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What happens after happily ever after? Mags & Amy are trying to find out in this short teaser for Season 2. Murder Girls returns in late 2026. Send us Fan Mail Support the show

Season One Finale. In the aftermath of the Dylan Holt case, Mags and Amy navigate the strange work of moving on: revisiting old wounds, saying difficult goodbyes, and figuring out what comes after survival.  As Avalon Falls begins to recede in the rearview, the girls confront legacy, friendship, grief, and the uncertain promise of the road ahead. The case may be closed. The story isn’t. Original song: "Where to Begin" by Emily Tonaring Send us Fan Mail Support the show

As the truth behind Dylan Holt’s murder finally comes into focus, Mags and Amy find themselves racing toward something already in motion.  What begins as a last attempt to contain the fallout turns into a confrontation where buried histories surface, old alliances fracture, and the cost of knowing the truth becomes impossible to ignore. In a town built on what survives the record, “Ruins” brings the mystery to its breaking point. And when it’s over, nothing feels settled. Original song: "Leaving Clean" by Emily Tonaring Send us Fan Mail Support the show

Mags and Amy get their hands on a crucial set of clues — and it’s not what they expected. What looks like scattered records quickly turns into something else: a trail that wasn’t lost, but deliberately buried. A system that didn’t fail — it was used. And the closer they get to understanding it, the more it becomes clear that Dylan Holt didn’t just uncover something dangerous. He got close enough to stop looking. But figuring it out is only half the problem. Because by the time it all finally makes sense… it may already be too late to stop what’s coming next. Original song: "After the Glow" by Emily Tonaring Send us Fan Mail Support the show

The deeper you dig, the harder it is to pretend you didn’t find anything. After a harrowing close call, Mags and Amy start connecting the pieces—and realize Dylan wasn’t just investigating a problem. He was pushing against something that’s been in place for decades. Something designed to stay hidden. As the scope of the case expands, so do the stakes. Old alliances come into play. New risks take shape. And a looming meeting threatens to lock everything into place. The question isn’t just what happened. It’s what happens next. Original song: "Still Here" by Princess Scalpel Send us Fan Mail Support the show

Mags and Amy start following a lead — not because it’s the strongest one, but because it’s the one that moved. As they trace Nora Chen’s movements across Tilakwa County, a pattern begins to emerge — one built on contingency, timing, and the kind of preparation you only make when you know something is coming. But what Nora left behind isn’t just absence. It’s intention. As pieces shift into place, the case starts to stretch beyond the present. Beyond the murder. Into something older, quieter, and far more difficult to see all at once. Because some answers don’t arrive cleanly. They wait. Original song: "Headlights" by Emily Tonaring Send us Fan Mail Support the show

This episode, Murder Girls takes a different shape. At Minerva Maddox’s invitation, Mags and Amy sit down for a recorded interview on 'Small Town Murder Story' — her podcast built on versions, narratives, and the quiet power of who gets to tell them. What follows is less a conversation than a negotiation: of memory, of truth, and of the story that has followed them for the past ten years. As Minerva revisits the original case that made the “Murder Girls” infamous, old wounds resurface — along with new questions about Dylan Holt, the town of Avalon Falls, and the version of events that’s beginning to take hold. This episode unfolds largely through Minerva’s lens, complete with her edit, her framing… and her interruptions. Because once a story is recorded, it doesn’t just reflect what happened. It decides what matters. Original song: "Small Town Murder Story - Minerva Version" by Princess Scalpel Send us Fan Mail Support the show

Mags and Amy follow a thread that leads somewhere they weren’t expecting — into the quiet spaces where Avalon Falls keeps its older stories. As the girls piece together what the past might be trying to say, the present keeps pressing in. Old alliances shift. New ones arrive. And some people see opportunity where others see danger. Because in Avalon Falls, the truth rarely hides in darkness. Most of the time, it’s standing right in front of you. You just have to notice what everyone else has learned not to see. Original song: "THEY FORGOT TO MENTION" by EternalTeenager Send us Fan Mail Support the show

After a very long night, Mags and Amy finally get a moment to sit with a voice from the past and everything that’s happened. Some truths change how you see a town. Others change how you see yourself. As the sun rises over Avalon Falls, the girls realize that sometimes the hardest part of a mystery is deciding what comes next. Original song: "Sunrise" by Fleurs du Mal Send us Fan Mail Support the show

After a discovery beneath Avalon Falls raises more questions than answers, Mags and Amy return to Loose Ends to handle what should be simple paperwork. Instead, they uncover something buried, something intentional. As contamination, legacy, and contingency collide, the girls confront a growing truth: This isn’t just about what happened. It’s also about what happens next. Original song: "Something Like That" by Emily Tonaring Send us Fan Mail Support the show

A mysterious caller points Mags and Amy toward something older than Dylan's murder — and far more structural. What begins as a thread from the past unravels into another buried and horrific chapter of Avalon Falls history. The girls follow the math beneath the grief — and discover that inheritance isn’t just about bloodlines or family names. It’s about what gets passed down quietly. What gets contained. And what gets buried alive. Original song: "We Were Born Downstream" by EternalTeenager Send us Fan Mail Support the show

After a revelation that refuses to settle quietly, Mags and Amy regroup—first in silence, then in motion. What begins as an attempt to follow one artist’s erased history leads them out of Avalon Falls and into a place where memory lingers longer than anyone expects. And just as the pieces begin to align, a voice from the shadows redirects the hunt—away from what was buried, and toward what was poisoned. Because some stories don’t end where you think they do. And once the door is opened, there’s no pretending you didn’t hear the knock. Original song: "Cabinet from Argos" by EternalTeenager Send us Fan Mail Support the show

Avalon Falls is back to business. The funeral is over. The speeches have been made. And the town is already pretending nothing has changed. But Mags and Amy aren’t done watching. As old legends resurface and new patterns emerge, the girls find themselves caught between competing truths — folklore and data, grief and calculation, loyalty and power. What looks like coincidence begins to resemble design. What feels buried starts to push back. Original song: "Dead Gods - Lost Hotel Version" by Fleurs du Mal Send us Fan Mail Support the show

On the road out of Avalon Falls, Mags and Amy follow the loose threads Dylan Holt left behind — threads that lead through shuttered bars, unfinished questions, and a university town everyone loves to hate. What begins as a search for context becomes something heavier, as grief gives way to pattern and memory refuses to stay buried. In Holloway, the girls uncover fragments of an art movement that once threatened the county’s power structure -- and traces of a violence that history agreed to forget. As the past reasserts itself through symbols, stories, and things that were never meant to survive, a long-standing myth about Avalon Falls begins to fracture. Original song: "THAT Place" by Princess Scalpel Send us Fan Mail Support the show

As Avalon Falls gathers at Founders Chapel to bury Dylan Holt, Mags and Amy attempt to quietly observe the town’s most powerful families as they close ranks. What they witness instead is a careful choreography of grief, legacy, and silence — where absence speaks louder than presence, and every position in the room carries meaning. Between foul play on the Fern River Bridge and a funeral shaped by old money and older rules, the girls are forced to confront an uncomfortable truth: some spaces don’t allow witnesses. Only participants. Original song: "For Her (Requiem)" by Emily Tonaring Send us Fan Mail Support the show