Advertise on podcast: New Books in Popular Culture

After the groundbreaking success of his debut film, Boyz N the Hood in 1991, filmmaker John Singleton (1968–2019) gained worldwide acclaim, earned the respect of major film industry figures, and became the topic of both scholarly and popular culture film conversations. He also made history by becoming the youngest—and the first African American—nominee for the Academy Award for Best Director. However, lukewarm reception for his sophomore release, Poetic Justice in 1993, dampened the momentum of his early promise, and critical interest in his subsequent work waned. Once Upon a Time in South Central LA: John Singleton’s Hood Trilogy (UP of Mississippi, 2026) seeks to reframe Singleton’s legacy and reaffirm his significance as a filmmaker. Author Mark D. Cunningham argues that Singleton’s so-called “hood trilogy”—Boyz N the Hood, Poetic Justice, and Baby Boy (2001)—offers a vital cinematic lens into the lived experiences of young African American men and women. Blending film analysis with literature, music, sociology, and cultural studies, the volume positions Singleton’s work as a critical intersection of African American history, identity, and popular culture. Cunningham explores Singleton’s portrayal of Black masculinity, the social environment of South Central Los Angeles, and the impact of hip-hop culture on gender dynamics. By revisiting Singleton’s early career and the cultural weight of his films, Once Upon a Time in South Central LA reasserts the filmmaker’s place in the cinematic canon and highlights the enduring influence of his work on African American youth and storytelling. Dr. Mark D. Cunningham is professor and chair of the Department of Radio-Television-Film at Austin Community College. His research focuses on film and television studies, with an emphasis on Black filmmakers, screen adaptations, and representations of race and identity in popular media. His scholarship engages figures such as directors John Singleton, Spike Lee, Barry Jenkins, and rapper/actor Ice-T. His work has appeared in The Atlantic and The Journal of Cinema and Media Studies, and he has contributed to numerous edited volumes in film, television, and media studies. You can find Mark on Instagram. Subscribe, like, follow, and rate Additions to the Archive with Sullivan Summer on Instagram, Substack, and wherever you get your podcasts. And check out Sullivan's Substack for a continued conversation between she and Mark, as they discuss the hood trilogy's impact in the 21st century. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

What is the place of poetry in the modern world? In Poetry in General: How a Literary Form Became Public (Columbia UP, 2025), Keegan Cook Finberg, an Associate Professor of English at University of Maryland, Baltimore County narrates the contemporary history of poetry as the emergence of a public literary form. The book shows poets' engagement with social and economic changes, such as the rise of bureaucracy and office jobs, suburbanisation, feminism, and neoliberalism, alongside changes in literary forms and literary practices In doing so, the analysis demonstrates both the importance of poetry to reflect social and economic change, as well as its potential as a critical force in our moment of social and economic crisis. Ranging widely across individual poets, artistic collectives, and performance activities, the book will be of interest across the humanities, as well as anyone interested in why poetry matters today.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

John Madden retired abruptly from coaching in 1979, five months after receiver Darryl Stingley suffered a paralyzing injury against his Raiders. The tragedy would never leave him. He had no intention of entering broadcasting. Yet, within a decade—BAM!—he had become the most recognizable voice in football and a driving force behind America’s most powerful sports league.Veteran sports journalist Scott Howard-Cooper reveals how Madden recast himself at exactly the right moment. Television was transforming sports, and the NFL needed a translator to turn complex strategy into entertainment. Madden didn’t just analyze football; he redefined how it was watched and loved—from the telestrator and pregame film study to Thanksgiving football.But BAM! goes beyond the booth, tracing Madden’s personal life, unguarded moments, unexpected turns, and his influence through advertising, network wars, labor battles, concussion debates, and the Madden NFL video game—which reshaped gaming and brought football to new generations. Yet, Madden could never entirely escape what the game demanded from the men who played it.BAM!: John Madden, the NFL Explosion, and the Video Game that Changed Sports (Diversion Books, 2026) is the story of how one rumpled, affable man became a defining figure in football’s greatest boom—and its reckoning —and why the NFL cannot stop invoking his name. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Traveling the Yellow Brick Road: What We Learn from The Wizard of Oz and Wicked (McFarland, 2026) Steven Keslowitz explores how The Wizard of Oz and Wicked can represent the promises and contradictions of the American dream. They engage the American spirit as separate works that share a distinct universe. By reimagining the moral framework of the 1939 Oz film, Wicked challenges long-held beliefs about the nature of heroism, villainy, and truth. Together, the films offer a complex portrait of American motivations and obstacles. Centered on character, journey, and perspective, this book explores the lessons of these works in identity, ethics, and the human impulse to divide the world into good and evil. It also reveals the layered political allegories and symbolic structures embedded in both films through close reading and cultural analysis, situating Oz within contemporary social and political contexts as well as emphasizing themes such as censorship, environmentalism, disability discrimination, and the opioid crisis. By reframing Oz as a mirror of societal contradictions rather than as a nostalgic escape, it illuminates various—and often uncomfortable—truths about American identity and culture. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Pink Auteur, Red Outlaw: Adachi Masao and Japan’s Cinema of Revolution (Awai Books, 2026) is the first-ever English-language book on Adachi Masao. Based on extensive interviews with the director and years of research, this study offers a comprehensive portrait of the filmmaker and his provocative oeuvre – from socially engaged pink films and New Wave cinema to experimental documentary and avant-garde psychodrama. An essential read for those interested in cinema, history, or politics. Author William Andrews is a Tokyo-based writer and translator originally from Britain. He is the author of The Japanese Red Army: A Short History and Dissenting Japan: A History of Japanese Radicalism and Counterculture, from 1945 to Fukushima. His translations in the visual and performing arts have been widely published. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

When Neil Selkirk first saw one of Arbus’s photographs as a young man at someone’s house in London, it almost sent him screaming into the street. Unsettled and shaken, the encounter instead opened his eyes to the uncanny powers of photography. It turned Selkirk into an important photographer and, ultimately, an indispensable collaborator to some of the greatest photographers of all time, including Richard Avedon, Diane Arbus, and other greats. In our conversation on great photographers and the art of photography, based on Selkirk’s edited book Why Photographs? (Warbler, 2026) we discuss essential dimensions of photography, including riveting detail, spontaneity, credibility, and the gift of chance, and how they were celebrated by early photographers but soon denounced by an establishment that saw photography as a threat to painting.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The English Christmas carol has been sung in court and cloister, tavern and field since medieval times. But with the first Festival of Nine Lessons and Carols in 1880—and with a view to encouraging revellers into church—the humble carol became integral to the Christmas tradition. Carol concerts are attended all over the world, and the service at King’s College, Cambridge, has been broadcast since 1928 to millions of listeners. In Christmas Carols: An English Enchantment (Yale University Press, 2026), singer and author John Potter guides us through the development of this unique tradition. Carols, originating as secular delights of the medieval and Tudor court and chapel, were brought by the Victorians to a new urban audience. Priests, poets, and composers have rearranged ancient songs and created new ones ever since, incorporating European carols into the evolving English tradition. Taking us from their earliest origin to their flourishing during the early music revival, this is an enlightening account of a beloved phenomenon.   This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Exploring how digital visual effects have changed the representations of the body and identity in action films. When Harrison Ford appeared digitally de-aged in Indiana Jones and the Dial of Destiny, audiences witnessed more than a technical feat; they saw how visual effects are reshaping what bodies can be on screen. In Action Bodies: VFX, Identity, and Embodiment in Blockbuster Cinema, Drew Ayers (Eastern Washington University) examines how the contemporary action genre redefines embodiment across human, superhuman, animal, and machine forms. Ayers argues that action films are a crucial site for understanding how popular media both reflect and shape cultural debates about identity, citizenship, disability, and ethics in the era of big data and algorithmic culture. Through case studies including Top Gun: Maverick, The Woman King, The Fast & the Furious franchise, and Avatar: The Way of Water, Ayers explores how VFX-altered bodies carry ideological weight. While the action genre has long leaned conservative in its politics of identity, its digitally mediated bodies also generate unexpected opportunities: glimpses of more inclusive and flexible modes of embodiment. As artificial intelligence and synthetic imagery continue to transform film production, Action Bodies demonstrates why careful attention to action cinema is essential for understanding how contemporary culture imagines and engineers the future of the body. Drew Ayers is a professor of film at Eastern Washington University. He is the author of Spectacular Posthumanism: The Digital Vernacular of Visual Effects, and his work has been published in animation, Configurations, Convergence, and Film Criticism. Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Newsletter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

For as long as human societies have been telling stories, the patriarchy has felt threatened by women. In this book, Eleanor Johnson provides an engaging cultural history of a figure she calls the “monstrous bitch,” the notorious female who has haunted the patriarchal imagination for centuries, feared for her sexual promiscuity, her exercise of reproductive agency and control, and her outspoken way of contesting patriarchal power.In a narrative brimming with insight, Johnson traces the origins of female monstrosity to the demoness Lamashtu of ancient Mesopotamia, showing how this infanticidal, hypersexual, loudmouthed monster appears in different guises throughout history. In classical Greece, she reemerges as the sorceress Medea, the child-devouring monster Lamia, and the vengeful Furies. In the medieval and early modern periods, she is an oversexed, baby-slaying, spellcasting witch; in the Romantic and Victorian eras, a vampiress; and in the modern age of psychoanalysis, a mental patient. After this longue durée history, Johnson shows how monstrous bitchery has been challenged and reinterpreted in contemporary cinematic popular culture, becoming an expression of heroism and resistance in films like Ginger Snaps, Jennifer’s Body, and The Witch. She demonstrates how deeply embedded the roots of misogyny have become, and why it is more critical today than ever that we expose and address them.An irreverent look at a pervasive trope that runs through four thousand years of Western culture, Monstrous Bitch: A History of Terrifying Women (Princeton UP, 2026) reveals that while representations of the powerful woman have evolved over time, the fear and demonization of her remains the same. Eleanor Johnson is professor of English and comparative literature at Columbia University. Her books include Scream with Me: Horror Films and the Rise of American Feminism (1968–1980); Waste and the Wasters: Poetry and Ecosystemic Thought in Medieval England; Staging Contemplation: Participatory Theology in Middle English Prose, Verse, and Drama; and Practicing Literary Theory in the Middle Ages: Ethics and the Mixed Form in Chaucer, Gower, Usk, and Hoccleve. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Lise Shapiro Sanders is the author of Reading for Pleasure: Working Women and the Popular Romance in Early 20c Britain, published in October 2026 by Bloomsbury Academic Press.  Reading for Pleasure analyzes the early 20th-century British romance as a genre directed at young working women, including those employed in factories, shops and department stores, and the service industry. It explores a range of popular romances in the form of novels, films, and periodicals, and thinks about how these texts provided a form of affective pleasure and virtual sensory experience that indulged the sensuality of sexual desire and as well as the glamor of fashionable garments and settings. It suggests that even as popular romance foregrounded the pleasure of fantasy, it was also invested in working women’s social, sexual, and political agency. The first three chapters examine discourses of beauty, fashion, and fantasy that circulated in romance, whereas the last two chapters and the conclusion explore how these discourses came into conflict with working women’s material reality – including the need for access to contraception, sexual knowledge, and control over reproduction. Ultimately, Reading for Pleasure offers important insights into the politics of reading for pleasure, how gender, sexuality, and class shape these politics, and why there are many reasons to not only take pleasure in romance but to also take it seriously. Lise Shapiro Sanders was employed as a professor of literature and cultural studies at Hampshire College for 27 years. Her previous books include Consuming Fantasies: Labor, Leisure, and the London Shopgirl, 1880-1920 (Ohio State University Press, 2006); Bodies and Lives in Victorian England: Science, Sexuality, and the Affliction of Being Female, co-authored with Pamela K. Stone (Routledge, 2020); Embodied Utopias: Gender, Social Change, and the Modern Metropolis, co-edited with Amy Bingaman and Rebecca Zorach (Routledge, 2002); and a critical edition of Millicent Garrett Fawcett’s 1875 novel Janet Doncaster (Victorian Secrets, 2017).  Jane Hwang Degenhardt is a professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

On July 5, 1828, more than a century before Superman arrived on Earth, a superhero took flight in Philadelphia’s night sky. Buried on page three of a small local newspaper, the announcement of his arrival appeared under the title “The Night-Hawk, No. 1” with a cryptic epigraph from Romeo and Juliet: “I’ll be a candleholder and look on.” Who and what was the Night Hawk? As Dr. Matthew Warner Osborn reveals in Night Hawk: A Nineteenth-Century Superhero and the Dawn of American Mass Culture (University of Chicago Press, 2026), this was the sobriquet of a mysterious columnist for the weekly Mechanics’ Free Press, the first radical socialist newspaper in America. Dressed in a mysterious cloak, the Night Hawk soared over Philadelphia, revealing the evil crimes of prominent gentlemen, fighting murderous criminals, and calling out fraudulent moral authorities.  The Night Hawk was the ingenious invention of an impoverished actor, Cornelius A. Logan, who created the character as a public champion of Philadelphia’s Working Men’s movement, the first successful American labor party. The Night Hawk’s nocturnal adventures transformed their socialist ideology into an entertaining fantasy that dramatized the struggle against industrial exploitation and the degradation of working people. The success of the character made Logan into a celebrity, and he went on to become a popular and innovative comedian on the antebellum stage. A harbinger of the superheroes we know today, the Night Hawk promises to illuminate dark secrets from the past, but he can also shed light on our present. He ignites our need to see corrupt elites unmasked and held accountable for their actions, all while protecting the innocent and oppressed. Americans have always loved to fantasize about powerful superheroes who hide behind masks while chasing bad guys, and Dr. Osborn shows in this entertaining history how the Night Hawk was perhaps the first standard bearer for that enduring mystique.  This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

First released in 1974, Dungeons & Dragons revolutionized game design and interactive media by allowing players to create and perform their own fictional characters in a fantasy world as expansive as their imaginations would allow. That freedom, and the rules that governed it, weren’t a creative coincidence. In How Dungeons & Dragons Changed the Way We Play (Duke University Press, 2026), Dr. Aaron Trammell excavates the game as an artifact of a burgeoning counterculture obsessed with individualism as well as quantification. Mapping the world onto a grid, building characters whose every trait is assigned a point value, and advancing the game’s narrative through dice throws—countless core mechanics are tied to numbers. Putting the game design of D&D into dialogue with the social and political tensions of the 1970s and 80s, Dr. Trammell illuminates how the integrated quantification in the game design led to reductionism, reinforced oppressive gender and racial norms, and accustomed generations of players to the bigoted, xenophobic mores of the Cold War era. He delivers a history of both how games can shape players and how players, united by their own shared values, can shape games in turn. Aaron Trammell is Professor of Informatics at the University of California, Irvine, author of The Privilege of Play and Repairing Play, and senior editor of Analog Game Studies. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The podcast covers the book Satirical Tibet: The Politics of Humor in Contemporary Amdo (U Washington Press, 2025), which is about satirical speech traditons from Amdo region of Tibet and the role of zurza in Tibetan cultural production and modernity. Tune in to find out more about satire, languages, cultures of what's funny and why. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

There is no humbler food than bread, none easier to take for granted. So ancient that it shows up in prehistoric sites, bread is still full of surprises. Heirloom grains and artisan loaves fetch top dollar, while home bakers pour their passion into naan and challah, anadama and pistolet.In American Bread: A History (U California Press, 2026), award-winning author Andrew Coe provides the definitive history of American bread, from European settlers' introduction to corn through the COVID-era sourdough craze. Each chapter follows an emblematic loaf that connects flour, water, salt, and yeast to the evolving story of American agriculture, industry, immigration, and ideas about health.Why did supermarket white become America's dominant bread, and how did rustic old-world bagels, ryes, and rolls find their way into our kitchens? Who was the early nineteenth-century dietary reformer who started the whole-grain revolution? Why not knead? An enriching and enlightening cultural chronicle, American Bread answers these questions and more and offers carefully sourced historical recipes to inspire the home baker. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Samantha: The Next Chapter (American Girl Publishing, 2026). From American Girl and New York Times bestselling author Fiona Davis comes the next chapter of Samantha Parkington's story--now an adult searching for justice after her legacy is stolen in New York City in 1920. It’s 1920, and 25-year-old Samantha Parkington is working hard to educate women in New York about suffrage and encourage them to vote in their first presidential election that fall. But when Samantha’s large inheritance, including her childhood Mount Bedford home, is stolen in a shocking scheme, she goes from socialite to shop girl overnight and experiences a very different side of New York City living in a boarding house. Searching for clues regarding the theft of her inheritance, she infiltrates the business of a notorious criminal in New York City. Determined as ever, Samantha will do whatever it takes to find answers and save her family’s legacy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.