Advertise on podcast: Between The Covers : Conversations with Writers in Fiction, Nonfiction & Poetry

Today’s unforgettable archival conversation with Elvia Wilk was recorded in-person in 2019 on the occasion of the release of her debut novel Oval. Wilk takes questions of self and other, nature and culture, human and non-human into the dystopic near-future and into the realm of both philosophy and narrative. We discuss her writings outside of the novel about weird fiction, the literary movement called The New Weird, and how she herself often writes about weird (but real) endeavors that blur the natural and the artificial or that flip our preconceptions on our head. From exploitation and exclusion in the art world to global climate apocalypse, Wilk’s weird fiction makes us see the world frightfully anew. As McKenzie Wark says, “J. G. Ballard meets William Gibson meets Jeff VanderMeer. Oval is an up-to-the-minute story about the twilight zones of corporate design, aesthetics, pharmacy, and bioengineering, where there’s nothing consultants won’t break in the quest for ‘innovation.’ What could possibly go wrong? Find out in Elvia Wilk’s crisp and stylish debut book.” For the bonus audio, Elvia contributed a reading of the first half of a speech she delivered at an ecology symposium, her talk called “Death by Landscape.” This joins an ever-growing archive of contributions from past guests—of readings, translator conversations, craft talks, music, soundscapes and more. To find out how to subscribe to the bonus material and about the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, for your book shopping needs don’t miss Milkweed Editions Bookshop bookstore.

Today’s archival episode with Marlon James was recorded in 2019 at the studios of KBOO community radio. Marlon’s latest book The Disappearers has garnered the most talked about book review of this year, from the New York Times book critic Dwight Garner (who isn’t known to gush). Not only did he say it should be talked about alongside Faulkner’s Absalom, Absalom, Morrison’s Song of Solomon, and Rushdie’s Midnight’s Children, Garner also called it one of the signal reading experiences of his adult life, a masterpiece, the novel of the decade and possibly of the century so far. The book we discussed seven years ago now, was James’ move into fantasy and myth, a novel that won the 2020 Locus Award for Best Horror, Black Leopard, Red Wolf. The science fiction and fantasy author and critic Amal El-Mohtar, perplexed by all the comparisons of it to George R.R. Martin and J.R.R. Tolkien suggested at the time that it was more as if Toni Morrison had written Ovid’s Metamorphoses: “Painful and strange, full of bodies shifting from personhood into meat, and somehow, always, still, upsettingly beautiful. This isn’t Tolkien’s grief-stricken melancholy, or Martin’s calculating, character-forward plot mechanics; it’s horror and tragedy by way of fantasy, nothing discrete, everything penetrating everything else. Reading Black Leopard, Red Wolf was like being slowly eaten by a bear, one inviting me to feel every pressure of tooth and claw tearing into me, asking me to contemplate the intimacy of violation and occasionally cracking a joke.” For the bonus audio archive Marlon reads his essay “Why I’m Done Talking About Diversity (or, Why We Should Try an All-White Diversity Panel).” We also added his 2015 Tin House Summer Writing Workshop craft lecture “The 9 and 1/2 Rules of Seduction” to the archive. These join many contributions from past guests including Ted Chiang, China Miéville, N.K. Jemisin, Joe Sacco, Naomi Klein, Carl Phillips, Dionne Brand and many others. To learn about how to subscribe to the bonus audio, as well as about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, for your book shopping needs, don’t miss Milkweed Editions bookstore on BookShop.

China Miéville’s much-anticipated new book The Rouse is twenty-one years in the making. He was writing it when he wrote The City & The City and Embassytown. He was writing it when he wrote October: The Story of the Russian Revolution and A Spectre Haunting: On the Communist Manifesto. He was writing it when he wrote children’s books, comics and his latest collaborative novel with Keanu Reeves. In other words, this novel is not only itself about epochs, and the end of them, but also itself spans many eras and iterations of China’s own life and writing life. Together we look at his many interests over the past two decades—Marxism and monsters, apophatic theology and the nature of consciousness, the failure of language, the power of it, the eerie and spooky, the terror and the horror of all that goes bump in the night—in relation to The Rouse itself. As part of writing his 1200-page-plus new novel, China read many other big books for inspiration—from Gravity’s Rainbow to Mosquito. For the bonus audio archive China discusses one of his favorite’s: Miss MacIntosh, My Darling by Marguerite Young and reads an excerpt for us. This joins bonus material from many past guests including Ted Chiang, N.K. Jemisin, Carmen Maria Machado, Vajra Chandrasekera, and adrienne maree brown, to name a few. You can find out more about subscribing to the bonus material and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, at the show’s Patreon page. Finally, don’t miss the BTC BookShop corresponding to today’s conversation, brimming over with all the books China references and discusses today.  And while you are at it, for your general book needs, be sure to browse the Milkweed Bookstore BookShop as well.

Today’s conversation between Thalia Field and David Naimon, moderated by Anne de Marcken, was recorded in February as part of the Pacific Northwest College of Art’s Visual Arts low residency MFA program. Thalia and David discuss and explore their pieces within the anthology Creature Needs: Writers Respond to the Science of Animal Conservation, where each writer was given a scientific study to engage with and create art in relation to. As a result, side-blotched lizards, boreal toads and the green cutthroat trout all help make up the cross-species chorus of today’s conversation, one that isn’t just about making art in relation to science, but also about interrogating, through art-making, the assumptions baked into the scientific frame, and using art to reveal the unexamined stories hidden within that frame. Looking at other non-normative modes of scientific inquiry, ones where the line isn’t so bright between art and science, nor the subjective and the so-called objective, Thalia, David and Anne explore the various possibilities and pitfalls for art-makers and writers when engaging with the more-than-human world. If you enjoyed today’s conversation, consider joining the Between the Covers community as a listener-supporter. Find out about all the potential rewards and benefits of doing so at the show’s Patreon page. Finally, here is the BTC BookShop specific to today’s episode. And don’t miss Milkweed Editions own BookShop bookstore as well.

Today’s guest, poet Hajjar Baban, discusses her truly remarkable debut collection of poetry Low Flying Planes. Together we explore Kurdish poetics, the role of silence, refusal and isolation in her work, the Kurdish Poets Collective, writing lineages, and much more. Selected for the 2025 National Poetry Series by past guest of the show, poet Jake Skeets, Jake says of Low Flying Planes: “…if tradition is to be made whole, if memory, if truth, it begins with a book like this. I’m eager for the world to enter this one and emerge on the other side transformed, into a place where words are both nourished and at stake. I’m eager for this poet, for a new voice that asks us to change. It is my honor to introduce this marvelous work.” For the bonus audio archive, Hajjar contributes an extended reading of short poems by Eugène Guillevic and a discussion of his influence on her work. This joins readings from everyone from Jorie Graham to Omar El Akkad, Dionne Brand to Isabella Hammad and more. You can learn how to subscribe to the bonus audio and about the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter at the show’s Patreon page. Finally, here is the BTC BookShop specific for today’s episode. And don’t miss Milkweed Editions BookShop as well.

Today’s conversation with poet Morgan Parker was recorded in-person in 2019 and was Morgan’s second appearance on the show. Both conversations with Morgan are unforgettable, so don’t miss her first appearance in 2017 after you enjoy today’s episode about Magical Negro. Later that same year Magical Negro won the National Book Critics Circle Award in Poetry. Danez Smith, another past guest of this show, said this about it: “2019 justly belongs to Morgan Parker. Her poems shred me with their intelligence, dark humor and black-hearted vision. Parker is one of this generation’s best minds, able to hold herself and her world, which includes all of us, up to impossible lights, revealing every last bit of our hopes, failings, possibilities and raptures.” For the bonus audio archive Morgan contributed a reading from her YA novel Who Put this Song on? which joins contributions from Kaveh Akbar, Tommy Pico, Dionne Brand, Nikky Finney, Natalie Diaz and more. To find out about how to subscribe to the bonus audio archive and all the other potential benefits and rewards of joining the Between the Covers community as a listener supporter, head over to the show’s Patreon page. And don’t miss Milkweed Editions bookstore BookShop for even more books to explore.

Claudia Rankine first appeared on Between the Covers in 2014 to discuss Citizen: An American Lyric. Our first encounter back then was before January 6th or October 7th, before Trump 1.0 or Trump 2.0, before the public murder of George Floyd or the live-streamed genocide, before the fall of Roe v Wade or the massive worldwide fires felling our forests each summer. Not only do we account for the time since we last talked, Claudia’s powerful new book Triage does this very thing as well. Triage follows the lifelong contentious friendship between The Narrator and The Theorist, a Black woman and nonbinary Palestinian, who have invented a ritual of collapse, falling to the ground each time they see each other. “Collapse was an antidote to an unbearable but borne disturbance we glimpsed in the face of each other,” the narrator says. And “maybe collapsing simply was the easiest way to keep from breaking apart.” Join us as we explore Triage together, and the possibilities of becoming someone else in the face of catastrophic change. If you enjoyed today’s program consider joining the Between the Covers community as a listener-supporter. Find out about all the potential benefits and rewards of doing so—from the Milkweed Early Reader Subscription to access to bonus contributions from everyone from Dionne Brand to Nikky Finney, Isabella Hammad to Omar El Akkad— at the show’s Patreon page. Finally, to explore the books discussed and referenced in today’s conversation check out the Between the Covers BookShop specific for today’s episode.  And don’t miss Milkweed BookShop bookstore as well.

We welcome back Valeria Luiselli—who first appeared on the show eleven years ago—to discuss her new and truly marvelous novel Beginning Middle End. Much like the shapeshifting god Proteus, who figures prominently in this story, Beginning Middle End is many things at once: a road novel, a family drama, a work of climate fiction, a feminist retelling of classical mythology, a novel about writing, about borders and migration, and perhaps even a field guide for the apocalypse, enacting a way to live and love in a time of rupture and unimaginable change.  Join Valeria, Proteus, and a host of pre-Socratic philosophers as we follow the novel’s make-shift family, broken apart and now coming back together anew, in a Sicily beset by metamorphic forces, mythic, geologic, and more. If you enjoy today’s conversation, consider shapeshifting from a listener to a listener-supporter by joining the Between the Covers community. You can find out about all the benefits and rewards of doing so at the show’s Patreon page. Finally, to explore the many books discussed and referenced in today’s conversation check out the Between the Covers BookShop specific for today’s episode.  In addition, don’t miss Milkweed Editions BookShop bookstore as well.

Today’s archival conversation, recorded in 2019, is Cristina Rivera Garza’s first unforgettable appearance on the show. We discuss two works of fiction by her, The Taiga Syndrome and The Iliac Crest. Poet Daniel Borzutsky says of the first, “If The Taiga Syndrome is a book of illness, it’s also about exile, disappearance, borders, love, language and translation, desire, capitalism and its discontents, fairy tales, and what it means to be possessed by the madness of others and the madness of ourselves…There is no one writing novels as phantasmagorically exquisite as Cristina Rivera Garza’s. The Taiga Syndrome, which is both quietly poetic and narratively unhinged, is a crucial addition to her distinguished oeuvre.” And Yuri Herrera says of the second, “An intelligent, beautiful story about bodies disguised as a story about language disguised as a story about night terrors. Cristina Rivera Garza does not respect what is expected of a writer, of a novel, of language. She is an agitator.” For the bonus audio archive we have an extended conversation with acclaimed translator Suzanne Jill Levine. We explore the pleasures and challenges of translating Cristina’s work; what the collaboration between Suzanne, Cristina and Suzanne’s doctoral student in translating The Taiga Syndrome together looked like; what to expect when pursuing a degree in translation, and more. To learn how to subscribe to the bonus audio, and about the many other potential benefits of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page.

Today’s guest is writer, poet and translator Eleni Sikelianos. We discuss her hybrid-genre, ancestral memoir Memory Rehearsal, a work that moves between poetry and prose, image and text, human and animal, history and mythology, and perhaps most of all tells the story of a poet’s self-discovery, finding her voice within a dual poetic lineage, within a chorus of remarkable voices, past and present. As Anne Waldman says: “Sikelianos’s voyage is a spiritual quest to untangle a history that only she and only poetry can accomplish. It is a meditation on gender, place, and reclamation, a struggle for a whole vision and version for the writer of her own self and purpose. The genius of this pursuit is staggering. . . .The intricate weaving and array of image and language to get there leaves me breathless. There is nothing like it that I have seen.” For the bonus audio archive Eleni contributes an electrifying reading from book one of  H.D.’s Trilogy, called “The Walls Do Not Fall.” This joins many unforgettable contributions, whether Lisa Robertson reading her translation of the long Baudelaire poem “Hags,” Jorie Graham reading Robert Creeley, Jen Bervin reading Paul Celan, a late night whispered reading by Bhanu Kapil from her writing journal, and much more. To find out how to subscribe to the bonus audio, and about all the other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally here is the BookShop for today’s conversation. [Author photo by Laird Hunt]

Lisa Robertson’s Riverwork twins the mysterious disappearance of the great aunt of our protagonist, Lucy Frost, and that same aunt’s interest in a long-disappeared river, buried under the streets of Paris. As Lucy searches for traces of her aunt, by attempting to inhabit and complete her work on this long-forgotten river, erased histories about both come to the surface. Today’s unforgettable conversation—whether when talking about laundry or linguistics, text or textile, dust or menses, archivists or troubadours—floods designation, spills over with newly daylighted significations. For the bonus audio archive Lisa introduces us to and reads her translation of “Hags,” the long poem by Charles Baudelaire that is a germ for both of her novels, The Baudelaire Fractal and Riverwork. This joins many contributions from past guests including Dionne Brand, Christina Sharpe, Canisia Lubrin, Sheila Heti, Leanne Betasamosake Simpson, Bhanu Kapil, Kate Zambreno, Sofia Samatar and many more. To learn how to subscribe to the bonus audio and about the many other potential benefits and rewards of joining the Between the Covers community as a listener support, head over to the show’s Patreon page. Finally here is the robust and wide-ranging BookShop for today’s conversation.

Today’s archival episode with Richard Powers, about The Overstory, was recorded in 2019 in the studios of KBOO community radio in Portland, Oregon.  Unusually, that same night I appeared with Richard at a live ticketed event at Revolution Hall to discuss the same book. Beyond the differences between an intimate one-on-one in-studio conversation (which today’s episode is), and a public-facing live event, where the presence of the audience is palpable and becomes part of the collective rapport we establish, I also developed two discrete lines of inquiry for each conversation respectively. So if you haven’t heard the live conversation (aired in 2023), I highly recommend it as well. Barbara Kingsolver for the New York Times Book Review declares The Overstory—winner of the 2019 Pulitzer Prize in Fiction—a book that accomplishes “what few living writers from either camp, art or science, could attempt. Using the tools of story, he pulls readers heart-first into a perspective so much longer-lived and more subtly developed than the human purview that we gain glimpses of a vast, primordial sensibility.” What does it mean to de-center humans in a story written for a human readership?  We explore that together today. For the bonus audio archive Richard discusses a collaborative tree cantata between musicans and writers, where writers pick their favorite text about trees and the musicians compose music to accompany it. Richard then reads his selection for the project, “Native Trees” by W.S. Merwin. This joins an ever-growing archive of material contributed by past guests, whether Forrest Gander reading poems in collaboration with a lichen scientist or Jorie Graham reading poems about rain by others; whether writing exercises by Lucy Ives, Lily Dunn or Will Alexander, or craft talks by Jeannie Vanasco and Marlon James. To learn how to subscribe to the bonus audio and about the other potential benefits and rewards of joining the Between the Covers community, head over to the show’s Patreon page.

Dionne Brand says of Giada Scodellaro debut novel, winner of the prestigious Novel Prize: “Ruins, Child takes us to the crumbling architecture of a future past; a future past that is possibly now. In this work of fractal seeing, we encounter women in lives that are simultaneously lived, reenacted, and observed. Ruins, Child is conceptually rich, prismatic, and choral, embodied, and surreal, cinematic and textual. Giada Scodellaro writes us Black life watching Black life.” In today’s conversation with Giada we look at this singular novel, one that moves less by story than by sound and by image; we look at the politics and poetics of the gaze, at the grammar of film and dance in relation to the the way Giada’s language gestures and flows; at Black artistic lineages, and at this community in her novel, of largely Black women, who film themselves living, and watch themselves on film alive. For the bonus audio archive, Giada contributes a reading from Dionne Brand’s touchstone collection of poetry Ossuaries. This joins contributions from many past guests including Dionne herself, Christina Sharpe, Nikky Finney, Ada Limón, Lydia Davis, Viet Thanh Nguyen and many others. To learn how to subscribe to the bonus audio and about the many other potential benefits and rewards of joining the Between the Covers community as a listener-supporter, head over to the show’s Patreon page. Finally, here is the BookShop for today.

Martyr Loser King, the debut graphic novel of poet, musician, actor and director Saul Williams, with art by Morgan Sorne, not only exists in the same world as his feature film Neptune Frost, but also that of three of his albums, one of his poetry collections and a touring dance performance called The Motherboard Suite. All of these works, in their respective disciplines, explore the distribution of power, the intersection of technology and race, and how our digitally-mediated lives are sustained by the crudest and cruelest of analog exploitations. In Martyr Loser King we follow two Central African protagonists—a miner of coltan, the trace mineral that powers our smart phones and laptops, and an intersex hacker with designs on the system extracting wealth from their country and people. To borrow words from Saul’s song and poem “Coltan as Cotton,” in today’s conversation we hack into land rights and ownership, faith and morality, masculinity, femininity and sexuality. We hack into the rebellious gene, the storyboard, and the history of revolutions. We hack into the database and the panel marked “survival.” If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. One of the many benefits and rewards you can choose from is access to the bonus audio archive, with contributions from everyone from Dionne Brand to Isabella Hammad, N.K. Jemisin to Danez Smith, Naomi Klein to Viet Thanh Nguyen. You can find out more at the show’s Patreon page. Finally, here is the BookShop for today’s conversation.

Today’s classic episode from the archives with Zadie Smith was recorded in 2019 at the studios of KBOO community radio to discuss her story collection Grand Union. The conversation ranges wildly—from the politics of representation, of being “free to imagine,” to the freedoms we’ve surrendered to surveillance capitalism. It ranges widely because her collection is, in the words of the San Francisco Chronicle an “unusual creature…Between the covers of one book, readers will find such disparate forms as allegory, parable, speculative thriller and satire, as well as shorter incarnations of Smith’s characteristic social comedy . . . Smith’s voracious intellect is on full display.” If you enjoy today’s conversation consider joining the Between the Covers community as a listener-supporter. Find out about all the potential benefits and rewards of doing so at the show’s Patreon page.