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Every so often a piece of media comes around that speaks to the truth of our modern society in such an astute way that it just simply cannot be denied. Mike Judge's 'Office Space' might be THE exemplar of this. Despite being almost 30 years old, it still captures the reality of office work in such painful clarity that it still resonates as powerfully today, if not even more powerfully (god knows, Corporations have only seemingly gotten worse since Y2k). Amazingly, despite the low-hanging, cringe humour, fruit that was perfectly captured by 'The Office' just 6 years later (2005), this movie plays it much more like a straight comedy, and yet it's manages to capture the soul-deadening nature of office work the endures for many to this day. While not perfect, there are moments so enduring that this movie will continue to resonate as long as people continue to work in an office. No notes. Eat the rich - Burn it all down! Next Month: we move ahead to a movie released only 1 year later, in 2000, but turn the setting back to the 70's to hang out with a rock band in Cameron Crowe's "Almost Famous".

Despite being over 3000 years old, Homer's 'The Odyssey' has remained an enduring work of fiction. It's hard to conceive how many times this story has been told and retold. For this reason it's all the more compelling to have one of our generations greatest visual storytellers reinterpret this foundational work for modern audiences. In fact, you could argue this may be the richest interpretations, while understanding the limitations of the filmic medium, given the wonders of modern technology (imagine what the ancient Greeks would think of this!). That's without even mentioning that this film was shot entirely on 70 mm IMAX film (a first of it's kind), and while it may very well be a dying medium, it remains one of the grandest forms of visual storytelling available still today. A beautiful marriage of subject and medium. That is all to say that Christopher Nolan's 'The Odyssey' is a remarkable film. The job of pulling an ancient text into the modern world in way that still captures the imagination is no easy task, but I can safely say accomplished with style by Nolan. While certainly not perfect, the film's ability to leverage the story of Odysseus to deliver a message profoundly relevant to our current time speaks both to the timeless nature of the story but also to Nolan's craftsmanship to shape his telling in such a way as to be pointed in the parable. Which may end up being the film's enduring legacy.

Another cult classic, 'The Warriors' brings a distinctly unique sense of style and grittiness that feels right at home on the grimy streets of 1970's New York City. The gang-centered heightened reality of the film feels almost Shakespearian in nature, as if you're watching an mythological journey fraught with peril of all kinds - violence, temptation, and the law. This movie was selected as a double-feature of sorts with Nolan's recently released 'The Odyssey' and the comparisons between these stories feels apt. At the end of the day it's just people trying to get home and doing their best to overcome the challenges the world throws at them. The stakes are clear, and while the nature of good guys vs bad guys is more than a bit muddied here (Ajax... dude, wtf?) the thrilling chases, bombastic action sequences and the long awaited final confrontation are all working at a high level (despite some pretty flat performances and lackluster dialogue). While there are certain elements of the movie that DO NOT age well (looking at you gender politics), the core of the film remains strong and executed well. Plus, as an added bonus, the soundtrack for this movie absolutely slaps! This is a fun ride and it's easy to see why it's endured over these many years.

We're into the full swing of blockbuster season. With 'Obsession' breaking box office records, 'The Odyssey' now filling IMAX theatres, and 'Spider-Man' right around the corner, movies feel very "back" right now. Plus, with Comic-Con next week Marvel released their first full-length 'Avengers: Doomsday' trailer. Julian and Matt try to decide if the hype is there, which feels crazy when considering it's an Avengers movie after all, but that might speak more to the situation Marvel currently finds themselves in. Meanwhile, DC doesn't want to be left behind, releasing a new trailer for 'Clayface' , which is shaping up to be a sneaky hit in the body-horror space (despite still not Batman). This all leads to Matt's idea that comic book movies should be treated like jury duty. Plus, a news rundown covering the passing of Sam Neil, Netflix updates (they're bad), some box office updates, and more!

Time marches on and we all feel old. This week, 'Toy Story 5' hit theaters, and while reviews have been positive, it's crazy to think we're onto the fifth installment in that franchise. In a similar vein, we recently learned that Mike Myers is interested in returning to 'Austin Powers', on the heels of his appearance in the trailer for another fiver, 'Shrek 5' (which already has people in it's own tizzy). Matt and Julian debate the merits of either prospect, and then turn the page to stare into the abyss that is AI invading Hollywood. Plus a grab-bag of entertainment stories covering odd popcorn bowls, a Knicks documentary, a scrapped Palpatine show and much more! Finally, to wrap things up, a brief discussion on 'House of the Dragon' season 3 premiere, 'Obsession', 'The Furious', and 'Lord of the Rings: The Fellowship of the Ring' (both in and out of concert).

It's hard to believe it's been so long since the last Star Wars movie hit theatres. After years of announcements, failed projects, and even a change in leadership at Lucasfilm, the first movie in nearly a decade is a follow-up to the first ever live action Star Wars show. Maybe that's fitting for a new era, under new management. The film itself is a fast paced, action-packed, adventure that hails back to the old serials that George Lucas loved. While it is certainly a fun time at the movies, with exciting set-pieces, characters inclusions from across the lore, all of which set on planets with diverse biomes (i.e. some of the things Star Wars does best). Unfortunately, the movie lacks compelling stakes, character depth (where's Din's arc?), much of any plot to speak of, or even a sense of real "importance" - and while that may be a bit intangible, it prompts the question: why was THIS movie the first to bring Star Wars back to feature films in almost a decade? Julian and Rachel try to answer that question and dive deep into all the nerdy details.

There it is, folks - the season finale to the latest creation from Lucasfilm Animation. It was certainly gorgeous to look at, with the new painterly stylings, and there was no shortage of thrilling action to sink your teeth into, nor did they skimp on the stakes. But while the season started off on a welcomed unfamiliar foot, by the end of this season, and certainly in these final two episodes, the hallmarks of what we've come to know from Star Wars animation showed their head. Early on, the admitted inspirations from films such as 'Heat' and 'The Dark Knight', provided a needed grit to a show which was ostensibly following a villain. This provided the show with a fresh personality - distinguishing itself from it's predecessors in animation. Unfortunately, the creatives couldn't seem to maintain that tone, as by this two-part season finale the old tropes and predictable beats of 'Clone Wars' rose into prominence. And while the appearance of a certain fan favourite character adds some very cool action, the unoriginality from a narrative perspective robbed the final moments of the needed pathos and drama required to land the plane in the most satisfying of ways. Tune back into Small Screen Star Wars in about 3 weeks, following the release of 'The Mandalorian and Grogu', for a full review!

There's two of them now?! With the arrival of another Inquisitor things really start to escalate on Janyx. We see Maul at his lowest since probably his spider-leg days (he goes on a self-guided therapy session/vision quest that results in something quite inspiring actually!), providing us a deeper understanding of his motivations, beyond simply "revenge!". Meanwhile, Devon continues to be the most interesting character on the show as she takes two steps forward, one step back, flirting with the dark side (though bonus points for the slick ride she acquires for their getaway). On the action side, the show continues to bring the goods, with dynamic, large scale battles (heavy on LAATs which is always a treat), intimate lightsaber combat, and a special shout out to the speeder chase this week that included a new Star Wars techno track (get outta here Niamos!), which combined for a chef's kiss of a sequence. The finale is next week, dropping on Star Wars Day (May the 4th), so stay tuned to see how much the show wants to tie up and how much it wants to leave dangling ahead of season 2!

It's been a minute since Matt and Julian sat down to cover the latest in film and TV news. Some might say it's been dearly missed. Well wait no more folks because this week it's all news and nothing but the news so help me god! If the last few weeks (months?) of stories weren't enough, CinemaCon 2026 also just concluded which had it's own news deluge. The guys unpack it all (well most of it anyway)! Of utmost priority is the news of Michael B Jordan and Austin Butler's reboot of 'Miami Vice', which is close to Matt's heart. Plus 'Spaceballs 2' gets a title and release date, trailers for 'Dune 3', 'Clayface' and 'Street Fighter' all surprise (in a good way), and a new 'Lord of the Rings' movie is announced (and you won't guess who's writing it!). Plus, a 'Game of Thrones' movie, more 'Transformers' and is 'Avatar' over? All this and so much more on this week's Tower of Babble Podcast!

We’ve reached the halfway point of the season and with it comes a tonal shift back to the roots of Star Wars animation - 'The Clone Wars'. With the arrival of the Empire, the focus shifts away from Maul and his dealings and toward the pair of Jedi as they are now in the crosshairs. The noire tone takes a back seat, next to Maul, as things become more pulpy, mixed with an impending doom that is reminiscent of the final season of 'The Clone Wars'. The set-piece action sequences get an injection of scale and danger, which is exciting, and some of the early seeding of characters like Rylee start to pay off. While maybe a bit different from the previous 4 episodes, the quality and the stakes remain high (well... for every character except Maul I suppose). Join Julian and Rachel as the unpack it all in excruciating detail.

Now that the premiere is out of the way, the team at Lucasfilm Animation can focus on driving the story forward with authority. The pacing is much improved this week as time feel more evenly dispersed across the characters. There's a greater concentration on characters who can wield a lightsaber and it's appreciated. No shade to the crime syndicate storyline, but we've kind of seen all that already (it was quite literally a 'Clone Wars' arc). The action remains strong while taking another step forward with lightsaber duels joining the mix. Plus, the fast cutting from last week seems to have been dialed back, which is appreciated as it provides more clarity in action scenes. For example, Devon's engagements with Maul are gripping, and with the additional time provided to Master Daki, the stakes feel ratcheted up. Kevin Kinner's music remains a highlight, the illusions to the Anakin vs Obi-Wan Mustafar theme was a particular highlight. In general, there is still room for more character growth, especially with characters not named Maul, who really can't/won't change - but happy to proven wrong! This show feels like it's in full swing already, which is good because next week things look to be really heating up as we hit the half way mark. Julian and Rachel unpack it all!

It's been some time since we've been able to sink our pointy teeth into a meaty Star Wars animated project. Since the finale of 'The Bad Batch' all the way back in May of 2024, all we've had to tie us over were anthology installments of varying quality. Praise the Force, that wait is finally over with the release of 'Maul: Shadow Lord', the latest full length series from Lucasfilm Animation. The series marks another technical leap forward for the animation studio, taking their patented visual style and adding another layer of detail and artistry that jumps off the screen. The story follows the titular, Maul shortly after the fall of the Republic and the rise of the Empire, he's looking for revenge and the series wastes no time dropping us right into the thick of things (3 car/speeder chases in 40 mins is impressive). And while we know much of Maul's criminal dealings (and most of the rest of his life actually), the introduction of a new Padawan into the mix, another apprentice-to-be for Maul, adds a layer of intrigue to an otherwise underworld focused story. Join Julian and Rachel as they unpack Chapter 1: "The Dark Revenge" and Chapter 2: "Sinister Schemes", in intricate detail.

In honour of Matt strapping on the goalie pads again for the first time in many years (and not completely pulling his groin), it only made sense to revisit the classic hockey comedy, 'Slap Shot' from 1977. This isn't the first time seeing the movie for either Julian or Matt but it's been a long time so there are plenty of questions still to answer. Here's a few examples: How well shot are the hockey scenes? Does the movie feature more or less actual hockey than 'Heated Revelry'? Does the plot and/or humour hold up all these years later? All these questions are answered in time, but we're also trying something new this month. Instead of a traditional movie review, Julian and Matt decided to go a layer deeper and add a full commentary track for the movie as well. So enjoy the full review, which takes place, before, during, and after the movie itself, and sync up your own copy of the movie (there's a countdown before we start) to get the full experience!

Matt and Julian are back to unpack the results from last Sunday's Academy Awards ceremony. While the show itself had few surprises (there was a tie though so that's something!), between Conan's bits, the winners, and the losers, there is plenty to discuss. Congrats to 'One Battle After Another', PTA and all the winners ('Sinners' probably deserved a better fate, but respect to MBJ for his ascension)! Plus, I still can't believe the bit about making Leo into a meme actually made another meme. Join us for the full deep dive!

Julian is back from vacation just in time or the 98th Academy Awards! Airing tomorrow (Match 15th), hosted once again by Conan O’Brien, it’s the most prestigious night in Hollywood (after the Tobies of course). This is Matt’s first time on the preview show, so the format is tweaked a bit from our traditional reviews of Oscar noms, though there is still some of that. A broader approach is taken, with a larger focus on the ceremony itself, a peak at the front runners in each category, as well as the betting odds. It’s not all new-school though, find Julian’s traditional “will win”/’want to win” ballots below (Matt will put his together privately) for those curious. Lastly, look for a follow-up show discussing the ceremonies, unpacking the winners, and scoring the ballots next week. Until then, grab your tux, hit the red carpet, rub elbows with the celebs, and enjoy the 2026 Oscars!