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After a five-year-long hiatus, CVBox is back with six tracks between techno, acid, electro and IDM that are more suited to those super dark times we’re currently living through than ever before. On »Pattern Based On« the Dresden-based artist and long-running Uncanny Valley-comrade (four EPs and one album) proves that he hasn’t lost his touch when it comes to creating electronic cyberspaces that might drive you mad a bit. With majestic sounds and constantly evolving arrangements, the tracks are strangely entertaining on the dancefloor while you can’t help but still feel a queasy sensation in your stomach. While some describe the tunes as milky, permeated by translucent membranes, for others they are an aural embodiment of urban landscapes in the post-apocalypse. Only two things are true: No one sounds like CVBox and all his tracks sound like CVBox. The title refers to structures derived from repetitions, sequences and, indeed, patterns. Although the sounds within these patterns usually follow clear paths, they are allowed to overlap and falter. At the same time, it is music through which CVBox comes to terms with his time as a paramedic. The artwork extends this idea with a special twist. A medical-based test pattern with its clinical functionality is set against a backdrop that is clearly placed in a natural environment. A process that creates a kind of artefact and triggers immediate reflection on what will remain of us many decades from now. What role will music play in defining this? Catalogue No. UV065 Formats - Vinyl, Digital Distributed by Clone Distribution (P) & (C) 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] Credits Written and produced by CVBox Mastered by Jacob Korn at Tailout Studio Artwork by Carl-Johannes Schulze at studiosuspect.com

After a five-year-long hiatus, CVBox is back with six tracks between techno, acid, electro and IDM that are more suited to those super dark times we’re currently living through than ever before. On »Pattern Based On« the Dresden-based artist and long-running Uncanny Valley-comrade (four EPs and one album) proves that he hasn’t lost his touch when it comes to creating electronic cyberspaces that might drive you mad a bit. With majestic sounds and constantly evolving arrangements, the tracks are strangely entertaining on the dancefloor while you can’t help but still feel a queasy sensation in your stomach. While some describe the tunes as milky, permeated by translucent membranes, for others they are an aural embodiment of urban landscapes in the post-apocalypse. Only two things are true: No one sounds like CVBox and all his tracks sound like CVBox. The title refers to structures derived from repetitions, sequences and, indeed, patterns. Although the sounds within these patterns usually follow clear paths, they are allowed to overlap and falter. At the same time, it is music through which CVBox comes to terms with his time as a paramedic. The artwork extends this idea with a special twist. A medical-based test pattern with its clinical functionality is set against a backdrop that is clearly placed in a natural environment. A process that creates a kind of artefact and triggers immediate reflection on what will remain of us many decades from now. What role will music play in defining this? Catalogue No. UV065 Formats - Vinyl, Digital Distributed by Clone Distribution (P) & (C) 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] Credits Written and produced by CVBox Mastered by Jacob Korn at Tailout Studio Artwork by Carl-Johannes Schulze at studiosuspect.com

After a five-year-long hiatus, CVBox is back with six tracks between techno, acid, electro and IDM that are more suited to those super dark times we’re currently living through than ever before. On »Pattern Based On« the Dresden-based artist and long-running Uncanny Valley-comrade (four EPs and one album) proves that he hasn’t lost his touch when it comes to creating electronic cyberspaces that might drive you mad a bit. With majestic sounds and constantly evolving arrangements, the tracks are strangely entertaining on the dancefloor while you can’t help but still feel a queasy sensation in your stomach. While some describe the tunes as milky, permeated by translucent membranes, for others they are an aural embodiment of urban landscapes in the post-apocalypse. Only two things are true: No one sounds like CVBox and all his tracks sound like CVBox. The title refers to structures derived from repetitions, sequences and, indeed, patterns. Although the sounds within these patterns usually follow clear paths, they are allowed to overlap and falter. At the same time, it is music through which CVBox comes to terms with his time as a paramedic. The artwork extends this idea with a special twist. A medical-based test pattern with its clinical functionality is set against a backdrop that is clearly placed in a natural environment. A process that creates a kind of artefact and triggers immediate reflection on what will remain of us many decades from now. What role will music play in defining this? Catalogue No. UV065 Formats - Vinyl, Digital Distributed by Clone Distribution (P) & (C) 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] Credits Written and produced by CVBox Mastered by Jacob Korn at Tailout Studio Artwork by Carl-Johannes Schulze at studiosuspect.com

After a five-year-long hiatus, CVBox is back with six tracks between techno, acid, electro and IDM that are more suited to those super dark times we’re currently living through than ever before. On »Pattern Based On« the Dresden-based artist and long-running Uncanny Valley-comrade (four EPs and one album) proves that he hasn’t lost his touch when it comes to creating electronic cyberspaces that might drive you mad a bit. With majestic sounds and constantly evolving arrangements, the tracks are strangely entertaining on the dancefloor while you can’t help but still feel a queasy sensation in your stomach. While some describe the tunes as milky, permeated by translucent membranes, for others they are an aural embodiment of urban landscapes in the post-apocalypse. Only two things are true: No one sounds like CVBox and all his tracks sound like CVBox. The title refers to structures derived from repetitions, sequences and, indeed, patterns. Although the sounds within these patterns usually follow clear paths, they are allowed to overlap and falter. At the same time, it is music through which CVBox comes to terms with his time as a paramedic. The artwork extends this idea with a special twist. A medical-based test pattern with its clinical functionality is set against a backdrop that is clearly placed in a natural environment. A process that creates a kind of artefact and triggers immediate reflection on what will remain of us many decades from now. What role will music play in defining this? Catalogue No. UV065 Formats - Vinyl, Digital Distributed by Clone Distribution (P) & (C) 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] Credits Written and produced by CVBox Mastered by Jacob Korn at Tailout Studio Artwork by Carl-Johannes Schulze at studiosuspect.com

After a five-year-long hiatus, CVBox is back with six tracks between techno, acid, electro and IDM that are more suited to those super dark times we’re currently living through than ever before. On »Pattern Based On« the Dresden-based artist and long-running Uncanny Valley-comrade (four EPs and one album) proves that he hasn’t lost his touch when it comes to creating electronic cyberspaces that might drive you mad a bit. With majestic sounds and constantly evolving arrangements, the tracks are strangely entertaining on the dancefloor while you can’t help but still feel a queasy sensation in your stomach. While some describe the tunes as milky, permeated by translucent membranes, for others they are an aural embodiment of urban landscapes in the post-apocalypse. Only two things are true: No one sounds like CVBox and all his tracks sound like CVBox. The title refers to structures derived from repetitions, sequences and, indeed, patterns. Although the sounds within these patterns usually follow clear paths, they are allowed to overlap and falter. At the same time, it is music through which CVBox comes to terms with his time as a paramedic. The artwork extends this idea with a special twist. A medical-based test pattern with its clinical functionality is set against a backdrop that is clearly placed in a natural environment. A process that creates a kind of artefact and triggers immediate reflection on what will remain of us many decades from now. What role will music play in defining this? Catalogue No. UV065 Formats - Vinyl, Digital Distributed by Clone Distribution (P) & (C) 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] Credits Written and produced by CVBox Mastered by Jacob Korn at Tailout Studio Artwork by Carl-Johannes Schulze at studiosuspect.com

After a five-year-long hiatus, CVBox is back with six tracks between techno, acid, electro and IDM that are more suited to those super dark times we’re currently living through than ever before. On »Pattern Based On« the Dresden-based artist and long-running Uncanny Valley-comrade (four EPs and one album) proves that he hasn’t lost his touch when it comes to creating electronic cyberspaces that might drive you mad a bit. With majestic sounds and constantly evolving arrangements, the tracks are strangely entertaining on the dancefloor while you can’t help but still feel a queasy sensation in your stomach. While some describe the tunes as milky, permeated by translucent membranes, for others they are an aural embodiment of urban landscapes in the post-apocalypse. Only two things are true: No one sounds like CVBox and all his tracks sound like CVBox. The title refers to structures derived from repetitions, sequences and, indeed, patterns. Although the sounds within these patterns usually follow clear paths, they are allowed to overlap and falter. At the same time, it is music through which CVBox comes to terms with his time as a paramedic. The artwork extends this idea with a special twist. A medical-based test pattern with its clinical functionality is set against a backdrop that is clearly placed in a natural environment. A process that creates a kind of artefact and triggers immediate reflection on what will remain of us many decades from now. What role will music play in defining this? Catalogue No. UV065 Formats - Vinyl, Digital Distributed by Clone Distribution (P) & (C) 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] Credits Written and produced by CVBox Mastered by Jacob Korn at Tailout Studio Artwork by Carl-Johannes Schulze at studiosuspect.com

UVLTD03 - Jacob Stoy - Some Tools 1 - UVLTD03 A1 by Uncanny Valley

UVLTD03 - Jacob Stoy - Some Tools 1 - UVLTD03 B2 by Uncanny Valley

UVLTD03 - Jacob Stoy - Some Tools 1 - UVLTD03 B1 by Uncanny Valley

UVLTD03 - Jacob Stoy - Some Tools 1 - UVLTD03 A2 by Uncanny Valley

Release Date: May, 29, 2026 Artist: @barkingmusic Catalogue No.: UVMC07 To be released on tape and digitally Distributed by Clone Distribution P & © 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] 01 Gareth Psaltis feat. Billy K – These Shadows 02 Gareth Psaltis – A View Across The Sand 03 Gareth Psaltis – Rush 04 Gareth Psaltis – In Her Reflection 05 Gareth Psaltis – Closer On Water Droplets 06 Gareth Psaltis – You Sleepwalker 07 Gareth Psaltis – Fell Upon 08 Gareth Psaltis – Niederbahn With IN HER REFLECTION Australian-born Gareth Psaltis aka @barkingmusic steps into a new chapter. Formerly releasing music under the moniker Barking, the Berlin-based producer now presents his most personal work to date under his full name—marking both an artistic and emotional shift. It’s his first release on the long-running Dresden-based label Uncanny Valley, which is venturing into uncharted territory with this release. The album signals a clear move away from the analogue-synthesis foundations of his earlier output towards a more fragmentary, collage-like approach. Samples drawn from obscure jazz and Greek folk records intertwine with everyday field recordings, framed by jungle rhythms and ambient drift but also post punk-informed basslines, wave and jazz structures. The result is music that feels intimate yet open-ended, rooted in club culture while quietly pulling away from it. Written over the past one to two years, IN HER REFLECTION mirrors a period of profound change in Psaltis’ life. Navigating the isolation and uncertainty of living in Berlin, the process was shaped by his wife’s pregnancy and the birth of his first daughter, experiences that brought new forms of connection, grounding and belonging. These themes surface most clearly on the title track, which also marks the first appearance of Psaltis’ own vocals, reflecting on transformation, vulnerability and closeness. Balancing introspection with rhythmic precision, IN HER REFLECTION is not a reinvention but a refinement, an album that embraces subtlety, memory and emotional resonance and positions Gareth Psaltis firmly within Uncanny Valley’s distinctive catalogue. The eight tracks form a coherently sounding album that is best visualided by the unique artwork by Carl-Johannes Schulze, one of the label heads. Credits Written and produced by Gareth Psaltis in the little room. Guitar on Track 1 from Billy K. Published by Copyright Control. Mastered by Anne Taegert, Dubplates & Mastering, Berlin. Artwork by Carl-Johannes Schulze, studiosuspect.com Photos by Siem Salaboem.

Release Date: May, 29, 2026 Artist: @barkingmusic Catalogue No.: UVMC07 To be released on tape and digitally Distributed by Clone Distribution P & © 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] 01 Gareth Psaltis feat. Billy K – These Shadows 02 Gareth Psaltis – A View Across The Sand 03 Gareth Psaltis – Rush 04 Gareth Psaltis – In Her Reflection 05 Gareth Psaltis – Closer On Water Droplets 06 Gareth Psaltis – You Sleepwalker 07 Gareth Psaltis – Fell Upon 08 Gareth Psaltis – Niederbahn With IN HER REFLECTION Australian-born Gareth Psaltis aka @barkingmusic steps into a new chapter. Formerly releasing music under the moniker Barking, the Berlin-based producer now presents his most personal work to date under his full name—marking both an artistic and emotional shift. It’s his first release on the long-running Dresden-based label Uncanny Valley, which is venturing into uncharted territory with this release. The album signals a clear move away from the analogue-synthesis foundations of his earlier output towards a more fragmentary, collage-like approach. Samples drawn from obscure jazz and Greek folk records intertwine with everyday field recordings, framed by jungle rhythms and ambient drift but also post punk-informed basslines, wave and jazz structures. The result is music that feels intimate yet open-ended, rooted in club culture while quietly pulling away from it. Written over the past one to two years, IN HER REFLECTION mirrors a period of profound change in Psaltis’ life. Navigating the isolation and uncertainty of living in Berlin, the process was shaped by his wife’s pregnancy and the birth of his first daughter, experiences that brought new forms of connection, grounding and belonging. These themes surface most clearly on the title track, which also marks the first appearance of Psaltis’ own vocals, reflecting on transformation, vulnerability and closeness. Balancing introspection with rhythmic precision, IN HER REFLECTION is not a reinvention but a refinement, an album that embraces subtlety, memory and emotional resonance and positions Gareth Psaltis firmly within Uncanny Valley’s distinctive catalogue. The eight tracks form a coherently sounding album that is best visualided by the unique artwork by Carl-Johannes Schulze, one of the label heads. Credits Written and produced by Gareth Psaltis in the little room. Guitar on Track 1 from Billy K. Published by Copyright Control. Mastered by Anne Taegert, Dubplates & Mastering, Berlin. Artwork by Carl-Johannes Schulze, studiosuspect.com Photos by Siem Salaboem.

Release Date: May, 29, 2026 Artist: @barkingmusic Catalogue No.: UVMC07 To be released on tape and digitally Distributed by Clone Distribution P & © 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] 01 Gareth Psaltis feat. Billy K – These Shadows 02 Gareth Psaltis – A View Across The Sand 03 Gareth Psaltis – Rush 04 Gareth Psaltis – In Her Reflection 05 Gareth Psaltis – Closer On Water Droplets 06 Gareth Psaltis – You Sleepwalker 07 Gareth Psaltis – Fell Upon 08 Gareth Psaltis – Niederbahn With IN HER REFLECTION Australian-born Gareth Psaltis aka @barkingmusic steps into a new chapter. Formerly releasing music under the moniker Barking, the Berlin-based producer now presents his most personal work to date under his full name—marking both an artistic and emotional shift. It’s his first release on the long-running Dresden-based label Uncanny Valley, which is venturing into uncharted territory with this release. The album signals a clear move away from the analogue-synthesis foundations of his earlier output towards a more fragmentary, collage-like approach. Samples drawn from obscure jazz and Greek folk records intertwine with everyday field recordings, framed by jungle rhythms and ambient drift but also post punk-informed basslines, wave and jazz structures. The result is music that feels intimate yet open-ended, rooted in club culture while quietly pulling away from it. Written over the past one to two years, IN HER REFLECTION mirrors a period of profound change in Psaltis’ life. Navigating the isolation and uncertainty of living in Berlin, the process was shaped by his wife’s pregnancy and the birth of his first daughter, experiences that brought new forms of connection, grounding and belonging. These themes surface most clearly on the title track, which also marks the first appearance of Psaltis’ own vocals, reflecting on transformation, vulnerability and closeness. Balancing introspection with rhythmic precision, IN HER REFLECTION is not a reinvention but a refinement, an album that embraces subtlety, memory and emotional resonance and positions Gareth Psaltis firmly within Uncanny Valley’s distinctive catalogue. The eight tracks form a coherently sounding album that is best visualided by the unique artwork by Carl-Johannes Schulze, one of the label heads. Credits Written and produced by Gareth Psaltis in the little room. Guitar on Track 1 from Billy K. Published by Copyright Control. Mastered by Anne Taegert, Dubplates & Mastering, Berlin. Artwork by Carl-Johannes Schulze, studiosuspect.com Photos by Siem Salaboem.

Release Date: May, 29, 2026 Artist: @barkingmusic Catalogue No.: UVMC07 To be released on tape and digitally Distributed by Clone Distribution P & © 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] 01 Gareth Psaltis feat. Billy K – These Shadows 02 Gareth Psaltis – A View Across The Sand 03 Gareth Psaltis – Rush 04 Gareth Psaltis – In Her Reflection 05 Gareth Psaltis – Closer On Water Droplets 06 Gareth Psaltis – You Sleepwalker 07 Gareth Psaltis – Fell Upon 08 Gareth Psaltis – Niederbahn With IN HER REFLECTION Australian-born Gareth Psaltis aka @barkingmusic steps into a new chapter. Formerly releasing music under the moniker Barking, the Berlin-based producer now presents his most personal work to date under his full name—marking both an artistic and emotional shift. It’s his first release on the long-running Dresden-based label Uncanny Valley, which is venturing into uncharted territory with this release. The album signals a clear move away from the analogue-synthesis foundations of his earlier output towards a more fragmentary, collage-like approach. Samples drawn from obscure jazz and Greek folk records intertwine with everyday field recordings, framed by jungle rhythms and ambient drift but also post punk-informed basslines, wave and jazz structures. The result is music that feels intimate yet open-ended, rooted in club culture while quietly pulling away from it. Written over the past one to two years, IN HER REFLECTION mirrors a period of profound change in Psaltis’ life. Navigating the isolation and uncertainty of living in Berlin, the process was shaped by his wife’s pregnancy and the birth of his first daughter, experiences that brought new forms of connection, grounding and belonging. These themes surface most clearly on the title track, which also marks the first appearance of Psaltis’ own vocals, reflecting on transformation, vulnerability and closeness. Balancing introspection with rhythmic precision, IN HER REFLECTION is not a reinvention but a refinement, an album that embraces subtlety, memory and emotional resonance and positions Gareth Psaltis firmly within Uncanny Valley’s distinctive catalogue. The eight tracks form a coherently sounding album that is best visualided by the unique artwork by Carl-Johannes Schulze, one of the label heads. Credits Written and produced by Gareth Psaltis in the little room. Guitar on Track 1 from Billy K. Published by Copyright Control. Mastered by Anne Taegert, Dubplates & Mastering, Berlin. Artwork by Carl-Johannes Schulze, studiosuspect.com Photos by Siem Salaboem.

Release Date: May, 29, 2026 Artist: @barkingmusic Catalogue No.: UVMC07 To be released on tape and digitally Distributed by Clone Distribution P & © 2026 by Uncanny Valley – www.uncannyvalley.de Contact – [email protected] 01 Gareth Psaltis feat. Billy K – These Shadows 02 Gareth Psaltis – A View Across The Sand 03 Gareth Psaltis – Rush 04 Gareth Psaltis – In Her Reflection 05 Gareth Psaltis – Closer On Water Droplets 06 Gareth Psaltis – You Sleepwalker 07 Gareth Psaltis – Fell Upon 08 Gareth Psaltis – Niederbahn With IN HER REFLECTION Australian-born Gareth Psaltis aka @barkingmusic steps into a new chapter. Formerly releasing music under the moniker Barking, the Berlin-based producer now presents his most personal work to date under his full name—marking both an artistic and emotional shift. It’s his first release on the long-running Dresden-based label Uncanny Valley, which is venturing into uncharted territory with this release. The album signals a clear move away from the analogue-synthesis foundations of his earlier output towards a more fragmentary, collage-like approach. Samples drawn from obscure jazz and Greek folk records intertwine with everyday field recordings, framed by jungle rhythms and ambient drift but also post punk-informed basslines, wave and jazz structures. The result is music that feels intimate yet open-ended, rooted in club culture while quietly pulling away from it. Written over the past one to two years, IN HER REFLECTION mirrors a period of profound change in Psaltis’ life. Navigating the isolation and uncertainty of living in Berlin, the process was shaped by his wife’s pregnancy and the birth of his first daughter, experiences that brought new forms of connection, grounding and belonging. These themes surface most clearly on the title track, which also marks the first appearance of Psaltis’ own vocals, reflecting on transformation, vulnerability and closeness. Balancing introspection with rhythmic precision, IN HER REFLECTION is not a reinvention but a refinement, an album that embraces subtlety, memory and emotional resonance and positions Gareth Psaltis firmly within Uncanny Valley’s distinctive catalogue. The eight tracks form a coherently sounding album that is best visualided by the unique artwork by Carl-Johannes Schulze, one of the label heads. Credits Written and produced by Gareth Psaltis in the little room. Guitar on Track 1 from Billy K. Published by Copyright Control. Mastered by Anne Taegert, Dubplates & Mastering, Berlin. Artwork by Carl-Johannes Schulze, studiosuspect.com Photos by Siem Salaboem.