy Loving Couples" and "Fools in Love" examine romantic relationships with wit and skepticism. The black-and-white cover, featuring Jackson's white shoes against a dark background, became an iconic image of the period. Look Sharp! launched a career that would soon take Jackson into reggae, jazz, swing and sophisticated pop, but this debut remains one of his most immediate and influential records. Side 1 One More Time Sunday Papers Is She Really Going Out With Him? Happy Loving Couples Throw It Away Side 2 Baby Stick Around Look Sharp! Fools In Love (Do The) Instant Mash Pretty Girls Got The Time Hashtags: #JoeJackson #LookSharp #ClassicRock #NewWave #1979Music #PowerPop #BritishRock #IsSheReallyGoingOutWithHim #SundayPapers #FoolsInLove #MusicHistory #ClassicRockAlbumOlympics Contact Info Website: ⁠⁠⁠⁠Gary Wenstrup⁠⁠⁠⁠ Podcast Website: ⁠⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠(7) Facebook⁠⁠⁠⁠ Podcast Facebook: ⁠⁠⁠⁠Facebook⁠⁠⁠⁠ LinkedIn: ⁠⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠⁠ Intro & Outro Music by Flwers ⁠⁠⁠Flwers⁠⁠⁠ Something About The Beatles Podcast ⁠⁠⁠somethingaboutthebeatles.com⁠

In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez open The Doors' L. A. Woman, select their favorite tracks and award their gold, silver and bronze medals accordingly. Medal Winners The Changeling Riders On The Storm Love Her Madly Hyacinth House L. A. Woman Bonus Tracks Til The End Of Time – Perry Como Cheek To Cheek – Fred Astaire Riders In The Sky – Vaughn Moore Roadhouse Blues (Live) – Doors Light My Fire – Doors Been Down So Long - Doors Crawling King Snake – John Lee Hooker   Released in 1971, L.A. Woman is the sixth studio album by the Doors and the last album recorded with Jim Morrison before his death on July 3, 1971. It stands as one of the band's finest achievements, a gritty, blues-based return to the sound of their early years after the more elaborate production of albums such as The Soft Parade. The album emerged during a difficult period for the band. Morrison's legal troubles following the infamous 1969 Miami concert had damaged the Doors' reputation and concert prospects, while his increasingly unpredictable behavior created tension within the group. Yet musically, the band was reconnecting with its roots, drawing heavily on Chicago blues, boogie, and the loose, spontaneous feel of a live performance. A key change was the departure of longtime producer Paul A. Rothchild, who had worked on the band's previous studio albums. Rothchild reportedly became dissatisfied with the sessions and the band's performances, leading him to leave the project. The Doors then produced the album themselves with their longtime engineer, Bruce Botnick, recording much of the music in a relaxed, informal atmosphere at their own Workshop studio in Los Angeles. The resulting album is rawer and more direct than much of the Doors' earlier work. Morrison sounds particularly comfortable singing the blues, while Robby Krieger's guitar and Ray Manzarek's keyboards weave around John Densmore's flexible, jazz-influenced drumming.  Two additional musicians helped shape the sound. Jerry Scheff, best known for his work with Elvis Presley, played bass throughout the album, providing a remarkably strong foundation that gave the Doors' music a more conventional blues-rock groove. Marc Benno added rhythm guitar on a handful of tracks. The album reached No. 9 on the U.S. Billboard 200.  The first single, "Love Her Madly," was released in March 1971, ahead of the album, and peaked at No. 11 on the Billboard Hot 100. The second single, "Riders on the Storm," was released in June 1971 and reached No. 14.  It was the last song Morrison recorded with the band before his death. L.A. Woman is significant because it captured the Doors at a moment of artistic renewal. The band had stripped away much of the elaborate studio polish of earlier records and rediscovered the blues-based chemistry that had made them compelling in the first place. Side 1 The Changeling Love Her Madly Been Down So Long Cars Hiss By My Window L. A. Woman Side 2 L'America Hyacinth House Crawling King Snake The WASP (Texas Radio And The Big Beat) Riders On The Storm Contact Info Website: ⁠⁠⁠⁠Gary Wenstrup⁠⁠⁠⁠ Podcast Website: ⁠⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠(7) Facebook⁠⁠⁠⁠ Podcast Facebook: ⁠⁠⁠⁠Facebook⁠⁠⁠⁠ LinkedIn: ⁠⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠⁠ Intro & Outro Music by Flwers ⁠⁠⁠Flwers⁠⁠⁠ Something About The Beatles Podcast ⁠⁠⁠somethingaboutthebeatles.com⁠

In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez roll Linda Ronstadt's Heart Like A Wheel to select their favorite tracks and award their gold, silver and bronze medals accordingly. Medal Winners Faithless Love Heart Like A Wheel You're No Good Keep Me From Blowing Away When Will I Be Loved Bonus Tracks Different Drum – Stone Ponys Different Drum- Mike Nesmith Long Long Time – Linda Ronstadt Dark End Of The Street – Flying Burrito Brothers The Dark End Of The Street – James Carr Making Love (At The Dark End Of The Street) – Clarence Carter It's So Easy – Linda Ronstadt That'll Be The Day – Linda Ronstadt Blue Bayou – Linda Ronstadt Heart Of Gold – Neil Young You're So Vain – Carly Simon Lonely Boy – Andrew Gold Thank you For Being A Friend – Andrew Gold You're No Good – Betty Everett The Game Of Love – Mindbenderrs The Thrill Is Gone – B.B. King Heart Like A Wheel – Anna McGarrigle Drop Kick Me, Jesus - Paul Craft/Bobby Bare I Will Never Marry – Linda Ronstadt You Can Close Your Eyes – Jame Taylor You Can Close Your Eyes – Linda Ronstadt You're No Good – Van Halen Cathy's Clown – Everly Brothers Willin' – Little Feat Willin' – Linda Ronstadt I Can't Help It (If I'm Still In Love With You) – Hank Williams It Doesn't Matter Anymore – Linda Ronstadt It Doesn't Matter Anymore – Buddy Holly You're Having My Baby – Paul Anka One Man Woman/One Woman Man – Paul Anka   Released in November 1974, Heart Like a Wheel was Linda Ronstadt's fifth solo studio album and the record that made her into a major pop superstar. The album was produced by Peter Asher, who had also become Ronstadt's manager and was instrumental in establishing the polished yet emotionally powerful sound that would define her great albums of the 1970s.  The musicians were an extraordinary collection of Los Angeles studio players and Ronstadt associates. Andrew Gold played guitar, piano, electric piano, drums and percussion and became one of the album's most important musical architects, while Kenny Edwards, Ronstadt's former Stone Poneys bandmate, played bass.  The singles were particularly successful. "You're No Good" reached No. 1 on the Billboard Hot 100, giving Ronstadt her first No. 1 pop single and "When Will I Be Loved" reached No. 2 on the Hot 100.  The album itself was an even bigger success. Heart Like a Wheel became Ronstadt's first No. 1 album on the Billboard. Its impact went far beyond sales. Heart Like a Wheel helped establish the template for the sophisticated country-rock/pop crossover that would dominate much of Ronstadt's career and influence artists who followed. She demonstrated that an album could move effortlessly between rock, country, R&B, folk and pop without sounding stylistically confused. Just as importantly, Ronstadt became a major interpreter of songs by emerging writers such as J.D. Souther, Lowell George and Anna McGarrigle, often bringing their work to audiences far larger than those they could reach themselves.  Ultimately, Heart Like a Wheel was the album that established the Linda Ronstadt formula: an extraordinary singer, first-rate musicians, carefully chosen songs, country roots and rock muscle, all held together by Peter Asher's elegant production. It was both a commercial breakthrough and an artistic statement—and the beginning of one of the most successful recording careers by an American female artist of the 1970s. Track Listing Side 1 You're No Good It Doesn't Matter Anymore Faithless Love The Dark End Of The Street Heart Like A Wheel Side 2 When Will I Be Loved Willin' I Can't Help It (If I'm Still In Love With You) Keep Me From Blowing Away You Can Close Your Eyes   #LindaRonstadt #HeartLikeAWheel #PeterAsher #AndrewGold #CountryRock #ClassicRock #RockHistory #1970sMusic #YoureNoGood #WhenWillIBeLoved #MusicHistory #AlbumHistory #Grammy #ClassicAlbums Contact Info Website: ⁠⁠⁠⁠Gary Wenstrup⁠⁠⁠⁠ Podcast Website: ⁠⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠(7) Facebook⁠⁠⁠⁠ Podcast Facebook: ⁠⁠⁠⁠Facebook⁠⁠⁠⁠ LinkedIn: ⁠⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠⁠ Intro & Outro Music by Flwers ⁠⁠⁠Flwers⁠⁠⁠ Something About The Beatles Podcast ⁠⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

We know "the people" liked it. Did you? In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez analyze R.E.M.'s Automatic For The People add award their gold, silver and bronze medals to the album's strongest tracks. Medal Winners Ignoreland Everybody Hurts Monty Got A Raw Deal Drive Find The River  Released in October 1992, Automatic For The People is widely regarded as one of the defining albums of the 1990s and a peak artistic statement in R.E.M.'s career. Following the massive success of Out of Time, the band moved away from jangly college rock toward a more introspective and melancholic sound. The album's themes revolve around mortality, aging, loss and memory, giving it a reflective tone that feels both intimate and cinematic. The album was produced by Scott Litt alongside R.E.M.  A defining feature of the record is its use of orchestral instrumentation arranged by John Paul Jones (of Led Zeppelin).  The production emphasizes acoustic guitars, piano, mellotron, strings, and restrained percussion, marking a stark contrast from the more energetic sound of their earlier work. R.E.M. at this time consisted of Michael Stipe, whose abstract, emotionally direct lyrics and distinctive vocal delivery anchor the album; Peter Buck, whose guitar work shifted toward mandolin, acoustic textures, and subtle melodic layering; Mike Mills, whose bass lines and harmony vocals provide emotional depth; and Bill Berry, whose understated drumming supports the album's slower, more contemplative pacing. Together, the band created a unified sound that prioritizes mood and atmosphere over traditional rock dynamics. Commercially, Automatic for the People was a major worldwide success. It reached #2 on the Billboard 200 in the United States and charted highly across Europe, including #1 in the UK Albums Chart. The album produced several major singles. "Drive" became a top 30 hit in the United States and a standout track on alternative radio. "Man on the Moon" became one of the band's signature songs, reaching #30 on the Billboard Hot 100.  "Everybody Hurts" became one of R.E.M.'s most emotionally powerful and enduring songs, receiving extensive airplay worldwide and becoming an anthem for empathy and resilience. The cultural significance of Automatic for the People lies in its ability to bring introspective, even somber themes into mainstream rock at a massive commercial scale. At a time when alternative rock was becoming dominant in popular culture, R.E.M. demonstrated that vulnerability and emotional honesty could coexist with chart success. Bonus Tracks Radio Free Europe – R.E.M. Sexual Healing – Marvin Gaye The Right Profile – The Clash Rock On – David Essex This Is The Day – The The Fall On Me – R.E.M. Harbor Town - R.E.M. Nightswimming - R.E.M. New Orleans Instrumental #1 - R.E.M. Man On The Moon - R.E.M. Rockin' In The Free World – Neil Young Cinnamon Girl – Neil Young Track Listing Drive Side Drive Try Not To Breathe The Sidewinder Sleeps Tonite Everybody Hurts New Orleans Instrumental No. 1 Sweetness Follows Ride Side Monty Got A Raw Deal Ignoreland Star Me Kitten Man On The Moon Nightswimming Find The River   Hashtags: #AutomaticForThePeople #REM #AlternativeRock #IndieRock #1992Music #ManOnTheMoon #EverybodyHurts #Drive #Nightswimming #ClassicAlbums #MusicHistory #AlbumHistory #90sMusic #WarnerBros #ScottLitt Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode (#28) of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez turn their attention to Moondance by Van Morrison and award their gold, silver and bronze medals for the strongest tracks.  Released in January 1970, it was Morrison's third solo album and transformed him from a critically admired cult artist into a major commercial success. While his previous album, Astral Weeks, had been celebrated for its poetic ambition and jazz-influenced experimentation, Moondance struck a perfect balance between artistic sophistication and accessibility. Blending rock, soul, jazz, folk, blues, rhythm and blues, and Celtic influences, the album showcased Morrison's extraordinary songwriting while introducing a warmer, more up-tempo sound.  Medal Winners – Remarkably Gary and Robert picked the exact same 3 songs in the exact same order – a first and probably a last… Moondance Into The Mystic Caravan Dissatisfied with having limited creative control during the making of Astral Weeks, Morrison assumed responsibility for producing Moondance, carefully shaping the arrangements and performances. The result was a polished yet organic recording that featured tight ensembles, memorable horn arrangements, and an effortless blend of jazz improvisation and pop craftsmanship. The album marked the beginning of Morrison's long career as a self-directed recording artist and established the musical style that would define much of his greatest work. Van Morrison and John Platania played guitar with Jack Schroer and Collin Tilton on horns, Jef Labes on keyboards, John Klingberg on bass and Gary Mallaber on drums.  The musicians created an intimate, swinging sound that perfectly complemented Morrison's soulful voice songwriting. Commercially, Moondance became Van Morrison's breakthrough album. It reached #29 on the Billboard 200 in the U.S., #32 on the UK Albums Chart while remaining a steady seller for decades.  Come Running was the only single released from the album and reached #39 on the charts. Over time, however, "Moondance," "Into the Mystic," "Caravan," and "And It Stoned Me" became FM radio staples.  Moondance has influenced generations of musicians across rock, folk, jazz, Americana, and soul, including Bruce Springsteen, Bonnie Raitt and Elvis Costello.  More than fifty years after its release, Moondance remains a beloved album, celebrated for its effortless musicianship and timeless melodies.  It is consistently ranked among the greatest albums ever and stands as the defining work in Van Morrison's remarkable career. Bonus Tracks Moondance – Michael Buble East Of The Sun (And West Of The Moon) – Frank Sinatra Autumn Leaves – Nat King Cole Brown Eyed Girl Domino Gloria – Them Chuck E's In Love – Rickie Lee Jones Midnight At The Osis – Maria Muldar Caravan from The Last Waltz Punky's Dilemma – Simon & Garfunkel Come Running And It Stoned Me Glad Tidings Crazy Love Brand New Day Everyone I Shall Be Released – The Band I Shall Be Released – Joe Cocker I Shall Be Released – Nina Simone I Shall Be Released from The Last Waltz Rainy Day Women #12 & 35 – Bob Dylan Doo Doo Doo Doo (Heartbreaker) – Rolling Stones Track Listing Side One And It Stoned Me Moondance Crazy Love Caravan Into The Mystic Side Two Come Running These Dreams of You Brand New Day Everyone Glad Tidings   Hashtags: #Moondance #VanMorrison #ClassicRock #SingerSongwriter #JazzRock #FolkRock #SoulMusic #IntoTheMystic #Caravan #1970Music #ClassicAlbums #MusicHistory #AlbumHistory #VinylCommunity #WarnerBros #TimelessMusic Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez turn on Remain In Light by Talking Heads and award gold, silver and bronze medals to their favorite songs. Medal Winners Crosseyed And Painless Once In A Lifetime The Overload Listening Wind  Remain In Light, released in the fall of 1980, was the band's fourth studio album and was an artistic leap as they blended new wave, funk, African polyrhythms, electronic music, and experimental rock into a new sonic texture.  Building on ideas first explored on Fear of Music, the album challenged conventional rock songwriting by emphasizing rhythm, layered textures, and hypnotic grooves over traditional verse-and-chorus structures. The album was produced by Brian Eno, whose creative partnership with Talking Heads reached its peak during these sessions. Rather than recording songs in the traditional manner, the band developed many of the tracks through extended group improvisations that were edited into intricate rhythmic patterns before lyrics and melodies were added. Inspired by the work of Nigerian musician and activist Fela Kuti, as well as electronic pioneers and minimalist composers, Eno and the band crafted a dense, layered production that pushed the boundaries of what a rock album could be. Talking Heads consisted of David Byrne, lead vocals, guitar, and many of the album's lyrics; Jerry Harrison, keys and guitar; Tina Weymouth, bass and Chris Frantz, drums. Commercially, Remain in Light became Talking Heads' highest-charting album to that point. It reached #19 on the Billboard 200 and earned widespread critical acclaim upon release. Two singles were issued from the album. "Once in a Lifetime" became the band's signature song, though it only reached #103 on the Billboard Hot 100.  It became a cultural phenomenon thanks to its groundbreaking music video and has since become one of the defining songs of the MTV era. The second single, "Houses in Motion," did not chart. The cultural significance of Remain in Light is immense. It helped introduce African musical concepts to mainstream rock audiences in a respectful and creatively transformative way while demonstrating that experimental music could also be accessible.  Remain In Light influenced artists across alternative rock, electronic music, art rock, indie rock, and even hip-hop including Radiohead, Peter Gabriel and Arcade Fire.  The album consistently ranks among the best albums ever made, celebrated for its experimentation, intellectual depth, and rhythmic vitality. Bonus Tracks Take Me To The River And She Was The Lady Don't Mind Burning Down The House Road To Nowhere Artist Only Water Got No Enemy – Fela Kuti Zombie – Fela Kuti Take Me To The River – Al Green Love Will Tear Us Apart – Joy Division Little Red Book – Love Interstellar Over Drive – Pink Floyd DJ – David Bowie    Hashtags: #RemainInLight #TalkingHeads #DavidByrne #BrianEno #OnceInALifetime #NewWave #ArtRock #PostPunk #ClassicAlbums #1980Music #MusicHistory #AlbumHistory #VinylCommunity #FunkRock #AfricanRhythms #ClassicRock Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez take Marvin Gaye's What's Going On for a spin and award gold, silver and bronze medals for their favorite tracks. Medal Winners What's Going On Flyin' High (In The Friendly Sky) Mercy Mercy Me (The Ecology) What's Happening Brother Inner City Blues (Makes Me Want To Holler) The album was released in the summer of 1971 and is widely regarded as one of the greatest albums ever made.  It marked a dramatic artistic transformation for Marvin Gaye and for Motown itself. Rather than focusing on romantic love songs, Gaye created a deeply personal concept album that addressed war, poverty, racial injustice, environmental concerns, police brutality, drug abuse, and spiritual renewal. Inspired in part by conversations with his brother Frankie, who had recently returned from service in Vietnam, What's Going On captured the hopes, frustrations, and uncertainty of America during one of the nation's most turbulent periods. What's Going On was produced by Marvin Gaye, making him one of the first Motown artists to exercise complete creative control over a major project. Recording sessions took place at Detroit's Hitsville U.S.A. studio and at Golden World Studios, also in Detroit. Gaye experimented with layered vocals, sophisticated orchestration, jazz-influenced harmonies, and seamless transitions between songs, creating one of the first truly unified concept albums in soul music. Marvin Gaye handled the lead and background vocals and worked with Motown's famous house band – The Funk Brothers.  They included bassists James Jamerson and Bob Babbit, drummer Chet Forest, percussionist Jack Ashford, keyboardist Earl Van Dyke and guitarists Robert White and Joe Messina.  The album's lush orchestral arrangements and rich vocal textures combined elements of soul, jazz, classical music, gospel, and rhythm and blues into a sound unlike anything Motown had previously released. Commercially, the album became one of the biggest successes of Marvin Gaye's career, reaching #6 on the Billboard 200.  Three singles emerged from the album. The title track, "What's Going On," reached #2 on the Billboard Hot 100, "Mercy Mercy Me (The Ecology)" climbed to #4 and became one of popular music's earliest environmental anthems. "Inner City Blues (Make Me Wanna Holler)" reached #9. The cultural significance of What's Going On is difficult to overstate. It transformed expectations of what soul music could address and demonstrated that pop music could also confront serious social and political issues.  The album challenged Motown's traditional business model, expanded creative freedom for recording artists, and influenced generations of musicians across soul, R&B, jazz, rock, hip-hop, and pop. Artists ranging from Stevie Wonder to Prince, Bruce Springsteen, D'Angelo, and many others have cited it as a landmark achievement. More than five decades after its release, What's Going On continues to appear near the top of virtually every list of the greatest albums ever recorded and remains a timeless statement about empathy, justice, faith, and our shared humanity.   Hashtags: #WhatsGoingOn #MarvinGaye #Motown #SoulMusic #ClassicAlbums #MusicHistory #ConceptAlbum #FunkBrothers #1971Music #ClassicSoul #VinylCommunity #AlbumHistory #MercyMercyMe #InnerCityBlues #WhatsGoingOnAlbum   Bonus Tracks I Can't Get Next To You – Temptations Stoned Love – The Supremes War – Edwin Star Ball of Confusion – Temptations Love Is God Right On Save The Children Sadly, a demo version of What's Going On does not exist   Track Listing Side One What's Going On What's Happening Brother Flyin' High (In The Friendly Sky) Save The Children God Is Love Mercy Mercy Me (The Ecology) Side Two Right On Wholy Holy Inner City Blues (Makes Me Wanna Holler) Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez turn their attention to the self-titled album by The Band and award their gold, silver and bronze medals accordingly. Medal Winners Jemima Surrender Whispering Pines The Night They Drove Old Dixie Down Rockin' Chair Across The Great Divide   Released in the fall of 1969, the album arrived roughly a year after the group's acclaimed debut, Music From Big Pink.  At a time when psychedelic rock and hard rock dominated popular music, The Band looked backward instead of forward, drawing inspiration from American folk traditions, country, blues, gospel, and early rock and roll to create a sound that helped lay the foundation for what would later become known as Americana. The album was produced by John Simon, who had also produced Music From Big Pink.  Recording sessions took place primarily in a converted pool house at a rented home in the Hollywood Hills before moving to The Hit Factory in New York City to complete the project. The Band consisted of Robbie Robertson who served as the principal songwriter and lead guitarist.  Levon Helm played drums, mandolin, and sang many of the group's most memorable lead vocals.  Rick Danko handled bass guitar, fiddle, and shared lead vocal duties with his expressive tenor voice. Richard Manuel contributed piano, drums, and soulful lead vocals that ranged from tender ballads to powerful rock performances. Garth Hudson, regarded by many as one of rock's greatest keyboardists, supplied the album's organ, piano, accordion, saxophone, and other instrumental textures that gave the music its distinctive character. Commercially, The Band was a significant success. It reached #9 on the Billboard 200 album chart in the United States.  Two singles were released from the album. "Up on Cripple Creek" became the band's biggest American hit, climbing to #25 on the Billboard Hot 100 and "Rag Mama Rag" reached #57.  At a time when rock music often celebrated excess and experimentation, The Band created an album rooted in history, tradition, and compelling storytelling. Its songs explored themes of community, hardship, faith, work, and the changing American experience, helping redefine what rock music could accomplish artistically. The album became influential on later generations of musicians, inspiring artists such as Eric Clapton, Elvis Costello, Wilco, and countless Americana, country-rock, and folk-rock performers. Bonus Tracks The Night They Drove Old Dixie Down – Joan Baez The Weight Stage Fright Chest Fever Up On Cripple Creek Tears Of Rage I Shall Be Released Side 1 Across The Great Divide Rag Mama Rag The Night They Drove Old Dixie Down When You Awake Up On Cripple Creek Whispering Pines Side 2 Jemima Surrender Rockin' Chair Look Out Cleveland Jawbone The Unfaithful Servant King Harvest (Has Surely Come)   Hashtags: #TheBand #TheBrownAlbum #ClassicRock #RootsRock #Americana #1969Music #LevonHelm #RobbieRobertson #GarthHudson #RickDanko #RichardManuel #JohnSimon #AlbumHistory #MusicHistory #VinylCommunity #ClassicAlbums Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode #26 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez award their gold, silver and bronze medals for songs from David Bowie's Station To Station. Released in January 1976, Station to Station represented Bowie's transition away from American soul influences toward the avant-garde European sensibilities that would define his late-1970s work with Brian Eno. Station To Station introduced Bowie's mysterious "Thin White Duke" persona — elegant, detached, and emotionally fractured. Recorded in Los Angeles during a turbulent period of Bowie's life, the album blended art rock, funk, krautrock influences, and hypnotic electronic textures into one of his most acclaimed works. The album reached #3 on the US Billboard 200, making it the highest charting album of Bowie's career.  The major single from the album was Golden Years which peaked at #10 on the Billboard Hot 100.  Second single TVC 15 reached #64. The musicians on the album formed one of Bowie's most celebrated backing bands. Guitarist Carlos Alomar anchored the music with sharp funk rhythms. George Murray and Dennis Davis created the sleek rhythmic foundation that would continue into Bowie's Berlin recordings. Keyboardist Roy Bittan of E Street Band fame and guitarist Earl Slick played roles as well.  Producer Harry Maslin helped shape the album's polished sound. Culturally, Station to Station became enormously influential on post-punk, new wave, gothic rock, and alternative music. Its cold elegance and rhythmic experimentation inspired artists ranging from Joy Division and Talking Heads to later musicians such as Nine Inch Nails and Radiohead. Medal Winners Wild Is The Wind TVC 15 Station To Station Stay Golden Years Bonus Tracks Fame Young Americans Space Oddity Rebel Rebel Cat People (Putting Out Fire) Wild Is The Wind – Bowie Video (Just Like) Starting Over – John Lennon Rockin Pneumonia and the Boogie Woogie Flu – Johnny Rivers When You Wish Upon A Star -Jiminy Cricket/Cliff Edwards Baby Mine – Bonnie Raitt The Nearness Of You – Glen Miller & His Orchestra Rawhide – Frankie Lane Town Without Pity – Gene Pitney Town Without Pity – Ronnie Montrose Wild Is The Wind – Johhny Mathis Wild Is The Wind – Nina Simone Do Not Forsake Me, Oh, My Darling – Tex Ritter original soundtrack High Noon Bennie & The Jets – Elton John Funeral For A Friend/Love Lies Bleeding – Elton John Autobahn - Kraftwerk Track Listing Side One Station To Station Golden Years Word On A Wing Side Two TVC 15 Stay Wild Is The Wind     #StationToStation #DavidBowie #ThinWhiteDuke #GoldenYears #TVC15 #ArtRock #ClassicAlbums #1976Music #BerlinTrilogy #RockHistory Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode #25 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez sail with Reggatta de Blanc by The Police and award their gold, silver and bronze medals for their favorite songs. Released October 1979, Reggatta de Blanc was the second album by The Police and the record that transformed the trio from promising new-wave outsiders into stars. Produced by Nigel Gray along with the band, the album expanded the reggae-rock and post-punk sound introduced on Outlandos d'Amour. The title – Reggatta de Blanc - loosely translates to "white reggae," reflecting the group's fusion of punk energy, reggae rhythms, jazz textures, and pop songwriting.   The album featured the classic Police lineup: Sting on bass and lead vocals, Andy Summers on guitar and Stewart Copeland on drums.  Together they created a sparse but highly rhythmic sound built around Summers' atmospheric guitar work, Sting's melodic bass lines, and Copeland's inventive drumming.   Reggatta de Blanc became the band's first UK No. 1 album. In the United States it reached No. 25 on the Billboard album chart, helping establish the band's growing American audience. The singles "Message in a Bottle" and "Walking on the Moon" both reached No. 1 in the UK.  The singles did not fare as well in the US. "Message" hit #74 and "Moon" did not chart.  The instrumental title track earned the band its first Grammy Award for Best Rock Instrumental Performance.   The album captured the restless energy of the late-1970s post-punk era while proving that reggae influences could coexist with mainstream rock radio. The Police stood apart from both traditional punk and arena rock by emphasizing space, rhythm, and sophistication over heavy guitar excess. Many critics and fans view Reggatta de Blanc as the album where the band honed its signature sound, paving the way for later classics like Zenyatta Mondatta and Synchronicity. Follow-up Note: As speculated in the podcast, The Police did not perform at Live Aid.  Sting however did play a few Police hits with outside musicians.   Medal Winners No Time This Time Message In A Bottle The Bed's Too Big Without You Bring On The Night Reggatta de Blanc  Bonus Tracks Roxanne Next To You Nothing Achieving Truth Hits Everyone So Lonely Visions Of The Night Fall Out Behind The Camel Be My Girl/Sally Mirror In The Bathroom – English Beat  Further Reading Shot In The Heart -Mikal Gilmore  Track Listing Side One Message In A Bottle Reggatta de Blanc It's Alright For You Bring On The Night Deathwish Side Two Walking On The Moon On Any Other Day The Bed's Too Big Without You Contact Does Everyone Stare No Time This Time   #ThePolice #ReggattaDeBlanc #Sting #AndySummers #StewartCopeland #NewWave #PostPunk #ReggaeRock #ClassicAlbums #1979Music Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Intro & Outro Music by Flwers ⁠⁠Flwers⁠⁠ Something About The Beatles Podcast ⁠⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode # 24 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez dig into Silk Degrees by Boz Scaggs and award their gold, silver and bronze medals accordingly. Medal Winners Georgia Harbor Lights Lido Shuffle We're All Alone Bonus Tracks We Were Always Sweethearts – Boz Finding Her – Boz Dinah Flo – Boz Near You - Boz Brandy (You're A Fine Girl) – Looking Glass Look What You've Done To Me – Boz Harbor Lights – Platters Low Down - Boz Love Me Tomorrow - Boz Sooner Or Later – Grass Roots Long Tall Glasses (I Can Dance) – Leo Sayer What Do You Want The Girl To Do – Boz Lone Me A Dime – Boz Jump Street – Boz   Silk Degrees by Boz Scaggs was released in March 1976 and became the defining album of his career, blending blue-eyed soul, smooth pop, and West Coast R&B into a polished, radio-friendly sound that helped define mid-1970s adult contemporary music. Recorded at CBS Studios in San Francisco, the album benefited from a group of top-tier session musicians, many of whom would soon form Toto, including David Paich (keyboards), Jeff Porcaro (drums), and David Hungate (bass), along with guitarist Fred Tackett. Their tight, groove-oriented playing gave the record its sleek, sophisticated feel. The album was produced by Joe Wissert, whose clean, layered production emphasized rhythm, melody, and Scaggs' smooth vocal delivery. Several hit singles emerged, including "Lowdown," "Lido Shuffle," "What Can I Say," and "It's Over," with "Lowdown" becoming the biggest success, reaching #3 on the Billboard Hot 100.  "Lido Shuffle" also performed strongly, reaching the Top 20, helping sustain the album's momentum across radio formats. Silk Degrees peaked at #2 on the Billboard 200 and became a multi-platinum success, eventually selling over five million copies in the United States. Its crossover appeal—bridging pop, R&B, and soft rock—made it a staple of FM radio and a key influence on the emerging yacht rock sound. Critically and commercially, the album marked the high point of Scaggs' mainstream popularity, cementing his place in 1970s music and showcasing a seamless blend of craftsmanship, musicianship, and accessibility. Track Listing Side One What Can I Say Georgia Jump Street What Do You Want The Girl To Do Harbor Lights Side Two Lowdown It's Over Love Me Tomorrow Lido Shuffle We're All Alone   Hashtags #BozScaggs #SilkDegrees #1970sMusic #YachtRock #ClassicAlbums #Lowdown #LidoShuffle Contact Info Website: ⁠⁠Gary Wenstrup⁠⁠ Podcast Website: ⁠⁠Home - Classic Rock Album Olympics⁠⁠ YouTube: ⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠ Facebook: ⁠⁠(7) Facebook⁠⁠ Podcast Facebook: ⁠⁠Facebook⁠⁠ LinkedIn: ⁠⁠(17) Gary Wenstrup | LinkedIn⁠ Intro & Outro Music by Flwers ⁠Flwers⁠ Something About The Beatles Podcast ⁠somethingaboutthebeatles.com⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

In episode #23 of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez discuss London Calling by The Clash and award their gold, silver and bronze medals accordingly. Medal Winners Lost In The Supermarket Spanish Bombs The Right Profile Rudie Can't Fail Clampdown Train In Vain    London Calling by The Clash was released in the U.S. in January 1980, marking a turning point not just for the band but for late-1970s rock. Expanding far beyond their early punk sound, the double album blends reggae, ska, rockabilly, R&B, and pop into a politically charged yet musically adventurous statement that captured the turbulence of the era—economic decline, nuclear anxiety, and social unrest—while still delivering sharp songwriting and energy.  The album is considered the most "musical" punk album and its most ambitious. The core lineup featured Joe Strummer (lead vocals, rhythm guitar + lyrics), Mick Jones (lead guitar, vocals + music), Paul Simonon (bass), and Topper Headon (drums). The album was produced by Guy Stevens with mostly just 1 or 2 takes for each song.  While the album only reached #27 on the U.S. Billboard 200, its reputation grew steadily, and it is now widely regarded as one of the greatest albums of all time.  The lone single released from the album in the U.S. was "Train in Vain." The song was added at the last minute and unlisted on early pressings, reaching #23 on the Billboard Hot 100. Critically, London Calling has been celebrated for its ambition and range, often cited alongside landmark albums in rock history for its fusion of genres and its ability to translate political urgency into compelling music. Its iconic cover—featuring Simonon smashing his bass, photographed by Pennie Smith—echoes the design of Elvis Presley's debut album, visually linking past and present while signaling a reinvention of rock tradition. Original album title: The Last Testament For more information: Route 19 Revisited: The Clash and London Calling by Marcus Gray Bonus Tracks Vanilla Tapes – The Clash London Calling - The Clash Guns Of Brixton – The Clash Clampdown – Bruce Springsteen The Clash - Live on Fridays 1980   Track Listing Side One London Calling Brand New Cadillac Jimmy Jazz Hateful Rudie Can't Fail Side Two Spanish Bombs The Right Profile Clampdown The Guns of Brixton Side Three Wrong 'Em Boyo Death Or Glory Koka Kola The Card Cheat Side Four Lover's Rock Four Horsemen I'm Not Down Revolution Rock Train In Vain     Hashtags   #TheClash #LondonCalling #PunkRock #ClassicAlbums #MusicHistory #JoeStrummer #MickJones #PaulSimonon #TopperHeadon Contact Info Website: ⁠⁠Gary Wenstrup⁠⁠ Podcast Website: ⁠⁠Home - Classic Rock Album Olympics⁠⁠ YouTube: ⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠ Facebook: ⁠⁠(7) Facebook⁠⁠ Podcast Facebook: ⁠⁠Facebook⁠⁠ LinkedIn: ⁠⁠(17) Gary Wenstrup | LinkedIn⁠ Intro & Outro Music by Flwers ⁠Flwers⁠ Something About The Beatles Podcast ⁠somethingaboutthebeatles.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez discuss and award their gold, silver and bronze medals for Tapestry by Carole King. Tapestry released February 1971 is widely regarded as a landmark album of the singer/songwriter era, blending introspective lyrics with rich, melodic piano-driven pop and soft rock.  It spent 4 months (!) at #1 and stayed on the album charts for 6 ½ years. The album marked King's breakthrough as a solo artist after years of writing hits for others, showcasing her distinctive voice and emotionally resonant songwriting. With understated production by Lou Adler, Tapestry featured Danny Kortchmar on guitar, Russ Kunkel and Joel O'Brien drums and Charlie Larkey on bass.  The band provided a warm, intimate foundation for King's piano and vocals. "It's Too Late" backed with "I Feel the Earth Move" reached No. 1 on the Billboard Hot 100 and "So Far Away" reached #14.  The album included Carole's versions of hits she wrote for others including Aretha's "(You Make Me Feel Like) A Natural Woman," the Shirelles' "Will You Love Me Tomorrow" and James Taylor's only #1 song "You've Got A Friend." The album earned four Grammy Awards, including Album of the Year, Best Female Pop Vocal Performance, Record of the Year, and Song of the Year.  Tapestry's combination of personal lyrics, melodic sophistication, and subtle production helped define early 1970s pop.  Importantly, it was a breakthrough for female singer/songwriters the world over. Medal Winners Beautiful It's Too Late Home Again So Far Away Bonus Tracks Kicks – Paul Revere & Raiders Porpoise Song – Monkees Pleasant Valley Sunday – Monkees (You Make Me Feel Like) A Natural Woman – Aretha Franklin You've Got A Friend – James Taylor Will You Love Me Tomorrow – Shirelles For No One – Beatles Breaking Up Is Hard To Do – Neil Sedaka (1970s Version) Tapestry – Carole King Way Over Yonder – Carole King Smackwater Jack – Carole King One Fine Day – Carole King Jazzman – Carole King CIA Man – Fugs Track Listing Side One I Feel The Earth move It's Too Late So Far Away Home Again Beautiful Way Over Yonder Side Two You've Got A Friend Where You Lead Will You Love Me Tomorrow Smackwater Jack Tapestry (You Make Me Feel Like) A Natural Woman Something About The Beatles Podcast   Hashtags #Tapestry #CaroleKing #SingerSongwriter #ClassicRock #1970sMusic #PianoPop #SongwritingMasterclass #BillboardTopAlbum #IconicRecords #MusicHistory Contact Info Website: ⁠⁠Gary Wenstrup⁠⁠ Podcast Website: ⁠⁠Home - Classic Rock Album Olympics⁠⁠ YouTube: ⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠ Facebook: ⁠⁠(7) Facebook⁠⁠ Podcast Facebook: ⁠⁠Facebook⁠⁠ LinkedIn: ⁠⁠(17) Gary Wenstrup | LinkedIn⁠ Intro & Outro Music by Flwers Flwers Something About The Beatles Podcast somethingaboutthebeatles.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Pet Sounds, released on May 16, 1966, stands as The Beach Boys' most ambitious and influential album—a deeply personal statement from Brian Wilson that reshaped the possibilities of pop music. The album reached No. 10 on the Billboard 200 in the United States, a respectable showing at the time, though far below the group's earlier surf-era dominance. In the United Kingdom, however, it soared to No. 2 and was embraced immediately as a masterpiece. Over time, its stature eclipsed its initial commercial performance, and it is now routinely ranked among the greatest albums ever recorded. Medal Winners Wouldn't It Be Nice Here Today I Just Wasn't Made For These Times God Only Knows Caroline, No   Bonus Tracks The Little Girl I Once Knew – Beach Boys Barbara Ann – Beach Boys Paint It Black – Rolling Stones 8 Miles High – Byrds Sloop John B – Beach Boys Train In The Distance – Paul Simon Something – Beatles The Letter – Box Tops Surfs Up – Beach Boys  Pet Sounds produced three singles. "Caroline, No," released under Brian Wilson's name prior to the album, peaked at No. 32 on the Billboard Hot 100. "Sloop John B," a traditional Bahamian folk song became the album's biggest American hit, reaching No. 3. "Wouldn't It Be Nice" climbed to No. 8 with "God Only Knows" as the B-side. "God Only Knows" is now one of the most revered love songs in popular music history. The primary composer and producer behind Pet Sounds was Brian Wilson, who collaborated on lyrics with Tony Asher.  The album marked a shift from the group's earlier car-and-surf themes to introspective explorations of vulnerability, doubt, romantic idealism, and emotional maturity. Songs like "You Still Believe in Me," "Don't Talk (Put Your Head on My Shoulder)," and "I Just Wasn't Made for These Times" revealed a fragile emotional honesty rarely heard in mid-1960s pop. Instrumentation on Pet Sounds was revolutionary. Wilson employed members of the famed Los Angeles session collective known as The Wrecking Crew to realize his intricate arrangements. Traditional rock instruments were blended with orchestral textures and unconventional sounds: harpsichord, tack piano, theremin, French horn, bass harmonica, sleigh bells, bicycle bells and empty bottles used as percussion.  The complex vocal harmonies—long a Beach Boys hallmark—were arranged with unprecedented sophistication. Historically, Pet Sounds is widely viewed as one of the first true "album statements" in rock, helping legitimize the LP as an artistic format rather than merely a collection of singles. The album's emotional coherence and sonic experimentation directly influenced The Beatles' Sgt. Pepper's Lonely Hearts Club Band. Though it was initially considered a commercial disappointment in the U.S., its reputation grew steadily, and it is now preserved in the National Recording Registry and consistently ranks at or near No. 1 on critics' all-time album lists. Pet Sounds signaled the maturation of rock into art—intimate, orchestral, and psychologically complex. Track Listing Side One Wouldn't It Be Nice You Still Believe In Me That's Not Me Don't Talk (Put Your Head On My Shoulder) I'm Waiting For The Day Let's Go Away For Awhile Sloop John B Side Two God Only Knows I Know There's An Answer Here Today I Just wasn't Made For These Times Pet Sounds Caroline, No   #PetSounds #TheBeachBoys #BrianWilson #TonyAsher #GodOnlyKnows #WouldntItBeNice #1966Music #ClassicAlbums #BaroquePop #StudioInnovation #RockHistory   Revolver: How The Beatles Reimagined Rock 'n' Roll by Robert Rodriguez somethingaboutthebeatles.com Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠ Intro & Outro Music by Flwers Flwers Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of Classic Rock Album Olympics music historians Gary Wenstrup and Robert Rodriguez smoothly assess Rough Mix by Pete Townshend and Ronnie Lane and share which songs from the album earn their gold, silver and bronze medals. Medal Winners Keep Me Turning Annie April Fool My Baby Gives It Away Heart To Hand Onto Bonus Tracks Something In The Air – Thunderclap Newman Rough Mix Misunderstood Street In The City Till The Rivers All Run Dry There's A Heartache Following Me – Jim Reeves He'll Have To Go – Jim Reeves  Released in 1977 Rough Mix is a collaborative studio album by Pete Townshend — the guitarist and principal songwriter of The Who — and Ronnie Lane, the former bassist and singer from Small Faces and Faces.  Unlike the arena rock that defined much of Townshend's work with The Who or the soulful R&B-tinged rock of Lane's earlier bands, Rough Mix explores a more roots-oriented blend of rock, British folk rock, and heartfelt singer-songwriter material that reflects both artists stepping outside their band identities. The album showcased both Townshend and Lane as co-lead vocalists and multi-instrumentalists, with Townshend contributing guitars and songwriting and Lane bringing his melodic bass playing, acoustic sensibilities, and songwriting presence; the sessions also featured contributions from notable musicians such as John Entwistle of The Who, Eric Clapton on dobro and guitar, and Charlie Watts of The Rolling Stones on drums, among others, adding depth and variety to the arrangements. Rough Mix was a modest success reaching #45 on the US Billboard 200. In the US "My Baby Gives It Away" (with "April Fool" as its B-side) and "Keep Me Turning" (backed by "Nowhere to Run") were released as singles.  Neither became a hit. Rough Mix holds a special place in both artists' catalogs as a creative detour that revealed different facets of their songwriting and musical identities.  The album is a meeting of kindred spirits from the British rock scene and appreciated by fans for its warm interplay and musical generosity. Track Listing Side One My Baby Gives It Away Nowhere To Run Rough Mix Annie Keep me Turning Catmelody Side Two Misunderstood April Fool Street In the City Heart To Hang Onto Till The Rivers All Run Dry Hashtags capturing its enduring appeal include #RoughMix, #PeteTownshend, #RonnieLane, #ClassicRock, #1977Albums, and #FolkRockCollab. Contact Info Website: ⁠⁠⁠Gary Wenstrup⁠⁠⁠ Podcast Website: ⁠⁠⁠Home - Classic Rock Album Olympics⁠⁠⁠ YouTube: ⁠⁠⁠(556) Classic Rock Album Olympics - YouTube⁠⁠⁠ Facebook: ⁠⁠⁠(7) Facebook⁠⁠⁠ Podcast Facebook: ⁠⁠⁠Facebook⁠⁠⁠ LinkedIn: ⁠⁠⁠(17) Gary Wenstrup | LinkedIn⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices