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It can't be easy being Teenage Fanclub. One minute Nirvana's Kurt Cobain is on every radio station in the US describing you as the best band on the planet; the next your label boss is having a pop. One of the greatest myths about Teenage Fanclub – and one perpetuated by the man who signed them to Creation Records – is “they didn’t want to be big”. “It’s a Glasgow thing of wanting to be cool rather than big,” Alan McGee once told me. “There was an element of self-sabotage in the way they went about [second album Thirteen].” On this week’s podcast, Teenage Fanclub’s Norman Blake joins me to tell me the inside story of making Thirteen, the follow up to breakthrough album Bandwagonesque. “We’d spent a lot of time together in the back of vans before recoding Thirteen at CaVa in Glasgow and Revolution Studios in Cheadle Hulme,” he tells me. “There were tensions.” Norman also talks about touring with Nirvana, the departure of Gerry Love and the current mood in the band as they celebrate the release of their 13th studio album Do Not Dare to Dream. Don't forget you can sign up for the Scotpop newsletter on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠ https://www.tiktok.com/@scotpoppodcast If you have any queries about sponsorship opportunities, you can email me at [email protected].

As he prepares for the release of his highly anticipated standalone novel The Heights, Sir Ian Rankin joins me on the podcast this week to talk about the state of music in Scotland. As anyone who has read Ian's Rebus books will know, his writing is peppered with Scottish music references – from characters called Burchill to in-jokes about Mogwai, from tributes to folk heroes to homages to his own Cardenden punk band The Dancing Pigs. We also discuss the fragility behind some of Scotland’s greatest artists, from Alex Harvey to Stuart Adamson, Jackie Leven to Frankie Miller. This is the second, and concluding, part of our interview, which was recorded just after the Friends Again show at the Old Fruitmarket in Glasgow earlier this year. In the interview we talk about the impact of that show - and the surprise appearance of Lloyd Cole as support act – and the power of nostalgia on the wider Scottish music scene. Don't forget you can sign up for the Scotpop newsletter on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠TikTok⁠⁠⁠⁠ https://www.tiktok.com/@scotpoppodcast If you have any queries about sponsorship opportunities, you can email me at [email protected].

25 years after the death of Stuart Adamson, secret recordings of his first band the Skids are emerging. They were recorded in Edinburgh in 1977 11 weeks after the band formed, with all songs written by Stuart, who died in 2001. What can they tell us about this mercurial talent? On this week’s Scotpop podcast I’m joined by Awrite Records founder and ex Skids roadie Clive Ford to talk about those early days of the Scottish punk legends. Clive also explains how he got his hands on the tape, and why it's being released now as '1977' on his Seattle-based record label. “The new album brings the story full circle,” he says on this week’s show. Don't forget you can sign up for the Scotpop newsletter on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠TikTok⁠⁠⁠ https://www.tiktok.com/@scotpoppodcast If you have any queries about sponsorship opportunities, you can email me at [email protected].

In the summer of 1981, Altered Images exploded on to the post-punk scene in the UK in a blaze of chutzpah, charm and chisseled cheekbones – and that was just the boys. That posters of the band’s frontwoman Clare Grogan were already pinned on bedroom walls following her breakthrough performance in Bill Forsyth’s classic growing-up movie Gregory’s Girl the previous year seemed to seal their fate as the nation’s favourite new band; even the London-based, hypercritical NME loved their briliantly bright pop tunes and street-urchin antics. (Well, for a bit anyway …) For many, the arrival of the Glaswegian punk upstarts on Top of the Pops looking like the ultimate gatecrashers – with Clare wearing a bamboo hat the size of a small country – signalled the moment pop switched from black and white to colour. The 80s had arrived. On this week’s episode of Scotpop, Clare relives the highs and lows of being in Altered Images, who are back on tour in the UK. She also talks about: - Travelling the world with “the boys- which was fun. Until it wasn’t.” - Recording with superstar producer Mike Chapman (Suzi Quatro/Smokie/Sweet/Blondie) in America. “Were we subservient? Nah. We were a bunch of gobby Glaswegians.” - Her blossoming friendship with [future husband and MMMBop producer] Stephen Lironi who joined Altered Images for third album Bite. - And - it’s TRUE - what it REALLY feels like when you inspire one of the biggest hits of the 80s. (Altogether now: ‘Ah, ha ha, hahhh … ha”.) - Plus, so much more. Don't forget you can sign up for the Scotpop newsletter on ⁠⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠TikTok⁠⁠ https://www.tiktok.com/@scotpoppodcast If you have any queries about sponsorship opportunities, you can email me at [email protected].

Everyone loves a music business survivor – and few have survived the vicissitudes of the exploitative music business quite like this week’s guest. Dumped by his friends and former Friends Again bandmates when they decamped to form Love and Money in the mid-80s, Chris Thomson thought he had had weathered that perfect storm with a new Phonogram record deal. Until it was pulled. (The more observant listener may hazard a guess at who may have been behind that particularly ruthless move.) Undeterred, he later released several albums as The Bathers - including the implausibly perfect Kelvingrove Baby; all of them signalling the revival of a rare talent; all of them failing to “do the units”. Then came the bailiffs. “They were a couple of friendly bailiffs, lovely, “ he tells me at one point in our interview. “Nevertheless, they asked if I had 30 grand in my bank account. I said, ‘I’m overdrawn by about a thousand’.” Huge thanks to Chris for this interview. It really is a tale like no other. Don't forget you can sign up for the Scotpop newsletter on ⁠⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠⁠ ⁠TikTok⁠ https://www.tiktok.com/@scotpoppodcast If you have any queries about sponsorship opportunities, you can email me at [email protected].

As anecdote-tellers go, few can match Davy Henderson. This week’s podcast picks up where we left off last time with the Scottish cult hero talking about his band Win, which he formed after splitting Edinburgh-based act Fire Engines. If you heard the first part, you’ll know Davy called time on Fire Engines after he accepted a publishing deal – with an advance of £2,000 – from Pop:Aural label boss Bob Last. As Davy candidly explained in last week’s interview, the split – and the way he handled it at the time – remains one of his major regrets. What I enjoyed about interviewing Davy is he offers a fascinating insight into the mind of a songwriter in a way that many are unable to articulate (at one point in Pt 2, in an attempt to explain why he loves music and the art of songwriting he flip flops between the genius of Miles Davis and – oh yes! – the wigs of Carl Perkins). Fascinating stuff. I hope you enjoy listening to it as much as I enjoyed putting it together. Don't forget you can sign up for the Scotpop newsletter on ⁠⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠⁠ TikTok https://www.tiktok.com/@scotpoppodcast If you have any queries about sponsorship opportunities, you can email me at [email protected].

From sonic adventurers Fire Engines and Win to industry-baiters Nectarine No. 9 and The Sexual Objects, Davy Henderson remains one of Scotland’s greatest cult heroes. Yet the story of the Edinburgh-born raconteur – who grew up living next door to the Bay City Rollers and BCR-nearly rans Bilbo Baggins in Clermiston – has never been fully told. Until now. Davy's also back with a new band, Bubbles, featuring guitarist-about-town Douglas MacIntyre and former Orange Juice and Josef K legend Malcolm (now Dr) Ross – so it's the perfect time to hear how it all began. This interview with Davy was originally conducted for a magazine feature but there was so much additional fascinating insight into the integral struggles within the music industry that I thought it would be great to include the interview in its entirety raw and (largely) unedited - with a bunch of noisy seagulls making an appearance at one pivotal moment. (Ah the joys of podcasting.) The interview was supposed to last 20 minutes but overran – by more than an hour. With Davy’s permission, I’ve split it into two parts. This is Pt 1. Don't forget you can sign up for the Scotpop newsletter on ⁠⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠⁠ If you have any queries about sponsorship opportunities, you can email me at [email protected].

With a mop of wavy blonde hair, a voice melding the best bits of John Foxx and Bryan Ferry and a canon of critically acclaimed tunes, Steven Lindsay was destined to be a pop star. The Big Dish, the band he formed at the Glasgow School of Art in the mid-80s, toured with Scottish heavyweights Big Country and Lloyd Cole and the Commotions and came tantalisingly close to cracking the Top 30 with hook-laden singles Prospect Street and Miss America Yet without that elusive hit track and the accompanying Top of the Pops appearances that might have catapulted the band into the big league, self doubt crept in – and record labels started to ramp up the pressure. In this week's Scotpop, Steven opens up about the pressures of being on the road with The Big Dish, touring with Lloyd Cole and Big Country and the "ruthlessness" of the music industry in the 80s.  It’s a fascinating story and a great insight into an artist unafraid to be anything other than himself. You can sign up here for the Scotpop newsletter on ⁠⁠⁠⁠⁠Substack⁠⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠X⁠⁠⁠⁠⁠ If you have any queries about sponsorship opportunities, you can email me at [email protected].

Erin Reidy joins me this week to talk about life in Brontës, who have built a steady buzz since bursting on to the Scottish scene in 2022 with their double A-side debut single, featuring life-affirming indie anthem First Hand Arrogance. (It’s a track I included when compiling the best 45 singles from Glasgow acts for Record Collector; yes, it’s that good.) Several line-up changes – and a critic-flooring, self-titled debut album later – the tight-knit four-piece are once again on manoeuvres, a mini-UK tour scheduled for later this year. In this week's episode, Erin talks great gigs, bad dates and the joys of being in one of the best new bands in Scotland. You can sign up here for the Scotpop newsletter on ⁠⁠⁠⁠Substack⁠⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠⁠Instagram⁠⁠⁠⁠ ⁠⁠⁠⁠LinkedIn⁠⁠⁠⁠ ⁠⁠⁠⁠Facebook⁠⁠⁠⁠ ⁠⁠⁠⁠X⁠⁠⁠⁠ If you have any queries about sponsorship opportunities, you can email me at [email protected].

This is the second and final part of the interview with Bruce – and this week the mood and conversation take a turn: to pressure, alcoholism, depression and the death at 43 of the guitarist who, in Bruce’s own words, “made an amazing sound that I loved”. It’s October 1984 and Margaret Thatcher is in No 10 Downing Street, overseeing the most destructive deindustrialisation policy ever inflicted on the UK. The industrial heartlands of central Scotland are particularly hard hit. Not that you’d know it from a Top 30 awash with bright suits, big drums, synths and yachts. In the past year, Big Country have broken big around the world with debut album The Crossing and three agenda-setting singles but now the record label need a follow-up. “We had absolutely nothing to give them,” says Bruce, in this week’s episode. You can sign up here for the Scotpop newsletter on ⁠⁠⁠Substack⁠⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠⁠Instagram⁠⁠⁠ ⁠⁠⁠LinkedIn⁠⁠⁠ ⁠⁠⁠Facebook⁠⁠⁠ ⁠⁠⁠X⁠⁠⁠ If you have guest suggestions or queries about sponsorship opportunities, you can email me at [email protected]. Cheers.

There’s, rightly, been a lot of attention on Stuart Adamson in recent months with the publication of another biography on the Skids and Big Country legend and news of a forthcoming documentary that will hopefully bury for ever the image of the band as merely “bagpipe guitars and checked shirts”. For now, though, it’s time to hear Bruce Watson’s side of the story – and it’s not always an easy listen. Success, failure, alcoholism, suicide, redemption and resurrection all feature in a 45-year career that spawned three classic albums, including, arguably, the best album and single of the 80s (East of Eden and Steeltown, if you’re asking). As a teenager – and fan of Stuart’s punk band the Skids – Bruce had a major part to play in the development of Big Country, who sold more than 2 million copies of their debut album, The Crossing, and influenced a new generation of songwriters such as the Manic Street Preachers, Blur, Oasis, Arcade Fire and Kings of Leon. In a brutally frank two-part interview, he talks about dealing with Stuart’s alcoholism and the disintegration of the band. But first, we go back to the beginning: Dunfermline, 1977, and a band called The Delinquents. You can sign up here for the new Scotpop newsletter on ⁠⁠Substack⁠⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠⁠Instagram⁠⁠ ⁠⁠LinkedIn⁠⁠ ⁠⁠Facebook⁠⁠ ⁠⁠X⁠⁠ Have any feedback, guest suggestions, general comments or queries about sponsorship opportunities? Great; you can email me at [email protected]. Cheers.

The Beta Band. Big Country. The Skids. Friends Again. The Rezillos. The Bluebells. The list of recently reformed Scottish bands goes on and on. As fans, we’re excited to have these bands back, of course, but having worked on music business magazines for 15 years, one thing I learned was promoters and venues like safe bets. Increasingly, with record sales collapsing, the music business is the live music industry. Yet as more and more bands who had their heyday in the 70, 80s and 90s reform to play live where does that leave Scottish music industry today? It’s a question I put to Sir Ian Rankin in the second part of our interview (the full interview will be coming shortly). It’s also a subject I discussed with James Grant (Friends Again/Love and Money) and Douglas MacIntyre, boss of the Creeping Bent record label. All three guests offer great insight and analysis into what is going on in Scottish music today. The importance of the live music industry on new music acts is also a subject I discuss this week with Erin Reidy, guitarist with Brontës, one of the most talked-about emerging bands in Scotland. This episode also features an introduction to four new bands you’re going to be hearing a lot of in the next year (and, yes, the Brontës are one of them). It would be great to hear what you think of the current state of music in Scotland; those who susbcribe to the Substack newsletter will be able to read about reports this week of the “deepening crisis” in the Scottish festival scene, with six promoters postponing or pausing their events this year. Add in the cultural evisceration with music programming at BBC Radio Scotland - Nicola Meighan is just the latest presenter to be axed – and suddenly the idea of a “crisis” in Scotttish music doesn’t seem so wide of the mark. Let me know what you think. You can sign up here for the new Scotpop newsletter on ⁠Substack⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠Instagram⁠ ⁠LinkedIn⁠ ⁠Facebook⁠ ⁠X⁠ Have any feedback, guest suggestions or general comments? Great - I’d love to hear from you at the links above, or you can email me at [email protected]. Cheers.

Thrilled that Mike joins me on Scotpop this week. After finding new fans with the soundtrack of the latest hit Netflix show Something Very Bad is Going To Happen, Mike and co are finally getting the attention they deserve so there’s lots to talk about. He joins me just days before the band tour Australia to discuss everything from humping gear up three flights of stairs at Terry Pilley’s infamous Barclay Towers studio in Edinburgh in the late 70s to what it feels like to blow up on TikTok today. He also talks about growing up in Ayr and Edinburgh, moving to London, Findhorn and Dublin, playing shows all around the world – and the inspiration behind the The Whole of the Moon. If you have any opinion/interest on the ongoing Waterboys v U2/Simple Minds debate that’s raging online you’re in for a treat. It’s a fascinating insight into one of Scotland’s best songwriters and the longest episode of Scotpop to date. You can sign up here for the new Scotpop newsletter on Substack - featuring extended shownotes, behind the scenes info, Scottish music news stories and the best new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: Instagram LinkedIn Facebook X Have any feedback, guest suggestions or general comments? Great - I’d love to hear from you at the links above, or you can email me at [email protected]. Cheers. Pic credits this episode: Paul MacManus

Before he was a successful author with books such as bestsellers Straight White Male and Oh Brother, Irvine-born writer John Niven, the special guest on Scotpop this week, ran with the London A&R pack in the 90s. He joins us to talk about turning down Coldplay and Muse because he “didn’t think we needed a couple of more Radioheads” and how he used his time in the music industry to write Kill Your Friends and The Battle, the recent stage production that captured the rivalry between Blur and Oasis as they fought it out for the coveted No 1 spot at the height of Britpop. As well as being a successful author and writer, John is also a former musician and a huge advocate for Scottish music. He is also one of the best storytellers I’ve ever heard. For the latest news on the podcast and music updates, make sure to subscribe to Substack for a free newsletter featuring extended shownotes, behind the scenes info, Scottish music news, new music tips, track of the week, scurillous gossip ... and so much more. Instagram LinkedIn Facebook X Stuart Adamson – In a Big Country Have any feedback, guest suggestions or general comments? You can contact me at the links above. For sponsorship opportunities, you can email me on [email protected]. Cheers John Niven’s latest book, The Fathers, is out now on Canongate.

In the mid-80s, the London-based music industry was, says Love and Money’s James Grant, this week’s special guest, “awash with cash”. As bands such as Orange Juice, Simple Minds and Altered Images racked up Top 10 hits, much of it flowed north to Glasgow. One of the “jangletastic” acts perfectly placed to capitalise on the A&R stampede to the city were James’ first band Friends Again, fronted by Chris Thomson, now of The Bathers. This week’s episode offers a fascinating glimpse into the life of one of the most underrated songwriters in the UK today, and a man who - by his own admission - has never had a “proper job”. He also has the inside story to one of Scotland’s greatest indie-pop tales and in this episode we find out what really happened when he walked out of Friends Again to form Love and Money. “When you’re 20 you don’t really care about hurting people”, gives you a flavour of what you’re about to hear. In this episode James also opens up about: - The “buzz” of being a teenager in a Glasgow band in the mid-80s as London’s A&R mob decamped to the city. - The two sides of working with legendary A&R boss at Phonogram Dave Bates – “the enemy and the facilitator”. - How the label's demand for hits affected Love and Money – and the the label's effect on Stuart Adamson of Big Country. - Recording with acclaimed producer Gary Katz – and Duran Duran’s Andy Taylor. - The growing struggles in Love and Money in the late 80s as the record label started to demand “hits”. - The solo years and the joy of working with Donald Shaw and Karen Matheson from Capercaillie. - The “excitement and nerves” that kicked in just before Friends Again’s reunion concert at the Old Fruitmarket in Glasgow earlier this year – and what comes next for the band. - How touring and recording with Teenage Fanclub’s Norman Blake and ex-Suede guitarist Bernard Butler allows him to “take a break” from himself. - And so much more … You can sign up here for the new Scotpop newsletter on ⁠Substack⁠ - featuring extended shownotes, behind the scenes info, Scottish music news stories and the hottest new bands. For the latest news on the podcast and music updates, make sure to follow Scotpop on: ⁠Instagram⁠ ⁠LinkedIn⁠ ⁠Facebook⁠ ⁠X⁠ Have any feedback, guest suggestions or general comments? You can contact me at the links above. For sponsorship opportunities, you can email me on [email protected]. Cheers