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How did a space-age invention become ubiquitous in today’s digital imaging landscape? Learn all about it here in our latest podcast, featuring pioneers of photography and digital imaging.   In 1993, noted physicist and engineer Eric Fossum led the invention of the CMOS active-pixel image sensor as part of his work for NASA’s Jet Propulsion Laboratory (JPL). Then, as part of JPL’s mandate to seek commercial and consumer applications for emerging technologies, he was active in the transfer of the CMOS sensor’s “camera-on-a-chip” technology to industry.   In our informative conversation with Professor Fossum, he makes distinctions between solid state CCDs and his more efficient CMOS sensor that would come to dominate the marketplace. To transform high-level science into layman’s terms, he uses the analogy of a bucket brigade collecting rain on a football field.   In a similar down-to-earth fashion, we touch on metaphysical issues like wave particle duality, and how this is demonstrated every time light enters a camera and you take a picture with your phone.   Join us to marvel at the wonders of science amid fun food references—from the way deep space radiation degrades CCD chips so they start to act like Swiss cheese, to the synergies between high-level scientific measurements and delicatessen lunch meats, both marks of a creative scientist and visionary educator. Guest: Eric Fossum Above photograph © John Sherman Photography, https://jshermanphoto.com/   Episode Timeline:   2:31: Eric Fossum’s beginnings in hands-on science explorations, computer programming, and his love for launching model rockets, plus the role photography has played in his life.   9:26: Fossum’s early research in CCD sensor technologies, his interest in trying to marry cameras to artificial intelligence, and his invitation to join NASA’s Jet Propulsion Laboratory in 1990.   14:00: The differences between CCD and CMOS sensors, and a description of how they work using the analogy of a bucket brigade to collect rain on a football field.   23:35: A history of active pixel sensor devices, an explanation about two kinds of image noise, the metaphysics of photons, plus how the wave particle duality from quantum mechanics is demonstrated every time you take a picture with your phone.   33:10: Fossum’s role in the transfer of CMOS sensor technology to US industry, co-founding his company Photobit, and negotiations for licensing the technology with CalTech.   43:23: Episode Break   44:36: The sale of Photobit to Micron, Fossum’s move to New Hampshire, consulting work on 3-D imaging sensors for Samsung TVs, and the beginnings of his teaching career at Dartmouth.   50:00: A book chapter on the future of image sensors, and the evolution of this idea to a university project, which led to Fossum co-founding the start-up company, Gigajot, with his PhD students.   52:30: Explaining the difference between the operation of CMOS and Quanta image sensors.   54:03: The resulting applications of CMOS image sensor technology, and the positive use of CMOS image sensors for social justice purposes.   57:22: Fossum’s thoughts about STEM education, and connections between academia and applications in the wider world.   1:01:32: Parting thoughts about AI and the ability to authenticate images at the source, plus Fossum’s newest award: The Trinity College President’s Medal for Science & Innovation.   Guest Bio:   Eric Fossum, a Queen Elizabeth Prize Laureate and recipient of a 2021 Emmy Award, is one of the world's experts in solid-state image sensors. He developed the CMOS active pixel image sensor while working at the NASA Jet Propulsion Laboratory. Today, this “camera-on-a-chip” technology is used in almost all cell-phone cameras, webcams, many digital-still cameras and in medical imaging, among other applications.   A serial entrepreneur, with a career that has spanned aca

While Joshua Irwandi was born and raised in Indonesia, the early pictures he made during his first visit to the region of Asmat, in the province of West Papua, were less than satisfying to him. Yet his fascination with the people and the place stuck, inspiring him to embark on the long-term project Not a Blank Canvas. In this third installment of our monthly series, Picturing World Cultures, we speak with Irwandi about his experiences documenting the people and landscape of Asmat, which offers a window into long-held traditions and the sweeping changes he’s observed there over the past 10 years. Listen in as Irwandi describes how tapping into the region’s rich history through museum collections holding Asmat art proved an important part of his background research. We also discuss the connections he forged with the local Catholic church, and how the many years an American missionary spent learning about and embracing local ways led to a blending of Catholic celebrations and iconography with traditional Asmat feasts. Contrary to western holidays, Asmat feasts are celebrated for months on end, and Joshua sheds light on their mystical origins through dreams, and the performative rituals that he was privileged to witness and photograph.  In equal measure, he touches on the changing roles of a people who are essentially subsistence hunter gatherers within contemporary society, and the recent effects of transmigration and gentrification on the region’s native inhabitants, which also forms a part of his documentation. Self-described as a naturally shy person, Irwandi’s approach to making pictures for this project is to play the long game, while planning for longer visits that allow him to be a “constant observer,” as he describes it.   “I don’t pretend I have all the knowledge,” he says. “But I guess it’s easier to come and connect with the locals when you walk in like a new blank piece of book, wanting to learn, rather than assume that you know about them already.” If you haven’t already heard them, prior episodes of our podcast series Picturing World Cultures can be accessed at the links below:  Wayne Quilliam discussing Australia’s indigenous communities: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-wayne-quilliam-australiatasmania  Kiana Hayeri reflecting on her work in Iran and Afghanistan: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-kiana-hayeri-iran-afghanistan Guest: Joshua Irwandi Above photograph © Joshua Irwandi For more information on our guest and the gear he uses, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-joshua-irwandi-indonesia Stay Connected: Joshua Irwandi Website: https://www.joshuairwandi.com/ Joshua Irwandi Instagram: https://www.instagram.com/joshirwandi/ Joshua Irwandi Facebook: https://www.facebook.com/joshua.irwandi/ Joshua Irwandi X: https://twitter.com/joshirwandi/ Asmat Museum of Culture and Progress: https://asmatmuseum.org/en/ Joshua Irwandi National Geographic Explorers Page: https://explorer-directory.nationalgeographic.org/joshua-irwandi Joshua Irwandi’s story for The Globe and Mail: https://www.theglobeandmail.com/world/article-how-to-move-a-capital-city-an-exclusive-look-at-indonesias-plan-to/ Pulitzer Prize page for Irwandi’s Photo The Human Cost of COVID-19:  https://www.pulitzer.org/finalists/joshua-irwandi-freelance-photographer-national-geographic

Press photographers have faced tough workplace challenges for quite some time. Yet, according to recent headlines, their job is about to get even tougher, due to current plans by many law enforcement agencies—particularly the NYPD—to encrypt radio calls, making live transmissions of breaking news inaccessible to common citizens and members of the press.  Besides being a devastating blow to meddling old biddies and law enforcement buffs, this change has huge implications for photojournalists and news outlets, who depend on such communications as part of their workflow. Joining us to shed light on this matter, as well as to provide a general update on newspaper photojournalism today, are two generations of accredited newspaper photographers, Todd Maisel and Lloyd Mitchell. As a current board member and past vice president of the New York Press Photographers Association, Maisel has worked tirelessly to investigate and mediate the NYPD’s encryption plans. Among the many topics raised in our discussion are a shift in press accreditation from the NYPD to the Mayor’s Office of Media & Entertainment, competing interests within news organizations that prevent broadcasters from taking law enforcement to task, distinctions between police and fire departments when it comes to radio encryption, details about radio encryption rollouts in other US cities, and much more. Towards the end of our chat, Todd Maisel offers a compelling insight into his mission as a photojournalist, which speaks to the high stakes involving the matter at hand. “What I’m doing as a journalist is a sacred obligation. It’s a God-given right to do it, and to continue to do it, and to do a great job at it. And so, I made a promise to protect it, to protect freedom of the press.”    Guests: Todd Maisel and Lloyd Mitchell Above photograph © Todd Maisel For more information on our guests and the gear they use, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/holding-to-truth-radio-encryption-the-press-with-todd-maisel-lloyd-mitchell Stay Connected: Todd Maisel Website: https://www.toddmaiselvisualjournalism.com/ Todd Maisel on Instagram: https://www.instagram.com/toddmaisel/ Todd Maisel on Facebook: https://www.facebook.com/ Todd Maisel on Twitter: https://twitter.com/ToddMaisel Lloyd Mitchell Website: https://lloydmitchell43.photoshelter.com/ Lloyd Mitchell on Instagram: https://www.instagram.com/lloydmitchellphotography/ https://www.instagram.com/urbanfirefightingportfolio/ Lloyd Mitchell on Facebook: https://www.facebook.com/randymitchellwritesandphotographs/ Lloyd Mitchell on Twitter: https://twitter.com/Lloydphoto NYPPA Website: https:// www.nyppa.org Todd Maisel on the Deadline for Newspaper Photojournalism Episode: https://www.bhphotovideo.com/explora/podcasts/photography/podcast-a-deadline-for-newspaper-photojournalism

Kiana Hayeri was born in Iran, and this was where she launched her career as a photojournalist and visual storyteller. Yet after traveling to Afghanistan for a 2014 assignment, she decided to relocate, spending the next eight years covering both the frontlines of conflict and everyday lives of the Afghan people. In this second installment of our monthly series, Picturing World Cultures, we speak with Hayeri about her experiences living and working in a region mired in cultural upheaval, failing infrastructure, and rife with political violence. Listen in as Hayeri shares insights about her early work documenting youth culture in both Iran and Afghanistan, while revealing subtle differences in how each society approaches a division between public and private life. When it comes to making pictures, Hayeri’s first concern is for the latent potential of her photographs to endanger the lives of her subjects. She elaborates on making conscious calculations in her head related to every small detail to mitigate this risk. Working as a woman within a patriarchal society involves great challenges, and we broach this subject, as well as the advantages she has when photographing culturally sensitive subjects. While Hayeri has little problem maintaining focus on the frontlines while immersed in her work, we also discuss the tolls of making pictures in traumatic situations, and the importance of taking breaks to reestablish a sense of normalcy and maintain health and sanity. Hayeri has worked with an extensive network of local contacts to arrange access for the stories she tells. She avoids using the term “fixer” for these essential collaborators, pointing out, “The credit for a lot of the stories that we work on goes to our local colleagues, because they are the ones who put themselves on the front of everything. It’s their reputation, their lives that they risk. I have a lot of respect for that.” Check out the first episode of our new podcast series Picturing World Cultures, featuring my interview with Australian photographer Wayne Quilliam, here: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-wayne-quilliam-australiatasmania Above photograph © Kiana Hayeri Guest: Kiana Hayeri For more information on our guest and the gear she uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-kiana-hayeri-iran-afghanistan Stay Connected: Kiana Hayeri Website: https://www.kianahayeri.com/ Kiana Hayeri Instagram: https://www.instagram.com/kianahayeri/  Kiana Hayeri Facebook: https://www.facebook.com/kianahj Kiana Hayeri Ted Talk: https://www.ted.com/speakers/kiana_hayeri

2023 has certainly come and gone in a flash, meaning it’s time once again for us to reflect on new photo offerings in our ninth annual Cameras of the Year episode, now renamed Photo Gear of the Year. We’ll be talking with B&H Camera and Lighting Senior Sales Trainer Kevin Rickert. Featured in our discussion are 25 new releases from Canon, FUJIFILM, Leica, Nikon, Panasonic, Ricoh Pentax, Polaroid, and Sony. In addition to insights about each camera on our list, we also examine broader topics, such as manufacturers’ attempts to regain market share lost to smart phones through a growing crop of cameras geared toward content creation.  Instant cameras are a popular trend, leading us to diverge from alphabetical order when discussing this growing product category. And with two monochrome models among this year’s offerings, we zoom in on the visual differences between pictures shot with these specialty cameras and those made by converting from color files.  For listeners who enjoy a good debate, whet your appetite for the main course as we consider this year’s most touted technological advance—the global shutter. Finally, as an antidote to overindulgence that’s so common during this time of year, Rickert offers some practical advice about avoiding GAS (Gear Acquisition Syndrome) with the tip “You date your cameras, marry your lenses.” Guest: Kevin Rickert For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/2023-photo-gear-of-the-year-with-kevin-rickert Stay Connected: B&H Photo Video Website: https://www.bhphotovideo.com B&H Photo Video Instagram: https://www.instagram.com/bhphoto B& Photo Video Twitter: https://twitter.com/bhphoto B&H Photo Video YouTube: https://www.youtube.com/@BandH B&H Event Space YouTube: https://bhpho.to/BHEventSpaceYT B&H Photo Video Facebook: https://www.facebook.com/bhphoto B&H Photography Podcast Facebook Group: https://www.facebook.com/groups/1001107823418353

It’s likely that everyone reading this has used, or at the very least heard of Adobe’s ubiquitous piece of software called Photoshop. But are you familiar with the very first—and perhaps the most eccentric—of the evangelists working behind that magic curtain?   Well, you’re about to meet him today, in our latest podcast featuring pioneers of photography and imaging. As Adobe employee number 38, graphic designer Russell Preston Brown was in the room when brothers Thomas and John Knoll showed up to demonstrate a new piece of software, in 1988. Suitably impressed with what he saw, Russell made a beeline to Adobe co-founder John Warnock and uttered the imperative “Buy it! Now!”   Thirty-five years later, Brown has not lost an ounce of passion for concocting magic with digital imaging tools, and for sharing his knowledge with other users during his outlandish workshops and events.   Join us for a rollicking chat with this shapeshifting impresario in cowboy attire. From Brown’s earliest training in darkroom photography to his current digital workflow syncing a mobile phone with Profoto lighting gear, we cover a lot of ground.   Throughout our discussion, we reflect on the revolutionary effects of technological advances, plus Brown’s uncanny luck to be there in the middle of the zeitgeist, which led him to a telling analogy:   “Yes, I was in the right place at the right time. I made my fair share of contributions, but it all comes back to—what if the Knoll brothers had not decided to make Photoshop? I want to see that Jimmy Stewart episode of “A Wonderful Life,” where Photoshop didn’t appear. Would we be using Letrasets?...”   Guest: Russell Preston Brown For more information on our guests and the gear they use, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/adobes-first-evangelist-russell-preston-brown Above photograph © Russell Preston Brown Episode Timeline: 2:47: A peak behind the scenes of Brown’s early experiences at Adobe and what constituted working as a graphic designer back in 1985.  10:24: Brown’s early training in darkroom photography, the type of photos he made and the tech transitions to the mobile phones that he works with today.  15:55: Thomas Knoll calls the iPhone a hallucination of what you are seeing in terms of colors, dynamic range, and quality of light. It gives us what we want to remember from that moment. 19:45: Brown’s workflow for shooting with an iPhone synched to Profoto strobes and other lighting modifiers, and his ability to carry everything around in one bag.  24:12: Comparing image captures from different brands of mobile phones: iPhone, Google Pixel 7 and Samsung 23. Plus, make sure to use a solar filter over the lens when photographing the eclipse. 31:27: Brown’s experiences working directly with programmers in the development of Photoshop, plus working one-on-one with a programmer to develop actions, scripts, and panels for his own Photoshop tools.  36:06: Episode Break 36:39: Brown reflects on his rapport with photographic purists during early presentations about Photoshop—from a photojournalism conference in Perpignan, France, to an early discussion about digital with Greg Gorman.  42:39: Adobe’s earliest dreams and goals about prepress and processing images to create CMYK output for print publication, and the subsequent ability to access Raw data. 47:15: Differentiating between generations of Adobe users and how they employ the software, plus distinguishing between Lightroom Classic and Lightroom Desktop. 51:46: Applications that have kept all the original tool sets, offering many routes to similar results, to serve the full range and successive generations of its user base.  54:00: The question of AI and differences between typing text and using AI prompts, or taking one’s original photographs and supplementing them with AI through Photoshop’s Genera

“The eye should learn to listen before it looks.” – Robert Frank Australian photographer Wayne Quilliam used to consider his camera as a tool, but today it’s become his “companion.” This is just one of the inspiring takeaways from our chat for the new monthly podcast series, “Picturing World Cultures.” Listen in as Quilliam describes his journey—from growing up on the island state of Tasmania knowing little about his indigenous roots, to gaining a fascination with culture while traveling with the Royal Australian Navy, to his current roles as a leading indigenous imagemaker and cultural ambassador.  When it comes to making pictures, Quilliam differentiates between an older approach of maintaining photographic objectivity and more contemporary methods for immersing yourself in a story to have a stronger sense of connection with subjects, and a better understanding of what that story will become.  We also discuss aboriginal cultural protocols, and Quilliam offers surprising insights into the unique relationship between culture and skin color in Australia’s indigenous communities.   Stay to the end for tips about photographing culturally sensitive subjects by listening for images rather than seeing them, and Quilliam’s following parting advice. •    Know who you are as a person and what your role is within the journey. •    Make sure you’re as informed as possible about your subject and the who, what, how, why, when, and where of the story and end goal. •    And most important, offer total respect to both the land and people as part of your photographic process. Above photograph © Wayne Quilliam Guests: Wayne Quilliam For more information on our guest and the gear he uses, see: https://blogd7.bhphotovideo.com/explora/podcasts/photography/picturing-world-cultures-wayne-quilliam-australiatasmania Stay Connected: Wayne Quilliam Website: https://aboriginal.photography/ Wayne Quilliam Instagram: https://www.instagram.com/waynequilliam/ Wayne Quilliam Facebook: https://www.facebook.com/AustralianAboriginalPhotography/ Wayne Quilliam Flickr: https://www.flickr.com/photos/waynequilliamphotography/# Wayne Quilliam book Culture is Life: https://www.hardiegrant.com/au/publishing/bookfinder/book/wayne-quilliam_-culture-is-life-2nd-edition-by-wayne-quilliam/9781741178760 Wayne Quilliam interactive exhibit “Connection”: https://www.thelumemelbourne.com/connection

Lee Miller may have been best known in life as a beautiful muse of the legendary Surrealist Man Ray yet, shortly after her passing, a lucky accident led her family to an attic treasure trove, which made her a photography legend in her own right. During this week’s podcast, we unpack the details of this extraordinary tale, and hear many other anecdotes from Miller’s adventurous life, in a chat with her son and biographer, Antony Penrose. From her swift ascent as a ’20s-era Vogue fashion model—and the ad campaign that sidelined her appeal—to her audacious exploits as an accredited war correspondent for the very same magazine, Penrose sheds light on a woman who lived many lives, as exemplified in the title of his first book. Miller’s remarkable bravery as a World War II combat photographer was recently immortalized in the feature film “Lee,” starring Kate Winslet, which is another facet of our chat. Penrose describes what it was like to work with the actress as she plumbed Miller’s archive for her character development, how she mastered the operation of a custom-made Rolleiflex, and how the camera became a personality in itself as part of the film. Penrose had a troubled relationship with his mother during much of her life, as she struggled with PTSD and the enduring effects wartime atrocities had on her psyche. His reflections on her struggles and her accomplishments reveal the very human core of a creative powerhouse who lived in the moment, in true Surrealist fashion. “This person who I had dismissed as being a useless drunk, now had other dimensions to her, which I was totally astonished by,” recounts Penrose about the treasures she left behind in the attic. “… it had never occurred to me that her career was so distinguished, and so varied, and so absolutely groundbreaking in terms of being a woman war correspondent. And so, that’s how it began.”  So, pop in your earbuds and listen in… this is an episode you won’t want to miss! Above photograph © 2023 Lee Miller Archives, England. All rights reserved. www.leemiller.co.uk Guests: Antony Penrose For more information on our guest and the gear he uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/lee-miller-combat-photographer-fashion-model-muse-with-antony-penrose Stay Connected: Lee Miller Archives at Farleys House: https://www.leemiller.co.uk/ Lee Miller: Photographs book:  https://www.thamesandhudsonusa.com/books/lee-miller-photographs-hardcover The Lives of Lee Miller biography:  https://www.thamesandhudsonusa.com/books/the-lives-of-lee-miller-softcover The film “Lee” on IMDB: https://www.imdb.com/title/tt5112584/ “Surrealist Lee Miller”” exhibit in Melbourne, Australia: https://www.heide.com.au/exhibitions/surrealist-lee-miller/ “Lee Miller in Print” exhibit in Rotterdam: https://www.boijmans.nl/en/exhibitions/lee-miller-in-print “Seeing is Believing: Lee Miller & Friends” exhibit at Gagosian Gallery: https://gagosian.com/exhibitions/2023/seeing-is-believing-lee-miller-and-friends/

This episode of the B&H Photography Podcast was originally released on November 10, 2017. We revisit it today in honor of Hip-Hop’s 50th anniversary, and the holiday of Thanksgiving.  With great thanks to Vikki Tobak and the Contact High Project, we welcome three photographers to our studio who are responsible for some of the most iconic images from the history of hip-hop. Janette Beckman, Eric Johnson, and Danny Hastings join us to tell the stories behind their photos of RUN-DMC, Wu Tang Clan, Lauryn Hill, and many others. We also speak about issues important to photographers, from on-set technique, to artistic collaboration and influence, to gear, to networking and, of course, copyright and image licensing. For us, this was a highly anticipated recording, and it did not disappoint. Whether you are a hip-hop fan interested in behind-the-scenes stories or a photographer looking for insight, join podcast host Allan Weitz, founding creative producer John Harris, and sound engineer Jason Tables for this epic chat. Above photograph © Janette Beckman Guests: Janette Beckman, Danny Hastings, Eric Johnson, and Vikki Tobak For more information on our guests and the gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/a-history-of-hip-hop-photography-encore-episode-from-november-2017 Stay Connected: Janette Beckman Website: https://janettebeckman.com/ Janette Beckman Instagram: https://www.instagram.com/janettephoto/ Danny Hastings Instagram: https://www.instagram.com/dannyhastings/ Upstairs at Eric’s: https://upstairsaterics.org/ Eric Johnson Instagram: https://www.instagram.com/upstairsaterics/ Vikki Tobak Instagram: https://www.instagram.com/vikkitobak/ Vikki Tobak Contact High Project: https://www.contacthighproject.com/ Contact High Exhibition: https://www.mopop.org/exhibitions-plus-events/exhibitions/contact-high/

1950s America proved fertile ground for photographers Robert Frank and Todd Webb, who both received Guggenheim Foundation grants to traverse the country in 1955 and record their respective visions. While Frank’s resulting book, The Americans, eventually made him a legend, Webb’s photographs remained unpublished, and were all but lost to history due to a 1970s-era business deal gone bad. The saga of Webb’s unaccounted-for archive and its eventual recovery is one of the juicier tidbits from today’s show, which focuses on the long-awaited opportunity to compare, contrast, and rediscover Frank and Webb’s respective visions from their travels in the exhibition America and Other Myths. Joining us in this discussion are Lisa Volpe, photography curator at the Museum of Fine Arts, Houston, and Bill Shapiro, former Life magazine editor-in-chief. Journey back to the Nifty Fifties astride these two photographers as we examine how two distinct proposals to discover America at mid-century evolved along the open road and in the context of the era’s social tenure.  In the words of Lisa Volpe, “They both saw the same social ills playing out in American culture, they just talked about them differently.” Above photograph © The June Leaf and Robert Frank Foundation Guests: Lisa Volpe & Bill Shapiro For more information on our guests and they gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/1950s-america-as-seen-by-robert-frank-todd-webb-with-lisa-volpe-bill-shapiro Stay Connected: America and Other Myths Exhibit at the Museum of Fine Arts, Houston: https://www.mfah.org/exhibitions/robert-frank-todd-webb-across-america-1955 America and Other Myths exhibition catalog: https://yalebooks.yale.edu/book/9780300270891/america-and-other-myths/ Robert Frank Archive at the MFAH: https://www.mfah.org/films/robert-frank-collection June Leaf & Robert Frank Foundation Website: https://leaffrankfoundation.org/ Todd Webb Archive: https://www.toddwebbarchive.com/news-events Blind Magazine articles by Bill Shapiro:  https://www.blind-magazine.com/stories/on-the-road/ https://www.blind-magazine.com/stories/youre-wrong-about-robert-frank/ https://www.blind-magazine.com/stories/treasure-and-junk/ Robert Frank film footage from Blind Magazine: https://www.blind-magazine.com/stories/exclusive-never-before-seen-video-of-robert-frank/ Bill Shapiro Instagram: https://www.instagram.com/billshapiro/ Todd Webb in Africa episode on the B&H Photography Podcast: https://www.bhphotovideo.com/explora/podcasts/photography/podcast-todd-webb-in-africa%E2%80%94rediscovered-color-photographs

B&H recently celebrated its 50th Anniversary, hosting a spectacular two-day celebration for the creator community, Bild Expo 2023, at New York’s Jacob Javits Center. The podcast’s past three episodes have featured in-depth interviews with a few of the esteemed speakers gracing Bild’s four presenter stages. If you haven’t already done so, please give them a listen, and then—hold on to your hats—in this episode we’re trying something different! To prepare for some fun during the show, we assembled a mobile studio and cooked up a three-question Bild Creator Quiz to spring on imagemakers who crossed our path. Once at Javits, we went on the prowl for subjects willing to be ambushed. Our resulting interviews feature a select group of attendees, expo vendors, Bild speakers, and B&H staff members. Ever since the show wrapped, we’ve been hard at work, combining the short clips we captured live with a narrated story line to take listeners on a virtual stroll through most aspects of the show. We hope you enjoy this taste of the intense, intoxicating, creative camaraderie that permeated the Bild experience. Happy Anniversary B&H—here’s to another 50 years of creativity and growth! Above photograph courtesy of B&H Photo Guests: Menashe Horowitz, Cliff Hausner, Mason Resnick, Michael Yamashita, Matt Hill, Nicolas Roman, Elizabeth Krist, Scott Kelby, Christian Domecq, John Harris, Ron Magill, Michael Mansfield, Patricia Beary, Linda Hacker, Erica Price, Brandon Remler, Dana Glidden, Ami Vitale, David Brommer For more information on our guests and they gear they use, see: https://www.bhphotovideo.com/explora/podcasts/photography/connecting-the-creator-community-bh-bild-ambush-interviews Stay Connected: B&H Photo Instagram Feed: https://www.instagram.com/bhphoto/ Cliff Hausner: https://www.instagram.com/cliffhausner/ Mason Resnick: https://www.instagram.com/mason_resnick/ Michael Yamashita: https://www.instagram.com/yamashitaphoto/ Matt Hill: https://www.instagram.com/matthillart/ Elizabeth Krist: https://www.visualthinkingcollective.com/elizabeth-cheng-krist Scott Kelby: https://www.instagram.com/scottkelby/ John Harris: https://www.instagram.com/jrockfoto/ Ron Magill: https://www.instagram.com/ronmagillwildlife/ Michael Mansfield/Maine Media Workshops: https://www.instagram.com/mainemedia/ Soho Photo Gallery: https://www.instagram.com/sohophotogallery/ Erica Price: https://www.instagram.com/eternalpixny/ Brandon Remler: https://www.instagram.com/brandonremler/ Dana Glidden: https://www.instagram.com/danadigital/ Ami Vitale: https://www.instagram.com/amivitale/ David Brommer: https://www.instagram.com/suspectphotography/

  Have you ever struggled with editing your images to present in a portfolio or as a story pitch? If so, our conversation in this podcast might be of some help. We recently had the great fortune to speak with one of the finest picture editors in the business, former National Geographic photographer, photo editor, and director of photography, Sarah Leen, who we interviewed as part of our coverage of B&H’s 50th Anniversary Bild Expo 2023. Sarah has worked all sides of the table, starting in the field with a camera in hand, then transitioning to a photo editor, and ultimately being tapped to lead National Geographic as Director of Photography in 2013—the first woman ever selected for this role. Among the topics covered in this chat are Sarah’s shift from picture maker to photo editor and how she gained the credentials to take on such a role. We make the important distinction between editing the work of others vs. a photographer editing his or her own images, emphasizing the added difficulty of disconnecting from personal experience to make objective decisions, and how the guidance of a skilled photo editor can help. Turning to her career trajectory, Sarah explains the differences between a photo editor and the director of photography, which is a managerial role. And, when it comes to the recent organizational changes at National Geographic—not to mention within the industry at large—Sarah clarifies that, despite ceasing newsstand sales, the magazine will still be widely available in print, yet by subscription only. We end our chat with details about Sarah’s current work as an independent photo editor and educator, her founding of the Visual Thinking Collective with three former colleagues, and the upcoming release of her latest book project Ukraine: A War Crime, featuring work by 93 photographers. Above photograph © Sarah Leen Guest: Sarah Leen For more information on our guest and the gear she uses, see: https://www.bhphotovideo.com/explora/podcasts/photography/communicating-visually-expert-tips-from-photo-editor-sarah-leen-at-bild Stay Connected: Sarah Leen Website: https://www.sarahleen.com Sarah Leen Instagram: https://www.instagram.com/roseleen Sarah Leen X: https://twitter.com/sleen3 Sarah Leen Facebook: https://www.facebook.com/sarah.leen.92 Visual Thinking Collective Website: https://www.visualthinkingcollective.com FotoEvidence Website and the book Ukraine: A War Crime: https://fotoevidence.com/books/ukraine-a-war-crime-by-ninety-three-photojournalists