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Banyan Roots

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This podcast has
1 episodes
Language
English
Publisher
Lucia Thomas
Explicit
No
Date created
2026/01/17
Latest episode
2026/01/17
Average duration
46 min.
Release period
- days

Description

Banyan Roots is a podcast series in which songs and discussions from the Baul and Fakir, musical mystics of West Bengal, India and Bangladesh, guide conversations on history, ethnomusicology, and spirituality. Come curious listeners—musicians, scholars, spiritual seekers, and anyone drawn to traditional music and living devotional practices. Featuring original field recordings of spontaneous jams and interviews with Baul musicians and teachers, each episode explores different themes of Baul philosophy - from awareness of the body and the breath, to the tangled roots of Bengal’s devotional traditions: Vaishnava Kirtan, Sufi Qawwali, and even traces of Vajrayana Buddhism. Listeners will be taken on an immersive journey through the remote villages of Bengal, experiencing aurally the chaotic streets, the heated debates, and the intoxicated mad music.  Banyan Roots is produced by Gene Nemirovsky and distributed by Amplisounds Radio. 

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Songs of the Unknown Bird
2026/01/17
This first episode explores Deho Twatto “theory of the body” in the Baul context, where the body itself is the starting point for spiritual understanding. Songs: Baul Howa Sohoj Kotha Noy Composer: Kangal Horinath Singer: Babu Fakir Khachar Bhitor Ochin Pakhi Composer: Lalon Fakir Singer: Selina Fakirini Chirodin Pushilam Ek Ochin Pakhi Composer: Lalon Fakir Singer: Nurbaba Phaki Deowa Pakhi Re Tor Composer: Ammulyo Sarkar Singer: Uttora Baidya   Instrumentals: Jekhane Shai’r Baramkhana Composer: Lalon Fakir Dotara Player: Amirul Fakir Gram Chhara  Composer: Rabindranath Tagore Dotara Player: Amirul Fakir Khachar Bhitor Ochin Pakhi Composer: Lalon Fakir Violinist: Lucia Thomas   Painting credit: Dipshikha Debnath   For photos and more info please visit Amplisoundsradio   Many thanks to Biplab Ghosh, Arnab Sengupta, Rina and Manosij Goswami for help in the field, to Gene Nemirovsky for audio engineering, to the Fulbright-Nehru program and to all the musicians and teachers who recorded for this show. 

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