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It is fair to say Aarthi Vadde's wonderful new book, We The Platform, demostrates "how literature changes our perspective on the internet." But you also need to add that it "respond[s] to decline narratives about literature and literary study and to offer an alternative to prevailing sense of defeat and nostalgia that guides them.” Her conversation with John, like the book itself, aims to narrate the history of Web 2.0 from about 2004 to the present and to explore how writers themselves have responded since 2008. (That means compression" so please Google Aarthi to learn more about her Duke professorship, earlier Levin-prize winning Chimeras of Form: Modernist Internationalism beyond Europe, 1914-2016 , role as President of the Society for Novel Studies; and forthcoming co-edited Columbia University Press collection of conversations from podcast she co-founded, Novel Dialogue.) Aarthi is brimming with unexpected insights about writers responding in varied and unpredictable ways to textual production under digital conditions: Patricia Lockwood, Lauren Oyler, Tao Lin and even Sheila Heti, who early on experimented with LLM conversations in the New Yorker. She sees a new range of writers (Vauhini Vara, Meghan O'Gieblyn) maintaining a commitment to experimental writing, while engaging the power dynamics befalling them with this new tool, what she calls a new case of the "writer's hand at a distance." Finally, when it comes to defining the "multi-front battle" university English departments will have to fight for their survival, Aarthi also wants to respond generously to students whose desire to write is as strong as their desire to read: why should we condemn that as a narcissistic impulse? Read the episode here. Mentioned in the episode Karen Hao, Empire of AISarah Wynne-Williams, Careless PeopleLaurence Lessig Free CultureXu Bing's Book from the GroundFred Bennison's Emoji Dick.“glitch art”Recallable Books  Elizabeth Eisenstein's 1970 The Printing Press as an Agent of Change, as well as this AHR debate between Eisenstein and Adrian Johns.Ben Mangrum, The Comedy of Computation: also this excellent Recall this Book conversation about the feared obsolsence of the human knolwedge worker). Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Engages with the life and ideas of the twelfth-century Shaiva mystic and philosopher-poet Allama Prabhu.  In his last, profoundly innovative work Allama Prabhu and the Shaiva Imagination, D. R. Nagaraj (1954-1998) engages with the twelfth-century Shaiva mystic and philosopher-poet Allama Prabhu, whose enigmatic writings have perplexed many and thus resisted analysis. Nagaraj situates Allama in three intellectual contexts: the medieval philosophical world built around the worship of Shiva; the pan-Indian bhakti tradition; and, most broadly, Indian mystical thought. This framework enables a reconstruction of Allama through the poet's engagement with fellow poet-spiritualists (vachanakaras) such as Basava, as well as with the Kashmiri Shaiva philosopher Abhinavagupta and the founder of Hindu monasticism Gorakhnath. Nagaraj's close readings of Allama's vachanas offer a vision of Shaiva bhakti that seems to contradict the erotic and romantic expressive modes of Sringara rasa while tracing the limits of language for an understanding of the divine. Allama, Nagaraj suggests, is an epistemological iconoclast who expands the horizons of language and thought. Through these explorations, Nagaraj decolonizes the standard modes of inquiry and critiques certain settled notions in Indian philosophy, revealing himself as a postcolonial scholar whose "hermeneutics of suspicion" leads to a novel understanding of Indian texts and traditions. Unifying literary criticism with critical theory, philosophical inquiry, and the history of ideas, the book's focus on a specific religious tradition--Virashaivism--is never singular, making it as much a work for scholars of Indian spiritualism and religious thought as for those interested in frameworks that transgress Eurocentricism. Translated into English by Kannada philosopher N. S. Gundur, this is a major contribution to studies of Indian philosophy and literature. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Born Again: Romanticism and Fundamentalism (U Toronto Press, 2025) examines the deep historical roots of fundamentalism in Protestantism and the imaginative traditions of Romantic literature. It explores how the resurgence of fundamentalist thought within “born again” Christianity seeks to repress the trauma of modernity through the belief that the world must be radically transformed to align with a divine standard. By analysing the logic of this repression, the book reveals an alternative vision: a “revivalist rebirth” that offers a new ethical imperative to creatively shape the world in collaboration with others. Thinkers such as Immanuel Kant, Percy Shelley, and Friedrich Schlegel are central to the analysis, as are the literary works Faust and Frankenstein. Jeffrey Champlin illustrates how a revivalist imagination challenges blind faith, presenting figures of life reawakened to conscious moral and political engagement. Engaging with Arendt’s politics of natality and Derrida’s ethics of survival, Born Again offers pathways to reimagine a world that confronts the profound losses fueling fundamentalist ideologies, making it a timely and thought-provoking exploration for contemporary readers. Jeffrey Champlin is Director of the Learning Commons and Lecturer in the Humanities at Bard College Berlin. His research emphasizes connections between literature and political theory.  Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Tune in to this discussion about How Real Is Race?: Unraveling Race, Biology, and Culture by Carol C. Mukhopadhyay, Rosemary Henze, and Yolanda T. Moses (Rowman & Littlefield, 2025) Biologically speaking, there is no such thing as race. Yet this seems to contradict the experiences of people in the United States and other countries where racial classification is used daily, by individuals and institutions. Race still matters, whether in wealth accumulation, educational achievement, health, the legal system, or in personal safety. How can race not be real when we experience its effects every day? Mukhopadhyay, Henze, and Moses systematically deconstruct the myth of race as biology and address the reality of race as a cultural invention, drawing on biocultural, historical, and cross-cultural anthropological perspectives. In doing so, they shed light on the intricate interplay among race, biology, culture, power, and stratification. Part I, “The Fallacy of Race as Biology,” unravels the myth that races are biologically valid divisions of humanity. Part II, “Culture Creates Race,” explores race as a social construction; the emergence of the racial worldview as ideological justification for inequality; and how social processes, especially restrictions on interracial sex and marriage, maintained visible markers of racial hierarchy. Part III, “Contemporary Issues,” examines current manifestations of racial stratification including the educational achievement gap, health disparities, and how the language of race embodies and reinforces a racial worldview. Dr. Mukhopadhyay is a cultural anthropologist whose specialties are gender, family, sexuality, race, cultural diversity, multicultural education, cognitive anthropology, ethnographic decision-modeling, theory and methodology. Her research has focused on gendered activities, in households, politics, music, and science & engineering (STEM). This has involved fieldwork in both the United States and India. Dr. Rosemary Henze is an educational anthropologist whose teaching, research, and educational projects seek to enhance social justice and equity in education. She applies concepts and methods from anthropology and linguistics to the study of race relations, immigration and multilingualism, Islamophobia, and the spread of English, among other topics.  Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Eminent historian Peter Burke joins Jana Byars to discuss his new book, The Connoisseur: A Cultural History (Reaktion, 2026), considering the art connoisseur from the Renaissance to the present day. Connoisseurs have been an influential, if somewhat mysterious, figure in the history of art, responsible for making or breaking high-profile collections and reputations and influencing taste, the art market, and the field of art history with their pronouncements. But what did it take to become a connoisseur, and how reliable were the great connoisseurs of previous centuries? With the advent of scientific techniques and artificial intelligence, what future is there for expertise based on the trained eye? This book offers the first history of the art connoisseur, from the Renaissance to its professionalization in the nineteenth century and on to the present. Featuring portrayals of many leading connoisseurs, such as Bernard Berenson, Roberto Longhi, and Giovanni Morelli, this is a highly readable history of the extraordinary characters and intellects that have shaped the art world through a mixture of intuition, learning, and chutzpah. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

From the inside flap: “ In this lucid and inventive work, Ian Buchanan argues that the pivotal concepts ‘assemblage’ and ‘affect,’ which were separated at birth, need to be reunited. Indeed, it is only by bringing them back together that we can fully understand their meaning. of Assemblage Theory and Affect (Bloomsbury, 2026) proposes three agenda-setting arguments:1. Affect is a function of desire—its powers are the powers we attribute to desire. As such, like desire it should be considered a psychical agency. The assemblage, the body without organs and the abstract machine are all components of this psychical agency. 2. Affect is a capacitating power—it empowers us to meet life. Affect is not the measure of our response to a given stimulus, it is rather the capacity we have to respond to a stimulus in the way that we do. This is the essential argument of Deleuze and Guattari’s schizoanalytic project which is a kind of survivor’s guide to late capitalism. 3. The capacitating power of affect depends upon the combinations of bodies without organs and abstract machines that we have been able to put together by means of the assemblages available to us. This is what Deleuze means by an ethics of desire. ” Nathan Smith is a PhD candidate in Music Theory at Yale University [email protected] Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Iconic Fascism: The Excess of Destruction and Creation in Interwar Radical Right-wing Politics (Bloomsbury, 2026) Aristotle Kallis uncovers the paradox at the heart of fascist politics: the simultaneous obsession with destroying and creating powerful symbols. This book demonstrates how fascists were simultaneously some of history's most passionate icon-lovers and most ruthless icon-breakers, wielding symbolic excess as both weapon and worship in their revolutionary project. Through a sweeping comparative analysis, Kallis reveals how fascist movements and later regimes were driven by a relentless battle of absolutes, seeking not only to eradicate the icons and reclaim the spaces of their enemies, but to saturate public life with their own emblems, rituals, and myths; and to make the political visceral. Kallis demonstrates that fascist violence was never merely blind or indiscriminate. Instead, it was a meticulously choreographed struggle for symbolic dominance, in which the destruction of enemy 'false' icons was inseparable from the performative creation of new, sacred icons of fascist power. He traces how this constant pursuit of "destructive creation" evolved from street-level partisan warfare to state-sponsored spectacles of monumental architecture and mass liturgies. Kallis argues that fascism's 'iconic compulsion' - its need to condense moral absolutes into visible, emotionally potent symbols - remained constant whether fascists operated as fringe insurgents or totalitarian regimes, fuelling its cycles of rupture and rebirth. Spanning street-level violence, mass spectacle, and monumental urban planning, Iconic Fascism challenges us to rethink the role of symbols in the making-and unmaking-of political communities. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In Tainted Tools: New Materialisms As a Decolonial Project (Manchester University Press, 2026), Angela Last offers a provocative intervention into the tense relationship between new materialist and decolonial thought. Although both seek to challenge dominant European categories and hierarchies, they are often treated as incompatible. New materialisms, in particular, have been criticised for sustaining a white, universalised vision of the human and overlooking the racialised histories embedded in the "nonhuman." aThe book traces these tensions to an earlier encounter between new materialist and decolonial projects forged through experimental combinations of Marx and Nietzsche. Once used to counter fascism, Stalinism and colonialism, this politically charged fusion gradually became depoliticised, leaving unresolved contradictions. Rather than reviving these early formations, the book brings their strategies into dialogue with contemporary new materialist and decolonial approaches to build greater theoretical solidarity in times of crisis.Angela Last is a cultural geographer working at the intersection of postcolonial and science studies.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

With rising temperatures, longer summers, drought, and more wildfires occurring in the United States and Canada, there is growing interest in the impact and efficacy of Indigenous fire and cultural burning practices. Indigenous communities throughout this region known as Turtle Island have long used fire to manage their homelands. An interdisciplinary anthology that includes extensive Native views, Landkeeping: Restoring Indigenous Fire Stewardship and Ecological Partnerships (OSU Press, 2026) provides engaging perspectives on the role of Indigenous fire and its importance to our ecological health, cultural continuity, and land-based kinship. Indigenous-identified and non-Indigenous allies and researchers in ecology, natural resource management, forestry, ethnobotany, and Native American/Indigenous Studies demonstrate how Indigenous knowledge offers sustainable, relational approaches to land care and resilience. Each chapter builds on the idea that fire stewardship is a manifestation of Traditional Ecological Knowledge (TEK)—a system of knowledge that is rooted in place, transmitted through oral traditions and embodied practices, and guided by values such as reciprocity, responsibility, and interdependence with more-than-humans. By recognizing that fire is part of a larger cosmology, Landkeeping contributors share how fire stewardship is a path toward ecological balance, cultural revitalization, and just climate futures. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

This episode features a conversation with Dr. Christopher B. Patterson, Professor of the Social Justice Institute at the University of British Columbia, discussing their recently published book, Domesticating Brown: Movements of Racial Imagination (Duke University Press, 2026). Domesticating Brown interrogates the slippery senses that brownness as a racial form has manifested over time, charting its transitions across historical colonial contexts and into the transpacific dynamics of contemporary empire. Christopher B. Patterson rethinks universalist definitions of race to consider the constant movements in racial contexts, meanings, and practices that “brownness” reveals: as a site for the ungovernable brown mass, as peoples marked for domestication through strategies of colonial containment, and as the complex shades that reveal troubling genealogies and shameful intimacies. Tracing the emergences and transformations of brownness in various contexts of transpacific encounter—from the Mongol Empire to Filipino plantation migration in Hawaiʻi, from the imperial management of Hong Kong to contemporary brown authorship—Domesticating Brown explores how colonial subjects and other marginalized peoples have strategized ways of resisting and reversing dominating notions of brownness through art, story, and embodied difference.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Edward Blum interviews Mark Peterson on his new book The Making and Breaking of the American Constitution: A Thousand-Year History. The American Revolution occurred at a time when Britain’s constitutional order failed to adapt to the extraordinary growth of its colonies. The framers designed an American constitution to succeed where Britain’s had faltered, planning for continuous population and territorial expansion that would eventually cross the continent. Yet by the end of the nineteenth century, it was already ill-suited for an increasingly urban, industrialized society, and the transformations of the twentieth century have pushed it to a breaking point. This book charts the history and aims of the American constitution from its origins in an agrarian past to the grave crisis we face today.Mark Peterson traces the American constitutional tradition to the control of land in medieval England, showing how the founders incorporated the aspirations of Magna Carta with the administrative principles of the Domesday Book, a meticulous survey and valuation of landed property commissioned by William the Conqueror. This framework encouraged the growth of democratic self-government in a young nation. It also institutionalized the colonization of territory and the expulsion of Indigenous peoples, establishing a legal blueprint for transforming tribal lands into revenue-yielding real estate for settlers. Peterson’s riveting narrative paints an arresting picture of a dynamic republic whose frame of government has changed enormously to meet the challenges of the modern age but whose written constitution has changed very little.Marking the 250th anniversary of American independence, The Making and Breaking of the American Constitution reveals how this widening disconnect threatens the very existence of our democracy. It calls for a constitution that sustains the ideals developed over the past thousand years while meeting the challenges of the future. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In a world obsessed with expertise and control, the figure of the idiot illuminates deeper truths about society. In this interview, Morteza Hajizadeh interviews Leonhard Emmerling about his book The Idiots: The History of the Homo Nullus (Seagull Books, 2026) Dostoevsky and Nietzsche wrote about him; Dadaists and punks idolized him; artists like Warhol and Beuys made him their icon. From holy fool to punk rebel, the idiot—a figure that traces its roots back to the Greek idiotes, a person who was alienated from public life—has always challenged society’s norms from the margins. Far from a simple madman, the idiot is a powerful subversive, a person who disregards norms and finds profound insight in a state of unmediated inspiration. Using a cross-disciplinary approach bridging literature, religion, art, and philosophy, this volume traces a rich journey up to the present, where the idiot reemerges in a dramatic twist: a public figure who inverts social norms, confounds the boundary between private and public, and declares a new, paradoxical view of the world. Leonhard Emmerling has worked as an art historian in different capacities: as curator and director of art institutions in Germany and New Zealand; as teacher at art academies in Auckland, Düsseldorf, and Munich; and as advisor and director for the Goethe-Institut. His most recent publication is Aesthetics: What For?. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

“The general thrust of capitalist policy in this period aims at the intensified imposition of work in response to ongoing struggle against it.” —Harry Cleaver, “Work Is Still the Central Issue: New Words for New Worlds,” in Points of Departure, ed. Robert Ovetz and Kevin Van Meter, p. 35. What changes if we begin the history of capitalism not with what capital does to workers, but with what workers force capital to do? This reversal helps set Harry Cleaver’s approach to Marxism apart from more traditional accounts of capitalism and labor. In Points of Departure: Refusal of Work and the Crisis of Capitalism, editors Robert Ovetz and Kevin Van Meter bring together Cleaver’s writings from several decades, including hard-to-find and previously untranslated work. The first volume in Common Notions’ new Class Compositions series presents Cleaver’s work not simply as theory, but as a practical way of making sense of everyday struggles from the worker’s standpoint. The refusal of work, unwaged labor, class composition, capitalist crisis, and self-valorization take on renewed significance amid contemporary struggles over work and organization. Greek and Turkish translations are also in the works. Listeners may know Cleaver from his landmark 1979 book Reading Capital Politically. For more than five decades, he has helped develop what became known as autonomist Marxism, an approach that places working-class self-activity at the center of its analysis. In this interview Ovetz and Van Meter discuss the traditions from which his work emerged, and what they hope a new generation of readers might do with it in their search for alternatives. Although more conventional accounts of political economy often begin with companies restructuring workplaces, introducing new technologies, moving investment, or tightening workplace discipline. Cleaver instead, turns the perspective around by asking what forms of worker resistance may have compelled capital to make those changes in the first place. That reversal in turn raises questions the editors grapple with, such as: How do everyday acts of resistance become collective power? How can we demonstrate that corporate restructuring is actually a response to worker resistance, and what might other approaches add to or supplement Cleaver’s inversion of class perspective? And when workers create organizations of their own, how can those institutions preserve autonomy without hardening into less responsive bureaucracies? Drawing on concepts like workers’ inquiry, workplace cooperation, self-valorization, cooperatives, as well as the significance of Zapatistas, we consider what it means to move beyond refusing existing forms of work toward creating new forms of collective life. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Truth Commissions and International Law: Jurisdiction, Representation, Authority (Cambridge University Press, 2026) examines how truth commissions construct authoritative accounts of conflict, and how they account for the plurality of accounts across affected communities. Dr. Valeria Vázquez Guevara examines three of the earliest and most influential truth commissions: Argentina (1983–1984), Chile (1990–1991), and El Salvador (1992–1993), and examines how relevant cultural objects support or counter the official account for each. In doing so, she argues that these truth commissions drew on international law to authorise their accounts of violent conflict, and that this had the consequence of privileging an internationally-authorised truth over other truths, whilst simultaneously strengthening the authority of international law over the post-conflict state. By demonstrating how truth commissions turn to international law for authority, the book shows how this produces an official account of past violence and promises of future community, which fundamentally affects how communities live together in the aftermath of violent conflict. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A fascinating, behind-the-scenes look at non-religious funerals in contemporary London, An Honest Death: Life's End and Humanist Funerals (Princeton UP, 2026) is an intimate and moving ethnographic account of funerals for people who don’t believe in God or an afterlife. Focusing on secular funeral celebrants of the British Humanist Association (now called Humanists UK), the book examines how their ritual work is geared toward helping realize a secular world. There is a strong ethical commitment behind this effort, which is to face death with honesty based on the belief that this life is all we have. For the humanist celebrants and those they serve, this is what allows for a life with meaning and purpose. Written in a vivid style, the book centers on the lives and the funerals of particular people, from a three-year-old child to a man in his nineties. Anthropologist Matthew Engelke, who trained as a humanist celebrant as part of his research, describes how these officiants try to craft “sincere” funerals, avoiding language and music that might suggest that the person who died had any religious beliefs. The book also captures the highs and lows for humanist celebrants of working in the funeral business—a business that is, for many of them, a kind of vocational calling. Above all, An Honest Death draws out the tensions in secular humanist thought and practice between reason and the body, rationalism and materialism. Nothing matters more to the humanists than “daring to know” in the Enlightenment tradition, but nothing is so certainly known as the fact that we are finite and embodied creatures. Matthew Engelke is professor and chair of the Department of Religion at Columbia University. Caleb Zakarin is CEO and Publisher of the New Books Network. Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.