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Today, we share with you the finale of the Fresh Art International podcast, ending more than a decade of storytelling from art scenes around the world. Coming full circle, we’ve returned to Baltimore, Maryland. The Magic City is where we released our very first episode in October 2011. Our guest was MacArthur Genius, artist Joyce J. Scott. In October 2025, we sit down with another long time friend of Fresh Art International: artist Amy Sherald. Inside the Baltimore Museum of Art, she takes us on a tour of American Sublime, her traveling mid-career retrospective exhibition. This isn’t our first story with Amy. Nine years ago, in July 2016, we recorded an episode live with an audience, in a Chicago, Illinois, gallery. Surrounded by Amy Sherald’s paintings, we acknowledged acute racial tensions in the United States at that moment. Incidents of police violence against black citizens were sparking countrywide public protests. A hopeful counterpoint, Amy’s exhibition A Wonderful Dream met viewers with luminous positive depictions of Black life in America. A year and a half later, in December 2017, Amy joined us on our Fresh Art International radio show during Miami Art Week, in Florida. Again, she voiced her commitment to the work. Recording conversations with this artist along her path to greatness has been a privilege and an honor. Fresh Art International holds an archive of many such stories—all with enduring value. Over time, we have documented critically important voices from the evolving world of contemporary art. The John S. and James L. Knight Foundation, Emily Hall Tremaine Foundation, Locust Projects and the Andy Warhol Foundation for the Visual Arts, and most important, Listeners Like You, have made Fresh Art International possible. Thank You, for Listening! Production: Cathy Byrd | Sound Design: Anamnesis Audio | Featured: Amy Sherald Related Episodes: Amy Sherald on New Racial Narratives, Report from Miami Art Week 2017 Related Links: Obama Portrait Unveiling at the Smithsonian’s National Portrait Gallery, 2018, Artist Amy Sherald: The 60 Minutes Interview *Amy Sherald: American Sublime is touring these venues in the United States: San Francisco Museum of Modern Art/San Francisco, Whitney Museum of American Art/New York, Baltimore Museum of Art/Baltimore, High Museum of Art/Atlanta

Today, we introduce Cannupa Hanska Luger, an American artist born on the Standing Rock Reservation in North Dakota, who now lives and works outside Santa Fe, New Mexico.  Our conversation reveals a few of the ways Cannupa acts on his deep respect for heritage and community, belief in ritual and remembrance, and fascination with science fiction and mythology. The artist shares the stories behind his mystical re-creation of Midéegaadi, a traditional buffalo dance he filmed against a green screen to show in exhibition spaces, on digital billboards, and even in a virtual reality app.  The dance is one strand of Future Ancestral Technologies, a new myth that Cannupa has been weaving since 2015. His interrelated projects reimagine Indigenous life and culture in a postcolonial world where space exploration has reduced and reconfigured the earth’s population. As Cannupa builds a framework for understanding, respecting and sharing indigeneity in the 21st century, he holds out hope for our collective future. Production: Cathy Byrd | Sound Design: Anamnesis Audio Special Audio: Cannupa Hanska Luger, Midéegaadi and Mirror Shield Project Related Episodes: Video Performance Art Reimagines the Future, Live from the Everglades—Part One and Part Two Related Link: Cannupa Hanska Luger

In this episode, we explore an emerging microgenre in contemporary performance art. Some of today’s artists create liminal spaces, construct original expressive forms, and make powerful statements in a range of inventive video performances. The 2025 exhibition (Im)Posibilidades: Performance Art for Video at Ogden Contemporary Arts in Ogden, Utah, reveals the microgenre’s potential. Featured projects from the United States and Mexico envision ways to correct historical distortions and construct new possible futures. They show us a world where everyone’s stories can thrive through performance and reimagination. Production: Cathy Byrd | Sound Design: Anamnesis Audio Featured Voices: Stephanie Garcia and Peter Hay of PROArtes Mexico, Adam Forrester, Lilly McElroy, Cannupa Hanska Luger Feature Soundtracks, Courtesy the Artists and Ogden Contemporary Arts: María Eugenia Chellet/La Dolorosa, Lilly McElroy/A Woman Runs Through a Pastoral Setting, Naomi Rincón Gallardo/Eclipse, Cannupa Hanska Luger/Midéegaadi, Ileana Moreno/Kowatl y el Mejor Amigo del Sol, Kameron Neal and Jarrett Key/CARGO!, Yoshie Sakai/ Grandma NightClub Music Video, José Villalobos/El Peso Del Rio/The Weight of the River Additional music: Caspertron by Blue Dot Sessions Mergeron by Blue Dot Sessions Related Episodes: Joan Jonas, William Pope.L, Maria Magdalena Campos-Pons, Carolee Schneeman, Cheryl Pope, Regina Frank About the Exhibition: Ogden Contemporary Arts

Today’s episode is a poetic epilogue to the Student Edition we produced with university students from the United States and Canada. The emerging podcasters who share this story are enrolled at schools in Chișinău, capital city of the Republic of Moldova. Their tiny Eastern European country declared its independence from the Soviet Union not so long ago, in 1991. Russia’s ongoing invasion of neighboring Ukraine continues to have an impact on everyday life here. Olga Raileanu, Bogdan Glavan, and Daniel Boldurat reached out to local photographer Mihail Calarașan, Ukrainian artist KAR, and sociologist Vitalie Sprînceană to talk about art in times of war for their new Reflecting Zemstvei podcast. Note: The original version of this episode premiered on YouTube as #1/ Reflectând Zemstvei / Peace Street. About Casa Zemstvei and the Reflecting Zemstvei Podcast: Since 2013, artists and independent initiatives have rented spaces in a center-city building known as Muzeul Zemstvei. They call their improvisational community “Casa Zemstvei.” Creators and curators, animators and activists, visitors and regulars embrace the crumbling architecture, the arctic cold, the echoey acoustics, and the primitive grandeur of this historic space. In spring 2025, Fresh Art International’s Cathy Byrd introduced podcasting during a 3-day intensive workshop. Participants recorded voices and sounds for stories about the independent art scene inside Casa Zemstvei. Workshop participants became producers by learning to master recording equipment, script stories, collect sounds and voices and shape stories. Recorded on location, episodes in the limited edition Reflecting Zemstvei audio program are influenced by the surrounding sonic landscape and informed by the creative characters that inhabit this “House of Wonders.” The venue’s displays and public conversations around the war in Ukraine at the time of our workshop sparked this episode. Peace Street Producers Olga Raileanu – Moldovan graphic designer with a background in journalism and media production. Bogdan Glavan – Moldovan student with experience in sound design. Daniel Boldurat – Moldovan student with experience in journalism, volunteer at Oberliht Association. Peace Street Guests Mihail Calarașan – Documentary photographer, since 2017 he has been working on personal long-term documentary projects. KAR – Ukrainian artist whose artwork was displayed at the inauguration of the ”Peace Street” at Casa Zemstvei. Vitalie Sprînceană – sociologist, co-founder and co-editor of platzforma.md. Post-production for the Fresh Art International version of this episode: Anamnesis Audio Related Episodes: Starting an Art Podcast in Moldova, Fresh Art International Student Edition Related Links:  Reflecting Zemstvei Podcast on YouTube, with Subtitles Reflecting Zemstvei Podcast on SoundCloud

To introduce the new Reflecting Zemstvei podcast produced by local creatives in Chișinău, Moldova, Cathy Byrd and Olga Raileanu take listeners inside an intensive workshop experience that spanned three days in March 2025. In this episode, you’ll meet the young Moldovans who learned to master recording equipment, script stories, and collect sounds and voices to shape stories from their hometown’s independent art scene. Our story from Eastern Europe takes Fresh Art International's Student Edition outside the English speaking world. Since 2013, artists and independent initiatives have rented spaces in a center-city building complex known as “Zemstvei,” a state-owned architectural monument that dates from the mid-19th century. They call their improvisational community “Casa Zemstvei.” Creators and curators, animators and activists, visitors and regulars embrace the crumbling architecture, arctic cold, echoey acoustics, and primitive grandeur of this historic space.    Recorded on location, episodes in this limited edition audio program are inspired by the surrounding sonic landscape and the creative characters that energize Chișinău’s “House of Wonders.”   Note: The original version of this episode premiered on YouTube as #1/ Reflectând Zemstvei / How We Made the Podcast.   Production: Cathy Byrd, with Olga Raileanu | Sound Design: Marian Lupu, Olga Raileanu, and Anamnesis Audio Voices: Daniel Boldurat - student and volunteer at Oberliht Association, Franz Cocarcea - producer of the video podcast Omul face locul, Bogdan Glavan - high school student, with experience in sound design, Alex Hanganu - student, activist and cultural manager, Olga Raileanu - graphic designer with journalism experience, Marina Scalețchi - communicator, Vladimir Us - curator, president of Oberliht Association Related Links: Fresh Art International Student Edition, FreshArt.Education, Reflecting Zemstvei Podcast on SoundCloud, Reflecting Zemstvei Podcast on YouTube, with Subtitles

How does your art engage the world? How do you speak to the issues and ideas of our time? What do you hope others will remember about your life, your beliefs, your work? The exhibition Teresita Fernandez / Robert Smithson, SITE Santa Fe opens a portal for us to consider our place in the landscape and explore the legacy of two significant artists. Their vibrant visual exchange feels both time sensitive and timeless. This dialogue with artist Teresita Fernández and Lisa Le Feuvre, Executive Director of the Holt/Smithson Foundation, deepens our appreciation of resonant and divergent perspectives. Embracing change, they show us the way to and through a few of the entanglements that come with being an artist and being human.  Host: Cathy Byrd Sound Design: Anamnesis Audio Special Audio featured with permission, as follows: Recordings on site at Spiral Jetty, Salt Lake, Utah, 2013, courtesy Anamnesis Audio.  Extracts from Teresita Fernández, Cuajaní (2024), directed by Teresita Fernández and Juan Carlos Alom; 16mm film converted to digital video, black and white, sound; duration 20 minutes, 9 seconds. Extracts from Robert Smithson, Spiral Jetty (1970); 16mm film; duration 35 minutes; © Holt/Smithson Foundation 2024. Blister Creek by Blue Dot Sessions Related Episodes: Unsettled Landscapes at SITE Santa Fe, Louis Grachos, Land Arts of the American West Related Links: Teresita Fernández, Holt/Smithson Foundation, SITE Santa Fe

Today, we take you to Sharjah, in the United Arab Emirates, for our first experience of the yearly gathering known as March Meeting. The Sharjah Art Foundation designs these programs to resonate with issues and events of the moment. March Meeting 2024 is no exception. Across three days, artists, curators, educators and writers from near and far converge to consider the power and purpose of collective creativity.   Here, we bear witness to diverse artistic energies behind grass roots initiatives in the Global South. Finding strength in numbers, creative activists collaborate on initiatives that bring positive change to the vulnerable communities where they live and work. All embrace multiple voices. None are unafraid of messy entanglement. They give us hope, they show us the way— to a more inclusive, sustainable, and livable future.    Sound Design: Anamnesis Audio   Special Audio: Alex Pierce and Zoe Annesley, “Beneath a Tent, a Performance for Strings and Voice”; Bint Mbareh, “Lentil Soup as an Antidote to Rampant Wildfires”; dhaqan collective “Camel Song” and “House of Weaving Song”; La Revuelta YouTube channel; Episodio 7 - El podcast de Anamá Rojas, June 2021; Vela Vela; Stanza for Lumi   Related Episodes: Sharjah Biennial 15—with Hoor Al Qasimi, Searching for Libertalia—with Shiraz Bayjoo, Creating Community in Kazakhstan—with CEC ArtsLink, The BLCK Family of Miami on Collective Creativity   Related Links: Sharjah Art Foundation, Topsoil, Sakiya, dhaqan collective, La Revuelta

In this episode, we consider the role that teaching artists play in shaping the art school experience. How does an artist in academia cultivate expressive opportunities for students while making time to deepen their own creative practice?  New Orleans based artist Cristina Molina invites us to consider this challenging dynamic at the art school where she teaches—Southeastern Louisiana University's Department of Visual Art and Design. Research and observation, architecture and the environment, memory and motherhood, music and movies, intuition and uncertainty are a few of the forces that drive the artmaking we discover at the edge of Louisiana’s Gulf Coast. Voices, in Order of Appearance: Garima Thakur, Kate Baczeski, Luisa Hernández, Vanessa Centeno, Dale Newkirk, Tom Walton, Ben Diller, Eric Huckabee, Lily Brooks, Rachel Harmeyer, Cristina Molina Sound Design: Patrick Davis, with Anamnesis Audio Special Audio: Garima Thakur, Bioscope, 2022; Luisa Hernández, What Matters Now, 2023; Chad Serhal, The Great American Motion Picture Rotoscope Animation, 2021; Ken Haskett, Morse Code message, 2021; Lily Brooks, We Have to Count the Clouds, 2012; NASA, recorded sounds of the sun, via Cristina Molina, 2022. Related Episodes: Student Edition Related Links: Southeastern Louisiana University Contemporary Art Gallery, FreshArt.Education, Fresh Art International Research Guides

Where in the world can you express yourself freely, share cultural knowledge, test inventive art practices, and build a transnational creative community in only 10 days time? During an intensive CEC ArtsLink program in Kazakhstan, 23 artists and curators from across the region and the U.S. seize the moment to think deeply about their socially engaged projects. Our home base for talks, workshops, field expeditions, and performances is the bULt Collective rave space.   Paying attention to inclusion and access, issues and ideas, concept and creation, they begin to imagine new possible futures for collective art practices in Central Asia and beyond.   Acknowledgement: In Fall 2023, Cathy Byrd recorded voices and sounds for this episode during her CEC ArtsLink residency in Central Asia.   Sound Design: Anamnesis Audio   Featured Voices: bULt Collective, Lydia Matthews, Nara Bikinna, Zilïa Khansura, Laura Nova, Will Owen, Kristine Diekman   Special Audio: Bandistan Ensemble, DJ Nemezida; DJs inspired by traditional Kazakh music/Almaty, Kazakhstan; Nara Bikinna recording of a Tatar gathering/Tyumen, Siberia; recording of felting workshop with Zilïa Khansura/Oak Gallery, Bishkek, Kyrgyzstan; Collective Soundwalk Mixdown/Almaty   Related Episodes: Poetic Interventions Point to Pollution in Kyrgyzstan, When Art Sparks Social Engagement   Related Research Guide (downloadable hyperlinked pdf for learning and teaching): Creating Connections/Sparking Engagement—Research Guide Issue 4   Download ALL Free Research Guides HERE Related Links: CEC ArtsLink, bULt Collective

Today, we introduce a few of the artists and activists energizing the 2023 Art Prospect & TRASH-5 Festival in Kyrgyzstan. They give voice to the issues, ideas, and intentions that shape their truly creative approaches to mitigate pollution. Their projects illuminate the potential for artists everywhere to build community and drive sustainable solutions to our global environmental crisis.  From the city of Bishkek to the settlement of Altyn Kazyk, we discover myriad ways that socially engaged artists encourage awareness and action. They bring us together from around the world to experience, understand, and create true moments of beauty and meaning—giving us hope for a future that holds clean air, land, and water. Acknowledgement: In Fall 2023, Cathy Byrd recorded the voices in this episode during her residency with CEC ArtsLink in Central Asia. Sound Design and Engineering: Anamnesis Audio Featured Voices: Sto Len, Ronja Roemmelt, Mishiko Solakauri, Begimai Zhunusova, Ellen Harvey, Bermet Borubaeva, Aimeerim Tursalieva Special Thanks to the Bishkek Sanitary Landfill—Director Nurlan Djumaliev, Head of Municipal Enterprise Section Arzykulov Almaz Toktomukhanmedovich, Landfill Museum Co-Curator Samat Marso Special Audio: Live musicians performance at the People’s Landfill Museum and the Bandistan Ensemble Related Episodes: Public Water—with Mary Mattingly, Topical Playlist—Sustainability and the Environment  Related Links: CEC ArtsLink, Art Prospect & TRASH-5 Festival 2023, Tazar, EU Compliant Landfill to Open in Bishkek

Today, we take you to St. Louis, Missouri, in the United States of America. Home of the Gateway Arch, an Emblem of Manifest Destiny, at the confluence of the Mississippi and Missouri rivers. Emblem of Manifest Destiny. St. Louis is nicknamed “‘Mound City”’ because of the number of earthworks built by Indigenous peoples there, before the westward expansion of colonizers conspired to flatten them. Where caves beneath the city sheltered freedom seekers traversing the Underground Railroad in the mid-1800s. Where, from 1959 to 1972—in the span of less than 20 years—residents of the historically Black neighborhoods Mill Creek Valley and Pruitt-Igoe Homes were displaced in the name of urban development and public safety.  Where, in 2014, the Black Lives Matter movement coalesced. Nearly a decade later, in the year 2023, current events reveal that in this city and this state, the sanctity of civil and human rights remains tenuous on every level.  What role can a public art triennial play in such a troubled context?  A microcosm of the disruptive forces at play in cities across the United States today, St. Louis offers fertile ground for creative interventions that are healing—restorative in nature. The civic exhibition Counterpublic takes on the challenge. To prepare for the 2023 event, the triennial’s home team committed to a year of listening sessions with a range of public constituents. A report integrated into the exhibition catalogue outlines local interest in holistic engagement with public memory, commemoration, and acknowledgement; the rematriation of Indigenous land; and reparative futures. In response, for three months, thirty projects animate the urban landscape along six miles of Jefferson Avenue.  In this episode, we follow that throughway from south to north to share healing elixirs healing we discover at the heart of seven Counterpublic projects along the way. Listen to the ways they honor and amplify strength, beauty, and hope at the core of reemergent cultural histories in St Louis.   Story: Cathy Byrd Sound Design: Anamnesis Audio Special Audio courtesy Nokosee Fields, X, Raven Chacon, Stefani Jemison, Griot Museum of African American History, Torkwase Dyson, Mendi and Keith Obadike, SlowDrag audio "Joy and Everything," remixed by K Kudda, and Counterpublic, Mood Unit by  by Blue Dot Sessions Related Episodes: Model Behavior—New Orleans Art Triennial Inspires Other Cities, Where Art Meets Activism, Unsettled Landscapes at SITE Santa Fe Related Links: Counterpublic, Fresh VUE: Counterpublic St. Louis 2023

In February 2023, we travel to the United Arab Emirates for the first time. We’re here to witness and celebrate Sharjah Biennial 15: Thinking Historically in the Present. Four years in the making, the exhibition is ambitious and expansive. More than 100 artists from 70 countries are presenting projects in 19 venues across the emirate.    One afternoon, we wander through Sharjah’s heritage area to Bait Obaid Al Shamsi, the personal residence of a local pearl merchant and his family from the mid-19th century until the 1970s. In a small courtyard outside his multi chambered installation, we meet artist Shiraz Bayjoo to talk about how his project engages history—a pervasive theme in this Biennial.   The artist shares the storied past of the Indian Ocean and the island archipelagos of Mauritius and Madagascar, off the southeast coast of Africa. Keep listening to hear the orientalist tropes that he disrupts in Searching for Libertalia, a project that recovers the history of a purported pirate colony founded in the late 17th century.   Our conversation with Shiraz Bayjoo reveals one artist’s approach to Thinking Historically in the Present. Searching for Liberatalia materializes a cultural narrative that might come closer than real history to showing us the way through rupture, dislocation, and uncertainty to a place of growth and renewal. Story: Cathay Byrd Sound Design: Anamnesis Audio Special Audio: Searching for Libertalia, Sharjah Biennial 15   Related Episodes: Sharjah Biennial 15—with Hoor Al Qasimi   Related Links: Shiraz Bayjoo, Sharjah Biennial 15, Searching for Libertalia

In February 2023, we travel to the Arab Emirates for the first time. We’re here to witness and celebrate Sharjah Biennial 15: Thinking Historically in the Present. Four years in the making, the exhibition is ambitious and expansive. More than 100 artists from 70 countries are presenting projects in 19 venues across the emirate. Seventy of those projects are new commissions.   The memory and influence of Nigerian born art historian, author, educator, and curator Okwui Enwezor is deeply felt, despite his physical absence. The Sharjah Art Foundation had invited Enwezor to curate this iteration of the biennial. He envisioned the exhibition title before his death in 2019.   Sharjah Art Foundation Director Hoor Al Qasimi was 22 years old when she met Okwui Enwezor and experienced his non-western curatorial model at documenta 11, in Kassel, Germany. Enwezor’s impactful perspective on postnational hybridity and global modern identity inspired Al Qasimi to lead the Foundation and the Biennial in new directions.    On the 30th anniversary of the Biennial, we sit down with Al Qasimi to talk about the inclusive ethos that we find in the art experience of Thinking Historically in the Present.   Story: Cathy Byrd | Sound Design: Anamnesis Audio   Special Audio: Hassan Hajjaj with Mestre Pastel, Open Capoeira Session, Arts Square, Sharjah    Related Episode: New Point of View at Venice Biennale   Related Links: Sharjah Biennial 15, Sharjah Art Foundation, documenta 11, 2nd Johannesburg Biennial  

In 2022, members and guests of the International Association of Curators of Contemporary Art (IKT) travel from around the world to Kentucky, in the Appalachian region of the United States. The uninitiated might consider this a remote context for conversations around international contemporary art. Instead, we find Appalachia a nuanced cultural and geographic space.   The third episode in our IKT Kentucky series explores the evolving and inclusive concept of “Global Appalachia” presented during IKT’s 2022 gathering. Generations of curators, poets, and artists from a world of cultures have found their way across time and space to build communities in this region. Here and now, Global Appalachia is where their 21st century contemporaries continue to shape a boundless future, with a diverse array of perspectives on the meaning of home and tradition.   Sound Design: Anamnesis Audio Music:  Delving the Deep by BlueDot Sessions,  Gettie's Wash by Blue Dot Sessions, Tan Mountain by Blue Dot Sessions   Voices, in order of appearance: Rebecca Adkins Fletcher, Frank X Walker, Elizabeth Mesa-Gaido, Vian Sora, Ceirra Evans, Anissa Lewis, Hannah Drake, Karlota Contreras Koterbay, Erin Lee Antonak   Related Episodes: Curators Declare Independence at IKT Kentucky, The Lure of Local Arts in Appalachia   Related Links: Rebecca Adkins Fletcher, Frank X Walker, Elizabeth Mesa-Gaido, Vian Sora, Ceirra Evans, Anissa Lewis, Hannah Drake, Karlota Contreras Koterbay, Erin Lee Antonak, IKT Kentucky Global Appalachia Symposium, International Association of Curators of Contemporary Art, Speed Museum, Great Meadows Foundation  

In 2022, members and guests of the International Association of Curators of Contemporary Art make their way to Kentucky, in the United States. Our first days are packed with urban experiences — museum, gallery, private collection, and studio visits, a symposium — and sunset tours of two outdoor sculpture collections.  A small group continues the adventure on a road trip that takes us to the far eastern edge of Kentucky. As we cross the state, we learn firsthand the challenges of growing up and producing culture in the region. We bear witness to creative resilience and community in remote spaces and places in Appalachia. We bear witness to creative resilience and community in remote spaces and places where rich stories are told through art, film, music, and theater.  Voices: Orlando Maiike Gouwenberg, Jessica Bennett Kincaid, Carolina Rubens, Jeff Chapman Crane, Sharman Crane, Kate Handslik Sound Design: Anamnesis Audio Music: Danver County by Blue Dot Sessions Earl Gilmore - This Little Light of Mine, on “From the Depths of my Soul,” 1977, June Appal Recordings Nimrod Workman & Phyllis Boyens - I am a Travelin' Creature, on “Passing Through the Garden," 1974, June Appal Recordings Pigmeat Jarret – Look at the People (Little Girl), on “Look at the People,” 1979, June Appal Recordings Ralph Stanley – I am a Man of Constant Sorrow Sarah Kate Morgan - Goodbye My Honey I'm Gone, on “Old Tunes & Sad Songs," 2022, self-released Sparky Rucker – Come on in my Kitchen, on “Cold & Lonesome on a Train,” 1977, June Appal Recordings Special Sound: Stranger with a Camera, Elizabeth Barrett, 2000 Appalshop; Shift Change, Higher Ground Theater, 2021 Related Episodes: Sounds of Berlin, Cultural Complexity in Miami’s Little Haiti, Key West: Creativity at the End of the Road, Mapping Caribbean Cultural Ecologies Related Links: Association of International Curators of Contemporary Art, Great Meadows Foundation, Appalshop, June Appal Recordings, Higher Ground Theater, Valley of the Winds Gallery, Mine Portal 31