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What happens when a master potter decides to break all the rules? In the first of two episodes, Stephanie Rozene and Paul Greenhalgh explore the life and work of Peter Voulkos, the artist who helped transform American ceramics after the Second World War. From his Montana childhood and wartime service to his first encounter with clay, Voulkos begins as a brilliantly skilled traditional potter. But through teachers, fellow artists and the experimental world of 1950s America, he starts cutting, tearing and rebuilding clay in radically new ways.    By the mid-1950s, pottery was becoming sculpture and a revolution in clay was underway. To see the images from this podcast, please switch to video in your podcasting app. Featured Images: Photo of Voulkos doing pottery by Stephanie Rozene Photo Filming Voulkos at work, by Stephanie Rozene Voulkos Correcting a student, Stephanie Rozene. VOulkos nished platers on table, Stephanie Rozene Photo of John Balistreri assisting Peter Voulkos. 1990s (Creative Commons) Voulkos at Potters wheel, ca. 1956 Photo of Frances Senzka smiling Photo of Edith Heath, Date Unknown, (Wikipedia) Photograph of Maija-Grotell-1920s (Wikiedpia) Marguerite finishing a vase, ca.1950s. 1998 Center for Creative Photography, The University of Arizona Foundation Face Vessel, ca. 1970s, Marguerite Wildenhain Archie Bray and Rudy Autio photograph, ca. 1951 Photograph of Frances Senska and her pots, 1988, Linda Best photo / Bozeman Daily Chronicle. Chicken and Wine Set, 1960, Frances Senzka Ya Ba Bo jar, 1970, Frances Senzka Bottom of Ya Ba Bo jar, 1970, Frances Senzka Peter Voulkos Painting his Ceramics, ca. 1950s Ceramic National Piece, 1950, Peter Voulkos ???? Gourd Shaped Vases, Vases with Leaf, Green-Swirled Vases, 1952, Peter Voulkous Archie Bray Putting Soda in Beehive Kiln ca. 1950s Yanagi, Leach, Autio, Voulkous and Hamada at the Archie Bray Foundation Voulkos kicking the wheel for Hamada at Archie Bray Foundation, 1952 Karen Karnes, (1925-2016), Western Regional Archives, State Archives of North Carolina David Weinrib, (1924 – 2016) Robert Rauschenberg at Black Mountain College, Black Mountain, NC, United States, circa 1951. Photo: Cy Twomble M.C Richards (1914 – 1999) Wikipedia Picture Untitled Stoneware with Acrylic Paint, ca. 1953, MC Richards Collaboration with Peter Voulkos Covered Jar, 1953, Peter Voulkos Jackson Pollock at work – photograph by Hans Namuth (Wikipedia) Marguerite Wildenhaine, ca. 1962, Wikipedia page. Rocking Pot, 1956 Peter Voulkos (Smithsonian ART Museum) Peter Voulkos working, ca. 1960. Tony Prieto Tall Vase, Stoneware, 1950. The Everson Museum of Art. Photo credit Stephanie Rozene. Chapters 00:00:00 Introduction: Peter Voulkos - The Man Who Broke the Rules 00:00:58 Stephanie's Personal Encounter with Voulkos at Alfred University 00:05:07 The Two Sides of Peter Voulkos: Machismo and the Dance 00:07:47 Early Life: Montana, Greek Immigrant Roots, and World War II 00:10:37 Finding Clay: Frances Senska and Montana State College 00:14:54 The Foundations of Mastery: Learning Traditional Pottery Skills 00:17:31 Early Success and the Archie Bray Foundation 00:21:09 The 1952 Leach and Hamada Tour: International Influences 00:22:09 Black Mountain College and M.C. Richards: Opening New Doors 00:32:33 New York City 1953: Abstract Expressionism and Transformation 00:39:47 Breaking with Tradition: The Rocking Pot and Radical Experimentation 00:44:59 Setting the Stage: Otis College and What's to Come Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Dennis Caouki Executive Producer: Emma Cahusac

The story of Greek ceramics continues with a revolution in pottery. Around 530 BC, Athenian potters began turning the familiar world of black-figure decoration on its head, creating the extraordinary red-figure vessels that would come to define Classical Greek ceramics. Stephanie Rozene and Paul Greenhalgh explore the potters, workshops and innovations behind this transformation, and discover how ceramics became part of everyday Greek life – from wine-drinking symposia to sporting prizes and simple household wares. As Greek influence spreads across the Mediterranean, so too do its ceramic traditions, before a new power emerges: Rome. Yet conquest would not bring the story to an end. The Romans absorbed and reinvented Greek forms, ensuring their influence would survive for centuries. Please switch to video in your podcasting app, to see the pots being spoken about in this episode. Featured Artworks: Black Figure Amphore, Attributed to Group E (British Museum, CC BY-NC-SA 4.0) Red Figure amphora, signed by Andokides, c.530 BCE Terracotta amphora (jar) Red Figure bell krater, Anonymous, often referred to as by the Berlin Painter, Greek, c.480 BCE, Louvre Museum. Anonymous, possibly Apulian, possibly Boeotian, 480 BCE Francois Vase, Black Figure krater, decorated by Kleitias, made by Ergotimos, Greek, 570-560 BCE, Archaeological Museum, Florence. (CC 3.0) Terracotta kyathos (cup-shaped ladle), Attributed to the Group of Berlin 2095, c. 530–500 BCE Terracotta amphora (jar), Attributed to the Orvieto Painter, c. 540 BCE Small terracotta amphora (jar), Greek, Attic, c. 800–750 BCE Terracotta neck-amphora (storage jar), Greek, Corinthian, c. 620–590 BCE Terracotta neck-amphora (jar), Attributed to the Edinburgh Painter, c. 500 BCE Terracotta neck-amphora (jar) with lid and knob (27.16), Attributed to Exekias, c. 540 BCE Terracotta lekythos (oil flask), Attributed to the Amasis Painter, c. 550–530 BCE Terracotta column-krater (bowl for mixing wine and water), Attributed to Lydos, c. 550 BCE Terracotta Nolan neck-amphora (jar), Attributed to the Ethiop Painter, c. 450 BCE Terracotta neck-amphora (jar) with twisted handles, Attributed to the Lykaon Painter, c. 440 BCE  Terracotta amphora (jar), Attributed to the Berlin Painter, c. 490 BCE Terracotta skyphos (deep drinking cup), Greek, Attic mid-5th century BCE Chapters 00:00:00 Introduction: The Ancient Greeks - From Red Figure to the Rise of Rome 00:01:29 Recap: From Geometric to Black Figure Pottery 00:02:49 The Potters: Immigrant Makers and Family Workshops 00:04:52 The Red Figure Revolution: A Technical Breakthrough 00:06:45 Andokides and Bilingual Pottery 00:09:18 Pattern Bands and Workshop Signatures 00:11:33 Sophistication and Space: The Classical Aesthetic 00:14:13 The Berlin Painter: Minimalist Mastery 00:16:37 Shapes and Function: The Symposium Culture 00:18:54 Slavery, Democracy, and Greek Society 00:22:06 The Value Question: Cheap Plastic or Precious Art? 00:25:43 Production and Economics: From Souvenir Cups to Masterworks 00:28:01 Greeks Had No Word for Art 00:29:14 Legacy and Permanence: Objects That Tell Stories 00:31:40 The Hellenistic Expansion: Red Figure Goes Global 00:33:36 The Roman Conquest: 146 BC and the End of Greek Independence 00:37:20 Ceramic Memory: How Clay Survives Empire Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac

Emerging from the turmoil of the Bronze Age collapse, ancient Greece would become one of the most influential cultures in history – and ceramics were at the heart of its story. Stephanie Rozene and Paul Greenhalgh trace the extraordinary rise of Greek pottery, from the bold patterns of the Geometric period to the great workshops of Athens and Corinth and the exquisite black-figure vessels of the Golden Age. Against a backdrop of warring city-states, expanding trade and the looming threat of the Persian Empire, they discover how these pots became vessels for myth, storytelling and everyday life – and an extraordinary record of a civilisation taking shape. To view the ceramics being discussed in this episode, please switch to video in your podcasting app. Featured Artworks: Images featured in this episode:Terracotta volute-krater (bowl for mixing wine and water), Etruscan, c. 340–300 BCE Terracotta hydria (water jar), Greek, Euboean, mid-6th century BCE Terracotta lekythos (oil flask), Attributed to the Painter of Athens 1943, c. 450–440 BCE Map of Peloponnesian War 431 BC Map of Athens Proto-geometric pottery, c. 950-800, made at Kerameikos © The Trustees of the British Museum. Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) Plan of Kerameikos, Athens Creative Commons Attribution-Share Alike 4.0 International (CC 4.0) Kerameikos Photo, Athens Courtesy of Paul Greenhalgh Terracotta amphora (jar), Signed by Andokides, Attributed to the Andokides Painter, Attributed to the Lysippides Painter, c. 530 BCE Terracotta neck-amphora, Greek, Attic, c. 710 BCE Dipylon Amphora, 760-750 BCE, National Archaeological Museum of Greece, Athens , Courtesy of Paul Greenhalgh Dipylon krater, Attributed to the Trachones Workshop, c. 725 BCE Hellenistic Amphorae Marble funerary stele, c. 4th century BCE, National Archaeological Museum of Greece, Athens Courtesy of Paul Greenhalgh Terracotta oinochoe (wine jug), Attributed to the Chigi Group, c. 625 BC Vase, first half of 6th century BC (made) Black Figure amphora, Exekias, Greek, c.530-525 BCE, Vatican Museum. Terracotta lekythos (oil flask) (2), Attributed to the Amasis Painter, c. 550–530 BCE Terracotta neck-amphora (jar) (2) with lid and knob (27.16), Attributed to Exekias, c. 540 BCE Signature Exekias Louvre Death of Penthesileia, by Exekias, c. 550-543 BC, CC 4.0 Chapters 00:00:00 Introduction: The Ancient Greeks - Pots, Power and the Birth of a Civilisation 00:00:59 Historical Baggage: Reinventing the Greeks 00:04:35 The Greek Polis: City-States and Cosmopolitan Culture 00:07:06 The Bronze Age Collapse: Sea Peoples and Dark Ages 00:10:18 Geometric Pottery: The Ceramic Renaissance 00:23:02 Corinthian Innovation: New Visual Languages 00:26:31 The Persian Threat: Marathon and Military Culture 00:33:22 Black Figure Revolution: Exekias and Master Potters 00:43:15 Terra Sigillata: The Technology Behind the Beauty 00:46:20 Rebuilding Athens: Setting the Stage for Red Figure Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Sound Mix and Engineering: Joe Little Executive Producer: Emma Cahusac

Nearly 4,000 years ago, the Minoans flourished on the island of Crete, trading across the Mediterranean and creating some of the most extraordinary ceramics of the Bronze Age. Stephanie Rozene and Paul Greenhalgh explore a world where myth and archaeology collide – from King Minos, the Minotaur and the labyrinth to the discovery of Knossos. Through monumental storage vessels, exquisite Kamares wares and spectacular octopus jars, they uncover the creativity, power and mysterious decline of one of the ancient world’s great civilisations. If you would like to see the images from this podcast, please switch to video in your podcasting app. Images in this programme: Image off map of Crete, Greece and Turkey  Terracotta vase in the form of a bull's head ca 1450 – 1400 BCE, The Met Collection Heinrich Schliemann  (1822–1890)  https://creativecommons.org/licenses/by-sa/4.0/  Sir Arthur Evans 1851- 1941 at Knossos Photograph of Knossos, courtesy of Paul Greenhalgh Reconstruction of Knossos  Bull-Leaping Fresco found at Knossos ,1450 BC,  Linear A inscription on a clay tablet from Hagia Triada, Crete, ca 2100 – 1450 BC  Linear B Tablet from Knossos, ca 1375 – 1350 BC  Procession fresco from Knossos; reconstructed by Émile Gilliéron from the late Minoan period, CC 4.0 Minoan pithos Storage jars at the Palace of Knossos, ca  1700 BCE Large scale Caskets “bath tubs” and storage units, c.1750 BCE Terracotta beak-spouted jar, Vasiliki ware, 2600-2200 BCE, The Met Collection Terracotta bridge spouted jar, Minoan ware, 1900-1600 BCE, The Met Collection Kamares Ware Jug, Protopalatial period (2100-1700 BCE). Heraklion Archaeological Museum, Crete, courtesy of Paul Greenhalgh Kamares Ware Jug, Heraklion Museum, by Wolfgang Sauber, CC Kamares wares in the Archaeological Museum of Heraklion ca 1900 - 1700 BCE photo: Bernard Gagnon, CC 1.0 license Kamares wares jugs, Archaeological Museum of Heraklion, 1900-1700 BCE, CC 3.0 Octopus Flask ca 1500 – 1450 BCE,  Furman University,  3.0 Mycenaean-Minoan Ware, c. 1450, courtesy of Paul Greenhalgh Terracotta jar with three handles ca 1525 – 1490 BCE,The MetCollection  Terracotta stirrup jam with Octopus Helladic, Mycenaean, c.1200-1100 BCE, The Met Collection   Chapters 00:00:00 Introduction: The Minoans - Europe's First Great Civilization 00:00:54 Placing the Minoans in Greek History 00:02:37 Island Power: Geography and the Rise of Crete 00:04:56 The Legend of the Minotaur and King Minos 00:09:15 Heinrich Schliemann: Chasing Homer's Myths 00:11:35 Sir Arthur Evans and the Discovery of Knossos 00:13:32 The Palace at Knossos: Architecture and Bull Imagery 00:17:48 Linear A and Linear B: Decoding Ancient Languages 00:20:40 Giant Pithoi: Monumental Storage Vessels 00:24:23 Early Minoan: Vasiliki Ware and Beak-Spouted Jars 00:28:15 Middle Minoan: The Glorious Kamares Ware 00:33:47 Late Minoan: Marine Style and Octopus Jars 00:36:47 The Mycenaean Question: Trade or Invasion 00:40:51 The Bronze Age Collapse of 1177 BC 00:43:45 Legacy: The First Europeans Remembered in Clay Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac

How did Bernard Leach’s ideas travel from a small pottery in St Ives to influence generations of potters around the world? In the final episode of our three-part series, we follow Leach as his influence spreads beyond Britain. We explore his relationship with American potters Warren and Alix MacKenzie, his travels across the United States, and his celebrated 1952 tour with Shōji Hamada and Sōetsu Yanagi. From Black Mountain College to the emerging American studio pottery movement, we meet artists including Marguerite Wildenhain, Karen Karnes and Peter Voulkos, and discover how a new generation embraced, challenged and transformed Leach’s ideas. This is the story of how Bernard Leach became an international figure — and how his philosophy helped reshape studio pottery for generations to come. If you would like to see the images featured in this podcast, please switch to video in your podcasting app. Artworks and images in this episode: Bernard Leach, David Leach, and students at the Leach Pottery, St. Ives, Cornwall c.1945 A Potter’s Book, by Bernard Leach, 1940 David Leach, 1911-2005 Standard Ware Bowls, Bernard Leach Pottery Dinnerware, The LeachPottery, St. Ives Michael Cardew, William Marshall, Bernard Leach, Picnicking at Cardew’s Pottery in 1970, Courtesy of Jeff Oestrich Bernard Leach at Alfred University, 1950, Warren & Alix MacKenzie, 1953, Bowl, Warren MacKenzie, c. 1969-1970 Ceramics, Warren MacKenzie, 1924-2018 Hamada, Leach, Yanagi and Wildenhain at Black Mountain College, 1952 Sōetsu Yanagi, Bernard Leach and Shōji Hamada, 1952 Black Mountain College Seminar, 1952 Vases, Margaurite Wildenhain, c. 1940’s-50’s Bottle Vase, Margurite Wildenhain, 1970 Vase, Bernard Leach, c. 1959 Shōji Hamada, c.1970 Sōetsu Yanagi, Bernard Leach, Rudy Autio, Peter Voulkos, Shōji Hamada, 1959 Covered Jar, Peter Voulkos, c.1954 Peter Voulkos kicking the potters wheel, 1952 Cup and Signed Box, Shōji Hamada Robert Rauschenberg at Black Mountain College, c.1952 Bernard Leach, c.1920’s Chapters 00:00:00 Introduction: Bernard Leach's Later Life and International Impact 00:01:00 David Leach and the Standard Wares: Professionalizing the Pottery 00:03:09 The Apprentice Model: Learning Philosophy and Craft 00:05:26 Warren McKenzie: The First American Apprentice 00:10:29 Leach's First American Tour: Land of Money, Speed and Gadgetry 00:13:11 The Three Musketeers: Leach, Hamada and Yanagi Tour America 00:17:05 Black Mountain College: Clash of Philosophies 00:22:59 Hamada's Magic: Improvisation and Visual Language 00:25:38 Archie Bray Foundation: Meeting the Young Peter Voulkos 00:33:10 Legacy: Bernard Leach as Big as Wedgwood Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac

How did Bernard Leach turn a small pottery in St Ives into the centre of a new ceramics movement? In the second episode of our three-part series, we follow Leach as he returns to Britain with Shōji Hamada and establishes the Leach Pottery in St Ives. We explore the challenges of those early years, the development of his distinctive approach to making, and the ideas that would eventually be captured in his influential A Potter’s Book. As Leach’s reputation grows, so does his influence. Through teaching, writing and a new generation of apprentices, his pottery becomes a meeting place for ideas drawn from East and West. This is the story of how Bernard Leach helped transform the status of the studio potter — and began building a movement that would reach far beyond St Ives. To see images of the pots being discussed on this podcast, please switch to video in your podcasting apps. Featured Artworks: Bernard Leach 1913 early Raku Vase,   The V&A Collection Photo of Bernard Leach with Shōji Hamada and Sōetsu Yanagi, 1952 St. Ives Harbour and Porthminster Beach - Cornwall – UK Cornwall - St. Ives, Back Lane - 1920's Photochrom Postcard The Leach Pottery, St. Ives, Cornwall Blueprint of “The Leach Pottery Japanese Style of climbing Kiln. Design by Tsurunosuke Matsubayashi”, 1923. Crafts Study Centre, University for the Creative Arts Grade II Listed Climbing Kiln, Leach Pottery Raku Firing Kiln Bowl, early 20’s, Bernard Leach Barbara Hepworth & Bernard Leach, 1968, St Ives Museum 1934 (relief), Ben Nicholson, 1934, Tate Shōji Hamada, 1894-1978 Tsurunosuke Matsubayashi, 1894-1932 D W & L K Elmhirst,' 1893-1970, Dartington Hall Trust Archive Two Bowls by Bernard Leach and Teabowl By Shoji Hamada Herbert Read by Mark Gerson, 1967, The National Gallery A Potters Book by Bernard Leach, 1940 Salmon Vase, Bernard leach, 1950 Slipware Plate, Bernard Leach, c. early 1930’s Early Slipware dish, Bernard Leach, c. early 1930’s Early Jar with Firing crack, Bernard Leach, c. early 1930’s, courtesy of Paul Greenhalgh Charger, 1929, Bernard Leach, courtesy of Paul Greenhalgh The Mermaid dish, 1670-1689, Thomas Toft, The V&A Collection A Dartington Pottery Salt Glazed Stoneware Flagon Photo of David Leach, 1911-2005 Teapot, David Leach and Charger, Bernard Leach, courtesy of Paul Greenhalgh Vase, c. 1959, Bernard Leach, The V&A Collection, courtesy of Paul Greenhalgh Standard Ware, c. 1941, Bernard Leach, The V&A Collection, courtesy of Paul Greenhalgh Chapters 00:00:00 Introduction: Bernard Leach Returns to England 00:01:30 St. Ives: A Haven for Artists and Traditional Craft 00:07:48 Building the Pottery: Early Struggles and Failures 00:14:06 Hamada's Departure and the Kiln Rebuilt 00:15:02 The Elmhursts and Dartington: Patronage and Philosophy 00:17:36 Pottery as Art: Breaking Down the Barriers 00:22:25 The Leach Aesthetic: Japanese Meets English Slipware 00:30:44 A Potter's Book: The Ceramic Bible Published 00:35:44 David Leach Takes Over: Professionalization and Production 00:36:58 Legacy: The Apprentice Model and Global Influence Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac

How did an English artist in Japan become one of the most influential figures in modern ceramics? In the first of our three-part series on Bernard Leach, we explore the extraordinary early years that shaped his life and work. From his return to Japan and his first encounters with pottery to his friendship with Shōji Hamada, we discover how Japanese culture transformed Leach's understanding of what a pot could be. This is the story of the meeting of East and West — and how the ideas Leach discovered in Japan would eventually help change the course of modern ceramics. To see images of the ceramics being discussed in this podcast, please switch to video in your podcasting app. Featured Artwork: Bernard Leach and bookcase, Tokyo, 1917-1919  Bernard Leach, A Potters Book, 1940 Bernard Leach with grandparents in Japan, c. 1890 Frank Brangwyn, by Reinhold Thiele, c 1900 John Ruskin, by W. & D. Downey, 1863 William Morris by Frederick Hollyer, 1887 Leaping Salmon Vase, c.1950, Bernard Leach; Okinawa Style Teabowl, c.1970, Shōji Hamada, Oxford Ceramics Gallery Harmony in Blue and Gold, The Peacock Room, by James McNeill Whistler, 1834-1903, Public Domain Temple of Heaven, Peking, 1916, printed signature in the plate Bernard Leach 1916,  Public Domain Photograph of rural Japan, C.1900, Public Domain Early Raku Vase, Bernard Leach, c.1925 Raku Firing Kiln Portrait of Ogata Kenzan VI, by Bernard Leach, 1924 Mokko-shaped Food Bowl, by Uruno Shigekichi, 1881-1923 Cup, Ogata Kenzan, 18th Century Photo of Shõji Hamada, 1894-1978 Photo of Sõetsu Yanagi, 1889-1961 Photo of Bernard Leach with Shõji Hamada & Sõetsu Yanagi, Dartington 1952 Cup and Signed Box, Shõji Hamada Large Dish, Shõji Hamada Stoneware Bottle, Shoji Hamada Hamada’s Kiln in Moshiko, Creative Commons License, CC3.0 Unknown Craftsman, Sõetsu Yanagi , 1972 Chapters 00:00:00 Introduction: Bernard Leach - The Making of a Master 00:03:57 Early Life: Colonial Beginnings and Artistic Awakening 00:12:01 The Arts and Crafts Movement: Ruskin, Morris, and Moral Philosophy 00:15:15 Japan's Meiji Period: Transformation and Cultural Identity 00:18:10 Return to Japan: Teaching Etching and Finding Community 00:23:52 The Raku Party: A Life-Changing Moment 00:27:05 Training with Kenzan VI: Entering the Japanese Pottery Tradition 00:28:57 Hamada and Yanagi: The Birth of Mingei 00:30:57 Philosophical Foundations: Arts of the People 00:33:30 The Bold Decision: Sailing for St. Ives Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Executive Producer: Emma Cahusac

In 16th century Japan, a bowl of tea could get you killed. This episode traces the birth of the Ancient Japanese tea ceremony and the aesthetic of wabi-sabi, or the art of finding beauty in imperfection. Paul and Stephanie tell the story of tea master Sen no Rikyu, whose humble, handmade Raku bowls stood in defiance of warlord Toyotomi Hideyoshi's golden excess, in a tale of philosophy, political power, and two tea masters who paid for their art with their lives. To see the pots Stephanie and Paul are discussing in this episode, be sure to switch to video in your podcast app. Featured Artworks Toyotomi Hideyoshi, by Kanō Mitsunobu, 1598, Public Domain Sen No Rikyū, by Tōhaku Hasegawa,1595, Public Domain   Sen no Rikyū's Tai-an Teahouse, Kyoto, Japan, 1952   Black Raku ware tea bowl, late 16th century, The Smithsonian, CC0 Black Raku Tea Bowl, Named “Kaedegure” (Twilight by the Maples), attributed to Raku Cojiro, late 16th Century, The Met Collection, Public Domain Furuta Oribe,  c. 17th Century Square Serving Dish with Bail Handle,  late 16th century, Asia Society Museum, Public Domain Sake Bottle (Tokkuri) with Decoration of Three-Leaf Arrowhead, Early 17th century, Public Domain  Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Sound Mix and Engineering: Joseph Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Secrets of The Japanese Tea Ceremony 00:01:41 Origins of Tea in Japan: From Monasteries to Cultural Power 00:03:00 The Political Tea Ceremony: Toyotomi Hideyoshi's Vision 00:05:09 Wabi Sabi: The Perfection of Imperfection 00:09:23 Sen no Rikyu: The Master Who Stripped Away Ego 00:11:17 The Tea Ceremony Experience 00:14:45 Chojiro and Raku Ware: Hand-Built Tea Bowls 00:19:47 The Death of Sen no Rikyu: When Simplicity Threatened Power 00:24:03 Furuta Oribe: A Warrior's Energy Transforms the Ceremony 00:26:17 Oribe Ware: Chaos, Asymmetry, and the Happy Accident 00:32:35 The Second Suicide: Oribe's Violent End 00:35:23 Legacy: Wabi Sabi and the Birth of Studio Ceramics

Bernard Palissy was an artist, scientist, inventor and one of the most extraordinary figures in the history of ceramics. Driven by religious faith, a fascination with nature, and an obsession to discover the secret of white enamel, he devoted years to relentless experimentation, sacrificing his fortune, and burning almost everything he owned in pursuit of perfection. In this episode Paul Greenhalgh and Stephanie Rozene uncover the remarkable life of the French Renaissance potter whose distinctive rustic wares transformed European ceramics.  Featured Artworks: Self Portrait in Faience, Bernard Palissy, 1862  Rustique figuline, attributed to Bernard Palissy, French c.1560, J. Paul Getty Museum. ‘Rustique Figuline’ Dish with a white background, Bernard Palissy, c. 1550, National Ceramic Museum Maiolica Plate, Italian, ca. 1500, The Met Collection, Public Domain Bowl, Majolica, Italian, 1480-1500, The V&A Collection Dish, Bernard Palissy, 17th century, The Met Collection, Public Domain Plaque depicting Bernard Palissy, Multiple Artists and Makers, 1846, The Met Collection, Public Domain Pilgrim Flask, Bernard Palissy, 1556-67, The Met Collection, Public Domain Still-life platter, Bernard Palissy, c. 1550, Dish, Bernard Palissy, c. 1580,  Moule, Fragment, 16th century, Musee du Louvre Grenouille de fontaine, Atelier de Bernard Palissy, 1565-1610, Musee du Louvre Château de la Bâstie d'Urfé, France, 1550 Henry II, King of France, François Clouet, 1559 Catherine de' Medici, François Clouet, c. 1560 Fontaine en forme de dauphin, 1600-1650, Musee du Louvre Ewer, Saint Porchaire Ware, c. 1550, The Met Collection, Public Domain Mould of Palissy Basin, Musee du Louvre Tazza with cover, Mid 16th century, The Met Collection, Public Domain La Nourrice, Guillaume Dupré (unconfirmed), c. 1640, The Met Collection, Public Domain Plate, Manner of Bernard Palissy, Late 19th century, The Met Collection, Public Domain Platter, Follower of Bernard Palissy, Last Quarter 16th Century, The Met Collection, Public Domain Platter, Manner of Bernard Palissy, 2nd half of 19th Century, The Met Collection, Public Domain Round Plate with Lobster, Rafael Bordalo Pinheiro, 1889, The Met Collection, Public Domain Turkey, Bordallo Pinheiro Factory,19th Century Artichoke Jar, Bordallo Pinheiro Factory Cabbage Ware, Bordallo Pinheiro Factory Round Dish with Lobster and Shells, Thomas Victor-Sergent, 1870-80, The Met Collection, Public Domain Large Basin with Snake, Ferns, and Bark, Charles-Jean Avisseau, C. 1850-55, The Met Collection, Public Domain Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Sam Bond Sound Mix and Engineering: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Bernard Palissy - Obsession, Faith and Myth 00:02:13 A Troubled Age: France in Religious Turmoil 00:04:24 Early Life: The Self-Taught Rustique 00:12:08 The Catalytic Moment: Falling in Love with a Cup 00:17:07 Obsession and Sacrifice: Burning the Floorboards 00:20:03 The Rustiques Figulines: Nature Cast in Clay 00:24:18 Royal Patronage: Catherine de Medici and the Court 00:26:16 The Saint-Porchaire Mystery: A Lost Attribution 00:29:20 Public Intellectual: Lecturer on Science and Nature 00:30:54 Dangerous Faith: The Huguenot Who Wouldn't Hide 00:32:41 The Bastille: A Tragic End 00:33:22 Legacy: From Sons to Revival 00:34:33 Attribution Challenges: Real, School, or Revival? 00:39:37 Eternal Inspiration: Palissy's Enduring Impact

This week Paul Greenhalgh and Stephanie Rozene explore the extraordinary ceramics of the Ming Dynasty, the period that established China as the world's greatest producer of porcelain. From the famous blue-and-white wares of Jingdezhen to magnificent imperial commissions and the global trade that carried Chinese porcelain across Asia, the Middle East, and Europe, we uncover how Ming potters achieved levels of craftsmanship that have rarely been surpassed. We also discover how these exquisite objects became symbols of wealth, power, and cultural exchange, inspiring generations of potters around the world. Emperor Hongwu (21 October 1328 – 24 June 1398) – Public Domain Monks Cape Ewer, 1368-1644, The Met Collection, Public Domain Bowl with Chrysanthemums, late 14th Century, The Met Collection, Public Domain Porcelain Plate with Animals, mid 14th Century, The Met Collection, Public Domain Jar with Dragon, 1426-1435, The Met Collection, Public Domain Bowl with Pomegranates, lotus scrolls, and chrysanthemum Petals, early 15th century, Public Domain Flask with Medallion, early 15th century, The Met Collection, Public Domain Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Jim Fuller & Sam Bond Sound Engineer and Mixer: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Ming Dynasty - When Porcelain Became Power 00:02:36 The Rise of Emperor Hongwu: From Peasant to Power 00:14:19 Technical Mastery: Copper Reds and Chrysanthemum Bowls 00:16:38 Infrastructure and Imperial Ambition: Building the Ming Empire 00:23:00 Emperor Yongle and the Golden Age of Blue and White 00:21:06 The Dragon Jar: Symbolism, Status, and Visual Mastery 00:28:11 Islamic Influences: Cross-Cultural Design and Pattern 00:33:13 The Great Voyages: Porcelain as White Gold 00:36:47 The Inward Turn: Crisis, Capture, and Conservative Retreat 00:41:54 Legacy: Jingdezhen and the Story Written in Glaze

This week Paul Greenhalgh and Stephanie Rozene explore the remarkable ceramics of the Tang Dynasty, one of China's greatest periods of artistic innovation. We venture down into the depths of their magnificent tombs and discover the wonders of their funerary wares. Ceramics creations that capture life in the Imperial Court from dancers, polo players, concubines, warriors and magnificent horses. These treasures open a window into a golden period of Chinese history but also show how the Tang potters transformed the art of clay and influenced ceramic traditions around the world. FEATURED ARTWORKS IN THIS EPISODE: Emperor Li Yuan, 618-626, unknown, Public Domain Excerpt from the handscroll Viewing the Pass List, c. 1540 by Qiu Ying Tang Court Playing Polo, 706AD, Public Domain Cosmetics Box, 8th Century, The Met Collection, Public Domain Figure of a Horse, 700-750, The British Museum, Public Domain Amphora, Late 7th Century, The Met Collection, Public Domain Covered Jar, 8thcentury, The Met Collection, Public Domain Set of Ten Entertainers and Two Dancers, 618-907, Miho Museum, Public Domain Camel and Rider, 701-750, Art Institute of Chicago, Public Domain Horse and Rider, early 8th Century, The Met Collection, Public Domain Camel with Musicians, 723, National Museum of China, Public Domain Horse with Lead Glaze, 728, The British Museum, Public Domain Seated Court Lady, 8th Century, the Met Collection, Public Domain Female Attendant, Mid 7th Century, The Met Collection, Public Domain Female Attendant, 7th-8th Century, The Met Collection, Public Domain Seated girl holding Mirror, first half 8th Century, Art Institute Chicago, Public Domain Polo Player, ca. 618-907, Public Domain Young Female Polo Player,  early 8th Century, Musée Guimet Female Polo Player, c. 750, Musée Guimet For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Jim Fuller & Sam Bond Sound Engineer: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Tang Dynasty - A Golden Age of Chinese Ceramics 00:00:35 Context: From Terracotta Warriors to Tang Dynasty 00:01:33 The Tang Renaissance: Arts, Innovation, and the Birth of Porcelain 00:07:27 Emperor Li Yuan and the Reunification of China 00:09:40 Cosmopolitan Influences: Turkish Origins and Foreign Ideas 00:10:27 The Qianling Mausoleum: Royal Graves and Funerary Traditions 00:16:37 Craft and Technique: How the Figurines Were Made 00:18:58 Sancai Glaze: The Three-Colour Ceramic Revolution 00:22:10 Masterworks: The Covered Jar and Ewer 00:24:00 Ten Musicians and Two Dancers: Capturing Movement in Clay 00:25:44 Colour Theory and Cultural Openness in Tang Art 00:26:47 The Silk Road and Sea Trade: Expanding Horizons 00:28:02 Camels and Foreigners: Depicting a Cosmopolitan World 00:29:07 What Makes a Tang Dynasty Piece? Poise, Pride, and Individuality 00:30:36 The Camel with Five Musicians: A Traveling Band 00:33:10 Heavenly Horses: The Prized Steeds of the Tang Dynasty 00:37:17 Court Life and Leisure: Snapshots of Tang Society 00:39:43 Women Playing Polo: Sport, Warfare Training, and Social Inclusion 00:40:55 Equality and Sophistication: Women in Tang Society 00:42:11 Conclusion: Windows into the Tang World

This week we continue the story by following the extraordinary journey of Hans Coper, a man who arrived in Britain as a refugee with no experience of pottery, yet went on to become one of the greatest ceramic artists of the modern age. Forced to flee Nazi Germany as a teenager, Hans Coper rebuilt his life from scratch in wartime Britain. When he began working in Lucie Rie's studio, he discovered not only a new craft but an entirely new way of expressing himself. Although Rie taught him the fundamentals of working with clay, Coper soon developed a powerful artistic language all his own creating bold, sculptural vessels that blurred the boundaries between pottery and sculpture. In this episode, we explore Coper's remarkable transformation from refugee to internationally celebrated artist, the creative partnership and lifelong friendship he shared with Lucie Rie, and the innovations that changed the direction of modern ceramics forever. More than a story about beautiful objects, this is a story of resilience, identity, and the extraordinary power of art to reshape a life. Join Stephanie Rozene and Paul Greenhalgh as they uncover the life and work of Hans Coper and discover how a man who began with no training in ceramics became one of the defining voices of twentieth-century studio pottery. IMAGES FOR HANS COPER EPISODE: Lucie Rie, Bronzed bowls from the 1980s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, A group of Cycladic forms, late- 1970s – early-1970s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, Early composite form, c.1950 and Large jug, c.1953 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, Portrait of Lucie Rie, conceived c.1953 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, Ovoid pot c.1970, Small ovoid pot, c.1972 and Ovoid pot, c.1972 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Monumental Altar Candlesticks, Coventry Cathedral, by Hans Coper, Image courtesy of Julian Osley – CC BY-SA 2.0 ADDITIONAL WORKS: Bernard Leach, Thrown Bowl, 1973 Provided by York Museum https://creativecommons.org/licenses/by-sa/3.0 Bernard Leach Studio St Ives https://creativecommons.org/licenses/by/2.0/ Henry Moore, Three Way Piece No. 2 ( The Archer), 1964-65 On display in front of Toronto City Hall since 1966 https://creativecommons.org/licenses/sa/1.0/ Henry Moore, Large Reclining Figure 1982 (LH 192b), fibreglass. As of 2004 sited outside the Fitzwilliam Museum, Cambridge. On loan from the Henry Moore Foundation. https://creativecommons.org/licenses/by-sa/2.0/ Brâncuși's Paris studio, 1920,  Photograph by Edward Steichen, Public Domain Constantin Brancusi, The Kiss, 1907-08, Public Domain PHOTOGRAPHS: Lucie Rie and Hans Coper in front of Albion Mews, 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Image Courtesy of the Crafts Study Centre, University for the Creative Arts, Farnham Lucie Rie and Hans Coper in front of Albion (B&W) Mews, early 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie and Hans Coper, 1959-69 (in vehicle) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Hans Coper, Albion Mews, c.1956 Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Hans Coper, Albion Mews, c.1967 Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation ‘Lucie Rie / Hans Coper: Life at the Wheel’ will be at Offer Waterman in London from 18 September - 31 October 2026. For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Fraser Watson Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Hans Coper Arrives at Lucy Rie's Door 00:01:49 Hans Coper's Early Life: A Comfortable Beginning in Germany 00:03:04 The Nazi Rise: A Childhood Shattered 00:06:04 Escape from Germany: Hanging from a Moving Train 00:09:13 Internment and the Pioneer Corps: Survival in Canada and Britain 00:12:53 Gone with the Wind: The Day That Changed Everything 00:13:33 The Button Factory: A Hive of Refugee Activity 00:17:39 Learning the Potter's Wheel: A Natural Talent Emerges 00:22:11 The Relationship: Big Sister, Younger Brother 00:27:48 Two Different Visions: Potter vs. Sculptor 00:30:29 The Aesthetic: Delicate Bowls and Textured Monuments 00:34:47 Teaching Philosophies: Steel Fist vs. Graceful Integrity 00:38:43 Architectural Commissions: From Pots to Coventry Cathedral 00:41:28 Legacy: Changing the Direction of British Ceramics

This week on The History of Ceramics, we begin the remarkable story of two artists who transformed the course of modern ceramics. Our journey starts with the extraordinary life of Lucie Rie. Born into the rich cultural world of Vienna, Lucie Rie was already an accomplished ceramic artist when the rise of Nazism forced her to leave everything behind. Arriving in London as a refugee in 1938, she faced the daunting challenge of rebuilding her life and career in an unfamiliar country. Yet through determination, technical brilliance, and an unmistakable artistic vision, she would become one of the defining figures of twentieth-century ceramics. In this episode, we explore Rie's early life in Vienna, the artistic influences that shaped her distinctive style, and the resilience that carried her through exile and war. We discover how her elegant forms and luminous glazes challenged traditional ideas about pottery, and how her tiny London studio became the birthplace of a revolution in ceramic art. This is more than the story of a remarkable potter. It is a story of courage, reinvention, and creativity flourishing against the odds. Join Stephanie Rozene and Paul Greenhalgh as they uncover the life and work of Lucie Rie—and discover how one extraordinary artist helped redefine the possibilities of clay. Featured Images: Lucie Rie, Bronzed bowls from the 1980s,  Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Hans Coper, A group of Cycladic forms, late- 1970s – early-1970s Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation  Lucie Rie, Teapot Designed and Made for Ernst Plischke, 1928 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Lucie Rie, Early London period bowl, c.1945  Lucie Rie & Hans Coper, Early London period cylindrical lidded pot, c.1947  Photograph by Sylvain Deleu © Estate of the artists/The Lucie Rie and Hans Coper Foundation  Lucie Rie, Vase from the 'Black Firing', 1981 and Composite vase, known as the 'God Pot', c.1980 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Lucie Rie, Vase with sgraffito design, c.1982 Footed bowl, c.1978 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Lucie Rie, Pink footed bowl, c.1980 Photograph by Sylvain Deleu © Estate of the artist/The Lucie Rie and Hans Coper Foundation Bernard Leach, Thrown Bowl,, 1973 Provided by York Museum  https://creativecommons.org/licenses/by-sa/3.0 Bernard Leach Studio St Ives  https://creativecommons.org/licenses/by/2.0/ PHOTOGRAPHS: Lucie Rie and Hans Coper in front of Albion Mews, 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Image Courtesy of the Crafts Study Centre, University for the Creative Arts, Farnham Lucie Rie and Hans Coper in front of Albion Mews, early 1950s Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie and Hans Coper, 1959-69 (in vehicle) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie, Albion Mews, c.1960 (at wheel) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation  Lucie Rie, Albion Mews, c.1960 (at wheel with pot) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation Lucie Rie, Albion Mews, c.1967 (in studio) Photograph by Jane Coper © Estate of Jane Coper /The Lucie Rie and Hans Coper Foundation ‘Lucie Rie / Hans Coper: Life at the Wheel’ will be at Offer Waterman in London from 18 September - 31 October 2026.  For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks.    Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Jim Fuller & Fraser Watson Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: Lucy Rie and Hans Coper - Titans of Studio Ceramics 00:03:31 Vienna's Golden Age: The Wiener Werkstätte and Gesamtkunstwerk 00:10:03 Lucy's Upbringing: An Intellectual Jewish Family in Vienna 00:17:18 World War I and Tragedy: The Loss of Her Brother 00:20:53 Discovery of Clay: Finding Her Medium at the Kunstgewerbeschule 00:29:23 Marriage and Early Success: Building a Career in 1920s Vienna 00:32:40 The 1937 Paris Expo: Career Triumph and Rising Darkness 00:36:07 Flight from Vienna: Escaping the Nazis in 1938 00:38:37 Starting Over in London: Albion Mews and the Button Business 00:48:28 A Knock on the Door: Hans Coper Arrives

In 1974, a group of farmers digging a well in rural China made one of the greatest archaeological discoveries in history: an underground army of thousands of life-sized terracotta warriors, standing silently in battle formation for more than two thousand years. But why was this extraordinary army created? Who was the powerful ruler it was built to protect? And what does it reveal about the ambitions, beliefs, and astonishing technological achievements of ancient China? In this episode of The History of Ceramics, we explore the story behind the Terracotta Army and the remarkable reign of Qin Shi Huang, the emperor who unified China and transformed its future. We uncover the extraordinary craftsmanship behind the figures, the vast workforce that produced them, the secrets still buried beneath the emperor's mausoleum, and the ongoing archaeological discoveries that continue to reshape our understanding of one of the world's greatest ceramic masterpieces. From imperial power and military might to artistry, innovation, and the enduring legacy of clay, this is the story of how an army that was never meant to be seen became one of the greatest treasures of human civilisation. Join Stephanie Rozene and Paul Greenhalgh as they uncover the fascinating history behind the Terracotta Warriors—and discover why these silent guardians continue to captivate the world over two millennia after they were made. All artworks included in this episode are courtesy of: Creative Commons license Zero, Public Domain Dedication For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Greatest Ceramic Project Ever 00:00:52 Discovery in 1974: Farmers Uncover a Lost Army 00:04:55 The Secret Keeper: Zhao Kangmin and the Cultural Revolution 00:08:11 Qin Shi Huang: The First Emperor of China 00:11:16 Fear of Death and the Quest for Immortality 00:13:09 Building an Army for the Afterlife 00:15:07 The Mausoleum Complex: The Size of Manhattan 00:22:41 Industrial Scale Ceramic Production 00:29:27 Individual Faces: Eight Types, Infinite Variations 00:34:38 Color and Paint: The Lost Vibrancy 00:39:43 The Emperor's Death and the Fall of Qin 00:42:04 Fire and Destruction: The Tomb Under Attack 00:43:39 Legacy: From Fear to Forever

Paul Greenhalgh and Stephanie Rozene travel to the American South at the end the 19th C to explore the life and work of George E. Ohr - otherwise known as the Mad Potter of Biloxi. Overlooked for much of his life this eccentric character worked tirelessly creating innovative, wild and exquisitely crafted art pottery. He was a renowned showman using slogans, banners and sales gimmicks to market his wares and was the self proclaimed "world's best art-potter". His life’s work remained undiscovered gathering dust in a garage for decades before an antiques dealer happened upon them in his son's auto shop. Today his legacy is firmly recognised as a founding father of the art pottery movement and there is a museum in his name, designed by Frank Gehry, in his hometown of Biloxi. Images of artworks and photographs in this episode: Pitcher, 1889-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (Blue/Twist), 1987-1900, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (Red), 1895-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Vase (pink/purple/pinched), 1897-1910, George E. Ohr. Image courtesy of TheMET, N.Y. Photo of George E. Ohr – The Mad Potter of Biloxi (1857-1918) Photo of George E. Ohr (1857-1918) – outside studio with signage Photo of George E. Ohr (1857-1918) – studio with “Greatest Potter on Earth” signage Photo of George E. Ohr (1857-1918) – inside studio with pots George E. Ohr, The Mad Potter of Biloxi. Harpers Magazine, 1892-1893 Burnt Babies, 1894, George E. Ohr Burnt Babies, 1894, George E. Ohr Vase (Red), 1895-96, George E. Ohr. Image courtesy of TheMET Tea Pot, 1897-1900, George E. Ohr. Image courtesy of TheMET Pitcher (Brown/Gold/Pinched), 1896, George E. Ohr. Image courtesy of TheMET Photo of George E. Ohr (1895-1918) - workshop Bowl (Green/Gold), 1897-1910, George E. Ohr. Image courtesy of TheMET Bowl (Pinched Clay), 1898-1910, George E. Ohr. Image courtesy of TheMET Vase (Black/Blue), 1900, George E. Ohr. Image courtesy of TheMET Vase (Red/Brown), 1890-1905, George E. Ohr. Image courtesy of TheMET Pitcher (Green), 1890-1905, George E. Ohr. Image courtesy of TheMet Clockface and Vase (Pink), 1898, George E. Ohr. Image courtesy of TheMET. (TBC) Photo of Ohr and O’Keefe Museum of Art in Biloxi, Mississippi – architect Frank Gehry. For more great art content visit www.heni.com or visit the Heni Talks YouTube channel: www.youtube.com/@HENITalks Credits: Hosts: Paul Greenhalgh & Stephanie Rozene Editor: Joe Little Executive Producer: Emma Cahusac Chapters 00:00:00 Introduction: The Mad Potter of Biloxi 00:04:20 Early Life and Civil War Era Biloxi 00:07:01 The Misfit: Education and Early Jobs 00:10:50 Discovery of Clay: The Duck Finds Water 00:12:04 Research Journey and Return to Biloxi 00:14:10 Building a Life: Marriage and Early Success 00:20:08 World's Fairs and the Great Biloxi Fire 00:26:26 The Golden Age: Reinvention and Masterworks 00:31:29 The Mad Potter Persona and World's Fair Recognition 00:38:51 Rejection and the End of Production 00:44:29 The 50-Year Wait and Miraculous Discovery 00:48:17 Legacy: From Forgotten to Greatest Potter on Earth