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This week on Best Boys Podcast, Chris and Adam trade Tubi recommendations and go down a rabbit hole of underrated crime films, forgotten thrillers, and straight-to-video classics. Both hosts brought three movies to the table, leading to a conversation about why Tubi might secretly be the best streaming service for movie obsessives right now. Featuring: • City of Industry  • Shattered  • Boarding Gate  • The Night of the Running Man  • The Last of the Finest If you miss grimy 90s crime movies, character actors, neon-lit thrillers, and movies that feel like they were discovered in the back corner of a video store, this episode is for you.

It’s a big weekend for filmmaker Chandler Levack—and we’ve got her right here on Best Boys. With two new projects, Mile End Kicks (2026) in theatres now and Roommates (2026), premiering now on Netflix. Chandler is having a major moment across the film world. In this episode, we sit down with the Canadian director and writer to talk about her creative process, the themes driving her latest work, and how she’s navigating the spotlight as her work reaches a wider audience. Known for her sharp voice and grounded storytelling, Chandler opens up about building characters that feel real, working within today’s film landscape, and what it takes to bring deeply personal stories to the screen. If you’ve been seeing her name everywhere this weekend, this is the conversation that gives you the full picture.

Adam and Chris return for episode two of Best Boys, comparing their Top 10 Films of 2025. From major releases to personal favorites, they break down their lists, debate rankings, and dig into the films that defined the year for them.

The Levett Brothers kick off Best Boys by diving straight into the movies. This week, they break down One Battle After Another, Lurker, and After the Hunt, unpacking what works, what doesn’t, and why these films are worth talking about. With humour, passion, and a love for the craft, this first episode sets the foundation for a podcast made for people who truly love movies—whether they’re blockbusters, indies, or something in between