Advertise on podcast: It's Only Rock n Roll with hosts Phil Blizzard & Russell Mason

You hear the songs, you see the lights, but you rarely meet the people who make sure the whole machine turns up, works, and gets to the next city. That is why we brought Steve Martin back for a sequel: his career runs from the South London pub circuit to the biggest stages, and he tells the stories from the side of the stage rather than the centre of it.   We start with Nine Below Zero, the era of hundreds of gigs a year, and how one night at the Half Moon in Herne Hill can change a life. Steve talks “sliding doors” moments that take him from superfan to crew, and then into the wider touring world through management links, including the jump to Nick Kershaw. Along the way we dig into the practical reality of live music careers and what it takes to earn trust when you are new, surrounded by experienced people, and battling imposter syndrome.  Then we get properly behind the curtain on production management and tour management: getting the show in and out on time, handling crews, working within tight budgets, and navigating the awkward gap between what an artist wants and what the numbers allow. Steve also opens up about the loneliness of being the adult in the room, the pressure it puts on relationships, and how he finds a workable balance with family life after decades in rock and pop touring.  We also hit some incredible name checks and lessons learned: Sinead O’Connor, Madonna, Jeff Beck, boy bands like Bros and Westlife, and the wonderfully chaotic world of Madness.  The final chapter is Squeeze, where Steve now helps manage and tour an iconic British band that is still getting bigger, still writing, and still selling out major venues.   If you enjoy true music industry stories, tour life reality, and practical insights into production management, subscribe wherever you listen, share it with a mate who loves gigs, and leave us a review. What part of touring life would you want to hear more about next? It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

Season 2 of It's Only Rock n Roll commences with Russell Mason & Phil Blizzard catching up with guitarist and songwriter Brynn Howarth on the hard graft behind a music career, from sleeping at Victoria Coach Station to sharing stages with some of the biggest names of the 60s and 70s. Along the way we talk about Jimi Hendrix, Nashville sessions, Bob Dylan’s Christian records, and the turning points that lead Brynn into faith, prison work, and campaigning to protect trees.  He arrives in London with a guitar, no contacts, and nowhere to sleep, then ends up trading solos with Jimi Hendrix. That is the kind of real world rock and roll journey we get into with guitarist and songwriter Brynn Howarth, a true “musician’s musician” whose story runs from Denmark Street hustle to America’s post Woodstock live circuit. We talk about what it meant to chase gigs before the internet, how auditions worked in Tin Pan Alley, and why those early years taught grit that still applies to any music career today.  Brynn takes us inside a Speakeasy residency where the after hours crowd includes the biggest players of the era, and he shares an unexpectedly human insight about Hendrix: the loneliness that can sit behind fame. From there we follow his move to the United States, the freedom of mixed genre bills at venues like Fillmore West and Winterland, and the thrill of being accepted on musicianship alone. We also dig into Nashville recording, the value of session musicians, and what happens when great players turn a good song into something unforgettable.  The story turns personal as Brynn talks about meeting Sally, a vivid dream that pulls him back to England, and the quiet Welsh “time out” that sparks searching questions about anger, drink, drugs, and meaning. That path leads to a gospel tent meeting, a deep change in direction, and eventually to worship music, church work, and a prison ministry that starts at Wandsworth and continues for decades. We also touch on Jerry Rafferty studio work, Old Grey Whistle Test memories, music rights and why some albums vanish from Spotify, plus where to find music on Bandcamp.  If you enjoy thoughtful music history, artist stories, and the truth behind the myths, subscribe, share this with a mate, and leave us a review. What part of Brynn’s journey stays with you most? It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

A season’s worth of passports, flight cases, and stories converge in a finale that refuses to fade to black. We trace the hidden arteries of live music—from a retired tour pro’s poolside idea to a globe‑spanning set of conversations with production managers, security pros, artists, superfans, and the die‑hards who kept sound and light alive in deserts, ferries, and freezing tarmacs. We start where tours truly begin: backstage. Jake Duncan’s leap from a drum shop to Bay City Rollers and Wham captures the chance encounters that bend lives, while Steve Martin drops us into the command centre of Live Aid and the pressure of delivering David Bowie’s vision when a stage design suddenly isn’t big enough. Then the energy tilts to pure rock and roll with Stan Urban, who turns hoovers into instruments, weddings into gigs, and remembers jamming with Robert Plant before Ibiza swapped poets for package flights. It’s messy, joyful, and proof that invention beats perfection when the clock hits showtime. The road stretches East as promoter Yatzek Slotala guides Pink Floyd past the Iron Curtain with a bag of rubles, a borrowed Air Force plane, and nerves of steel. He helps Tina Turner rebuild Private Dancer on Central European stages with borrowed backlines and bulletproof grace. In India, Rock Machine becomes Indus Creed as Uday Benegal explains why a name can trap you and how original songs, scrappy trains, and a sedated fox terrier named Scooby wrote their origin story. Two superfans rewind to first gigs—Genesis with Peter Gabriel’s theatre and Rory Gallagher’s raw voltage—reminding us why live music burns into memory. We swing through France on a chaotic bus of Glasgow bands—Franz Ferdinand among them—proving that if your town lacks a scene, you make one, even if chairs go overboard on the ferry. Security steps forward with rare warmth as Ronnie Franklin reflects on three decades protecting George Michael, including a holstered‑gun scare diffused with calm and kindness. Finally, we walk the Memphis Mansion in Denmark, where a Rat Pack‑serenaded piano still sings, and head to the Gulf with the “desert rats,” who fought heat, sand, and fried dimmers so the show could go on. Hit play for craft, chaos, and heart from Wham to Pink Floyd, Elvis to Indus Creed. If these stories moved you, follow the show, rate us, and share your first live gig memory—what was the song that changed everything? It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

We relive how comedy, concerts, and sheer grit brought modern live entertainment to the Gulf, from Billy Connolly and Lenny Henry to Bollywood stadium spectacles and ballet on the beach. Heat, customs, and failing gear tried to stop us; diplomacy, craft, and humour carried the day. • British comedians breaking new ground across the Gulf • Jasper Carrot’s late-career surge and Lenny Henry’s airport pranks • Cancelled shows, customs hiccups, and strict cultural lines • Bootleg tapes, censored artwork, and local media quirks • Airport systems for moving bands and gear fast • Indian and Arabic weddings with complex technical limits • The Sharjah Bollywood epic with camels, horses, and balloons • Gypsy Kings rescue plan after lighting failure • Ballet under blistering lights and DIY power solutions • Winning over electricians and hotel crews through respect • Saudi gigs, Sadiqi stories, and a narrow escape • Shout-outs to crews, mentors, and long-time colleagues Go to YouTube for the video version of this podcast. There’s a link is- https://youtu.be/e0Yjm_wJSBA and some fabulous images of the Deserts Rats in action  and more ... If you would like to have a podcast production for your organisation, get in touch with me:[email protected] It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

In this, the first of two parts, we trace how a small team of promoters and techs hauled second-hand gear, charmed airlines, and built a live music circuit across the Gulf in the 80s. Stories of burning dimmers, poolside plotting, cultural shows in ballrooms,  A concert scene doesn’t just appear; someone has to drag it across borders, bolt it together in the heat, and pray the dimmers don’t catch fire. We look back at how a handful of stubborn promoters and techs built a touring circuit across Dubai, Abu Dhabi, Muscat, Al Ain, Bahrain and Kuwait in the 1980s, bringing Tina Turner, Duran Duran, Meat Loaf, UB40 and more to a region with almost no infrastructure. Russell is joined by lighting mastermind Graham Trudgeon and sound engineer Kevin Winder to unpack the grind behind the glamour. The stories are vivid: second-hand Tasco and Brit Row rigs arriving as “excess baggage,” lighting plans sketched from the swimming pool because the stage sat at the deep end, and follow spots that fought back with live shocks. There’s the Hyatt Ballroom turned into a three-hour Meat Loaf marathon with a smart blackout to dodge a kiss, UB40 dressing room brawls that vanished by breakfast, and Chris Rea touring with a plumber’s bag while borrowing socks from the crew. Beyond rock, the team staged cultural shows that made improbable sense: Bolshoi stars on the beach with scene changes in the wind, Swan Lake in tracksuit bottoms for Kuwait’s conservative venues, and Cossack dancers leaping off stages that were a size too small. Local heroes like Sharif, the James Brown lookalike truck driver, powered the whole effort—hauling gear up mountains, surviving electrified follow spots, and delivering hot food to remote plateaus. Promoters and hotel GMs covered pools to build stages, charmed airlines for baggage, and kept audiences coming back for more, night after night. It’s a portrait of resilience, ingenuity and mischief that laid the foundations for today’s polished Gulf live industry—air‑conditioned warehouses, reliable rigs, and arena-level shows. If you love live music, touring history, or stories of impossible projects pulled off with tape and nerve, this one hits hard. Enjoy the ride, then subscribe, rate and share so more people can discover the desert rats who made the music happen. It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

We tour Memphis Mansion with Hendrik Knudsen and Stan Urban, tracing the stories behind Elvis’s TCB chain, the Johnny Cash exhibits, and the spirit that keeps rock and roll alive. We balance myth and memory, dig into Colonel Parker, and plan a return when July’s residency hits.  From the sparkle of the first TCB chain to the quiet authority of gold records and stage clothes, we follow the artefacts that carry stories—why they exist, what they meant to the artists, and how they still teach us what great performance looks like. We don’t dodge the complicated parts. Colonel Tom Parker’s shadow looms large, and we unpack his savvy early moves, his infamous contracts, and the instinct to turn grief into blame after Elvis’s death at 42. That nuance opens a wider conversation about how mid-century music was sold, the cost of fame, and the difference between myth and the machinery that keeps a career on the road. Hendrik shares candid memories of working with members of Elvis’s band—the Jordanaires, the Imperials, the TCB band—threading living voices into the archive. The path then turns to Johnny Cash and the second museum built during COVID, where the American recordings help reintroduce a legend with stripped-back power. Add a replica of Elvis’s Tupelo house, a small cinema screening documentaries, and a lively diner where the Stan burger is a staple, and you’ve got a full-day experience that invites you to linger rather than rush. Stan’s July residency seals the deal: this isn’t a mausoleum, it’s a stage where rock and roll still breathes. If you’re planning a visit, expect anywhere from an hour to a full day, with local hotels and clear info at MemphisMansion.com. We also tease our next on-location stop at Rockfield Studios in Monmouth, the birthplace of classics like Bohemian Rhapsody. Subscribe, share with a fellow music lover, and leave a review—then tell us: which artefact would you most want to see up close? Rockfield Studios scheduled for Season 2 - early 2026 It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

Fame can feel like a storm. We sit down with veteran security lead Ronnie Franklin to map the invisible work that keeps artists, crews and fans safe when the wind picks up—without turning the night into a fortress. From his baptism at London’s Rainbow Theatre to global tours with Wham and decades at George Michael’s side, Ronnie unpacks how planning and people skills beat brute force every time. We trace the birth of modern concert security: radios that cut out around corners, promoters debating headcounts, fans copying passes, and the simple fix that worked—fewer pass types, smarter briefings, and relentless clarity. Ronnie takes us into Wham‑mania, where police vans, service corridors and decoy routes replaced glamour, and into Japan’s “polite hysteria” and China’s culture shock, where flight cases met 1940s trucks and loud sound cleared a hall in seconds. There’s a hair‑raising plane turnback, a football kickabout with Rod Stewart, and the infamous Wembley moment when a guard swore “that’s not George Michael,” all handled with humour and calm. As George went solo, loyalty met scale. American management arrived, but George chose trusted UK heads for key roles, and Ronnie led security for the Faith tour with a low‑key brief: keep it safe and invisible. We talk about setting boundaries with stars, leaning on local law enforcement for rare credible threats, and training a new generation to de‑escalate first. Along the way, Ronnie paints a generous, focused portrait of George Michael—driven, kind, and precise about what he wanted—proof that the right protection lets artistry breathe. If you care about live music, touring life, or how crowds are kept safe without killing the vibe, this conversation is packed with stories and hard‑won insight. Subscribe, share with a friend who loves music history, and leave a review to tell us which story blew your mind most. It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

Phil Blizzard and Russell Mason meet a Scotsman, an Irishman, and a Frenchman for their journey to a tiny Breton, French town and reshape what a music scene can mean. We open the podcast  in 90s Glasgow, where Chemical Underground helped a new wave of indie bands find their voice and their values. From cramped stages and borrowed gear to a label identity forged by conviction, the scene thrived on camaraderie, sharp taste, and the kind of local folklore that sticks—like loading out together after the last chord rings. Then comes the leap. David, a young chef from Brittany with a burning love for music, invites the Glasgow crew to his rural hometown. One bus, a handful of fans, a chaotic ferry crossing, and a village square where cows outnumber people. It shouldn’t work. It did. Years later, filmmaker Niall retraces that journey, capturing a road movie that doubles as a time capsule and a mirror. Funding hurdles, music clearances, and the streaming-era squeeze haunt the edges, but what takes centre stage is trust: musicians, crew, and locals building something bigger than a gig. Across Momo’s bar, impromptu sets, gear hiccups, and last-minute saves, the story becomes a study in how art survives. Alex Kapranos, Mogwai’s Stuart Braithwaite, Paul Savage of The Delgados, and more reflect on timing, luck, and the stubborn will to keep going. The film—Lost in France—shows how a village can feel like home, how a label can be a lifeline, and how friendships carry music further than any marketing plan. It’s funny, messy, and deeply human, with scenes you’ll retell and a spirit you’ll recognise if you’ve ever believed in DIY. If you care about indie music history, Glasgow’s creative DNA, or the fragile magic of making something together, you’ll feel at home here. Press play, then tell a friend who still loves small rooms and big feelings. Subscribe, rate, and share your favourite Glasgow gig memory—we’ll read the best on a future show. The movie - 'Lost in France' is available to stream on Tourism Cinema and on DVD from Amazon It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

Ever wonder why some gigs tattoo themselves on your memory while others fade as the lights come up? We sit down with two lifelong friends and serial gig-goers to trace a fan’s journey from teenage awe at the Brighton Dome to the organised chaos of modern stadium shows. Their stories move fast: queuing for Led Zeppelin at Earls Court, discovering Rory Gallagher’s fire, and catching Deep Purple tearing up the Half Moon in Putney. Along the way, we weigh what really matters — rooms that sing, mixes that breathe, and the crowd energy that turns a setlist into a shared event. The debate gets spicy where performance meets production. Stadiums bring scale, but do giant screens make you a spectator instead of a participant? From Oasis at Wembley to Coldplay’s LED spectacles, we unpack when visuals elevate and when they steal the show. Then a pivot to the pure: Bob Dylan’s phone-free theatre, where every phrase lands because there’s nothing else to look at. We talk queues, exits, and the odd miracle ticket, but keep coming back to sound — the tone, separation, and punch that made the Brighton Dome a revelation and Rush a byword for precision. No fan’s tour is complete without guitar heroes. Jimmy Page for invention, Rory Gallagher for heart, Gary Moore for bite, David Gilmour for melody, Prince for the solo that still silences rooms. Thin Lizzy’s revolving door of players, Wishbone Ash’s harmonies, and the support acts that later exploded — Def Leppard under AC/DC, Bon Jovi under KISS — all feed a bigger question: why did so many bands from the 70s endure while newer acts struggle to jump from clubs to arenas? Fewer venues, different economics, and the vanishing art of earning a following onstage are part of the answer. If you love live music — the sweat, the surge, the note that lifts a room — this conversation is a reminder of why we keep showing up. Hit follow, share it with a gig buddy, and tell us: which concert still lives rent-free in your head? It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

A powerboat race, a broken fax, and a last‑minute visa scramble set the stage for a story about identity, reinvention, and the stubborn joy of playing loud.  In this espisode  Phil Blizzard and Russell Mason  'sits down' with Uday Benegal—frontman of India’s pioneering rock band Indus Creed—to trace the band’s evolution from Rock Machine, the bold name change that reframed their destiny, and the craft behind blending tabla, sarangi, and bansuri into guitar-driven songs without falling into cliché. The journey flows through sunburnt beach gigs in Dubai, bewildered crowds in the USSR, a UK Womad run, and openers with Europe, Bon Jovi, and Santana. Uday contrasts the tour cultures with insight—how Santana’s crew modeled true professionalism—and shares a delightfully messy onstage cameo with Slash in Bangalore.  Along the way, we explore the role MTV Asia played in easing a risky rebrand, the practical magic of backline and FOH, and the creative decision-making that kept identity authentic while broadening appeal for global audiences. There’s a detour to New York, where disillusion with India’s shifting industry pushed Uday toward indie cinema and writing for the Village Voice, before a return home reignited the band with younger players and new energy. We go deep on recording Evolve in Mumbai and landing mix legend Tim Palmer through a thoughtful cold email—a field guide in how independent bands can reach world-class collaborators. Most of all, Uday reflects on the legacy he cherishes: helping shift India’s live circuit from cover-band defaults to original music as the standard. He also teases a gentler solo project produced by a rising young talent, proving reinvention never really ends. If stories of music branding, cross-cultural production, and life on the road light you up, this one’s for you. Follow the show, share it with a friend who loves rock history with heart, and leave a review to help more curious listeners find us. It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

Phil Blizzard and Russell Mason joins concert producer Jacek Slotala for a hands‑on journey taking us from Polish postcard singles to Pink Floyd’s sold‑out Moscow shows.  This fascinating, incredible story is told by the fixer who cracked Gosconcert and flew tours on army planes. We share how food, language, and nerve turned red tape into roaring crowds without a single lyric censored. A postcard single pressed in 1960s Poland. A phone that never stops ringing. And a plan bold enough to fly a rock tour on a Soviet army plane. This conversation pulls back the curtain on how Western music crossed the Iron Curtain, from jam‑packed Leningrad halls to Pink Floyd lighting up Moscow without a single lyric censored. We trace the path from Pagart, Poland's state monopoly, to the first real breakthrough: Wishbone Ash in Leningrad, chosen for taste and temperament. Food, not lights, became the make‑or‑break factor, so the team toured with a portable kitchen, UK‑trained Polish chefs, and pallets from West Berlin. Those breakfasts backstage did more for morale than any rider. Then came a bigger swing: assemble a new band, the Lost Empires, and barter shows for flight hours to reach Siberia. Gear lashed into an Antonov, crew in army seats, and a bucket with a lid for a loo—proof that ingenuity beats infrastructure when the music matters. The Pink Floyd chapter is a masterclass in production under pressure. Fifty‑six trucks replaced by cargo jets, a customs bridge to win crucial hours, and a last‑minute hotel wipeout solved with roubles and relentless door‑knocking. When national mourning paused a show after a tragic explosion, the band added a makeup date at the end to keep faith with fans and still make Helsinki. Along the way we meet interpreters who could silence police, legendary road crew soldering mid‑tour, and the caterer who trained a generation. No propaganda, no grandstanding—just the quiet power of concerts to ease tension and make strangers sing the same chorus. We also look at milestone tours that reset expectations: Procol Harum reopening Poland, Tina Turner building her Private Dancer comeback from bare floors, and how language, respect, and precision got Western acts invited back.  If you care about live music logistics, cultural diplomacy, or the sheer stubborn joy of making the impossible run on time, you’ll feel right at home here.  Press play, subscribe for more untold tour stories, and leave a review with the wildest backstage fix you’ve ever heard—what would you have done in that Moscow hotel scramble? It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

The night rock and roll first grabbed Stan Urban wasn’t on a stage; it was in a cinema, watching Little Richard tear through Long Tall Sally. From that moment, a Dundee kid with two fingers on an old family piano set off on a six-decade run that takes us from church halls and converted radios to Chuck Berry’s stage, Led Zeppelin’s cocktail tab, and a viral train-station jam that made thousands miss their trains. We sit with Stan to unpack the craft behind the chaos. He strips pianos to the frame, drops a podium mic inside, and turns boots and pedals into percussion. His left hand flips the groove—pink donk instead of donk pink—while his right hand leans ahead, stretching time until the room starts to shake. Along the way are stories that anchor an era: Jerry Lee Lewis returning his Yamaha CP with snapped strings, James Brown’s brisk handshake, and Robert Plant climbing stairs to sing Summertime Blues in a tiny Ibiza flat. Hamburg’s Star-Club brings long nights and hard lessons while Britain goes polite; East German television offers Saturday-night spectacle and the odd secret door; Denmark becomes home when touring turns into belonging. This is a love letter to live music and the people who keep it honest. We talk writing rock and roll that isn’t pastiche, why “perfect” timing can drain feel, and how a pianist becomes a one-man rhythm section. There’s joy, grit, and plenty of laughter: Bahrain New Year’s Eve mayhem, a cannabis festival that forgot the piano, and the small, lonely minute before midnight when fireworks bloom outside and the crowd waits inside. If you care about rock and roll piano, Little Richard’s spark, Chuck Berry’s engine, Led Zeppelin lore, and the craft that makes a room move, you’ll feel right at home here. Subscribe, share with a friend who loves real live music, and leave a review to tell us your favourite moment—we’ll feature the best replies next week. It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

Step backstage with Phil Blizzard &  Russell Mason in this the debut episode of It's Only Rock n Roll into the chaotic, exhilarating world of rock and roll touring. Special guests are industry veterans Jake Duncan and Steve Martin and together they pull back the curtain on nearly a century of combined experience managing tours for some of music's biggest legends. From accidental beginnings to career-defining moments, these production wizards recount their journeys with refreshing honesty. Jake stumbled into the industry in 1972 after spontaneously offering to help the Bay City Rollers' crew, while Steve's passion for Nine Below Zero led him from devoted fan to trusted crew member. Both admit to "bluffing it" early on – learning technical skills through necessity rather than training, with Steve confessing to being "the worst guitar tech in the world" despite working with extraordinary musicians. The conversation takes us through pivotal moments in rock history, including exclusive behind-the-scenes accounts of Live Aid in 1985. Steve provides a unique dual perspective, having worked both for Nick Kershaw and promoter Harvey Goldsmith during the iconic event. Their insights reveal how Queen strategically stole the show with their legendary performance, while Paul McCartney faced technical difficulties despite being the artist everyone backstage was most excited to see. Perhaps most fascinating are their candid revelations about working with mercurial personalities. From Shirley Bassey's dressing room color requirements to Elton John's dramatic pre-show tantrums, these stories humanize the stars while highlighting the diplomatic skills required in tour management. One particularly amusing anecdote involves David Bowie being turned away from Japan's final UK show because the doorman didn't recognize him! Whether you're a music industry professional, an aspiring tour manager, or simply a fan curious about what happens behind the scenes, this episode offers invaluable insight into the machinery that powers the magic of live music. Subscribe now and join us for more unfiltered conversations with the unsung heroes who've kept the show on the road for decades. It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]

Phil Blizzard & Rusell Mason introduce their new podcast exploring the world of rock and roll touring from the 1980s onwards The two Co-hosts bring complementary perspectives – Russell from his years touring and promoting, Phil from interviewing countless music legends throughout his broadcasting career. Together, they're creating a relaxed, nostalgic journey through an industry populated by unforgettable characters (many known only by their colorful nicknames).  "It's Only Rock and Roll" goes beyond the spotlight to reveal the fascinating stories of the unsung heroes who made rock's greatest moments possible. From groundbreaking concerts like Pink Floyd in Moscow during Glasnost to Wham performing at the Great Wall of China, this podcast captures a special time in music history through authentic, unfiltered conversations. Future episodes will feature tour managers, production crews, artist managers, record producers, and the legendary "liggers" (backstage gate-crashers) who defined an era. These are the people who witnessed it all – the near-disasters averted, the bizarre requests fulfilled, and the moments of brilliance that audiences never saw. Subscribe now for your all-access pass to rock and roll history, told by those who were too busy making it happen to fully appreciate it at the time.  Available wherever you get your podcasts – because after all, it's only rock and roll... but we love it!   Listen to "It's Only Rock and Roll" on all major podcast platforms including Apple, Spotify, Deezer, and YouTube. It's Only Rock and Roll is a Phil  Blizzard Radio Production - for your production email [email protected]