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Even before it opened, the 9/11 memorial and museum at the world trade center site was already controversial, condemned by survivor families for commercializing the tragedy. The museum’s gift shop, offering a commemorative 9/11 cheese board, seemed especially grotesque to many. (But, as George Bush said, days after 9/11, the way to defeat the terrorists was to “go shopping.”) Examining controversies around various 9/11 commemorations we ask how this memory shapes the US today. What political projects do 9/11 memorials serve, and who is excluded from commemoration. Special thanks to Claire Panetta for guiding us through the museum. We also drew on Benjamin Smith’s MERIP article “The Great Ports Panic of 2006” and Setha Low’s article “The Memorialization of 9/11” for background on debates and controversies. We played clips from The Budweiser 9/11 Super Bowl commercial and U2’s bizarre post 9/11 Super Bowl halftime show. Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: D1CU9BM5ETEFXFVI

To celebrate one year of the Bad Art Pod, we ask the question: why Bad Art? What is this podcast about anyway?!       Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: 1EPM40SS3OKF5CHR

Dustin Craun is a Muslim cultural activist, founder of the Center for Global Muslim Life and co-founder of MPower Change. As a leader in these organizations, Dustin has been developing community art projects, public memory initiatives, and monument campaigns, which celebrate the often underappreciated role of Muslims in the civic life of the United States. He often strives for multiethnic collaboration and has worked closely with migrants and undocumented youth at the US Mexico border and indigenous communities in the Pacific Northwest. His projects show Muslims as part of a rich, vibrant, multiethnic community enlivening cultural life within the United States. Learn more about Dustin’s work here: GlobalMuslimLife.com BeyondBordersArts.Com   In our conversation, Dustin mentions the following books and articles: “Return of the Mecca: The Art of Islam and Hip-Hop” by Sohail Daulatzai. “Muslim Cool: Race, Religion, and Hip Hop in the United States” by Su’ad Abdul Khabeer. “Islam and the Cultural Imperative” Dr. Umar Faruq Abd-Allah Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: 7IJKXHADSORCI8OT

Colin talks with Jennifer Lynn Kelly, author of “Invited to Witness: Solidarity Tourism Across Occupied Palestine” to learn about the promise and pitfalls of solidarity tourism. On the one hand, solidarity tourism can be used to imagine and build a just future. On the other hand, it often recreates or reinforces structures of colonial inequality. — Please check out Invited to Witness, available [here] Kelly also talked in depth about the following: Sophia Azeb: “Who Will We Be When We Are Free?” The Funambulist. Dean Spade: “Impossibility Now: A Trans Politics Manifesto.” Tanya Habjouqa: “Occupied Pleasures.” Sophia Stamatopolou-Robbins: “The Joys and Dangers of Solidarity in Palestine: Prosthetic Engagement in an Age of Reparations.” The New Centennial Review. And Colin mentioned: Dina Matar and Venetia Porter eds. “Archiving Gaza in the Present.” In our conversation, Kelly was diligent to note several people who have supported her work. Since not all of those shoutouts made it into the final edit, we’ll note that she credited Barbara Harlow, Ann Laura Stoller, and Ella Shohat.   Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: YXWYPU4ME95BKE6S

We look back at the man who called himself the “bicentennial president” — Richard M. Nixon — and the 1976 celebration he helped to plan. Examining the politics of past U.S. birthday parties, we ask what they can tell us about the present. How much has changed? We also spend some time talking about the World Cup and how much more fun it is than the Semiquincentennial. Yay 250! Episode research draws heavily on two books: Bicentennial! A Revolutionary History of the 1970s. by Marc Stein. and America, USA. How Race Shadows the Nation’s Anniversaries. by Eddie S. Glaude Jr. Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: V74QN6AQR9FWQX55

Today we take on A.I. art. We discuss the following references: Duesterberg, James. 2023. “Neither Governed Nor Free.” Boston Review. https://www.bostonreview.net/articles/neither-governed-nor-free/ Crabapple, Molly. 2026. “Is AI The Greatest Art Heist in History?” The Guardian. https://www.theguardian.com/books/2026/apr/12/is-ai-the-greatest-art-heist-in-history Winegar, Jessica. 2008. “The Humanity Game: Art, Islam, and the War on Terror.” Anthropological Quarterly. https://muse.jhu.edu/article/247134   Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: 6NQ7DGMK7CONG047   Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p

We’re joined by Akil Fletcher, an anthropologist who studies the intersection of video gaming and race. We discuss “Relooted,” an exciting new art heist video game, where players raid Western art collections in order to steal art and repatriate that art to Africa. For more about Akil or to read his scholarship: https://www.akilfletcher.com/ Mariel reads from the book “Mumbo Jumbo” by Ishmael Reed   Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p   Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: VT7FDOTUQHGIAEMJ

Reflecting on current events, Mariel and Colin discuss the proliferation of atrocity images on social media. What is at stake when these images are treated as a tool of political mobilization? References: Sontag, Susan. 2003. Regarding the Pain of Others. Eubanks, W. Ralph. 2025. Emmett Till Then and Now. in Bulletin by Monument Lab. Hernandez, Joe. 2021. “Read this powerful statement from Darnella Frazier, who filmed George Floyd’s murder.” NPR. https://www.npr.org/2021/05/26/1000475344/read-this-powerful-statement-from-darnella-frazier-who-filmed-george-floyds-murd Jackson, Jenn. 2022. “The Militancy of (Black) Memory ” SAQ. https://doi.org/10.1215/00382876-9825933 Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: B8YVHLPEYANQ7MQB Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p

This episode is a deep dive into the “creative city” model of urban planning. We talk about the ways that influential urban planners like Richard Florida and Charles Landry have promoted investment in the arts as a way to solve urban problems. We will answer the question, can art solve poverty? (Answer: No).   Key Sources: Florida, Richard. The Rise of the Creative Class. Landry, Charles. The Creative City A Toolkit for Innovators. Melamed, Samantha. “Can this tiny storefront save Philly’s most drug-ravaged neighborhood?” Philadelphia Inquirer. March 30, 2017. Denmead, Tyler. The Creative Underclass: Youth, Race, and the Gentrifying City. Mould, Oli. Urban Subversion and the Creative City. Montgomery, Alesia. “Reappearance of the Public. Placemaking, Minoritization, and Resistance in Detroit.” International Journal of Urban and Regional Research. 2016.   Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: YAP7TI2AQAAXNTJR

In anticipation of the Super Bowl, and in response to conservative outrage over the selection of artist Bad Bunny as halftime performer, we present a deep dive into the history and politics of the NFL’s halftime show.   Major Sections Include: Introducing the episode 00-1:30 Reflecting on current events 1:31-15:00 Recurring halftime themes and the identity of the NFL 15:00-24:52 The history of the halftime show 24:52-34:38 Nipplegate 38:48-49:16 Racial politics in the NFL 49:16-70:00 Michael Jackson’s Unprecedented Super Bowl Spectacular 70:00-74:46 The 2020s 74:46-78:27 Bad Bunny 78:27-end   We used clips from: Super Bowl XXVI “winter magic”: https://youtu.be/6wMXHxWO4ns?si=wtqMFHe45ts4SE37 Up With People at Super Bowl XIV https://youtu.be/2ruQ1tj4MDA?si=KfMAbNwTtfnBk_Ab Michael Jackson – Super Bowl XXVII 1993 Halftime Show: https://youtu.be/EsopN7JKUVs?si=oVd7-bkO338aXluL   References: As N.F.L. Fights Racism and Sexism, Team Owners Undercut the Message. New York Times. 2021. https://www.nytimes.com/2020/07/25/sports/football/woody-johnson-trump-jets.html Horowitz, Juliana Menasce, Kiana Cox and Kiely Hurst. 2025. “Views of Race, Policing and Black Lives Matter in the 5 Years Since George Floyd’s Killing.” Pew Research Center. May 7. https://www.pewresearch.org/race-and-ethnicity/2025/05/07/views-of-race-policing-and-black-lives-matter-in-the-5-years-since-george-floyds-killing/     Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p   Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: U1D0INK9CQ8QRL8S

Honestly, we just wanted to do a normal episode that didn’t react to current events. We thought that the War on Terror would be a somewhat stable historical artifact. – Then Trump invaded Venezuela, kidnapped its president, and stole its oil. So this episode is unexpectedly relevant. While we don’t comment on Venezuela directly, there are some important themes in thinking about the aesthetics of war that are unfortunately topical.   References Ronak Kapadia. “Insurgent Aesthetics: Security and the Queer Life of the Forever War.”  https://www.dukeupress.edu/insurgent-aesthetics Hirst Appologizes for Calling 9/11 ‘A Work of Art.’” The Guardian https://www.theguardian.com/world/2002/sep/19/september11.usa Leerom Medovoi. “Dogma Line Racism: Islamophobia and the Second Axis of Race.” https://read.dukeupress.edu/social-text/article-abstract/30/2%20(111)/43/33720/Dogma-Line-RacismIslamophobia-and-the-Second-Axis?redirectedFrom=fulltext Jean Baudrillard. “The Gulf War Did Not Take Place.” https://www.amazon.com/Gulf-War-Did-Take-Place/dp/090995223X Rumsfeld clip from “Control Room.” 2025. https://www.youtube.com/watch?v=MCgfMdvk2n8&t=1390s Committee to Protect Journalists. Dataset of Journalists and Media Workers Killed. https://cpj.org/data/killed/country/?status=Killed&motiveConfirmed%5B%5D=Confirmed&motiveUnconfirmed%5B%5D=Unconfirmed&type%5B%5D=Journalist&type%5B%5D=Media%20Worker&start_year=1992&end_year=2026&group_by=year Caecilia Pieri. “Can T-Wall Murals Really Beautify the Fragmented Baghdad? https://www.jadaliyya.com/Details/30661 “Michael Rackowitz Brings Destroyed Iraqi Art Back To Life.” Northwestern University. https://www.youtube.com/watch?v=0jXG1cXxE1Y Joshua Craze. “Junk Empire.” https://canopycanopycanopy.com/contents/junk-empire     Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: DNUZSKHSHWIM3J1Q Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p Episode Artwork: Berghan Oil Fire. Wikimedia Commons: https://commons.wikimedia.org/wiki/File:Bergan_oil_field_fire.jpg

“It’s Brutal!” Trump, Architecture, and American Authoritarianism. (Weird Little Architects Part II). E08. In this follow up to our episode on Trump’s “Weird Little Architects” (E06) we examine the ways that architecture has been instrumentalized by the Trump administration. Through a close look at the Executive Order “Making Federal Architecture Beautiful Again,” and at administration comments around the renovation of the White House, we show how architecture is used by the administration to advance its authoritarian and white supremacist projects. Major sections include: Trump’s Architecture Program. 00-37:00 Fascist Aesthetics and the Demolition of the White House. 37:00-56:00 Brutalism and Modernism as a Contrast to the Trump Agenda. 56:00-81:00   We used clips from: “Justin Shubow Interviewed About Brutalism on Newsmax – Greg Kelly Reports” https://youtu.be/OFRpqpdCikw?si=clvtWq8TSQEO1viR “Stephen Miller: East Wing was Cheaply Built, Long Overdue for Renovation.” https://www.foxnews.com/video/6383815895112 Zoolander (2001)   References: Krugman, Paul. 2025. “Trump’s Gilded Ballroom and the Fall of the American Republic.” https://paulkrugman.substack.com/p/trumps-gilded-ballroom-and-the-fall Koldehoff, Stephen and Tobias Timm. 2025. Donald Trump Has a History of Pulverizing Historic Buildings. Artnet. https://news.artnet.com/art-world/donald-trump-bonwit-teller-friezes-met-2132673 Benjamin, Walter. 1935. “The Work of Art in the Age of Mechanical Reproduction.” Medovoi, Leerom. 2012. “Dogma-Line Racism: Islamophobia and the Second Axis of Race.” Social Text. 30 (2 (111)): 43–74. https://doi.org/10.1215/01642472-1541754 Compagnon, Madeline. 2020. “What Makes a ‘Beautiful’ Federal Building?” JSTOR Daily. https://daily.jstor.org/what-makes-a-beautiful-federal-building/ Volner, Ian. 2020. “Trump Can’t Make Architecture Great Again Without an Infrastructure Plan.” Artnews. https://www.artnews.com/art-in-america/columns/trump-make-architecture-great-again-maga-classicism-1202677813/   We used a quotation: “The Democrat Party’s main constituency are made up of Hamas terrorists, illegal aliens, and violent criminals,” which should be attributed to White House Press Secretary Karoline Leavitt.   Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p   Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: TPBUUIJWTSHGYJQ9

We invited Nick Sturm to join us to tell us about his recent Defector article, “Good Riddance to The Best American Poetry.” Nick tells us about the reactionary ideals which shaped the poetry anthology series and how these reactionary ideals influence American politics and the wider world of poetry. Nick Sturm teaches at Georgia State University in Atlanta. His book “Publishing the New York School: Small Press Communities and American Poetry” will be published by Columbia University Press. Nick is also in the research stage on another book-length project, “The Poetry Business,” that examines the role of the state, nonprofits, universities, and philanthropy in the professionalization of American poetry. A few other forthcoming projects include a chapter on poet Frank O’Hara’s publishing history in “Frank O’Hara in Context” from Cambridge University Press; editing “The Collected Poems of Jim Brodey” for Nightboat Books; and a chapter on the relationship between federal arts funding and small press editorial practices in “The Bloomsbury Handbook of Literary Editing.” You can find Nick’s article, “Good Riddance to The Best American Poetry” here: https://defector.com/good-riddance-to-the-best-american-poetry In our conversation, Nick mentions Jonathan White’s article, “Thinking Generations:” https://eprints.lse.ac.uk/49483/1/White_thinking_generations.pdf   — Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: KRQMGNARPJLX0ICN

In this episode, we tell you about the weird little architects in Trump’s orbit and their plans to remake DC.   References The National Civic Art Society: www.civicart.org Website for Michael Curtis, the artist member of the NCAS https://theclassicalartist.com/statues Video: Washington the Classical City: https://www.youtube.com/watch?v=7LkKnhtOPnc “Hegel’s Aesthetics.” In the Stanford Encyclopedia of Philosophy: https://plato.stanford.edu/entries/hegel-aesthetics/ Cole, Bruce. Art From the Swamp: How Washington Bureaucrats Squander Millions on Awful Art. https://www.amazon.com/Art-Swamp-Washington-Bureaucrats-Squander/dp/1594039968 Video: Roger Scruton: Why Beauty Matters. https://vimeo.com/549715999   Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: RIGCP4AT5FQFWIGO

Colin and Mariel watch “Style Wars,” a classic documentary about New York City graffiti in 1982, and explore what this documentary can tell us about the politics of today.   References: Style Wars (1982): https://youtu.be/CO9YgJXzRmk?si=Alsm22cBTOlZxOY1 Footage of the Burning of the Bronx from the 1977 World Series: https://www.youtube.com/watch?v=bnVH-BE9CUo Interview with Tony Silver and Henry Chalfant. Hip Hop Slam: https://www.hiphopslam.com/articles/artic_StyleWarsDVD.html Map: “How the Burning of the Bronx led to the Birth of Hip Hop,” originally from  “Nonstop Metropolis: A New York City Atlas” Joshua Jelly-Shapiro and Rebecca Solnit eds. Featured on Independent Lens. PBS. https://www.pbs.org/independentlens/blog/how-the-burning-of-the-bronx-led-to-the-birth-of-hip-hop/ Rahn, Janice. “Painting Without Permission” https://www.bloomsbury.com/us/painting-without-permission-9780897898102/   Music from #Uppbeat https://uppbeat.io/t/night-drift/pastel License code: TBDYWEHRAAIK7W26   Header image based on photo by Gary Coronado: https://tinyurl.com/kdzxt5k Pod logo based on photo by Ted Timmons, Edited by Colin McLaughlin-Alcock Creative Commons License: https://tinyurl.com/y9dj772p