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PAYING FOR IT is a live-action adaptation of acclaimed alternative-cartoonist Chester Brown’s best-selling graphic novel. In the late 90s, Chester and Sonny are a long-term, committed, romantic couple. When Sonny wants to redefine their relationship, Chester, an introverted cartoonist, starts sleeping with sex workers and discovers a new kind of intimacy in the process. PAYING FOR IT is about love, sex and non-monogamy for adults. It deals with the complicated subject of the exchange for sex-work versus the complications of romantic love. The movie celebrates the vibrant underground comic and zine era through the experiences of cartoonist Chester Brown. PAYING FOR IT was Executive Produced by John Cameron Mitchell (Hedwig and the Angry Inch, Shortbus) Our guest on this edition of Cinemafile is director Sook-Yin Lee who goal with the film was to connect the past with the present by bringing together emerging comic actors, performance artists, authors, activists and multimedia creators in front of and behind the camera. About the filmmaker - SOOK-YIN LEE (Writer, Director, Co-Producer) is a Toronto-based filmmaker, musician, actor and broadcaster (CBC, BBC, MuchMusic). She starred in Shortbus, the ground-breaking 2SLGBTQ movie directed by John Cameron Mitchell that premiered at the Cannes Film Festival. Her feature film writer and directorial debut, Year of the Carnivore, starring Cristin Milioti, premiered at TIFF. In 2014, Lee won the Canadian Screen Award for Best Performance by a Lead Dramatic Actress in Jack and went on to write and perform Unsafe for Canadian Stage, which examined questions of censorship and artistic freedom. She won Best Director and Best Picture at the 2018 Downtown Los Angeles Film Festival for Octavio is Dead! --a ghost story starring Sarah Gadon and Rosanna Arquette. Death and Sickness, her feature movie made with Dylan Gamble, streams on CBC Gem. She acts in Darkest Miriam, executive produced by Charlie Kaufman, and is set to release her experimental comedy Rest and Relax. Sook-Yin is a music recording artist and film score composer. She contributed songs to Brandon Cronenberg's horror movies Infinity Pool and Antiviral.

Getting its World Premiere at the 2026 Sundance Film Festival, JOYBUBBLES begins in the 1950s, recounting the unbelievable story of Joybubbles, (the legal name of the former Joe Engressia since 1991) as he discovers he can control the global telephone system simply by whistling a magic tone. Born blind and hungry for connection, his early obsession with the telephone sparks a subculture that shapes the future of hacking and modern technology in the 20th century. Told through vivid archival footage and Joybubbles’ own voice recordings, the film celebrates a visionary who redefined connection and challenged assumptions about disability, identity, and imagination. JOYBUBBLES pulses with the curiosity and wonder he brought to the world, brought to life by our guest, director Rachael J. Morrison’s inventive, tactile storytelling. About the filmmaker - Rachael Morrison is a documentary filmmaker and archival producer. Her short documentary, ELVERS, premiered at the 2019 Camden International Film Festival and is featured online as part of The Atlantic Selects. She has worked as an archival producer on documentary series and feature films for HBO, Hulu, Netflix, Paramount Plus, and FX. JOYBUBBLES is her feature-length directorial debut.

Middle-aged and erratic, Oscar is a failed writer who has given up on life. Unemployed and living with family, he wanders the streets of Medellín in a drunken stupor, lamenting the state of literature in his home country, where he has succumbed to the cliché of the tortured artist. However, the opportunity to mentor a young student offers a chance at redemption, if he doesn’t screw it up first. In a performance marked by darkly comic pathos, first-time actor Ubeimar Rios stars in Simón Mesa Soto’s Un Certain Regard Jury Prize-winner A POET, a raw and riotous farce about how good deeds are often met with the universe’s idea of cruel and unusually poetic punishment. Director Simón Mesa Soto joins us for a freewheeling conversation on why he was determined to tell Oscar’s story that would resonate with a broader audience and the unexpected physicality and pathos that Ubeimar Rios brought to Oscar. About the filmmaker - Simón Mesa Soto is a Colombian director, screenwriter and producer. He studied Audiovisual Communication at the University of Antioquia and later pursued a Master’s Degree at the London Film School. His thesis film, Leidi, won the Palme d’Or at the Cannes Film Festival 2014. With his next short film, Mother, he was again selected in the Official Competition of the Cannes Film Festival 2016. Both short films were widely screened at festivals around the world. Amparo, his first feature film, premiered at the Cannes Critics’ Week 2021, where it won the Louis Roederer Foundation Rising Star Award for the its lead actress. The film has toured more than fifty film festivals around the world and has won awards in Havana, Chicago, Lima and Punta del Este, among other festivals. Amparo was the big winner of the Colombian Film Academy’s Macondo Awards 2022, winning seven awards including Best Director and Best Film. A Poet is his second feature film.

Director Praise Odigie Paige's beautiful narrative short Birdie's will have its World Premiere at the 2026 Sundance Film Festival, BIRDIE is a narrative short set in 1970’s Virginia, following a young Nigerian refugee trying to keep her family together in the aftermath of the Biafran War. Director Praise Odigie Paige BIRDIE is a coming-of-age film told through the eyes of 16-year-old English, the younger daughter of a Nigerian family living in a Catholic charity home in rural Virginia. As the war ends, the arrival of a new refugee unsettles their fragile balance and drives a wedge between English and her sister Birdie, leaving English to face the truths she’s been avoiding about her father, her family, and what is left of their home. About the filmmaker - Praise Odigie Paige is a Nigerian-born filmmaker whose work centers girls and women on the edge of quiet transformation. Her films are intimate and atmospheric, often unfolding in charged historical moments where private desires collide with larger social forces. She is currently developing her debut feature, Igboland (working title), an intimate period drama about faith, girlhood, and desire at the edge of war. She lives and works in Brooklyn, NY.

Director Brittany Shyne’s Oscar Shortlisted Feature Documentary seamlessly weaves together the stories of three Black generational farmers to create a collective and intimate portrait of farming today, SEEDS is a moving and powerful exploration of their lives, joys and struggles as well as the fragility of legacy and owning land. With remarkable intimacy, the film documents their everyday lives - cotton harvesting, chasing cows, dealing with broken machinery and financial precarities. The camera relishes simple moments - conversations through car windows, candy from grandma’s purse as it captures moments of warmth, joy and fulfillment - turning them into striking vignettes that honor the families’ connection to the land and each other. First-time Director Brittany Shyne stops by to talk about her own nine-year journey to bring thus multi-dimensional to us and how their stories have became more prescient with every passing day. About the filmmaker - Brittany Shyne is an independent filmmaker based in Dayton, Ohio. Working in the narrative and non-fiction artform, her work seeks to depict the complexity of everyday life by examining themes such as personal histories, alienation and cultural modernization. Her films lyrically weave together frameworks of race, class, culture, identity and family lineage. She has worked as a cinematographer on films such as THE DEBUTANTES (Tribeca,’24) and Julia Reichert and Steve Bognar’s academy award-winning film AMERICAN FACTORY. Shyne was the recipient of the 2021 Artist Disruptor Award from the Center of Cultural Power. Her film SEEDS is her first feature documentary. . She is an alumni of the Chicken & (Egg) celerator Lab and was a Firelight Media Documentary Fellow (2020-2022). Shyne received her MFA in Documentary Media from Northwestern University and a BFA in Motion Pictures from Wright State University.

Michael Apted’s The Long Way Home, a revealing, rollicking portrait of the Soviet underground rock legend Boris Grebenshchikov, who became the first to record in the West during the early, optimistic days of Glasnost—not quite believing he would collaborate with Dave Stewart, Annie Lennox, Chrissie Hynde, and Ray Cooper—was released to critical acclaim after its broadcast in the UK and premiere at Sundance, but has largely disappeared these past 30 years. Thanks to Steven Lawrence, the film’s producer, THE LONG WAY HOME: REMASTERED AND EXPANDED (2026) will now have a second life in this newly remastered edition. In addition, together with Susanne Rostock, the film’s editor, he has created an epilogue charting Grebenshchikov’s fate following the release of his US album Radio Silence as an exile and an outspoken critic of Putin’s war in Ukraine. The new epilogue partially fulfills Apted’s own ambitions to make a sequel before his death in 2021.

Mickey (Zelda Adams) faces a deadly diagnosis, but she isn’t ready to die yet. Heading into the woods with her father (John Adams), she seeks dark magic at the hands of mysterious recluse, Solveig (Toby Poser) , who has an intimate relationship with death and roots that go deep in the land. For three days, Mickey endures Solveig’s extreme rituals of death magic. But every cure has its cost, and every curse is another’s gift. As buried secrets claw their way to the surface, the veil between the living and the dead begins to unravel, and Mickey finds herself facing dark truths that only the dead and the dying can know. Co-directors and co-screenwriters and co-stars John Adams, Zelda Adams, and Toby Poser stop by for a rollicking conversation on the making of Mother of Flies, the community of family and close friends that make their work possible and the deeper meaning of making films that celebrate life. About the filmmakers - John Adams, Toby Poser, and daughters Lulu and Zelda Adams (collectively known as The Adams Family) have been making films under the creative marquee of Wonder Wheel Productions since 2010. Features include The Deeper You Dig (2019, Dark Sky Films), Hellbender (2021, Shudder), Where the Devil Romas (2023, Tubi), and Mother of Flies (2025, Shudder). The family’s films have been represented by Yellow Veil Pictures for sales, festivals, and theatrical runs since 2021. John and Toby also directed the sci-fi feature Hell Hole (2024, Shudder) and the episode 'Plastic Smile' for Screambox’s “Tales from the Void” (2024). The soundtrack for Adams Family films is performed by the family’s band, H6LLB6ND6R.

Follow director Adam Bhala Lough as he sets out to better understand the technology and people at the center of the AI boom. His quest sends him on a path towards the father of AI, OpenAI CEO, Sam Altman. When he isn’t able to sit down with Altman himself, Adam travels to India to create an AI version of him to interview instead. DEEPFAKING SAM ALTMAN is a verité documentary with a sci-fi comedic twist, the film becomes a sharp, surprisingly moving exploration of how we’re all trying to navigate the chaotic new world of artificial intelligence, and what happens when the answers we seek can’t (or won’t) come from their human source. Our guest Adam Bhala Lough (Telemarketers, Bomb the System, Alt-Right: Age of Rage) joins us to talk about the inspiration for making DEEPFAKING SAM ALTMAN and why he hopes that his film will help foster a broader conversations on the looming impact that AI will have on all of us. About the filmmaker - Adam Bhala Lough is a Punjabi‑American film director, producer, and writer known for crafting award‑winning, widely viewed film and television projects. Lough burst onto the scene at 19 when he directed three music videos for MF DOOM. At 23 he premiered his narrative feature debut Bomb the System (2002), a graffiti‑culture drama that earned an Independent Spirit Award nomination for Best First Feature. His follow‑up, WEAPONS (2007), starring a then‑emerging Nick Cannon and Paul Dano, was nominated for the Sundance Grand Jury Prize and distributed by Lionsgate. Transitioning to documentary, Lough co‑directed The Upsetter: The Life and Music of Lee Scratch Perry (2008), narrated by Academy Award‑winner Benicio del Toro, and the incendiary Lil Wayne portrait The Carter (2009). The Upsetter has since been inducted into the Criterion Collection. His Sundance‑premiering The New Radical (2017) featured a rare interview with Julian Assange inside the Ecuadorian Embassy and explored Bitcoin and 3‑D‑printed guns. Alt‑Right: Age of Rage (2018) followed, airing on Netflix (U.S.) and BBC (U.K.) after a fearless year embedded with both neo‑Nazi and ANTIFA. Lough’s HBO Original doc‑series Telemarketers (2023), which he co‑directed and executive‑produced with Josh and Benny Safdie, became the most‑watched doc‑series on HBO MAX upon release.

In the wake of the opioid epidemic, insurance companies were now required to cover addiction and mental health treatment at the same reimbursement rate as other medical conditions, but without any of the regulations, a move that effectively monetized the 40 million Americans struggling with these issues. Shot over the course of three years, Shuffle follows three individuals trapped by the insurance-fueled cycle of treatment fraud spreading across the country. whose future depend not on getting into treatment, but on getting out alive. A journey of discovery and transformation, these personal stories provide the framework for a more public investigation with the help of an FBI informant, an insurance analyst and the former Executive Director of a Philadelphia-based treatment facility shuttered for fraud., Shuffle unravels a web of public policy and private interest preying on a desperate population for the sake of profit. Director Benjamin Flaherty joins us on Cinemafile to talk about his approach to storytelling, “My goal was to craft a narrative that refused to flatten them into victims or heroes, and instead allowed their contradictions to remain intact. Directing SHUFFLE was an act of witness, accountability, and ultimately love.” About the filmmaker - Writer/Director/Producer/Executive Producer Benjamin Flaherty is an Austin-based filmmaker with a diverse collection of work - from documentary and art films with Lou Reed & Lola Schnabel to commercial spots for major brands. His short form PSA’s have been awarded at Cannes, D&AD, One Show and the Clios. His documentary feature debut, SHUFFLE, won the Jury Award for Best Documentary Feature at SXSW 2025.

Shortlisted for this year’s Best Feature Documentary Oscar, Director Brandon Kramer’s deeply empathetic story begins with the despicable attack that took place on the morning of October 7, 2023, while Israeli-American Liat Atzili and her husband Aviv were at home when Hamas attacked their kibbutz. By nightfall, Liat and Aviv are captives in Gaza along with 250 other people - 12 of whom, like Liat, are American citizens. Caught between international diplomacy and a rapidly escalating war, their family must face their own uncertainty and conflicting perspectives in the pursuit of Liat and Aviv's release. This agonizing process, and the ultimate fate of their loved ones, challenges how the members of the family understand themselves and their place in the conflict. Our guest, director Brandon Kramer, through the intimate lens of a family's experience, HOLDING LIAT poses complex questions of identity across generations, as the family is thrust into the epicenter of a global conflict rapidly unfolding in real-time. About the filmmaker - Brandon Kramer is a Washington, DC-based filmmaker and co-founder of Meridian Hill Pictures with his brother Lance. Brandon directed THE FIRST STEP (Tribeca, AFI DOCS); CITY OF TREES (Full Frame Documentary Film Festival, PBS, Netflix); and the Webby Award-winning independent documentary series THE MESSY TRUTH (CNN). Brandon is a Film Independent Fellow, a DC Commission on the Arts & Humanities Fellow, a regular collaborator with Kartemquin Films in Chicago, and has served as a media teaching artist for the John F. Kennedy Center for the Performing Arts. Brandon holds a bachelor's degree in film and cultural anthropology from Boston University.

In the heart of the Mississippi Delta, the village of Glendora may seem quiet and remote. But beneath its stillness lies a vibrant, tightly knit African-American community whose strength, resilience, and creativity thrive despite chronic scarcity. GLENDORA is the result of five years of close collaboration between filmmaker and townspeople—an intimate portrait of life where economic fragility meets profound cultural wealth. GLENDORA is a film made with—and by—the people who live there. It amplifies voices too often unheard, offering a powerful story of culture, resilience, creativity, and collective memory from a town long overlooked—but not easily forgotten. About the filmmaker - Cinematographer, Writer Isabelle Armand is a New York–based documentary photographer and filmmaker whose work interweaves photography, film, and oral testimonies to explore the complex layers of people whose histories, lives, and potential have long been undervalued. Her acclaimed book Levon and Kennedy: Mississippi Innocence Project (powerHouse Books, 2018), which documents the wrongful convictions of two men, has received wide recognition. Her images are held in the collections of the Brooklyn Museum, Akron Art Museum, and Portland Museum of Art. Armand’s work has been featured in The New York Times, Art in America, The Economist, The Daily Beast, and others. She recently completed her first feature documentary, Glendora, and is currently editing a photo book by the same title.

In co-directors Michael Mabbott and Lucah Rosenberg-Lee's Peabody Award winning documentary portrait, ANY OTHER WAY: THE JACKIE SHANE STORY a star is reborn. With an outsize stage presence that eclipsed R&B greats like Etta James and Little Richard, Black trans soul singer Jackie Shane was the real deal. After mysteriously vanishing from public view for almost 40 years, this little-known icon is finally given her ultimate due. In an era when voices like hers were silenced and marginalized, Jackie blazed an incandescent trail from her native Nashville to the top of the charts in 1960s Toronto, where she ruled the nightclub scene. With few recordings of her legendary performances, this film brings Jackie to life in her own words through never-before-heard phone conversations, dazzling rotoscope animation and a newly released song, part of an incredible soundtrack that seals Jackie’s place as one of the greatest soul performers of the 20th century. Co-directors Michael Mabbott and Lucah Rosenberg-Lee join us to talk about their own journey into the world of Jackie Shane, working with Executive Producer Elliot Page, watching others learn about the artist and the person, Jackie Shane.

In pre-internet 1987, Conor and his dog Sandy live a life of seclusion, lost in the slow-rendering graphics of early Macs and televisions aglow with late night horror movie marathons. But when he begins playing OBEX, a new and mysterious, state-of-the-art computer game, he finds himself trapped in a low-tech, but high-stakes analog hellscape as the line between reality and game blurs. Audacious and uncanny, writer-director Albert Birney's OBEX is a delightfully skewed lo-fi fantasy. Shot in striking black and white, this surreally nostalgic nightmare revisits the dawn of personal computing to reflect on the loneliness of our always-online present day. About the filmmaker - Albert Birney is a Baltimore based filmmaker. He has directed six feature films: The Beast Pageant (co-directed with Jon Moses), Sylvio and Strawberry Mansion (both co-directed with Kentucker Audley), Tux and Fanny, Eyeballs in the Darkness and OBEX. Sylvio was named on eof the ten-best films of 2017 by The New Yorker. His films have premiered at Sundance, SXSW, the Maryland Film Festival, Slamdance and the Ottawa International Animation Festival. In 2021, he released a Tux and Fanny video game that he made with Gabriel Koenig.

Ripped from today's headlines, MEN OF WAR is an insider account of the failed 2020 coup in Venezuela as told by former US Army Green Beret Jordan Goudreau, a three-time Bronze Star recipient who organized the ill-fated mission. A harrowing look into the realpolitik world of exiled leaders, private armies and shadowy intelligence operatives and what made one man believe he could change the course of a nation's history. MEN OF WAR chronicles the astonishing true story of Operation Gideon—the failed 2020 coup attempt in Venezuela—and the covert network of ex-generals, mercenaries, and political operatives behind it. Co-Directors Jen Gatien and Billy Corben join us to talk about the Brave New World of private militias, rogue operators, and the very dangerous game of “playing army” with little or no idea of what comes next. It’s “Rambo meets Fyrefest” with a country’s future at stake. About the filmmaker - Emmy, Peabody and Edward R. Murrow Award-winning filmmaker Billy Corben is a Florida native, lifelong Miamian and co-founder of the Miami Beach-based production company rakontur. He has directed such documentaries as the Sundance Film Festival selection Raw Deal: A Question of Consent (2001), the Cocaine Cowboys franchise, including the Netflix Original Cocaine Cowboys: The Kings of Miami (2021), Dawg Fight (2015), TIFF World Premiere Screwball (2018), the HBO Original 537 Votes (2020), executive produced by Adam McKay (The Big Short, Vice), and the ESPN 30 for 30s The U (2009), Broke (2012) and The U Part 2 (2014). His latest, God Forbid: The Sex Scandal That Brought Down a Dynasty (2022) is the most watched doc in Hulu history. About the filmmaker - Jen Gatien is a Canadian filmmaker born and raised in Cornwall Ontario with Lebanese and Metis roots. Known for producing first time filmmakers under her production company deerJen, Men of War is her directorial debut. Jen’s work includes a documentary about the iconic Chelsea Hotel which premiered as Official Selection at the Cannes Film Festival. The film was directed by Abel Ferrara and stars Milos Forman, Grace Jones and Dennis Hopper. Other works include Hounddog starring Dakota Fanning and Robin Wright, Holy Rollers starring Jesse Eisenberg, and For Ellen starring Paul Dano, all of which premiered in competition at the Sundance Film Festival. Kiss of the Damned, directed by Xan Cassavetes, premiered at the Venice Film Festival. Alongside Spike Lee, Jen also produced Evolution of a Criminal for PBS, a documentary directed by Darius Clark Monroe on the bank robbery he committed as a teenager and reconciling his past as an adult.

A deeply moving, multigenerational drama, ALL THAT’S LEFT OF YOU follows a Palestinian teenager who gets swept into a protest in the Occupied West Bank and experiences a moment of violence that rocks his family. The film unfolds as his mother recounts the political and emotional threads that led to that fateful moment. Spanning seven decades, the film traces the hopes and heartaches of one uprooted family, bearing witness to the scars of dispossession and the enduring legacy of survival. Recently submitted as Jordan’s entry for Academy Award consideration in the Best International Feature category ALL THAT’S LEFT OF YOU was “shortlisted”. Our conversation with director / screenwriter and co-lead actor Cherien Dabis joins us to talk about the multi-generational approach in telling the story, cast three actors from the celebrated Palestinian acting family of Saleh, Adam and Mohammad Bakri and casting herself into a pivotal role. About the filmmaker - Cherien Dabis is a Palestinian American filmmaker and actress who has established herself as a creative force across a variety of mediums. Dabis got her start with her trailblazing debut feature “Amreeka,” which she wrote and directed. Exploring the immigrant journey of a Palestinian single mom, the film had its world premiere at the 2009 Sundance Film Festival before going on to win the coveted FIPRESCI International Critics Prize in the Director’s Fortnight at Cannes. It won a dozen more international awards and was nominated for a Best Picture Gotham Award, three Independent Spirit Awards including Best Picture, Best First Screenplay and Best Actress, and was named one of the Top Ten Independent Films of the Year by the National Board of Review. The film landed Dabis on Variety’s “Ten Directors to Watch” list that same year.