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The outstanding rabbinic authority and philosopher of the Middle Ages, Maimonides, was also a physician. After writing The Guide of the Perplexed, his great philosophical treatise, he turned his attention to composing works of medicine. He produced ten: On Hemorrhoids, On Cohabitation, On Asthma, On Poisons and Their Antidotes, Regimen of Health, On the Causes of Symptoms, Extracts from Galen, Medical Aphorisms, a Commentary on Hippocrates’ Aphorisms, and a Glossary of Drug Names. In all of these, Maimonides is preoccupied with organizing, clarifying, simplifying vast expanses of text into usable guidelines. That’s one reason why the production of and instruction in aphorisms was so important for him—they were designed to be easy for physicians and their patients to remember. And there was a lot to remember. According to Maimonides, a doctor must know all about anatomy, symptoms, the health and sickness of the body and its parts, how to restore health when a person is sick, and food and diets, medicines, bathing, bandaging, and the various instruments that a medical doctor would need to use. To get a sense of all this, the Maimonides expert Yehuda Halper sits down with host Jonathan Silver to focus on one particular medical work, Maimonides’s Commentary on Hippocrates’ Aphorisms. Many now will be familiar with Hippocrates because the popular Hippocratic oath that inducts physicians into their profession is attributed to him. But in Maimonides’ time, medical research often took the form of commentary on the ancient writings of Hippocrates. One of Hippocrates earliest and most authoritative commentators was Galen, an ancient Roman doctor, and in his commentary, Maimonides applies his reason and empirical experience in the medical field to both of them. Along the way, Halper, in the fourth and final episode in their mini-series on Maimonides, explains how Maimonides thinks about the nature of authority, about the role and also the limits of tradition, and about the domain of reason and observation in human life. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In the 1850s, when a young Italian Jewish boy named Edgardo Mortara fell ill, his family’s Christian maid had secretly baptized him in hopes that he would be restored to health, or that if he died, his soul would be saved. This meant that when Edgardo survived and his baptism was revealed, the church saw him as a Christian child, not a Jewish one—and it was forbidden by Canon law for a Christian child to be raised by Jewish parents. So Edgardo, then six years old, was removed from his family against their wishes by the pope, and brought to Rome where he was instructed in the Catholic faith and eventually became a priest. This is the background to a new work of short fiction, “The Story of My Family,” written by the great American Jewish writer Cynthia Ozick and published in the March 2024 issue of Commentary. In it, Ozick retells the kidnapping of Edgardo Mortara as it is remembered by Edgardo’s nephew’s daughter who, by the time of the story, has moved to America. From there, she reflects on the way that Edgardo’s life and priesthood haunted his nephew, that is, her own father. To discuss her new story, Ozick joins Mosaic’s editor and podcast host Jonathan Silver this week. Together, the two investigate the meaning of a tale about a Jew who becomes a tormentor of the Jews, and how such theological disturbances can rattle future generations. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.  

This week, the Tikvah Podcast at Mosaic returns to the towering intellectual and religious sage of medieval Judaism, Moses Maimonides, the Rambam. In two previous conversations about his work, the professor of Judaism Yehuda Halper and podcast host Jonathan Silver focused on Maimonides’s Mishneh Torah, his code of law. This week, the two turn from the Mishneh Torah to Maimonides’s philosophical magnum opus, Moreh ha Nevukhim, known in English as The Guide of the Perplexed. Whereas the Mishneh Torah leaves one with the impression that philosophy and law can be reconciled within the covenantal structure of an observant Jewish life, the emphasis in The Guide of the Perplexed is on the tensions, difficulties, and apparent contradictions between philosophy and law. The Guide is one of the great books of Jewish philosophy, and it requires some preliminary introduction before anyone can seriously engage its questions. So this discussion is an orientation to the kind of study, the kind of person, and the kind of life that the Guide is written to instruct. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Since October 7, there have been more than one hundred attacks by Iran-backed militias against American forces in the Middle East. On January 28, a drone strike, probably launched by Iran’s most powerful proxy in Iraq, killed three and injured more than 40 American soldiers. Iran-supported Houthis have launched dozens of attacks on commercial ships in the Red Sea. Iran’s most important proxy in Lebanon, Hezbollah, sustains a low-grade confrontation with Israel. And, of course, 130 Israelis remain captive to Iran-backed Hamas as hostages in Gaza. In other words, there is a war, sometimes hot, sometimes cool, happening across the entire Middle East between Iran, Israel, the U.S., and various other smaller actors. What does Iran want out of this war? Is it achieving its objectives? What is it concerned about? To answer these and other questions, Ray Takeyh here joins Mosaic editor Jonathan Silver. Takeyh is a senior fellow for Middle East studies at the Council on Foreign Relations, a regular contributor to the Wall Street Journal and Foreign Affairs, and the author, just last week, of a New York Times opinion piece called “Why Iran Doesn’t Want a War.” Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.  

Recently, the Israeli professor of Jewish philosophy Yehuda Halper joined Mosaic editor Jonathan Silver to discuss Maimonides, the Rambam, perhaps the most significant medieval rabbinic sage and Jewish philosopher. They discussed Maimonides’s life and the main genres of his work—his commentary on Jewish law, his codification of Jewish law, his elaboration of philosophic mysteries that he believed are laden within the biblical and rabbinic corpus, his writings on science and medicine, and his views on the laws pertaining to Torah study. Halper now returns for another conversation about Maimonides. This week, they look at “Hilchot De’ot,” a section of the Mishneh Torah, Maimonides’s great work on Jewish law, pertaining to the laws of character traits. In “Hilchot De’ot,” Maimonides introduced a portrait of the human condition, suggesting a moral psychology that can be assessed, trained, and elevated, and a description of the human person as an embodied being with a physical presence. There are profound philosophical and religious questions raised explicitly in this work, and even more profound ones residing just under the surface of the text. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

1948 was a landmark year in international politics. It saw the establishment of modern Israel. And it saw the General Assembly of the United Nations adopt the Universal Declaration of Human Rights. That document, recognized today as a foundation stone of international human-rights law, gives voice to a range of fundamental rights meant to honor human freedom and dignity. At the time, many of the proponents of human-rights statements and organizations were not only Jewish but proud Zionists. In the seventy-five years since, those two sorts of commitments seem to have grown in different directions, so that now, most people who work in the human-rights industry do not support but actively oppose the foundational premises and practical necessities of Jewish national freedom. Hillel Neuer is the executive director of UN Watch, a human-rights organization based in Geneva. Together in conversation with Mosaic editor Jonathan Silver, he asks several pressing questions about this history, which he wrote about as a chapter in the new volume Jewish Priorities: Sixty-Five Proposals for the Future of Our People, published by Wicked Son. How did the human-rights movement and Israel start together? How did they grow apart? Can the human-rights movement change course, so that it can still highlight violations of human-rights law without falling prey to the obsession with Israel that today undermines its credibility? Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

2024 marks 820 years since the death of Maimonides in the Egyptian city of Fustat. The main focus of his writing falls in three categories. There's his commentary on the Mishnah and his code of Jewish law, the Mishneh Torah, a monumental contribution to Jewish jurisprudence. His Guide of the Perplexed is a magnum opus of theological and philosophical puzzles and reflection. And his writings about science, health, and medicine are an expression of the expertise he developed in his career as a court physician in Egypt. Today's episode is the first of a multi-episode mini-series on Maimonides featuring Yehuda Halper of Bar-Ilan University, among the most distinguished scholars today of medieval Jewish philosophy and medieval Islamic philosophy, in conversation with Mosaic editor Jonathan Silver. This week, they begin the series by looking at passages from the Mishneh Torah which describe the purview of Torah study. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In 2023, host Jonathan Silver convened 47 new conversations probing some of the most interesting and consequential subjects in modern Jewish life, from theological and religious themes to political and military ones. He spoke to scholars, visual artists, rabbis, writers, soldiers, strategists, and generals. Now that 2023 has come to an end, he's looking back at a number of representative excerpts from the year past in hopes that, as we plan 40 or 50 more conversations in 2024, you’ll return to the archive and listen to some of the most fascinating conversations from this year. In this episode, we present selections from some of our favorite 2023 conversations. Excerpts include the podcast host and president of Shalem College, Russ Roberts; the great American writer, Cynthia Ozick; the Hebrew calligrapher, Izzy Pludwinski; Peter Berkowitz and Gadi Taub debating judicial reform; Ran Baratz on the roots of Israel's rifts; Michael Doran comparing October's Hamas attacks with the Yom Kippur War; Meir Soloveichik on Jewish martyrs; and, discussing Mosaic's November essay on the Palestinian predicament, the scholar Shany Mor, the journalist Haviv Gur, and the intellectual Hussein Aboubakr. Finally, this episode ends on a note of hope, sounded by the historian Rick Richman, whose book of biographical portraits, And None Shall Make Them Afraid, turns out to have been the book we most needed this year. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Israel is known for its advances in military technology, from the helmet-mounted displays of the newest fighter jets to the Iron Beam anti-missile defense system. (See this recent discussion with the military strategist and author Edward Luttwak about his new book on the subject, or this discussion with the entrepreneur Alon Arvatz about the cyber-specific dimension of Israeli defense.) But as with everything, there are always tradeoffs to technology. Those tradeoffs are the concern of the Israeli writer Matti Friedman, who recently published an essay in the Atlantic called “Israel Is Dangerously Dependent on Technology.” Here, he speaks with Mosaic's editor Jonathan Silver about that essay, and the tradeoffs for Israeli planners and politicians that have recently arrived. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

Earlier this month, the Palestinian Center for Policy and Survey Research released a poll of Palestinian attitudes—attitudes towards Israel, towards Hamas, towards the Palestinian Authority, about the Hamas attacks of October 7, about the conduct of the war since that time, and more. The findings are eye-opening. Asked if the October 7 attacks were the right thing to do, in light of all that’s happened since, 72% of Palestinians think they were. A further 85% said that they have not seen the videos of the October 7 attacks, and the vast majority do not believe that Hamas committed the atrocities that the videos show. Meanwhile, 66% of Palestinian respondents do not support the idea of a two-state solution. Approximately the same number, 63% of Palestinian respondents, believes that armed struggle is the best means of achieving, in the words of the poll, “an end to the occupation and the building of an independent state.” Ghaith al-Omari is a senior fellow at the Washington Institute for Near East Policy, the former executive director of the American Task Force on Palestine, and served as an advisor to the Palestinian negotiating team during the 1999–2001 permanent-status talks (in addition to holding various other positions within the Palestinian Authority). Here, in conversation with Mosaic editor Jonathan Silver, he breaks down some of this data and offers historical and political context for it. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

This week, Mosaic editor and podcast host Jonathan Silver steps into the arena of campus conflict. Alexandra Orbuch is a junior at Princeton, while Gabriel Diamond is a senior at Yale and the co-author of an essay in the New York Times entitled “What is Happening on College Campuses is Not Free Speech.” Zach Kessel recently graduated from Northwest and is a fellow at National Review as well as at Tikvah. The three come from different places in the country, have different kinds of religious practices, study different subjects, and none intended to become college activists. Yet all three have found themselves caught up in what they all see as a deteriorating climate for young American Jews. Do arguments over messages scribbled in chalk on the sidewalk or the presence or absence of posters on message boards matter? These three think they do, and ably explain why. The attitudes that are crystalizing in American universities, particularly elite ones, have a disproportionately large impact on American culture by virtue of the disproportionately large power of their graduates. In other words, questions of chalk messages and posters become proxy expressions of power. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.

In the summer 2023 issue of Sapir, Roya Hakakian, an Iranian Jewish refugee to America, published an essay titled “Letter to an Anti-Zionist Idealist." Its form echoes some of the most important arguments in modern times: Edmund Burke’s Reflections on the French Revolution was written as a letter, as was perhaps the foremost Zionist polemic in English, Hillel Halkin’s Letters to an American Jewish Friend. In it, Hakakian acknowledges the misgivings that her correspondent—a benighted, well-intentioned, kind-hearted, idealist—has about Israel, and confronts that point of view with her own gratitude for Israel. And by examining the different judgments at which she and her correspondent have arrived, she is also able to shed light on the effects that America has had on Zionism in general. This week, she joins Mosaic editor Jonathan Silver to discuss her letter, the fervor that now surrounds the subject, and the resurgent presence of the anti-Zionist idealists to whom Hakakian addresses herself. Musical selections in this podcast are drawn from the Quintet for Clarinet and Strings, op. 31a, composed by Paul Ben-Haim and performed by the ARC Ensemble.